{"title":"American Studies","description":"","products":[{"product_id":"watershed-educational","title":"Watershed","description":"\u003cul\u003e\n\u003cli\u003eDirected by: Mark Decena\u003c\/li\u003e\n\u003cli\u003eExecutive Produced by: \u003cspan\u003eRobert Redford, Teri Heyman, Lee Bycel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProduced by: \u003cspan\u003eJames Redford, Jill Tidman, Renata Foucre\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cb\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"float: none;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003eReleased: 2012\u003c\/div\u003e\n\u003cdiv\u003eRunning Time: 57 min\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSubtitles: English and Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIncludes: Discussion and Action Guide\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\"\u003eAgriculture Studies\u003c\/a\u003e, \u003cspan\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\"\u003eEnvironmental Studies\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eExecutive Produced and Narrated by Robert Redford and Directed by award-winning filmmaker Mark Decena, WATERSHED tells the story of the threats to the once-mighty Colorado River and offers solutions for the future of the American West. Can we find harmony amongst the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the water? As the most dammed, dibbed, and diverted river in the world, the Colorado River is a lifeline to expanding populations and booming urban centers that demand water for drinking, sanitation and energy generation, struggling to support thirty million people. WATERSHED introduces a hope that illuminates how letting go of the ways of old can lead to a path of coexisting with enough for all.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"281\" src=\"http:\/\/player.vimeo.com\/video\/51160694\"\u003e\u003c\/iframe\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAwards:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGolden Sun Award, *Barcelona International Environmental Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eBest Conservation Film Award, *Bend Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eFeaturette doc Audience Choice Award*, Red Rock Film Festival2012*\u003c\/li\u003e\n\u003cli\u003eBest Feature Award, *Colorado Environmental Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Environmental Film Festival in the Nation’s Capital 2012, 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Whole Foods Market DO SOMETHING REEL Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Banff Mountain Film Festival**2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sausalito Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Nevada City International Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Voices from the Waters International Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Santa Rosa International Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *San Diego Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Chicago International Social Change Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Social Change Film Festival in New Orleans 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *St. Louis International Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *American Conservation Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sustainable Living Film Festival, Istanbul 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection,*Reel Water Film Fest 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Wild \u0026amp; Scenic Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Southern Utah International Documentary Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Oneota Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Festival International du Film d’Environment, Paris 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Water Docs, An Ecologos Film Festival, Toronto*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Newport Beach Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Siskiyou Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Lake Fork Valley Conservancy**Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Chagrin Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Annapolis Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Tiburon International Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sustainable Film Festival, Ankara 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sun Valley Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sonoma International Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Montreal Environmental Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *International Environmental Film Festival, Rio de Janeiro 2013*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eQuotes:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e“If we see the Colorado River as just a river, we are overlooking a natural engine that powers both our economy and our environment. We created \u003ci\u003eWATERSHED\u003c\/i\u003e to raise awareness to the idea that this river is the canary in the coalmine. If business, government and citizens come together and make some changes, the mighty Colorado can continue to serve us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eRobert Redford\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003ci\u003eWATERSHED\u003c\/i\u003e offers a great opportunity for people throughout the Southwest U.S. to learn more and get involved. Each of us can make a difference to create a more sustainable future for the river and for our region – we can achieve Watershed success for the Colorado River.”\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eGary Wockner, Director of the Save The Colorado River campaign\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003e\u003cspan\u003eWATERSHED\u003c\/span\u003e\u003c\/i\u003eengages us with the human aspects of the Colorado River and inspires action to safeguard the Mother of Rivers.”\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKarin Sheldon, President of Western Resource Advocates\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The content and timing of this film are of critical importance. Our work in the Colorado River Delta over the past decade has demonstrated that the Delta is very resilient and that even a little additional water can make a dramatic difference.\u003cspan\u003e  \u003c\/span\u003eThe Delta will not continue to come back to life, though, without the kind of community awareness and support \u003ci\u003eWATERSHED\u003c\/i\u003e will engender.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eFrancisco Zamora, Director of the Sonoran Institute’s Colorado River Delta Legacy Project\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Redford Center","offers":[{"title":"University and College (With PPR)","offer_id":239927455,"sku":"WTS-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K­‐12, Public Libraries, Non-­profits \u0026 Government (with PPR*)","offer_id":239927457,"sku":"WTS-C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":239927461,"sku":"WTS-D","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/watershed.jpg?v=1575931749"},{"product_id":"arresting-power-educational","title":"Arresting Power","description":"\u003cspan style=\"color: #ffff00;\"\u003e\u003cstrong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Jodi Darby, Julie Perini \u0026amp; Erin Yanke  \u003c\/span\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?10384625402143917297\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 84 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish, Spanish Subtitles, \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_icon.png?9631344061641639057\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Criminal Justice, African American Studies \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003eARRESTING POWER documents the history of conflict between the Portland police and community members throughout the past fifty years. The film features personal stories of resistance told by victims of police misconduct, the families of people who were killed by police, and members of Portland’s reform and abolition movements. Utilizing meditative footage taken at sites of police violence, experimental filmmaking techniques, and archival newsreel, Arresting Power creates a space for understanding the impacts of police violence and imagining a world without police.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eThis film provides a historical and political analysis of the role of the police in contemporary society and the history of policing in the United States. It provides a framework for understanding the systems of social control in Portland with its history of exclusion laws, racial profiling, gentrification practices and policing along lines of race and class. It serves to uncover Portland’s unique history of police relations and community response.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/131142472?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“In this era of unrestrained police violence, Arresting Power should not be missed. While focused on Portland, the lessons are universal and ageless - the system is not broken, the police are here to maintain power for those that have always wielded it!” - Claude Marks, The Freedom Archives\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“If we can not take an honest, graphic, look at the problem of state violence and police terror as it relates to race and class, then we are doomed to escalate and repeat the worst aspects of our potential as an oppressive society. Arresting Power is a deep meditation on the reality of a deadly danger in our midst that destroys lives of real people. This film is an important step in an assessment of where we've been, where we are and what must change.” - Mic Crenshaw \/ Afrikan Hip Hop Caravan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“As Portland continues to rise in rankings of ‘best cities to live in,’ it’s imperative to understand a part of the city’s history and present-day climate that doesn’t pop up on Portlandia.” -Amy Lam \/ Bitch Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Bucking the current Portlandia image, the film builds a context for understanding systemic racism in Portland through the long lens of history. “ - Rose Bond \/ \u003ca href=\"http:\/\/vsw.org\/afterimage\/\" style=\"color: #000000;\"\u003eAfterimage: The Journal of Media Arts and Cultural Criticism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Arresting Power is an activist’s tool. This is a film made not so much for Oscar contention as for community ownership.” - Rose Bond \/ \u003ca href=\"http:\/\/vsw.org\/afterimage\/\" style=\"color: #000000;\"\u003eAfterimage: The Journal of Media Arts and Cultural Criticism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"Jodi Darby","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":5061805636,"sku":"ATP-U","price":250.0,"currency_code":"USD","in_stock":true},{"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":5061805700,"sku":"ATP-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":5061805828,"sku":"ATP-D","price":250.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License + DVD (with PPR*)","offer_id":39449158287465,"sku":"ATP-DD","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FINAL_AP_DVD_FRONT.jpg?v=1575931776"},{"product_id":"between-allah-and-me-and-everyone-else-educational","title":"Between Allah and Me (and Everyone Else)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Link to screening page BETWEEN ALLAH AND ME (AND EVERYONE ELSE)\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Kyoko Yokoma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 60 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003eEnglish with English and French Subtitles, Closed Captioned \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Multicultural Studies, Religion and Spirituality Studies, Feminism\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eNo dress code inspires more debate than that of Muslim women. In North America, the way a Muslim woman dresses is her personal choice, but that choice, which includes whether or not to wear hijab to cover her hair, is often met with both approval and criticism. The film Between Allah \u0026amp; Me (and Everyone Else) explores the challenges of Farida, Shaila, Naima, and Sarah, four Torontonian Muslim women making decisions about their personal dress codes. When these women decide to start or stop wearing hijab, they cannot foresee the range of reactions other people will have to their choices. The film follows the women’s personal journeys and their interactions with different members of society, and in doing so reveals that the piece of fabric called hijab carries many diverse meanings and messages. As these women try to follow their faith and their hearts at the same time, the film unveils the intricate and complex effects of hijab on Muslim women, their families and communities, and the larger multicultural society in which they live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/173013808?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e“[Kyoko] truly crafted a documentary… We saw fascinating character arcs and felt quite close to your characters…  film that should travel to festivals and beyond.” \u003ci\u003e– \u003c\/i\u003eMarc Glassman, Film critic, publisher and professor, Ryerson University, MFA in Documentary Media program\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “Between Allah and Me not only deals with a timely topic, but one that has great personal relevance to me. I applaud those courageous women that agreed to be in the film and share their stories. Their honesty was touching, their words were insightful, and their struggle resonated with me and others, I’m sure. It certainly offers a great springboard for conversation about hijab and Muslim women.” \u003ci\u003e– \u003c\/i\u003eSaira Rahman, Filmmaker, “Arctic Mosque”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Toronto filmmaker Kyoko Yokoma interviews four women who wear the hijab in this nonjudgmental documentary. Farida, who is of Turkish decent, grew up in Russia at a time when the state discouraged religious expression, so she’s been trying to make up for lost time. She studies the Qur’an and prays five times a day, although her mother doesn’t see the point of the hijab. Farida also trades in her short-sleeved tops and above-the-knee skirts for more modest apparel. When she attended Islamic school as child, Shaila felt like a sinner until her mother bought her a hijab. After wearing it for 20 years, she has now entered politics, and decides that it doesn’t feel right anymore, so she only wears the hijab for special occasions. As she puts it, “I feel that Allah can read my heart, and that's what Islam is to me”. At the beginning of the film, Naima, a student, believes that wearing the Hijab is the right thing to do — although she isn’t sure the it’s mandatory, since religious scholars disagree on the point —but she comes to the same conclusion as Shaila, and stops wearing it. Since she wore the hijab for four years, those when know her express surprise, but she assures them that her beliefs haven’t changed. Her friend, Sarah, has her mother’s support for wearing the hijab, but her secular father criticizes the practice, calling it a relic from an earlier era. By allowing her subjects to speak for themselves, Yokoma offers viewers who are interested in religion and gender studies much food for thought in this documentary that is sure to provoke discussion. Recommended.\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kyoko Yokoma","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":20465683204,"sku":"BAM-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":20465683332,"sku":"BAM-C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Public Libraries (without PPR*)","offer_id":20465683460,"sku":"BAM-P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":20465683524,"sku":"BAM-D","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BetweenAllahMe_POSTERHighRes.jpg?v=1575931778"},{"product_id":"barge-educational","title":"Barge","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Ben Powell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by\u003c\/strong\u003e: Ben Powell \u0026amp; Dave Schachter\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 Educational release \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eClose Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Anthropology, Worker's Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eA towboat drifts down the Mississippi River, due for the port of New Orleans. The water, the banks, the bright lights of a port ahead, the lure of a coming paycheck and a home-cooked meal: This is the world of Barge. On board, dry land’s misfits find purpose and direction twenty-eight days at a time as the steady hands of an industrial ecosystem teeming with line boats, fleet boats, and a few million tons of cargo moved each year. Amongst the crew are a green deckhand following his father and grandmother into their family business, a former convict working his way upward in hope of being First Mate, a thirty-eight-year-old veteran engineer in no hurry to retire, all on the ancient waterway pulling a double shift as the backbone of the national economy. As long as the boat’s moving, they’re making money. Barge is an intimate portrait of the machinery of American ambitions.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/195366288?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e “Compelling mix of the magnificent and the humdrum.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAlan Scherstuhl, Village Voice\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“Barge portrays the ballet of industrial America.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eKate X Messer, The Austin Chronicle\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“A meditative microcosm of America and the American Dream”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eFull Frame Documentary Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“A breath of fresh air”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMike McCutchen, Ain't It Cool News\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“…what’s there is fascinating, with the hypnotic pull of the currents dragging us along into the existence of these men……showing us both the good and bad in his protagonists”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eChristopher Llewellyn Reed, Hammer to Nail\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“...a powerfully shot and in-depth look into the struggles of living the isolated life of a barge worker.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAlex White, Examiner\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“First-time director Ben Powell finds a rhythm and beauty in their seemingly mundane treks through America’s waterways.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMatthew Jacobs, Huffington Post\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Do we not appreciate barges enough? A case for these 200-foot, flat-bottomed vessels playing an essential role in civilization is made by the captain of the Mary Parker, a towboat, which pushes along a dozen or so tightly-packed barges down the Mississippi River in filmmaker Ben Powell's low-key documentary. \\\u0026quot;When you get in your car, and you leave your driveway, guess what?\\\u0026quot; says the captain. \\\u0026quot;Concrete was probably in a barge. The tires you're rolling on, the petroleum to make them was in a barge. Asphalt... that stuff was in a barge.\\\u0026quot; He goes on to suggest that just about anything we can buy or use was once, in its original materials form, delivered somewhere by barge, and without these sometimes ugly carriers society would grind to a halt. Life as a captain or crew member has its insular pleasures: the men (and they are all men) aboard the Mary Parker submit to a rhythmic life of shift work with the hum of a powerful boat engine beneath their feet. Powell quickly recognizes that not a lot happens aboard a barge, aside from tasks designed to keep a lot of barges from drifting apart or crashing together. The workers live simply and leave behind domestic problems at home while on month-long trips. And the possibility for advancement is real: a six-figure income is not out of line for a veteran worker with a high school diploma. Powell doesn't make any statement here, but he is a good cultural anthropologist telling the story of a little noticed cog in the global wheel of commerce. Recommended. - C, P. (T. Keogh)\u0026quot;}\" data-sheets-userformat='{\"2\":897,\"3\":{\"1\":0},\"10\":0,\"11\":4,\"12\":0}' style=\"color: #000000;\"\u003e\"Do we not appreciate barges enough? A case for these 200-foot, flat-bottomed vessels playing an essential role in civilization is made by the captain of the Mary Parker, a towboat, which pushes along a dozen or so tightly-packed barges down the Mississippi River in filmmaker Ben Powell's low-key documentary. \"When you get in your car, and you leave your driveway, guess what?\" says the captain. \"Concrete was probably in a barge. The tires you're rolling on, the petroleum to make them was in a barge. Asphalt... that stuff was in a barge.\" He goes on to suggest that just about anything we can buy or use was once, in its original materials form, delivered somewhere by barge, and without these sometimes ugly carriers society would grind to a halt. Life as a captain or crew member has its insular pleasures: the men (and they are all men) aboard the Mary Parker submit to a rhythmic life of shift work with the hum of a powerful boat engine beneath their feet. Powell quickly recognizes that not a lot happens aboard a barge, aside from tasks designed to keep a lot of barges from drifting apart or crashing together. The workers live simply and leave behind domestic problems at home while on month-long trips. And the possibility for advancement is real: a six-figure income is not out of line for a veteran worker with a high school diploma. Powell doesn't make any statement here, but he is a good cultural anthropologist telling the story of a little noticed cog in the global wheel of commerce. Recommended.\" - C, P. (T. Keogh) \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Ben Powell","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":28008095185,"sku":"BRG-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":28008095249,"sku":"BRG-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":28008095377,"sku":"BRG-D","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License + DVD (with PPR*)","offer_id":39449174933609,"sku":"BRG-DD","price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Barge.png?v=1575931780"},{"product_id":"american-winter-educational","title":"American Winter","description":"\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/barge-screening\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/barge-screening\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/American_Winter_Discussion_Guide.pdf?9795503593304629396\" title=\"American Winter Discussion Guide\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/pdf-icon-4_thumb.png?v=1491842675\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/American_Winter_Discussion_Guide.pdf?9795503593304629396\" title=\"American Winter Discussion Guide\"\u003e\u003cstrong\u003eClick here to download the American Winter discussion guide!\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Joe Gantz \u0026amp; Harry Gantz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by\u003c\/strong\u003e: Joe Gantz \u0026amp; Harry Gantz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 Educational release \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Children, Youth and Family, Socioeconomics\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAMERICAN WINTER\u003c\/strong\u003e is a timely documentary that follows the personal stories of eight families struggling in the worst economic downturn since the Great Depression.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eFilmed over the winter of 2011-12, the film reveals the devastating effects of the mortgage meltdown, high unemployment, the health care crisis, and budget cuts to the social safety net through the eyes of families in crisis.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eWoven into the film are interviews with economic experts, policy analysts, religious leaders, and social workers. Ultimately, \u003cstrong\u003eAMERICAN WINTER\u003c\/strong\u003e presents a powerful portrait of the consequences of rising poverty, the decline of the middle class, and the fracturing of the American Dream. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/220061225\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Sidney Award for Excellence in Journalism for the Common Good - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Bending Toward Justice Award From Senator Jeff Merkley - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBEST OF FESTIVAL - Workers Unite Film Festival - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBEST DOCUMENTARY FEATURE - 36th Portland International Film Festival - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Using a mix of hard facts and personal stories, American Winter is too compelling to ignore.\" -\u003cem\u003e Indiewire Review \u003c\/em\u003e\u003c\/span\u003e\"American Winter\" \u003cem\u003eA Devastating Portrait Of The Erosion Of The Middle Class by Kevin Jagernauth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Wrenching\" - \u003cem\u003eWashington Post by Elaine Weiss\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Finally, a movie has arrived that shows the precariousness of the US economy for the majority of Americans, refusing to distinguish between a deserving and non-deserving poor\" - \u003cem\u003eGreg Kaufman, The Nation, This Week in Poverty: 'A Place at the Table' and 'American Winter'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"...A very vivid snapshot of what life was like for many formerly middle-class families. Families that, amid the deepest valley of the economic downturn, were having trouble keeping it all together.\" \u003cem\u003e- Kai Ryssdal, Marketplace (American Public Media)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Powerful and timely\" \u003cem\u003e- NBC's In Plain Sight\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"A thoughtful and confrontational exploration of poverty\" \u003cem\u003e- P. L. Thomas, Daily Kos\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"An intimate portrait of real American families struggling to make ends meet\" \u003cem\u003e- Ben Bamsey, HLNtv\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eHighly Recommended by Video Librarian: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe twin blows of job losses and advancing poverty hit several Portland, OR, families hard in filmmaker Joe Gantz’s American Winter, a melancholy look at paycheck-to-paycheck despair and reduced circumstances in the wake of 2008's economic crash. Cameras follow several representative families in weakening income brackets, whose breadwinners have lost jobs to overseas, suffered cuts in benefits, and are now left slaving for the minimum wage—when they can find jobs at all. One woman is newly widowed, experiencing her first winter with her son in a homeless shelter. Another household has to choose between paying the mortgage or utilities bills (a good neighbor allows them to run an electrical cord all the way to his property). A man whose son has Down syndrome faces foreclosure on a homestead that he says brings the boy stability. Another couple, turned out of their own place, must move back in with parents. While some social-service organizations offer relief, one pastor interviewed here declares that he has never seen so many new needy with so few safety nets. Occasional intertitles offer statistics on corporate job-killing practices and the pernicious decay of the middle-class, but policy-makers and apologists for Wall Street are conspicuous by their absence. A powerful, timely documentary, this is highly recommended. Aud: C, P. (C. Cassady)\u003c\/span\u003e\u003c\/div\u003e","brand":"View Film, Inc","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":34949794769,"sku":"AMW-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K‐12, Public Libraries, Non-­Profits \u0026 Gov't (w\/PPR*)","offer_id":34949794833,"sku":"AMW-C","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Public Libraries (without PPR*)","offer_id":34949794897,"sku":"AMW-P","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":34949794961,"sku":"AMW-D","price":295.0,"currency_code":"USD","in_stock":true},{"title":"Home Use","offer_id":399152381979,"sku":"AMW-H","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/american_winter.jpg?v=1575931781"},{"product_id":"jackson","title":"Jackson","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VL_Best_Docs_Seal_2017_large.jpg?v=1513877870\" alt=\"\" width=\"224\" height=\"170\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Maisie Crow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Women's Studies, Sociology, Gender \u0026amp; Sexuality Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eChildren, Youth \u0026amp; Families, Religion \u0026amp; Spirituality Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eWinner of 13 Film Festival Awards \u0026amp; Emmy Award\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003eEasily one of the year's strongest documentaries...”\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e- Criterion Cast\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/215365585\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAbortion remains legal in the United States, but anti-abortion efforts have succeeded in making it virtually inaccessible in some places, and in the Deep South, often unthinkable. At one time Mississippi had fourteen abortion clinics. Now only one remains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSince the passage of Roe v. Wade more than four decades ago, the self-labeled “pro-life” movement has won significant cultural, political and legal battles. Now, the stigma of abortion is prolific in Mississippi and women in poverty and women of color are particularly vulnerable. Jackson is wrought with the racial and religious undertones of the Deep South and explores the nuanced nature of abortion in America’s Bible Belt. Shannon Brewer is the director of Jackson Women’s Health Organization, the only remaining abortion clinic in the state. Barbara Beaver runs the Center for Pregnancy Choices and is a leader of the anti-abortion movement in Mississippi. April Jackson is a young mother of four children faced with another unplanned pregnancy. Jackson is an intimate, unprecedented look at the lives of three women caught up in the complex issues surrounding abortion access. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSet against the backdrop of the fight to close the last abortion clinic in Mississippi, \u003ci\u003eJackson\u003c\/i\u003e captures the essential and hard truth of the lives at the center of the debate over reproductive healthcare in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFestival Awards \u0026amp; Selections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - HOT SPRINGS DOCUMENTARY FILM FESTIVAL, Jury Award for Best Documentary\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - INDIE MEMPHIS, Jury Award for Best Documentary \u0026amp; Audience Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - LOFT FILM FESTIVAL, CICAE Art Cinema Award\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - NEWBURYPORT FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - NEW ORLEANS FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - OJAI FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - PORTLAND FILM FESTIVAL, Jury Award for Best Documentary \u0026amp; Audience Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - SOCIAL JUSTICE FILM FESTIVAL, Gold Jury Prize for Feature Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - TALLGRASS FILM FESTIVAL, Outstanding Courage in Filmmaking\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - SOCIAL IMPACT MEDIA AWARDS, Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - MONMOUTH FILM FESTIVAL, Best Documentary Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER, DENTON BLACK FILM FESTIVAL, Best Documentary Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER, SAN SEBASTIAN HUMAN RIGHTS FESTIVAL, Amnesty International Prize for Best Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHONORABLE MENTION - SIDEWALK FILM FESTIVAL, Jury Award for Best Documentary\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Los Angeles Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Human Rights Watch Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Big Sky Documentary Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003eAn alarming documentary on a perennial hot-button issue, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Easily one of the year's strongest documentaries...”\u003cem\u003e - Criterion Cast\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Following three very different women positioned at the ideological crossroads of Mississippi’s last remaining abortion clinic, Maisie Crow’s film represents a strong and scrupulously even-handed addition to the annals of documentaries on this most divisive of subjects, including “12th \u0026amp; Delaware,” “After Tiller” and the recent “Trapped.” - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In its focus on that final surviving Mississippi abortion clinic, Maisie Crow's elegant, unsettling Jackson finds issues of class, race, religion, executive power, and women's rights to be tightly interwoven.\" - \u003cem\u003eThe Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A grim warning of what restrictive abortion legislation across the U.S. actually looks like.”\u003cem\u003e - The Huffington Post\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Jackson allows all sides in the abortion issue to have their say to illuminate the issue's truths and lies. The results are sometimes engrossing, sometimes anger-inducing.” \u003cem\u003e- Beyond Chron \u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Crow deftly allows the story to unfold in the words, deeds, and realities of those involved without pushing too hard in one direction. In the end, the viewer is left to draw their own conclusions and work out their own feelings about whether the film chronicles the tale of a victory or a defeat.” \u003cem\u003e- The Lancet Medical Journal\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"This well-crafted film adds to our understanding by humanizing some of the opponents.” - \u003cem\u003eThe Hollywood Reporter \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Jackson is not only one of the best documentaries to premiere at this year’s L.A. Film Festival, it’s sure to be one of the best of the year, period.” - \u003cem\u003ePatheos \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\"It seems every festival year we get an \"important\" work of art, something that cuts through the rhetoric, and Jackson shows all signs of being very important.\" - \u003cem\u003eLA Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Maisie Crow","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":6325358919707,"sku":"JAC-U","price":350.0,"currency_code":"USD","in_stock":true},{"title":"K-12, Public Libraries, Non-­Profits \u0026 Gov't wPPR*","offer_id":6325358952475,"sku":"JAC-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":6325359018011,"sku":"JAC-D","price":350.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":6325359050779,"sku":"JAC-DD","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/keyart_verticalwtitle_nobilling.jpg?v=1575931784"},{"product_id":"the-reluctant-radical","title":"The Reluctant Radical","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Lindsey Grayzel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 77\u003cstrong\u003e \u003c\/strong\u003emin + 56 min classroom version \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Science \u0026amp; Nature, Human Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2019-02-05_at_2.06.18_PM_large.png?v=1549404417\" style=\"float: right; margin-right: 15px; margin-left: 15px;\"\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eTHE RELUCTANT RADICAL\u003c\/i\u003e\u003c\/b\u003e is an intimate portrait of climate activist Ken Ward. Ken breaks the law as a last resort and with great trepidation, to fulfill what he sees as his personal obligation to future generations. The film follows Ken through a series of civil disobedience direct actions, culminating with his participation in the coordinated action that shut down all the U.S. tar sands oil pipelines on October 11, 2016. Facing 20 years in prison for his actions, the film\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003ereveals both the personal costs and also the fulfillment that comes from following one’s moral calling.  \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eRead the \u003ca data-cke-saved-href=\"http:\/\/ https:\/\/www.nytimes.com\/2018\/02\/13\/magazine\/afraid-climate-change-prison-valve-turners-global-warming.html\" href=\"https:\/\/www.nytimes.com\/2018\/02\/13\/magazine\/afraid-climate-change-prison-valve-turners-global-warming.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNY Times coverage\u003c\/a\u003e of the \"Valve Turners\"\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003ethe group of activists Ken Ward collaborated with to take direct action on the U.S. tar sands oil pipelines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/248062039\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWorld Premiere - Big Sky Documentary Film Festival (Feature Competition)\u003c\/li\u003e\n\u003cli\u003ePortland EcoFilm Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003eSalem Film Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003ePrinceton Environmental Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003eThin Line Fest\u003c\/li\u003e\n\u003cli\u003eDarkside Cinema, Corvallis OR - SOLD OUT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRECOMMENDED BY EMRO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"[The Reluctant Radical] shadows Ward as he engages in peaceful protests with the aim of doing whatever is humanly possible, for one person, to stop the actions of big business that are harming the environment. He attempts to block boats headed to the ice caps to drill for oil, to stop the delivery of coal to power plants, even stands in front of gas stations with signs declaring them to be evil. His actions land him in jail on more than one occasion, with one especially significant event resulting in a felony charge and a criminal trial. Climate change can be an uncomfortable topic to discuss, regardless of your personal feelings on the issue. Scientific data, some of which is included in the film, continually substantiates the claim that climate change is happening and human actions are a contributing factor. Yet, many feel helpless when it comes to stopping it. Ward and the film show how one person can act. Overall this film is recommended. It creates an urgency for the viewer, for a crisis that may impact all of humankind, if not dealt with properly. The film is deeply personal, passionate, and could very well be inspiring to many. Recommended.\" \u003cem\u003e- Educational Media Reviews Online, Erin Rowley, University at Buffalo Libraries\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"RECOMMENDED\" - \u003cem\u003eVideo Librarian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003cspan class=\"s3\"\u003eThe Reluctant Radical is the most striking environmental documentary I’ve seen to date—and I have seen plenty. \u003c\/span\u003e\u003cspan class=\"s4\"\u003eIt is an absolute must-see.” \u003cem\u003e- \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eD. Schwartz for Cine Source\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"A film that is both a vivid portrait of an activist and an addictive suspense thriller—a Hitchcockian riff on \u003ci\u003eAn Inconvenient Truth\u003c\/i\u003e....\u003ci\u003eThe Reluctant Radical\u003c\/i\u003e unleashes waves of conflicted feelings. It takes you from the tension-soaked high of watching Ward snap a chain with bolt cutters to eerily intimate moments in which we see the emotional toll his grim quest exacts on his girlfriend, Laura Byerly, and his son, Eli.” \u003cem\u003e- The Willamette Week\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Nothing, not a broken oar or a padlocked chain or a 9,000-ton Finnish icebreaker, can stop Ken Ward from trying to protect his son, and the world....Grayzel wants us to ponder whether this one-man mission to save the world makes Ward a radical. “Yes” is too easy an answer, and the wrong one if you ask Ward. He has to stop climate change at any cost. His every action is one of common sense. Maybe we’re the crazy ones.\"\u003c\/span\u003e\u003cspan\u003e \u003cem\u003e- The Missoulian Independent\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“The Reluctant Radical\u003c\/i\u003e chronicles Ward’s efforts over the past few years, centering on #ShutItDown—an October 2016 action in which Ward and other activists stopped tar sand pipelines from pumping oil into the US using, as Grayzel puts it, “bolt cutters and bravery.” In the hours the pipelines remained shut, 15 percent of daily US crude oil imports were blocked. Later, the activists—and \u003ci\u003eThe Reluctant Radical\u003c\/i\u003e’s filmmakers—were arrested and charged with felonies, a reaction that was seen as an attack on the freedom of the press.” \u003cem\u003e- The Portland Mercury\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"The film will disturb you, and that isn’t all bad. Sometimes we need to be shaken from our complacency to ponder anew what should be our response to the greatest crisis that human civilization has ever faced.” \u003cem\u003e—Terrance Gallagher, United Church of Christ\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFROM THE EXPERTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eThere are many fronts in the vast climate fight; this \u003c\/span\u003efilm highlights the personal \u003cspan\u003estruggles and victories of one daring path.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cem\u003e- Bill McKibben, Founder 350.org\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eHe was told he was crazy, but crazy is sitting idly by as dis\u003c\/span\u003e\u003cspan\u003easter for young people is \u003c\/span\u003e\u003cspan\u003eknowingly locked in.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cem\u003e- Dr. James Hansen, Director of \u003c\/em\u003e\u003cem\u003e\u003cspan\u003ethe Program on Climate Science, Awareness and Solutions of the Earth Institute at Columbia University.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“The Reluctant Radical is about one man’s courage and conviction confronting climate change; beautifully told with insight and honesty. This is what true patriotism looks like.”  \u003cem\u003e- Peter Cornelison, Co-convener Columbia Gorge Climate Action Network\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"If you're deep into the climate movement, you know these are desperate times. A window of opportunity is rapidly closing, and regressive forces have assumed the mantels of power.  That's why, right now, Lindsey Grayzel's \"The Reluctant Radical\" is so powerful... Ken and his cohort are doing what visionaries of our past have done, using civil disobedience and doggedly articulating a vision of an America capable of doing what's necessary.\" \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eJeff Smith, co-chair - \u003c\/span\u003e\u003cspan class=\"s1\"\u003e350 Montana\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"The Reluctant Radical is an outstanding film that takes us on a thought-provoking and intensely personal journey; a man’s passionate quest to fight our planet’s biggest demons forces him to confront his own demons. It’s a brutally honest story of heroism - full of love, anguish and humor- of an ordinary man taking extraordinary action in the face of the planetary crisis we are living in.\" \u003cem\u003e- \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eAdriana Voss-Andreae, MD \u003c\/em\u003ePhD\u003cem\u003e, founder 350PDX\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Lindsey_working_copy_preview_large.jpeg?v=1519243168\" style=\"float: left; margin-right: 10px;\" width=\"300\" height=\"200\"\u003eLindsey Grayzel is currently working to distribute THE RELUCTANT RADICAL, her feature length documentary which follows climate activist Ken Ward as he puts himself in the direct path of the fossil fuel industry. She is also in pre-production on an audio documentary about use of the necessity defense by climate activists in court. Lindsey began her career as an editor in 1994, then made the transition to producing and directing in 1999. Her passion for documentary stories has led her to a successful freelance career producing documentary and educational videos for non-profit organizations, local and state governments, and museums. Recent projects include films for the American Foundation for Suicide Prevention, The Dougy Center, Kenai Fjords National Park and the Canadian Museum for Human Rights. Whether she is working for a client or pursuing an independent project, Lindsey is thrilled to be dedicating her storytelling talents on projects she feels make a positive impact in the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lindsey Grayzel","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":6327916462107,"sku":"TRR-U","price":225.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":6327916494875,"sku":"TRR-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Public Libraries (without PPR*)","offer_id":6327916527643,"sku":"TRR-P","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":6327916560411,"sku":"TRR-D","price":225.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":6327916593179,"sku":"TRR-DD","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/RR_poster_digital_small_RGB.jpg?v=1575931784"},{"product_id":"a-good-american-1","title":"A Good American","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca rel=\"noopener noreferrer\" style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: none;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Friedrich Moser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e March 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 100 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Site License includes English Closed Captions\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eTechnology, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003eFROM EXECUTIVE PRODUCER OLIVER STONE \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"A Good American\" is a gripping docu-thriller about a groundbreaking surveillance program, the brilliant mastermind behind it and how a perfect alternative to mass surveillance was killed by NSA-management for money – three weeks prior to 9\/11.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/kbVfub-L5Rs\" height=\"315\" width=\"550\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBefore Edward Snowden, there was Bill Binney...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBill Binney was a brilliant cryptologist, long-time National Security Agency (NSA) analyst, and Technical Director. He developed a sophisticated program named ThinThread for gathering data capable of providing clues, in real-time, of potential terrorist threats.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBuilt-in safeguards would have prevented the massive surveillance methods later exposed by Edward Snowden. Why was this program killed off? And who was behind it?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFriedrich Moser’s eye-opening and deeply disturbing documentary tells the complete story of Bill Binney and those, both inside the NSA and out, who backed ThinThread. A program that gathered data, lawfully, effectively, and more inexpensively, than the now discredited programs pursued by the US and EU governments. \u003c\/span\u003eIt’s also a chilling account of those willing to go on the record and what happened to them when they tried to expose the truth. Could ThinThread have prevented 9\/11?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - Amnesty International Award Special Mention, Millenium Docs Against Gravity (Poland)\u003c\/li\u003e\n\u003cli\u003eNominated - CPH:DOX, Politiken Audience Award\u003c\/li\u003e\n\u003cli\u003eNominated - Austrian Film Award (Best Score)\u003c\/li\u003e\n\u003cli\u003eNominated - Audience Award, Palm Springs International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOC NYC (Co-presented by Columbia Journalism Review)\u003c\/li\u003e\n\u003cli\u003eMovies that Matter @ The Hague\u003c\/li\u003e\n\u003cli\u003eRotterdam (IFFR)\u003c\/li\u003e\n\u003cli\u003ePortland International Film Festival\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOXA\u003c\/li\u003e\n\u003cli\u003eBiografilm\u003c\/li\u003e\n\u003cli\u003eNashville Film Festival\u003c\/li\u003e\n\u003cli\u003eSpecial Screening at the Brussels European Parliament\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eACADEMIC REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"A damning indictment of the American security establishment. Recommended to viewers with an interest in intelligence matters.\" \u003cem\u003e- Library Journal\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Stunning and Deeply Disturbing\" \u003cem\u003e- Newsweek\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Infuriating!\" \u003cem\u003e- Daphne Howland, The Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Another example of the toxic fallout from corruption and power...\"\u003cem\u003e - Spirituality \u0026amp; Practice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The film is a fascinating, sometimes jaw-dropping account of gifted individuals thwarted by self-serving superiors, with tragic results“\u003cem\u003e - IndieWIRE\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[The film's] subjects have an urgent narrative to tell.\" - The New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Convincing! … fascinating… certainly packs a punch!”\u003cem\u003e - The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"A Good American is as exciting as a well-made thriller....extremely cinematic“ - \u003cem\u003eFilmmagasinet Ekko (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An insanely compelling, well-orchestrated and explosive documentary.\" - \u003cem\u003eSoundVenue (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Enraging, terrifying and eye-opening!\" \u003cem\u003e- Avi Offer, NYC Movie Guru\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Riveting, enraging and beautifully crafted!\" \u003cem\u003e- Cory Doctorow, BoingBoing\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg style=\"float: left; margin: 5px 10px 5px 5px;\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/MV5BMzYyMDc5NjY4NV5BMl5BanBnXkFtZTgwMjIxNTU2OTE_._V1_UY317_CR17_0_214_317_AL_large.jpg?v=1521695959\" alt=\"\"\u003eFriedrich holds a university degree (MA) in history and german studies from the University of Salzburg \/ Austria. Friedrich started his professional career as a TV journalist and editor in Bolzano-Bozen \/ Italy. In 2001 he founded blue+green communication. He has made over 20 documentaries in the past years, most of them as producer \/ director \/ DoP. Friedrich’s professional career also includes lecturing on history and documentaries at the University of Vienna \/ Department of Economic and Social History, as well as teaching video production at the Secondary School for Commercial Graphics in Bressanone-Brixen \/ Italy. Friedrich lives in Vienna\/Austria and in Bressanone-Brixen \/ Italy. His films include THE BRUSSELS BUSINESS and A GOOD AMERICAN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Friedrich Moser","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":6393941032987,"sku":"AGO-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":6393941065755,"sku":"AGO-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":6394151436315,"sku":"AGO-D","price":295.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":6394165592091,"sku":"AGO-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Final_website.jpg?v=1575931784"},{"product_id":"an-american-artist","title":"The American Artist","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Shane Seley \u0026amp; Keith Johnson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 58\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican History, Art\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003ci\u003eThe American Artist\u003c\/i\u003e\u003c\/b\u003e is an intimate portrait of a self-taught artist, George Bingham, who painted life on the river and the politics of a tumultuous era in 19th century American history. Now celebrated as one of the greatest American artists, Bingham and his stunning body of work portray a story of perseverance, ingenuity, and unwavering determination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/259772042?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eBingham Rediscovered - A Lasting Legacy\u003c\/h4\u003e\n\u003cp class=\"text-align-left\"\u003eIn his time, Bingham was a respected portrait painter, but lasting fame proved elusive. His reputation was forever damaged by his choice to make a courageous stand following the Civil War.  Upon his death, his legacy was scattered, his work written off as quaint, and nearly forgotten entirely.\u003c\/p\u003e\n\u003cp class=\"text-align-left\"\u003eBut then a new generation of artists championed his work.  To regionalists like Thomas Hart Benton, Grant Wood and John Steuart Curry, Bingham was one of them, existing even before their movement had a name.  \u003c\/p\u003e\n\u003cp class=\"text-align-left\"\u003eNow Bingham is recognized as one of the key American painters of the 19th century, a model for American artists and movements to come, and one of the first to capture the quintessential American experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNarration by Emmy-winning voice actor Keith David\u003c\/li\u003e\n\u003cli\u003eMusic by Yo-Yo Ma, Edgar Meyer, and The Mengel Brothers\u003c\/li\u003e\n\u003cli\u003eDr. Joan Stack, curator for the State Historical Society of Missouri\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eAcademic Reviews\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"An important and engaging film that will be of interest to history and art students as well as general audiences.\"\u003cem\u003e - Library Journal\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eThe Honor of Storytelling - A Message from the Filmmaking Team\u003c\/h4\u003e\n\u003cp\u003eEvery story we tell is a humbling experience.  We never forget the importance of telling a story well, and telling it right.  This means crafting something that will grab ahold of an audience's attention, but without resorting to cheap tricks or sensationalism.  \u003c\/p\u003e\n\u003cp\u003eEspecially in the realm of non-fiction cinema, we strive for that perfect balance, honoring the facts and presenting them as they occurred, but also respecting our viewer's time and giving them a memorable experience rather than a filmed lecture.  \u003c\/p\u003e\n\u003cp\u003eIn some cases, a story waits a century or more before it lands in our laps.  It is an opportunity of a lifetime to do it right.  Now Bingham's time has come, and we will do his legacy proud!\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wide Awake Films, LLC","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":6470393692187,"sku":"TAA-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":6470393724955,"sku":"TAA-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":6470393790491,"sku":"TAA-D","price":295.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":6470393823259,"sku":"TAA-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FAR_TheAmericanArtist_DVD-jacket-mockup_03.jpg?v=1575931785"},{"product_id":"we-the-people-2-0","title":"We The People 2.0","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Leila Conners\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 91 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eGovernment, American Studies, Sociology\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e“If you live in a corporate state, the only thing left is to dismantle it and build something new.”\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/275568362?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eChoose Democracy, Not Oligarchy\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWe the People 2.0 is a documentary which highlights the struggle between communities and corporations in a battle for local rights. The story unfolds through the eyes of rural people who have faced decades of toxic dumps, drilling and mines in their communities.  We learn with these citizens how powerless they feel, even in \"the best democracy in the world.\"\u003cbr\u003e\u003cbr\u003ePeople in these communities come to understand that the reason they can’t stop the destruction is that the US has become an oligarchy, run by the corporate few who ignore the rights and will of the people.  We The People 2.0 follows people who are challenging our corporate state; thereby saving nature and themselves. Thomas Linzey, a nonprofit attorney and others show how communities can lay claim to their democracy.  \u003c\/p\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/275568863?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/275569244?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWorld Premiere \u003c\/b\u003e2016 Seattle Film Festival (SIFF) \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eColorado Environmental Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eWild \u0026amp; Scenic Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eOneonta Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eBioneers Film Series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e The Salem Progressive Film Series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"We the People 2.0 confronts its viewers with the ravages of mine tailings and leaky containment ponds, of sludge and ooze and grue, all of which, the film documents, are killing people, particularly in the cancer-blighted small towns of North America.\"\u003cstrong\u003e - Seattle International Film Festival\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Americans are often under the belief that the EPA or their local state environmental agency is going to save them from environmental pollution, and that is simply not the case,\" says Leila Conners, a documentarian whose 2016 film, We the People 2.0, examines how corporations undermine American democracy. \"What people have to realize is that they are participating in a system that is not working. Across our country right now, companies are allowed to dump their waste pretty much for free.” \u003cbr\u003e\u003cstrong\u003e- Rolling Stone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“A riveting documentary about ordinary citizens taking back their governments.”  - \u003cstrong\u003eQuad City Times\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The fundamental, timely message of We the People—that meaningful action to reassert control of our health, quality of life, and democracy must be rooted in our local communities—resonates. “Right where we live,” CELDF’s Ben Price says, “is where we need to have democracy the most.” In a year when corporate media have bombarded us with nonstop presidential campaign coverage, this message is welcome and crucial.”\u003cstrong\u003e  - YES! Magazine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tree Media","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":12222500208745,"sku":"WTP2-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":12222500241513,"sku":"WTP2-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":12222500307049,"sku":"WTP2-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":12222500339817,"sku":"WTP2-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WeThePeoplePostCard2.jpeg?v=1575931785"},{"product_id":"urban-roots","title":"Urban Roots","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Leila Conners, Mathew Schmid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduced by:\u003c\/strong\u003e Leila Conners, Mathew Schmid, Mark MacInnis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2011\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Site License includes English Closed Captions\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAgriculture, African-American Studies, Environmental Studies, Urban Studies, Urban Farming, Sustainability, Social Justice, Food Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cstrong\u003eWhen everything collapses, plant your field of dreams.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/275152747?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/275152747\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSynopsis:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eURBAN ROOTS is a documentary that tells the story of the spontaneous emergence of urban farming in the city of Detroit.  Detroit, once an industrial powerhouse, is a city devastated by the loss of half its population due to the collapse of manufacturing.  By the looks of it, the city has died. But now, against all odds, in the empty lots, in the old factory yards, and the sad, sagging blocks of company housing, seeds of change are taking root. With the most vacant lots in the country, citizens are reclaiming their spirits by growing food. Dedicated citizens have started an urban environmental movement that is transforming not just a city after its collapse, but also America at the end of its industrial age. Urban Roots shows dedicated Detroiters working tirelessly to fulfill their vision for locally-grown, sustainably farmed food in a city where people – as in much of the county – have found themselves cut off from real food and limited to the lifeless offerings of fast food chains, mini-marts, and grocery stores stocked with processed food from thousands of miles away. The people of Detroit have taken on the enormous task of changing this for themselves, and to understand their story is to understand how we can change it for us all. Urban Roots is a story that reveals that the best in us can prevail in the most difficult of times; and in the most difficult of places, new hope emerges.  This growing movement of urban farmers is changing the way people think about food—and life in the “D”. It took men like Henry Ford, William Durant, and Lee Iacocca to build this city, but it’s taken a bunch of strong willed self-taught urban farmers to save it.\u003c\/span\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Urban-Roots-Shep-fnl_large.jpg?v=1533834404\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eShepard Fairey designed \"Urban Roots\" Print which promoted farm programs in schools during and after the film's release.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection Reykjavik International Film Festival (RIFF) World Premier\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Sebastopol Documentary Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Eco Focus Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Planet in Focus Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Imagesante Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection San Francisco Green Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection One World Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Food for Thought Film Series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Dig In! Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection World Community Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Princeton Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Saratoga Film Forum\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Marda Loop Justice Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Utah Film Center Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Urban Institute for Contemporary Arts Film Series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Deconstructing Dinner Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection Regent Park Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Urban Roots tells the compelling story of several native inhabitants of Detroit as they get involved in the urban farming movement. They literally transform vacant lots into active producing gardens that provide for their local communities. There are several agricultural programs which the film explores that have cropped up to solve a specific issue. The people involved have become emotionally connected and feel rooted in their city once again. The stories they tell are terrific.” - \u003c\/span\u003e\u003cb\u003eEarth Times\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Urban Roots shows us a different image of Detroit through the eyes of its dedicated urban farmers. In addition to giving background on Motor City’s rise and fall, and introducing viewers to the folks behind a handful of urban farms across town, the film digs into important topics like the racial implications of gardening. Despite its negative associations with slavery, the film argues, working the land can be a powerful vehicle of self-determination and empowerment for Black Americans — especially in a long-neglected city like Detroit, where residents have learned the hard way not to expect change from above.”  \u003c\/span\u003e\u003cb\u003e- Grist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“You may have heard about Detroit’s urban farming movement, but the documentary Urban Roots brings it alive by getting down in the furrows with the growers who are turning the city’s vacant lots into fields of abundance.” - \u003c\/span\u003e\u003cb\u003eUtne Reader\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e“\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sense that emerges from all these voices is one of Detroit agriculture as a complex social ecosystem, growing and developing in a way that is both interdependent and organic as the produce it brings to bear. This individualist, under-the-radar movement — small in acreage but ever-widening in scope and unparalleled in heart — is sowing new hope for Detroit, and by extension, a world full of dying industry and rising transportation costs. Urban Roots leaves no stone unturned, including the controversy over Hantz Farms, a larger-scale operation with an eye on being the first big investor to widen the gap created by the early pioneers.”  - \u003c\/span\u003e\u003cb\u003eKnight Foundation\u003c\/b\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tree Media","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":12225211826281,"sku":"UBR-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":12225211859049,"sku":"UBR-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":12225211924585,"sku":"UBR-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":12225211957353,"sku":"UBR-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/UR_Poster_CollectiveEye.jpeg?v=1575931785"},{"product_id":"side-by-side","title":"Side by Side","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Christoper Kenneally\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduced by:\u003c\/strong\u003e Keanu Reeves \u0026amp; Justin Szlasa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2011\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 99 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003e includes English Closed Captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFilm Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBonus features\u003c\/strong\u003e include extended interviews with Martin Scorsese (\u003cem\u003eTaxi Driver, Goodfellas\u003c\/em\u003e) and Lena Dunham (\u003cem\u003eGirls, Tiny Furniture).\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\"No true movie junkie is going to want to miss Side by Side\" \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e- Rolling Stone\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290514341?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003cem\u003eSide by Side, \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003eproduced by Keanu Reeves,\u003cem\u003e \u003c\/em\u003eis an in-depth examination of how digital filmmaking is challenging traditional celluloid film as the gold standard in moviemaking. \u003cem\u003eSide by Side\u003c\/em\u003e captures the essence of the film versus digital debate through unprecedented access to influential filmmakers such as James Cameron, David Fincher, George Lucas, David Lynch, Martin Scorsese, Robert Rodriguez, Lana and Andy Wachowski, Steven Soderbergh and many more.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eFor almost one hundred years there was only one way to make a movie. Movies where shot, edited and projected using photochemical film. But over the last two decades a digital process has emerged to challenge photochemical filmmaking. \u003cem\u003eSide by Side\u003c\/em\u003e investigates the history, process and workflow of both digital and photochemical film creation, and how — at least for now — the two forms coexist side by side.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThrough interviews with directors, cinematographers, film students, producers, technologists, editors, and exhibitors, Side by Side examines all aspects of filmmaking - from capture to edit, visual effects to color correction, distribution to archive. The film examines what is gained and what is lost both practically and philosophically in the changeover from film to digital through anecdotes and candid opinions about how the digital revolution is transforming their storytelling tools, techniques\u003cstrong\u003e \u003c\/strong\u003eand democratizing the filmmaking process.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAt this moment when digital and photochemical filmmaking coexist, Side by Side explores what has been gained, what is lost, and what the future might bring.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eInterviews include influential Hollywood Directors:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eLena Dunham\u003c\/div\u003e\n\u003cdiv\u003eJohn Malkovich\u003c\/div\u003e\n\u003cdiv\u003eDanny Boyle\u003c\/div\u003e\n\u003cdiv\u003eGeorge Lucas\u003c\/div\u003e\n\u003cdiv\u003eJames Cameron\u003c\/div\u003e\n\u003cdiv\u003eDavid Fincher\u003c\/div\u003e\n\u003cdiv\u003eDavid Lynch\u003c\/div\u003e\n\u003cdiv\u003eRobert Rodriguez\u003c\/div\u003e\n\u003cdiv\u003eMartin Scorsese\u003c\/div\u003e\n\u003cdiv\u003eSteven Soderbergh\u003c\/div\u003e\n\u003cdiv\u003eThe Wachowskis\u003c\/div\u003e\n\u003cdiv\u003eChristopher Nolan\u003c\/div\u003e\n\u003cdiv\u003eJoel Schumacher\u003c\/div\u003e\n\u003cdiv\u003eRichard Linklater\u003c\/div\u003e\n\u003cdiv\u003eLars von Trier \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNotable Screenings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremiered at the 62nd Berlin International Film Festival\u003c\/li\u003e\n\u003cli\u003eTribeca Film Festival  \u003c\/li\u003e\n\u003cli\u003eU.S. Theatrical Release (92% rating on Rotten Tomatoes)\u003c\/li\u003e\n\u003cli\u003eSydney Film Festival\u003c\/li\u003e\n\u003cli\u003eHong Kong International Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn the Press\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Essential viewing for understanding different sides of one of the most vital current debates in cinema.\"\u003cem\u003e - Film4\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"This exhaustive documentary is one of the best films ever made about the filmmaking process.\"\u003cem\u003e\u003cspan\u003e - The Aristocrat\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A trim, informative 99-minute primer on celluloid film, which to many viewers has a warmth and feel as soothing as buttered popcorn, and the brave new world of digital cinema.\" \u003cem\u003e- Minneapolis Star Tribune\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"It's this simple: If you like movies, you need to see \"Side by Side.\"\u003cem\u003e - Arizona Republic\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"There is great flux in this world, as Side by Side so entertainingly demonstrates, and where it's all headed is both discomforting and exhilarating. Stay tuned.\"\u003cem\u003e - Christian Science Monitor\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Side By Side is a riveting, under-the-hood distillation of 100 years of Hollywood experimentation, innovation and expensive bravery.\"\u003cem\u003e - Birmingham Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"It's sweet and sparkling, as glassfuls of thought are provided by James Cameron, Martin Scorsese, George Lucas, David Lynch, Steven Soderbergh and other champagne cinematic cerebra.\"\u003cem\u003e - Financial Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Always accessible, the doc lays out pros and cons of each medium.\"\u003cem\u003e - Time Out Chicago\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Justin Szlasa","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":12666394509417,"sku":"SBS-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":12666394542185,"sku":"SBS-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":12666394607721,"sku":"SBS-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":12666394640489,"sku":"SBS-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/SBS_Key_Art.png?v=1575931786"},{"product_id":"a-texas-myth","title":"A Texas Myth","description":"\u003cdiv style=\"text-align: start;\"\u003e\u003cimg style=\"float: start;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Joseph Cashiola \u0026amp; David Fenster\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 79 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/312982451\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial\" size=\"3\" color=\"#1a1a1a\" style=\"color: #1a1a1a; font-family: Arial; font-size: medium;\"\u003eThe Glover family invites an indigenous activist group to start a protest camp on their land in West Texas.  They call the camp Two Rivers and fight the same company that built the pipeline at Standing Rock. As several industrial projects threaten the region, their struggle reveals much about the colonial legacy of Texas, and how what happens in Texas has reverberations around the world.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Filmmakers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/a_texas_myth_filmmakers_large.jpg?v=1565812190\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e(Co-directors Joseph Cashiola (left) and David Fenster (right)\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"David Fenster","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":28791697014889,"sku":"ATM-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":28791697047657,"sku":"ATM-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":28791697080425,"sku":"ATM-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":28791697113193,"sku":"ATM-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ATexasMyth_Portrait.jpg?v=1575931788"},{"product_id":"ay-mariposa","title":"Ay Mariposa","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Krista Schlyer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 57 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, North American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/347416276\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cstrong\u003eWill the border wall strike a fatal blow to one of the richest natural and cultural regions in North America?\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eAy Mariposa tells a story of La Mariposa, Zulema, and Marianna–three characters in the Lower Rio Grande Valley of Texas whose lives are upended by plans to build a US-Mexico border wall. As the director of the National Butterfly Center, Marianna Trevino Wright has become a leader of wall resistance in the Valley, a position that has resulted in violent threats from pro-wall factions and an emotional odyssey as she tries to navigate the ever-shifting sands of border policy. Zulema Hernandez, a life-long migrant worker, immigrant and great grandmother, has been a dedicated advocate for all migrants, both wild and human-kind. Meanwhile the butterfly, La Mariposa, fights its own daily battle for survival in a landscape where more than 95 percent of its habitat is long gone and much of what remains lies directly in the path of the wall.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe film draws a portrait of Zulema, la Mariposa, and Marianna’s lives and conveys their struggles in the lengthening shadow of a border wall, delving into the motivations that underlie their opposition and actions, and the surprising ties that bind them all together.\u003c\/p\u003e\n\u003cp class=\"\"\u003eNearly 700 miles of wall and other border barriers were constructed under the administrations of George W. Bush and Barack Obama. The completion of the border wall under the Trump administration would seal the fate of some of the most endangered animals in North America, and fundamentally alter national parks, wilderness, wildlife refuges and the existence of every borderlands resident. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis film tells a microcosmic tale of all that is being lost in the rush to build border barriers along the 2,000-mile meeting place of the United States and Mexico.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWorld Premiere at DOCLANDS Film Festival 2019 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“An important film and call to action.” \u003cem\u003e– Julia Butterfly Hill\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This movie will change the way you think about the border” \u003cem\u003e–\u003c\/em\u003e\u003cem\u003e\u003cspan\u003eDaniel Millis, Sierra Club Borderlands Team\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/krista_792cdff3-e78f-4a2e-90f6-b24df808ba78_large.jpg?v=1569886095\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"245\" height=\"250\"\u003eFor more than a decade, Krista’s work has focused heavily on documenting the US-Mexico borderlands and the changes brought about by US border and immigration policy. Her book about the borderlands titled Continental Divide: Wildlife, People and the Border Wall, received national recognition with the National Outdoor Book Award for 2013 and the “Best of the Best” of university presses honor from the American Library Association. A senior fellow of the International League of Conservation Photographers, her stories have appeared in a wide array of outlets including Orion, BBC, National Wildlife and The Nature Conservancy. She is a past winner of the Ansel Adams Award for Conservation Photography and Vision Award from the North American Nature Photographers Association.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Krista Schyler","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":30310205849705,"sku":"AYM-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":30310205882473,"sku":"AYM-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":30310205915241,"sku":"AYM-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":30310205948009,"sku":"AYM-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Ay_Mariposa_Poster.png?v=1575931789"},{"product_id":"charlie-vs-goliath","title":"Charlie vs Goliath","description":"\u003cdiv style=\"text-align: start;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Reed Lindsay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 78 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eSocioeconomic Studies, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OSRuSUjxzj0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCharlie vs Goliath is a feature-length documentary about an ordinary man’s extraordinary struggle to shake up the political establishment. It would be hard to find a more unlikely candidate than Charlie Hardy, a 75-year-old penniless former Catholic priest who spent nearly a decade serving the poor while living in a cardboard shack in a Venezuelan slum. In 2011, Charlie returns to his hometown of Cheyenne, Wyoming, and is shocked to see poverty, hunger and homelessness.\u003c\/p\u003e\n\u003cp\u003eAfter being snubbed by his congressional representatives, Charlie decides to run for office himself in 2014 and manages to win the Democratic Party’s nomination for the US Senate. His Republican opponent has a $3 million war chest, and Charlie’s advisors urge him to focus his efforts on fundraising. Instead, Charlie rejects money from special interests and makes campaign finance reform a key part of his platform. The election is considered the most lopsided in the country and his friends say he is “tilting at windmills.” But Charlie is convinced he will triumph even with all the cards stacked against him. A 21st century Don Quixote, Charlie galvanizes a ragged band of young volunteers determined to make waves in Wyoming’s elections, and in so doing set a precedent for the rest of the country. \u003c\/p\u003e\n\u003cp\u003eThe film provides an intimate portrayal of this resolute and uniquely charismatic septuagenarian while revealing an inside look at a campaign fueled by hope rather than money. Challenging the belief that our political process is fair and democratic, Charlie vs Goliath explores the question of how an honest and sincere person without money can make a difference running for higher office, and more broadly, whether, in the spirit of Don Quixote, it is worth fighting an unbeatable foe and dreaming an impossible dream.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eOfficial Selection of the 2017 Big Sky Documentary Film Festival and \u003c\/strong\u003e\u003cb\u003eBuffalo International Film Festival\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“A modern-day Frank Capra story, Charlie vs Goliath will make you feel a twinge of guilt every time you doubt the capacity of the common people to initiate change.”\u003cem\u003e– Boston Globe\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Charlie reminds us that that one person can make a difference in politics —and that impersonal out of state interests are not as good at reaching voter’s hearts as door to door candidates.” - \u003cem\u003eTrevor Potter, President, Campaign Legal Center\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Profiles the senatorial campaign of a true political outsider.\"\u003c\/span\u003e \u003cem\u003e– Indiewire\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“One man’s battle to take on the political establishment and [showing] you can win in politics without discarding your values... Powerful, passionate, and frequently very funny.”\u003cem\u003e\u003cspan\u003e  \u003c\/span\u003e– The Independent (UK)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/charlie_vs_goliath_director.png?v=1572909056\" style=\"margin-right: 20px; margin-bottom: 20px; float: left;\"\u003eReed Lindsay is a documentary filmmaker and journalist with 16 years of experience telling stories that are not being told, bringing marginalized voices to the fore, exposing injustices and abuse of power, creating awareness about issues that have been ignored or misunderstood and challenging mainstream narratives that are devoid of context or distort local realities. He was one of the first journalists to enter Libya after the uprising, and co-directed a hour-long film entitled Benghazi Rising that was nominated for a Rory Peck Award as best documentary in 2011. He reported on the Egyptian rebellion from beginning to end, and was co-winner of an Emmy for his contribution to the HBO documentary In Tahrir Square. From 2004 until 2009, Reed was based in Port-au-Prince, Haiti, where he worked as a journalist, lived in a poor neighborhood and founded a non-profit supporting a group of community volunteers who formed two tuition-free schools serving 250 children. His work has been published in more than 20 major newspapers and magazines, aired on numerous radio stations, and broadcast on television news networks throughout the world.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Reed Lindsay","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":31126155559017,"sku":"CVG-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":31126155591785,"sku":"CVG-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":31126155624553,"sku":"CVG-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":31126155690089,"sku":"CVG-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/charlie_vs_goliath.jpg?v=1575931789"},{"product_id":"cheche-lavi","title":"Chèche Lavi","description":"\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca rel=\"noopener noreferrer\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sam Ellison\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 76 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eHaitian Creole, Spanish, Portuguese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eImmigration Studies, American Studies, Latin American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/285476696\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e“Chèche lavi” is a phrase in Haitian Creole which means “looking for life.”\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn this indictment of America’s asylum process, two Haitian migrants find their lives in stasis after their journey through multiple countries stalls at the US-Mexico border in Tijuana. When friends Robens and James are separated, this contemplative look at a bond forged through struggle shifts into a moving exploration of the longing to discover one’s place, and the barriers—both figurative and all too literal—that stand in the way.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDoc NYC 2019 Official Selection and 2019 Rotterdam International Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“\u003cem\u003eChèche Lavi\u003c\/em\u003e\u003cspan\u003e‘s importance as a film is about making us feel and empathize about the current immigration crisis, and it is quite effective in doing just that. It gives a face to a problem that we don’t see. It’s a reminder about how lucky we are to have what we have. As well as understand that it’s not so easy to just “go back where you came from.”\u003c\/span\u003e \u003cem\u003e– Film Threat\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eChèche Lavi\u003c\/em\u003e\u003cspan\u003e is a non-sensationalist portrait of the friendship between two men and how fate directs it. Said Ellison, «This is not a film about success, nor about failure», and that is refreshing.\u003c\/span\u003e” \u003cem\u003e– Modern Times Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cspan\u003eA poetic and peaceful paean to Haitians seeking a better life, Sam Ellison gloriously colourful images tell a story we already know but in a zingingly positive and honest way.\u003c\/span\u003e” \u003cem\u003e– Filmuforia\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cspan\u003eJames and Robens' fragmentary conversations and comments — sometimes philosophical, sometimes humorous, always shot through with overlapping longings as their aspirations crumble in the face of tough realities — say all that needs to be said.\u003c\/span\u003e” \u003cem\u003e– The Hollywood Reporter\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cb\u003e\u003cimg height=\"215\" width=\"211\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/sam_ellison.jpg?v=1574283747\"\u003eSam Ellison\u003c\/b\u003e\u003cspan\u003e is a filmmaker whose documentary work focuses on the intercultural peripheries of US power. He is a member of the International Cinematographers Guild, and a constant traveler. His recent films include Distribution (2017), which won the Atlanta Film Festival's honorable mention for short documentary.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sam Ellison","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":31321926205545,"sku":"CHLV-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":31321926238313,"sku":"CHLV-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":31321926271081,"sku":"CHLV-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":31321926303849,"sku":"CHLV-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/CHECHE_LAVI_POSTER_for_print_RED_VERSION_smaller.jpg?v=1575931789"},{"product_id":"common-ground-the-story-of-bears-ears","title":"Common Ground: The Story of Bears Ears","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Paige Sparks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 78 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eIndigenous Studies, American Studies, Environmental Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/310835648\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003eOn December 28th, 2016, former President Obama protected nearly 1.5 million acres of sprawling canyon lands and ancient cultural sites in southeast Utah by designating the area as Bears Ears National Monument.\u003c\/p\u003e\n\u003cp\u003ePolitically, Native American groups and environmentalists applauded the designation. However, it infuriated some locals and state politicians who, declaring government overreach and unnecessary restrictions to the land, demanded the monument to be rescinded. As a result, President Trump signed a proclamation reducing the size of the monument by 85 percent. Environmental groups and tribal governments have responded by filing a host of lawsuits against the Trump administration.\u003c\/p\u003e\n\u003cp\u003eLocally, the controversy has divided the community and riled longstanding cultural tensions. While this political debate unfolds in the national spotlight, this project seeks to transcend the rhetoric, following diverse characters living in San Juan County and their relationships with the land.\u003c\/p\u003e\n\u003cp\u003eThe film’s goal is to humanize this polarizing issue, depicting the deep pull within us all to connect with our wild lands. It seeks to bring clarity to the complex and divisive arguments surrounding Bears Ears, revealing the common ground between opposing ideologies: love and awe of a beloved land.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eOfficial Selection at Big Sky Documentary Film Festival 2020\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e \u003c\/strong\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/paige_sparks_7b6f5cd9-d074-46aa-ab7a-ad6531aa61df.jpg?v=1581709856\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003ePaige grew up in Park City, Utah with the Uintah’s in her back yard. Camping, exploring, and recreating shaped who she is today. With natural landscapes in jeopardy, Paige needed to find a way to give back.\u003cbr\u003e\n\u003cp\u003eIn college she developed an interest in documentary filmmaking and made her debut as an associate producer for shows on National Geographic, Discovery, and Outdoor channel. In 2013, she worked as a producer for short and long format documentaries featured on KUED, the local PBS affiliate in Salt Lake City. Her films have won various awards including a Silver Telly and two Rocky Mountain Emmys. When she’s not making films she spends her time camping with her husband and two dogs, Sam and Jack.\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Paige Sparks","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":31932767993961,"sku":"CGR-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":31932768026729,"sku":"CGR-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":31932768059497,"sku":"CGR-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":31932768092265,"sku":"CGR-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/common_ground_poster.jpg?v=1581709931"},{"product_id":"boxers-of-brule","title":"The Boxers of Brule","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Jessie Adler\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 38 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health, American Studies, Indigenous Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/301989423\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAt 23 years old, Shaionna Grass Rope lost her best friend Cheryl Ziegler to suicide. Cheryl- her cousin by blood and sister by culture- was an aspiring boxer who battled depression and addiction. Though facing the same struggles, Shaionna creates a boxing team for the girls following in their footsteps, determined to end trends of youth suicide within the Lower Brule Sioux Tribe of South Dakota. The preteen squad faces the challenges of growing up on a reservation together with humor, sass and slushy-stained smiles.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eOfficial Selection for 2019 Big Sky Documentary Film Festival and 2019 Tribeca Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/jessie_adler.jpg?v=1581968184\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"138\" height=\"179\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003eJessie is a documentary filmmaker, cinematographer and photographer. In 2014 she began working as a Human Rights Storyteller for EarthRights International, collaborating with indigenous communities in the Mekong and Amazon regions to advocate for human and environmental rights. Her dedication to using video for advocacy and empowerment lead her to the School of Visual Arts’ Social Documentary Film program, where she received an MFA in May 2018. \"The Boxers of Brule\" is her directorial debut.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Jessie Adler","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":31975298269289,"sku":"TBB-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":31975298334825,"sku":"TBB-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":31975298433129,"sku":"TBB-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":31975298465897,"sku":"TBB-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BoxersofBrule_poster-WEB_NoLaurels_loRes_NoCred.jpg?v=1597175046"},{"product_id":"unlikely","title":"Unlikely","description":"\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Jaye \u0026amp; Adam Fenderson\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 81 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions, Spanish Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican Studies, Socioeconomics\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/B5YASi5J4Kc\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eIn the US less than 50% of students who start college ever finish, making America’s college completion rates among the worst in the world. Now there are more than 35 million Americans who started college but never finished, leaving them saddled with debt, and behind their peers in earning power. Featuring interviews with LeBron James, Howard Schultz, and our nation's leading voices in education, this penetrating and personal new film investigates America’s college dropout crisis through the lives of five diverse students as they fight for a second chance at opportunity and highlights the innovators reimagining higher education for the 21st century.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e2019 SXSW EDU Official Selection and 2019 Napa Valley Film Festival World Premiere\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Inspirational” \u003ci\u003e– The Chronicle of Higher Education\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"Optimistic\"\u003ci\u003e - The Hollywood Reporter\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"Timely\"\u003ci\u003e - LA Times\u003c\/i\u003e    \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\" style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2020-02-18_at_1.30.00_PM.png?v=1582061536\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"185\" height=\"237\"\u003eHusband \u0026amp; wife filmmaking team, Adam and Jaye are the founders of Three Frame Media and producers of the award-winning documentary film First Generation. With a combined 25 years of film and television experience and credits spanning acclaimed shows for NBC, MTV, Lifetime, Discovery, ABC Family, E!, CNBC, and Spike, the Fenderson's are passionate about harnessing the power of media to advocate for issues of social justice and mobilize audiences to effect change.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Jaye Fenderson","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":31989691318377,"sku":"UNL-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government DVD (with PPR*)","offer_id":31989691351145,"sku":"UNL-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":31989691383913,"sku":"UNL-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":31989691416681,"sku":"UNL-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2020-02-18_at_1.25.16_PM.png?v=1582061514"},{"product_id":"indigenous-shorts","title":"To Us The Ashes: Indigenous Shorts","description":"\u003cdiv style=\"text-align: start;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Ciara Lacy, Jessie Adler, Preston Randolph, \u003cspan data-mce-fragment=\"1\"\u003eDaniel Fradin \u0026amp; Kyle Rosenbluth\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduced: \u003c\/strong\u003e2019-2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  95 min (4 Shorts) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; Various\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eIndigenous Studies, Environmental Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e \u003cem\u003eBoxers of Brule\u003c\/em\u003e \u0026amp; \u003cem\u003eArctic Summer\u003c\/em\u003e can be purchased separately\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/568992969?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e      \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTo Us The Ashes\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a reference and ode to Chief Seattle’s Treaty of 1854, is a collection of 5 Indigenous Documentary Shorts from across the world. As each short highlights different Indigenous stories of fly fishing conservationists in the Pacific Northwest to \u003cspan data-mce-fragment=\"1\"\u003ea young Lakota woman creating a girls’ boxing team\u003c\/span\u003e, they each embody the ingenuity and tenacity of Indigenous People across the world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTHE SHORTS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2020-02-27_at_3.47.31_PM_480x480.png?v=1582848570\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirected by: Ciara Lacy\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eA lifelong angler, Autumn Harry had never fished beyond the waters of her reservation — until she picked up a fly rod. On a trip to Washington to cast for steelhead, she unpacks what it means to overcome her own image of who is a fly fisher and uses the sport to fight for conservation.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection at Big Sky Documentary Film Festival 2019\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2020-04-17_at_3.55.52_PM_480x480.png?v=1587164248\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eReturn to Foretop's Father\u003c\/strong\u003e\u003cbr\u003eDirected by: Preston Randolph\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Native American elder travels from the reservation to a sacred landmark and conducts a historic pipe ceremony to bring awareness to climate change and the negative impacts resulting from the disconnect between nature and modern culture.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePBS Broadcast: American Masters\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/arctic_summer_480x480.jpg?v=1623957926\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eArctic Summer\u003c\/strong\u003e\u003cbr\u003eDirected by: \u003cspan data-mce-fragment=\"1\"\u003eDaniel Fradin \u0026amp; Kyle Rosenbluth\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eArctic Summer is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.\u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e      \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003eBig Sky Documentary Film Festival\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Boxers-of-Brule_480x480.jpg?v=1582848825\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThe Boxers of Brule\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirected by: Jessie Adler\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003eDevastated by her best friend’s suicide, a young Lakota woman creates a girls’ boxing team with urgent hope that sport, sisterhood and tradition will guide youth toward a safer path.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection at Tribeca Film Festival 2019 and American Film Showcase\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jessie Adler","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":31993314443369,"sku":"TUTA-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":31993314476137,"sku":"TUTA-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":31993314508905,"sku":"TUTA-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":31993314541673,"sku":"TUTA-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ToUsTheAshesupdatedposter_40e38681-7014-4768-beac-0dc98c29ae8c.jpg?v=1624381579"},{"product_id":"voices-from-within","title":"Voices From Within","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Ellie Walton \u0026amp; Joy Haynes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 24 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/23827059?color=ff0179\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVoices From Within\u003c\/em\u003e\u003cspan\u003e explores the complicated process of recovery through the eyes of two long-term residents of Saint Elizabeths, Washington DC's public psychiatric hospital. Found not guilty by reason of insanity Lew and Jimmy, through the intimacy of video diaries,\u003c\/span\u003e\u003cspan\u003e share their daily struggles with mental illness, isolation, and the journey for redemption. We learn how they feel to have spent most of their lives under constant surveillance, where their every action is deemed a symptom of a diagnosis, and their freedom of movement is in constant negotiation by a complicated system of restrictions and privileges.\u003c\/span\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBy putting the cameras directly into their hands, we witness their transformation from examined to examiner. The film takes us through their daily routines, and their ongoing struggle to leave the hospital and transition back into the community. One in four adults—approximately 57.7 million Americans— experience a mental health disorder in a given year. One in 17 lives with a serious mental illness such as schizophrenia, major depression or bipolar disorder. And yet mental illness remains taboo and stigma. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003eVoices From Within\u003c\/em\u003e provides individuals with mental illness the ability to tell their own stories of recovery; to support their healing process through building confidence and encouraging introspection; and to provide a platform for these individuals to use personal storytelling to connect to the wider DC community. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThrough an in-depth community engagement strategy, Voices From Within aims to humanize an often misrepresented population, sparking dialogue about mental illness and encouraging a deeper understanding of the complexities of recovery.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003e   \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VFW_Joy.jpg?v=1584468681\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"140\" height=\"198\"\u003e\u003cstrong\u003eJoy Haynes\u003c\/strong\u003e is an attorney, an actor and a producer. She attended the Duke Ellington High School of the Arts in Washington, D.C., earned a BFA in theater from Stephens College in Columbia, MO, and received her law degree from Georgetown University Law Center. As an immigration attorney, Joy has helped thousands of people live their American dream. As an actor, she works regularly in TV, films, and industrials. With multiple award-winning short films and television pilots under her producer belt, she is most proud of her documentary \"Voices From Within,\" a view of life inside a mental institution.\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ellie_walton.jpg?v=1582654367\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"142\" height=\"187\"\u003e\u003cstrong\u003eEllie Walton\u003c\/strong\u003e is a documentary filmmaker and educator, passionate about sharing stories of \u003c\/span\u003e\u003cspan\u003eeveryday revolutionaries and misfits. Her work has been an evolving experiment in participatory \u003c\/span\u003e\u003cspan\u003efilmmaking, where subjects are active storytellers, as she hands over the boom pool, shares the \u003c\/span\u003e\u003cspan\u003elens and brings them into the editing room. Her feature documentaries have collaborated with public \u003c\/span\u003e\u003cspan\u003ehousing residents fighting displacement (Chocolate City, 2007), theater artists imagining change \u003c\/span\u003e\u003cspan\u003e(Walk With Me, 2012), teenagers overcoming violence (Fly By Light, 2015), and young women \u003c\/span\u003e\u003cspan\u003erewriting tradition (Brave Girls, 2018). Ellie is grateful for all those who have supported, \u003c\/span\u003e\u003cspan\u003ecollaborated and shared their stories with her along the way. They have made it possible for Ellie \u003c\/span\u003e\u003cspan\u003eto hold onto the belief that films have the power to reveal the beauty in surprising places, inspire \u003c\/span\u003e\u003cspan\u003edialogue across difference, and make a more compassionate world irresistible.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Ellie Walton","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":32012201492585,"sku":"VFW-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":32012201525353,"sku":"VFW-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32012201558121,"sku":"VFW-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32012201590889,"sku":"VFW-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/voicesfromwithinposter.jpg?v=1584468248"},{"product_id":"mossville-when-great-trees-fall","title":"Mossville: When Great Trees Fall","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Alexander Glustrom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 76 min \u0026amp; 55min editions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Physical and Mental Health, American Studies, African American Studies, Public Health, Documentary Studies, Southern Studies, Public Policy, Environmental Law\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/145085489?title=0\u0026amp;byline=0\u0026amp;portrait=0\" allowfullscreen=\"\" allow=\"autoplay; fullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMossville, Louisiana is a shadow of its former self – a community rich in natural resources and history, founded by formerly enslaved people and free people of color – where neighbors lived in harmony, insulated from the horrors of Jim Crow. Today, however,  Mossville no longer resembles the town it once was. Surrounded by 14 petrochemical plants, Mossville is the future site of apartheid-born South African-based chemical company Sasol’s newest plant – proposed as a $21.2 billion project and the largest in the western hemisphere.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e    \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe community struggles to let go of their ancestral home - and at the center of it all is a man named Stacey Ryan. Stacey is 49 years old and a lifelong resident of Mossville. In the past ten years, Stacey has lost much of his family to cancer and seen the neighborhood he grew up in demolished to make way for Sasol’s new multi-billion dollar project. He experiences these changes from the view of his parent’s home, a FEMA trailer smack in the middle of where the new Sasol facility is being built – and he refuses to leave. Having promised his dying parents to fight the sprawling chemical companies, Stacey struggles to keep his word as his power, water, and sewage are all cut off, and his health continues to decline from ongoing chemical exposure. His dilemma is a moral one, too: he has a 5-year-old son living nearby with the child’s mother that he wants to move out of state, yet for now, the pull of that promise to his parents keeps him living in the middle of a construction site. As Sasol encroaches on citizens’ property with buyout offers, Stacey and other community members have to decide whether to exist in a chemical war zone or abandon land that has been in their families for generations.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1obIxRqnTaM3SnfzvJIWHZMZ67ezCADnG\/view?usp=sharing\"\u003e\u003cspan\u003eMossville: When Great Trees Fall Educational Study Guide\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eMossville has won the following \u003cstrong\u003eawards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eKathleen Bryan Edwards \u003cstrong\u003eHuman Rights Award\u003c\/strong\u003e from Full Frame Documentary Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eDavid Carr \u003cstrong\u003eTruth in Non-Fiction Filmmaking Award\u003c\/strong\u003e and Junior Jury Award from Montclair Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBest Documentary Film\u003c\/strong\u003e from Rainier Independent Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBest Documentary Film\u003c\/strong\u003e and \u003cstrong\u003eEcoHero Award\u003c\/strong\u003e from Portland EcoFilm Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBest International Feature\u003c\/strong\u003e from Toronto’s Planet In Focus Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBest In Show\u003c\/strong\u003e from Bend Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBest Southern Feature\u003c\/strong\u003e from Hot Springs Documentary Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAudience Award\u003c\/strong\u003e and \u003cstrong\u003eHonorable Jury Mention\u003c\/strong\u003e from New Orleans Film Festival.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDocumentary of the Year\u003c\/strong\u003e from Louisiana Endowment for the Humanities.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eSpirit of Activism Award\u003c\/strong\u003e from Wild \u0026amp; Scenic Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Striking and Urgent…” – \u003cem\u003eIndie Wire\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Mossville captures the devastation of the destruction of a community with grace and empathy and has a message that will reverberate across generations.” – \u003cem\u003eBRWC\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A sad and uncommonly stunning exploration of environmental racism and the adverse effects of industrialization on fenceline communities.” – \u003cem\u003eAnti-Gravity\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A nightmarish landscape is the battleground for Stacey’s defiant spirit, as he’s forced to choose between a better life for his son and fighting to preserve his ancestors’ legacy.” –\u003cem\u003e Planet in Focus\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cimg height=\"232\" width=\"221\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/alexander.jpg?v=1583176011\"\u003eAlexander Glustrom has directed, shot, produced, and edited a wide variety of film projects ranging from commercial, music, and art videos that have reached hundreds of thousands online, to documentaries that have been featured in film festivals internationally. He has shot footage that has aired on major networks such as HBO, CNN, Fusion, NYtimes.com, Great Big Story and Democracy Now. He has also created a number of fundraising videos that have raised thousands of dollars for New Orleans youth programs. Alex's first film is the award winning documentary film, \u003c\/span\u003e\u003ca href=\"http:\/\/www.bigcharityfilm.com\/\" target=\"_blank\"\u003eBig Charity\u003c\/a\u003e\u003cspan\u003e, which he directed, shot, produced and edited. Big Charity won The Jury Award and Audience Award at The New Orleans Film Festival, was awarded 2015 Documentary of the Year by Louisiana Endowment For The Humanities, and was named the 5th Best Film Made in Louisiana in 2014 and the 4th “Best Katrina Film\" by NOLA.com. Alex was awarded \"Filmmaker of the Year\" at the 2015 New Orleans Millennial Awards and named as one of New Orleans' \"40 under 40 brightest and most innovative young people\" by Gambit Magazine.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Alexander Glustrom","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":32032178765929,"sku":"MOSS-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":32032178798697,"sku":"MOSS-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32032178831465,"sku":"MOSS-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32032178864233,"sku":"MOSS-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MossvillePoster.jpg?v=1591910437"},{"product_id":"labor-wars-of-the-northwest","title":"Labor Wars of the Northwest","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e David Jepsen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 75 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/317376092\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBy the 1880s, with railroad transportation in \u003c\/span\u003e\u003cspan\u003eplace, the era of settlement in the Pacific \u003c\/span\u003e\u003cspan\u003eNorthwest gave way to industrialization. Jobs \u003c\/span\u003e\u003cspan\u003eaccelerated with the power of a locomotive as \u003c\/span\u003e\u003cspan\u003etens of thousands of unskilled workers came \u003c\/span\u003e\u003cspan\u003eseeking a living wage in the forests, mines and \u003c\/span\u003e\u003cspan\u003eshipyards. Instead they found themselves \u003c\/span\u003e\u003cspan\u003eembroiled in a conflict with capital. On one \u003c\/span\u003e\u003cspan\u003eside were owners striving to compete in \u003c\/span\u003e\u003cspan\u003enational and global markets. On the other \u003c\/span\u003e\u003cspan\u003ewere men and women living vulnerable and \u003c\/span\u003e\u003cspan\u003eoftentimes dangerous working lives, marked \u003c\/span\u003e\u003cspan\u003eby low pay, long hours and inhumane \u003c\/span\u003e\u003cspan\u003econditions. But the labor wars of the early \u003c\/span\u003e\u003cspan\u003etwentieth century stretched beyond a struggle \u003c\/span\u003e\u003cspan\u003ebetween capital and labor. At stake was a \u003c\/span\u003e\u003cspan\u003eregion trying to come to grips with itself.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e   \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cem\u003eLabor Wars of the Northwest \u003c\/em\u003echronicles the cauldron of discontent, radicalism and violence that permeated the region in the early decades of the twentieth century. Following the arrival of the railroads in the 1880s, tens of thousands of workers migrated to the Northwest for jobs in logging, mining and fishing. But instead of steady work, they found poverty-level wages, crushing hours and dreadful conditions. By examining this conflict in the context of a decades-long struggle, Labor Wars of the Northwest shines new light on tragedies like the Everett Massacre (1916), the Seattle General Strike (1919) and the Centralia Massacre (1919).\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eOfficial Selection for 2019 Gig Harbor Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"100 Years Later, Documentary ‘Labor Wars of the Pacific Northwest’ Still Stirs Emotions\" - \u003cem\u003eDaily Chronicle\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/David-Jepsen.jpg?v=1586990851\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e \u003c\/strong\u003eDavid J. Jepsen is a historian, writer and educator who teaches Pacific Northwest and U.S.\u003cbr\u003ehistory at Tacoma and South Puget Sound community colleges. He holds a master’s degree in\u003cbr\u003ehistory and a bachelor’s in communications from the University of Washington, and lives in Gig\u003cbr\u003eHarbor, Washington. He is the coauthor of Contested Boundaries: A New Pacific Northwest History (John Wiley\u003cbr\u003eand Sons, 2017). It was the first new regional textbook published in 30 years, and to date 15 colleges and universities in Washington are using it in their classrooms. He speaks frequently\u003cbr\u003eon Pacific Northwest history. Mr. Jepsen also lends his knowledge of regional history consulting and writing for museums, including the Washington State History Museum in Tacoma.\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"David Jepsen","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32201698836585,"sku":"LWAR-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":32201698869353,"sku":"LWAR-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32201698902121,"sku":"LWAR-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32201698934889,"sku":"LWAR-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/LaborWarsKeyArtFinal.jpg?v=1588029115"},{"product_id":"collisions","title":"Collisions","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Richard Levien\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 82 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eImmigration Studies, North American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/288603699\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.2999877929688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"490.03783416748\" x=\"54.1800003051758\" y=\"-517.700012207031\" data-test=\"textbox\"\u003eWhen twelve-year-old Itan, straight-A-smart, comes home from school in San Francisco, she is stunned to find \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"483.619857788086\" x=\"54.1100006103516\" y=\"-505.699981689453\" data-test=\"textbox\"\u003etheir furniture up-ended, and no trace of her mother, Yoana. Child Protective Services dumps Itan and her six-\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"505.100929260254\" x=\"54.0999984741211\" y=\"-493.699981689453\" data-test=\"textbox\"\u003eyear-old brother Neto with their estranged uncle Evencio, a big rig truck driver. Itan can't stand him. He's arrogant, \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"501.37366104126\" x=\"54.6300010681152\" y=\"-481.699981689453\" data-test=\"textbox\"\u003eunreliable, and probably criminal. After a desperate search, Itan locates Yoana in an immigration detention center \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.2999877929688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"147.949005126953\" x=\"54.6399993896484\" y=\"-469.700012207031\" data-test=\"textbox\"\u003ein Arizona and convinces Evencio \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.2999877929688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"82.3720092773438\" x=\"205.878997802734\" y=\"-469.700012207031\" data-test=\"textbox\"\u003eto take them there.\u003c\/text\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e    \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"489.415683746338\" x=\"54.1599998474121\" y=\"-442.699981689453\" data-test=\"textbox\"\u003eThey are propelled onto the road in Evencio’s truck, through the maddening labyrinth of immigration detention. \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"480.395793914795\" x=\"54.9799995422363\" y=\"-430.699981689453\" data-test=\"textbox\"\u003eItan fights to free her mother before she is deported. But her mother keeps slipping from her grasp, as she is \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"463.863876342773\" x=\"54.1100006103516\" y=\"-418.699981689453\" data-test=\"textbox\"\u003etransferred from prison to prison. \u003c\/text\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"463.863876342773\" x=\"54.1100006103516\" y=\"-418.699981689453\" data-test=\"textbox\"\u003eTheir journey takes them through the deserts of the southern border, to \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"327.819984436035\" x=\"54.3199996948242\" y=\"-406.699981689453\" data-test=\"textbox\"\u003esprawling truck stops, border patrol offices and secret immigration prisons.\u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"505.122844696045\" x=\"54.9799995422363\" y=\"-379.699981689453\" data-test=\"textbox\"\u003eIn the close quarters of Evencio's truck cab, Itan and Neto begin to bring a better man out of Evencio. But Evencio \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"498.483787536621\" x=\"54.4000015258789\" y=\"-367.699981689453\" data-test=\"textbox\"\u003eabandons them just when it seems they have a chance of stopping their mother's deportation. Are they now truly \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.2999877929688\" lengthadjust=\"spacingAndGlyphs\" textlength=\"62.5319900512695\" x=\"54.2900009155273\" y=\"-355.700012207031\" data-test=\"textbox\"\u003eon their own? \u003c\/text\u003e\u003ctext class=\"_3ziulaHePS\" direction=\"ltr\" height=\"12.3000183105469\" lengthadjust=\"spacingAndGlyphs\" textlength=\"233.169960021973\" x=\"119.987998962402\" y=\"-355.699981689453\" data-test=\"textbox\"\u003eOr will Evencio come through and reunite the family?\u003c\/text\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eJury Prize for Best US Indie at Sonoma International Film Festival 2019 and Best Feature at Arizona International Film Festival 2019\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Timely and quietly affecting, this assured feature debut from Bay Area director Richard Levien concerns a young girl and her even younger brother who go on a road trip to retrieve their mother after ICE agents haul the woman away for possible deportation. The acting, cinematography and music all lend the film a gritty and emotional authenticity.” \u003cem\u003e– San Francisco Chronicle\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“San Francisco writer-director Richard Levien’s “Collisions,” a sensitively portrayed, moving story about an immigrant family in San Francisco and the travails they experience as a result of their government-forced separation, stands out as a particularly real-life, timely selection in the 21st San Francisco IndieFest.” \u003c\/span\u003e\u003cem\u003e– San Francisco Examiner\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"page\" title=\"Page 8\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\" style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2020-04-20_at_3.19.35_PM.png?v=1587421466\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"251\" height=\"273\"\u003eRichard Levien has been writing, directing and editing award-winning films for 12 years. Levien's short “Immersion”, about a ten-year-old boy from Mexico who struggles to fit in at his new school in the U.S., premiered at Slamdance in 2009. “Immersion” won the “No Violence” award at the Ann Arbor film festival, and Best Bay Area short at the San Francisco International Film Festival (SFIFF). The film received a Resolution of the California Legislature, and is used by more than 50 school districts and universities to support education about English Language Learners. In 2009 Levien won the inaugural San Francisco Film Society\/Kenneth Rainin Foundation Filmmaking Grant, for screenwriting on his first feature film as a writer\/director, “Collisions”. The project won three further SFFS\/KRF grants, for development,  production and post production. \u003c\/span\u003eLevien is from New Zealand. He has a PhD in theoretical physics from Princeton University.\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Richard Levien","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32227875749993,"sku":"COLLI-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":32227875782761,"sku":"COLLI-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32227875815529,"sku":"COLLI-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32227875881065,"sku":"COLLI-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ScreenShot2020-04-20at3.18.37PM.png?v=1587421504"},{"product_id":"personhood","title":"Personhood: Policing Pregnant Women in America","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Joanne Ardinger\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 80 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eWomen's Health Studies, Feminism, Criminal Justice, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/255226206\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePersonhood: Policing Pregnant Women in America\u003c\/em\u003e tells a different reproductive rights story – one that ripples far beyond the right to choose and into the lives of every pregnant person in America. Tammy Loertscher’s fetus was given an attorney, while the courts denied Tammy her constitutional rights and sent her to jail.\u003c\/div\u003e\n\u003cdiv\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThrough her story, the film reframes the abortion debate to encompass the growing system of laws that criminalize and police pregnant women. At the intersection of the erosion of women’s rights, the war on drugs, and mass incarceration, Tammy’s experience reveals the dangerous consequences of these little-known laws for American women and families.\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eOfficial Selection at Big Sky Documentary Film Festival 2019 in the Best Feature Competition and World Premiere at DOC NYC 2019, Winner of the Silver Gavel Award for Documentaries at the American Bar Association 2020 \u0026amp; Wisconsin Film Festival 2020 Golden Badger Award \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e      \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Women are beginning to recognize that what’s at stake is more than abortion, it is their personhood — their ability to be full, equal, constitutional persons in the United States of America.\" \u003cem\u003e-Lynn Paltrow, Executive Director, National Advocates for Pregnant Women\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“If you think The Handmaid’s Tale is fiction, the chilling new independent documentary film from Jo Ardinger and producer Rosalie Miller, about the widespread detention and criminal prosecution of pregnant women in the United States, will move you to organize for a new Mayday.” \u003cem\u003e— Carrie N. Baker, Ms. Magazine \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In addition to exposing how fetal ‘personhood’—or the anti-abortion idea of legal protection for fetuses—immediately threatens the lives and well-being of pregnant people, the documentary film covers important issues concerning what the future could hold if state and federal policy continues in this trajectory. Personhood serves as a reminder that more organizing and political activism are needed to meet the challenges ahead.”\u003cem\u003e\u003cbr\u003e- Elizabeth Gay, Rewire\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Although the ‘personhood’ movement has enjoyed momentum away from the spotlight for quite some time, that is coming to an end with the release of a searing and insightful new documentary from director Jo Ardinger, that exposes just how awful these fetal personhood laws actually are.”\u003cbr\u003e\u003cem\u003e- Asha Dahya, GirlTalkHQ\u003c\/em\u003e\u003cbr\u003e   \u003cbr\u003e“One of the most important films at DOC NYC. A must see.”\u003cbr\u003e\u003cem\u003e- Steve Kopla, Unseen Films\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cimg style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/director.jpg?v=1594277313\" width=\"359\" height=\"238\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJo Ardinger is an award-winning filmmaker and the founder of Tandybrook Productions. Her feature debut, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePERSONHOOD\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, explores the growing criminalization and policing of pregnant people in America. The film premiered at DOC NYC in 2019 and won the American Bar Association’s 2020 Silver Gavel Award for Documentary. Ardinger is a director and editor working on both documentary and narrative films. Recent editing credits include the documentary short \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBeyond The Visible: The Story of the Very Large Array,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e narrated by Jodi Foster (Media Interpretive Award, Cine Golden Eagle, Telly); the award winning dramatic short \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEvery Beautiful Thing,\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e starring HBO’s Lauren Weedman; and the PBS documentary, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eInto Deepest Space: The Birth of the ALMA Observatory\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Ardinger is also an instructor at the University of Washington in Seattle, where she teaches digital storytelling in the realm of science.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-after-action=\"\" data-show-status=\"true\" data-id=\"1\" id=\"yrm-XR7kp\" class=\"yrm-content yrm-content-1 yrm-hide\"\u003e\n\u003cdiv class=\"yrm-inner-content-wrapper yrm-cntent-1\"\u003e     \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Joanne Ardinger","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32613619662953,"sku":"PHOOD-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":32613619695721,"sku":"PHOOD-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32613619728489,"sku":"PHOOD-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32613619761257,"sku":"PHOOD-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/PHOODPosterFinal.png?v=1603401491"},{"product_id":"the-vanishing-trial","title":"The Vanishing Trial","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Wynette Yao\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 38 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eCriminal Justice, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/lIufyx6Srf8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eImagine you’re charged with a crime. Now you must choose between pleading guilty and receiving a shorter sentence–or going to trial and risking decades behind bars.\u003c\/p\u003e\n\u003cp\u003e“The Vanishing Trial” focuses on four individuals who were forced to make that excruciating choice. Each was threatened with a “trial penalty,” the term used to describe the substantially longer prison sentence a person receives if they exercise their constitutional right to trial instead of pleading guilty. We see how the trial penalty has led to the shocking disappearance of one of the most fundamental individual rights and the explosion in America’s prison population.\u003c\/p\u003e\n\u003cp\u003eThroughout the film, we hear the perspectives of national experts, including former federal judges and prosecutors, criminal defense lawyers, constitutional law experts, and criminal justice reform advocates.\u003c\/p\u003e\n\u003cp\u003e“The Vanishing Trial” was produced by FAMM producer\/director Wynette Yao and cinematographer\/editor Travis Edwards. Yao is an Emmy-nominated producer\/director who has worked for National Geographic, Discovery, and other major networks. Edwards is an award-winning cinematographer\/editor who has worked on a wide range of documentaries and features.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“An important and fearless film” \u003cem\u003e– Rudy Valdez, Academy Award Winner\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The Vanishing Trial shines a very necessary and bright light.” \u003cem\u003e– Brittany K. Barnett, Buried Alive Project\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A sobering wakeup call” \u003cem\u003e– Shana-Tara O'Toole, Due Process Institute\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“This gut-wrenching documentary may be the single most important contribution to criminal justice reform ever created. In just 40 short minutes, it lays bare the fundamental rot at the heart of America’s criminal justice system and drives home the appalling human toll of America’s addiction to mass incarceration.”\u003cem\u003e\u003cspan\u003e ~Clark Neily, Vice President for Criminal Justice, Cato Institute\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan\u003e\u003cimg height=\"165\" width=\"176\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Wynette-Yao.jpg?v=1595978633\"\u003e\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWynette Yao is an award-winning filmmaker who has produced, directed and written films on subjects as wide-ranging as Egypt, tornadoes, bees and bog mummies. She relishes image-making and storytelling that brings alive the human experience behind history, science, and modern life.\u003cbr data-mce-fragment=\"1\"\u003e    \u003cbr data-mce-fragment=\"1\"\u003eIn 2018, Yao joined FAMM Foundation, a non-profit that advocates for criminal justice reform. She has been grateful to make short videos, spots and long-form documentaries aimed at fighting for a more fair and effective justice system, including the award-winning “Half of Us,” “Boots on the Ground,” and “Veda Ajamu:  Warrior for Justice.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eYao’s previous work includes “Oceans at the Tipping Point” (Winner of the Innovation Award at the Blue Ocean Film Festival) for Conservation International, “Who Betrayed Anne Frank?” (Winner of the Gold Remi Award, Worldfest Houston Film Festival) for the Discovery Channel, and “The Mystery of the Mummy Murders” (Winner of a Telly Award) for the National Geographic Channel. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Wynette Yao","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32678216597609,"sku":"TVT-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":32678216630377,"sku":"TVT-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32678216663145,"sku":"TVT-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32678216695913,"sku":"TVT-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TVT_Final.png?v=1599609487"},{"product_id":"the-panama-papers","title":"The Panama Papers","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Alex Winter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 100 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEconomics, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f3pWbgp_-j0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTHE PANAMA PAPERS is an explosive story with immediate and ongoing consequences, that strikes at the heart of the biggest themes of our times; income inequality, cyber-crime and hacking, and corrupt power-brokers manipulating world governments and big business. The inside story of the Panama Papers is the first new millennium international crime saga; a nexus of corruption, power, liberty, civic action, terror and espionage, told both globally and intimately, because it's based on real, exclusive contact with the people involved at the deepest level.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e        \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“\u003cspan data-mce-fragment=\"1\"\u003eThe Panama Papers” is a lively and level-headed exposé, but it’s also a moral inquiry into how the top echelon is now united, structurally and spiritually, in robbing the rest of us blind. \u003c\/span\u003e” \u003cem\u003e– Variety\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“'\u003cspan data-mce-fragment=\"1\"\u003eThe Panama Papers' serves as a reminder of the important work reporters do in fighting abuses of power and the way that work is evolving in an increasingly fractured global landscape.\u003c\/span\u003e” \u003cem\u003e– The LA Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2020-10-09_at_8.23.37_PM_480x480.png?v=1602300277\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"295\" height=\"431\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2020-10-09_at_8.23.37_PM_480x480.png?v=1602300277\"\u003e\u003cspan style=\"color: #000000;\"\u003eAlex Winter is a director, writer and actor who has worked across film, television and theater. In 2019, Winter released two new documentary feature films; \u003cem data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/alexwinter.com\/projects\/the-panama-papers\/\" style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/alexwinter.com\/projects\/the-panama-papers\/\" target=\"_blank\"\u003eThe Panama Papers\u003c\/a\u003e and\u003c\/em\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/alexwinter.com\/projects\/trust-machine\/\" style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/alexwinter.com\/projects\/trust-machine\/\" target=\"_blank\"\u003eTrust Machine\u003c\/a\u003e\u003c\/em\u003e, about the rise of bitcoin and the blockchain, available at \u003ca href=\"https:\/\/www.breaker.io\/\" style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.breaker.io\/\" target=\"_blank\"\u003eBreaker\u003c\/a\u003e. Previous documentary work includes \u003cem data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/www.deepwebthemovie.com\/\" style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.deepwebthemovie.com\/\" target=\"_blank\"\u003eDeep Web,\u003c\/a\u003e\u003c\/em\u003e about the online black market Silk Road, and the trial of its creator Ross Ulbricht. Just completed is \u003cem data-mce-fragment=\"1\"\u003e\u003ca href=\"http:\/\/alexwinter.com\/projects\/zappa\/\" style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/alexwinter.com\/projects\/zappa\/\" target=\"_blank\"\u003eZappa\u003c\/a\u003e\u003c\/em\u003e, the first all-access documentary on the life and times of Frank Zappa. The Kickstarter campaign for this project was the \u003ca href=\"https:\/\/deadline.com\/2016\/04\/frank-zappa-pic-highest-ever-funded-documentary-on-kickstarter-1201733193\/\" style=\"color: #000000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/deadline.com\/2016\/04\/frank-zappa-pic-highest-ever-funded-documentary-on-kickstarter-1201733193\/\" target=\"_blank\"\u003ehighest funded documentary\u003c\/a\u003e in crowdfunding history. Zappa will be released later in 2020.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening \u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Alex Winter","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32857735561321,"sku":"TTP-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":32857735594089,"sku":"TTP-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32857735626857,"sku":"TTP-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32857735659625,"sku":"TTP-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/tppposter.jpg?v=1602300800"},{"product_id":"skid-row-marathon","title":"Skid Row Marathon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Mark Hayes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 75 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/lq4o8P_seMc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eWhen a criminal court judge starts a running club on LA’s notorious skid row and begins training a motley group of addicts and criminals to run marathons, lives begin to change.\u003c\/p\u003e\n\u003cp\u003eSKID ROW MARATHON follows four runners as they rise from the mean streets of LA to run marathons around the world, fighting the pull of homelessness and addiction at every turn.\u003c\/p\u003e\n\u003cp\u003eTheir story is one of hope, friendship, and dignity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e      \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eBest Documentary Feature at the 2017 Napa Valley Film Festival and the Audience Award Winner for Best Documentary at Palm Springs International Film Festival 2018\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Highly motivational… Illustrates how rehabilitation can be fostered in the most unlikely ways.” \u003cem\u003e– Hollywood Reporter\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“It’s a brilliant piece of documentary cinema.”\u003c\/span\u003e \u003cem\u003e– Michael Moore, Academy Award Winner\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“It’s a beautiful, inspiring documentary with lessons on how we can all be better humans.” \u003cem\u003e– Film Festival Today\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e      \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg data-mce-fragment=\"1\" height=\"337\" width=\"245\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/mark_hayes_480x480.jpg?v=1602551756\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/mark_hayes_480x480.jpg?v=1602551756\"\u003e\u003c\/p\u003e\nMark studied documentary filmmaking at New York University under renowned documentarian George Stoney. He traveled extensively through East Germany during the period leading up to the fall of the Berlin Wall. During that time, he picked up his future wife (and Producer Gabriele Hayes) hitchhiking. They were married but were not permitted to leave East Germany until the fall of the wall in 1989. \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e    \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the years, he has directed several documentaries related to the Cold War, which have aired on public television in the US, Europe and Australia.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHis recent projects include \u003cem data-mce-fragment=\"1\"\u003eFrom Red State to Golden State \u003c\/em\u003e(2013), and \u003cem data-mce-fragment=\"1\"\u003eOne Germany, the Other Side of the Wall\u003c\/em\u003e (2011).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Mark Hayes","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32868146118761,"sku":"SKID-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":32868146151529,"sku":"SKID-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32868146184297,"sku":"SKID-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32868146217065,"sku":"SKID-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/skidrowposter.jpg?v=1602552536"},{"product_id":"iron-fists-and-kung-fu-kicks","title":"Iron Fists and Kung Fu Kicks","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Serge Ou\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 108 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eVisual Arts, Asian American Studies, Asian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/llbHrM7D2v0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eIron Fists and Kung Fu Kicks is a fast-paced, fist-filled feature documentary exploring the influence of Hong Kong’s martial arts cinema and how it’s shaped filmmaking from Hollywood to Uganda, from fly-by-night grindhouse fare to lavish mainstream productions - and inspired social movements across the world, from hip-hop to breakdance, Tae-bo to parkour. Featuring interviews with Hong Kong legends like Cheng Pei-Pei, Lo Meng, Sammo Hung, and Wilson Yip, along with an incredible line-up of action stars, critics, crew, and cultural commentators. Iron Fists and Kung Fu Kicks is the ultimate celebration of the impact Hong Kong filmmakers have had on moviemaking around the world — a celebration of the martial arts genre’s unexpected path to global domination.  \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e    \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/serge_480x480.jpg?v=1602567085\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"248\" height=\"248\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/serge_480x480.jpg?v=1602567085\"\u003eSerge has a diverse and successful career as a director and has received many awards for his work. Most recently, Serge completed directing the 90 minute feature documentary The Digger (2011, History Channel) which premiered on ANZAC Day 2011. Serge has also directed the series As Australian As (2010, Bio Channel) and Blessed Mary: A Saint for All Australians (2010, History Channel) the highest rating program on the channel for 2010 and short-listed for a TV Week Logie Award. Serge's documentary For Valour (2009, History Channel) was also the highest rating show on the channel in the year of broadcast and received outstanding reviews nationally. Other work in documentary includes Icons (2007, Bio Channel) and the $1.5m multi-media theatre experience Circa for the National Museum of Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Serge Ou","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32868443521129,"sku":"IRON-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":32868443553897,"sku":"IRON-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32868443586665,"sku":"IRON-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32868443619433,"sku":"IRON-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ScreenShot2021-02-10at2.37.08PM.png?v=1612996685"},{"product_id":"unrepresented","title":"UnRepresented","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Daniel Falconer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 56 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican Studies, Urban Spaces and Systems\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/327738486\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCorruption is legal in America. What if who we vote for is a distraction from the real issue at hand?\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eUnRepresented is an award-winning documentary that uncovers the mechanisms that drive the cycle of corruption in Congress—giving political insiders enormous, unchecked power. The film explores how special interests bankroll political campaigns and relentlessly lobby to rig the system in their favor, all while following the letter of the law. \u003cbr\u003e\u003cbr\u003eFeaturing luminaries and leaders including Harvard Law professor Lawrence Lessig and former member of Congress Rep. Justin Amash, the film reveals the powerful possibilities to reform our government to better represent the people. \u003cbr\u003e\u003cbr\u003eUnRepresented serves as a rallying call to bring committed public servants, activists and everyday Americans together to take action across partisan lines to change our flawed political system.\u003c\/div\u003e\n\u003cdiv\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eBest Documentary Winner at Real to Reel Film Festival 2019 and Official Selection for Rome International Film Festival 2019\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“UnRepresented is an epic tale of greed, self-interest, and corruption. Every American should watch this eye-opening film.” — JASON ALTMIRE | FORMER CONGRESSMAN\u003c\/p\u003e\n\u003cp\u003e\"This is not a story about the rich versus the poor. It looks like that story, but it's actually a story of how the system is built.\" - AYAD AKHTAR | PLAYWRIGHT, NOVELIST\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“UnRepresented shows us why and how there is political polarization and the revolving door in Washington. It diagnoses the problem, raises important questions, and offers many important political reform ideas. It is a spectacular documentary that is perfect for students, observers of politics and policy, and those concerned about American democracy.” - CHRISTIAN GROSE, USC ASSOCIATE PROFESSOR\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Dan_480x480.jpg?v=1614636550\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Dan_480x480.jpg?v=1614636550\" width=\"171\" height=\"211\"\u003eHe is proud to put his storytelling ability to work on “Unrepresented”. He stands ready to claim credit for anything the film does well, and equally prepared to blame others for any potential shortcomings.\u003c\/p\u003e\n\u003cbr\u003eBorn in Detroit, Daniel Falconer studied Film at NYU's Tisch School of the Arts. He wrote, directed, and edited “On My Own” in 2008. before dedicating three years to making the documentary “Deforce”.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Daniel Falconer","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39259261501545,"sku":"UNR-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":39259261534313,"sku":"UNR-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39259261567081,"sku":"UNR-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39259261599849,"sku":"UNR-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Unrepresented.jpg?v=1614636852"},{"product_id":"the-place-that-makes-us","title":"The Place That Makes Us","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Karla Murthy\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 69 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican Studies, Socioeconomics\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/7QfipvSFA-Y\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFilmed over the course of three years, this documentary film is an intimate and inspiring portrait of Youngstown Ohio, a quintessential post-industrial American city, seen through the efforts of a new generation of residents who have chosen not to abandon their hometown, as so many have, but to stay, rebuild and make a life for themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eUnlike their parents, haunted and traumatized by watching their way of life crumble around them, these young leaders and community activists grew up in the remains. Unbeholden to the memory of Youngstown’s heyday, they are able to envision a new future. Interweaving archival footage and home movies of a prosperous but forgone past, this film is a poetic testimony to the profound resilience and dedication it takes to change a community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eKarla Murthy’s directorial debut is a hopeful meditation on the meaning of the American dream today. It’s about home. It’s about roots. It’s about the place that makes us.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eEMERGING DOCUMENTARY FILMMAKER AWARD - Woods Hole Film Festival\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWINNER BEST OF THE FEST - Arlington International Film Festival\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOFFICIAL SELECTION - St. Louis International Film Festival\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOFFICIAL SELECTION - DOC NYC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOFFICIAL SELECTION - River's Edge International Film Festival\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOP TEN FILMS - Big Sky Film Festival\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eReviews and Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"While this documentary illustrates what The Youngstown Development Corporation along with local community and city council members are trying to do to revive their community, it also shows what ‘civic engagement’ really means: working to make a difference in the civic life of \"our\" collective communities and developing the combination of knowledge, skills, values, and motivation to make that difference. This documentary shows the slow, painstaking process of getting Any Town, USA back on its feet.\"\u003ca href=\"https:\/\/emro.libraries.psu.edu\/record\/index.php?id=7239\" data-cke-saved-href=\"https:\/\/emro.libraries.psu.edu\/record\/index.php?id=7239\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/emro.libraries.psu.edu\/record\/index.php?id=7239\" target=\"_blank\"\u003e -Reviewed by LaRoi Lawton, Library \u0026amp; Learning Resources Department, Bronx Community College of the City University of New York\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e    \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Karla_Murthy_Director_480x480.jpg?v=1616010227\" style=\"margin: 0pxpx 0pxpx 0pxpx 0pxpx; float: start;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Karla_Murthy_Director_480x480.jpg?v=1616010227\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv style=\"text-align: left;\" class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eKarla Murthy is an Emmy-nominated producer and has been working on news documentaries for over 15 years. She began her career working for the veteran journalist Bill Moyers and has been a staff producer, shooter and correspondent for several news programs on PBS.  Her award-winning work was described in the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eColumbia Journalism Review\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e as \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e“compelling, informative and compassionate.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHer directorial debut, the feature documentary\u003c\/span\u003e\u003ca href=\"https:\/\/www.ytownfilm.com\/\"\u003e \u003cspan style=\"font-weight: 400;\"\u003eThe Place That Makes Us\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e has won numerous film festival awards and will make its national broadcast premiere on\u003c\/span\u003e\u003ca href=\"https:\/\/www.amdoc.org\/america-reframed\/\"\u003e \u003cspan style=\"font-weight: 400;\"\u003eAmerica ReFramed\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e in Spring 2021.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-weight: 400;\"\u003eKarla is of Filipino and South Asian descent. She grew up in Texas studying classical piano and graduated from Oberlin College with a degree in Religion and Computer Science. She is an alum of the Third World Newsreel Workshop, the Documentary Institute at Antioch College in Ohio.  She and her husband Jad Abumrad, creator of the public radio show \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRadioLab\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e live in New York City with their two children.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Karla Murthy","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39301122326633,"sku":"PLACE-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government DVD (with PPR*)","offer_id":39301122359401,"sku":"PLACE-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39301122392169,"sku":"PLACE-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39301122424937,"sku":"PLACE-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/PLACE_VerticalArt.png?v=1616101723"},{"product_id":"stories-i-didnt-know","title":"Stories I Didn't Know","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Melody Gilbert \u0026amp; Rita Davern\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 57 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eIndigenous Studies, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QaO5onJJmIc?si=TGEGlAkO4hJPky6r\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIt’s a family reunion … what could go wrong? Plenty, as we soon learn when Rita Davern exposes an ugly reality at the heart of a family legend. Her family members have always been proud to say that their great grandparents once owned Pike Island, a beautiful piece of land at the confluence of the Minnesota and Mississippi rivers. But when Rita relates what happened to the people who lived there before, some family members react with understanding, others with arguments and anger. Rita’s attempts to understand what happened and why leads her on a journey that requires facing the complicated legacy of westward expansion in the U.S. Along the way she meets Ramona, a Dakota educator. What Ramona’s ancestors experienced because of U.S. government policies puts faces and names on this story. Rita listens and learns. She wants to find a way to put something right. We learn the value of finding and facing the past by watching her journey. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e      \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWinner of Best of Fest at MSPIFF39 and Official Selection for Cucalorus Festival 2020 and San Francisco Indiefest 2021\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Deeply touching and important” \u003cem\u003e– Star Tribune\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eRITA DAVERN\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg data-mce-fragment=\"1\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/rita_480x480.png?v=1619038424\" style=\"margin: 0pxpx 10pxpx 10pxpx 0pxpx; float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/rita_480x480.png?v=1619038424\"\u003eOver the past 40 years, Rita Davern (originally Davoren) has traveled the Burren, birthplace of her grandmother’s people in County Clare, Ireland. Her daily life, like that of her father before her, includes time searching for the people, places and stories her immigrant ancestors left behind. When drinking tea with Irish friends and relatives, the conversation often turns to those who stayed and those who left, as the devastation of colonization, hunger and emigration took its toll. Rita knows first-hand that, for U.S. people with European heritage, reconnecting to our homeland and our cultural history adds huge richness to our lives. Rita worked as a communication and leadership trainer for twenty years. When her adopted Korean son became ill, she learned, and now teaches, Parenting-by-Connection, an approach to parenting that builds close, healing relationships with children through play. \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStories I Didn’t Know\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is Rita’s first film. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn 2020, Rita released a second film, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBurren Girl\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, focused on her family history in the Burren region of County Clare, Ireland.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003eMELODY GILBERT\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.imdb.com\/name\/nm1745923\/?ref_=tt_ov_dr#director\"\u003e\u003cimg data-mce-fragment=\"1\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/melody_480x480.jpg?v=1619038408\" style=\"margin: 0pxpx 5pxpx 10pxpx 0pxpx; float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/melody_480x480.jpg?v=1619038408\"\u003eMelody Gilbert \u003c\/a\u003e\u003cspan\u003eis an award winning documentary filmmaker who has directed, produced, shot and edited eight feature-length documentaries that have screened at noteworthy film festivals and been broadcast internationally. She also serves as a producer for other documentary projects that inspire her, including LOVE THEM FIRST: LESSONS FROM LUCY LANEY ELEMENTARY (2020 Alfred I. duPont award) and BENEATH THE INK (nominated for a 2019 Emmy for Outstanding Short Documentary that qualified for an Academy Award), WOMEN OUTWARD BOUND (2016\/PBS)and the James Beard award-winning THE STARFISH THROWERS (2015). The films that Melody directs are noteworthy for featuring a rare intimacy with her subjects as she unearths previously hidden worlds. She works mostly solo and has the ability to get people to reveal their innermost thoughts, whether it’s the family of a child who can’t feel pain (A LIFE WITHOUT PAIN\/SXSW), a former Vice President of the United States (FRITZ: THE WALTER MONDALE STORY\/PBS), or people who have full- fledged relationships with synthetic companions (SILICONE SOUL, currently on STARZ). Melody is also a passionate educator currently on the faculty at Northwestern State University in the Department of New Media, Journalism, and Communication Arts. The Documentary Channel calls Melody “one of the most fearless filmmakers in contemporary documentary cinema.” Read more about Melody at www.frozenfeetfilm.com.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Melody Gilbert","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39382095954025,"sku":"STORIES-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":39382095986793,"sku":"STORIES-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39382096019561,"sku":"STORIES-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39382096052329,"sku":"STORIES-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/STORIES_SH_D3-01.png?v=1620342811"},{"product_id":"florida-water","title":"Florida Water","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Hazel Katz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 96 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health, American Studies, Social Issues\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/303403043?byline=0\u0026amp;portrait=0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/303403043\"\u003eFlorida Water [2018] trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/hazelkatz\"\u003eHazel\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eAs 10,000 baby boomers turn 65 every day, the US faces serious questions about the role  of seniors in families, communities and society at large. Florida Water explores these issues  through the parallel but divergent lives of two retired seniors, Boomer and David. Boomer is a  second-generation German-American and a Vietnam vet; David is a devout Christian from rural  Florida. They both live in Nalcrest, a Florida retirement community built by the letter carriers  union in 1963.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eNalcrest’s working class demographics and labor union history suggest inclusiveness  and solidarity, yet it is precisely the community’s failures in this regard that make it a meaningful  microcosm of American society through which to investigate retirement and aging.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBoth Boomer and David are seeking reprieve from years of struggle, though they have  different coping strategies. Boomer, an offbeat alcoholic with childlike tenderness, suffers from  fainting and acute PTSD. His erratic behavior and odd sense of humor attract a few residents but  alienate him from most. As he shares joints and pain-management strategies with his circle of  friends, Boomer explores his experiences of violence, addiction, and poverty, endeavoring to fill  the absence of the families and communities he left up North.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eDavid, an eccentric and spiritual 80-year-old, is gradually losing his vision and the state  has taken away his driver’s license. He spends all of his time alone, listening to church on the radio  and exploring the natural world. As he reminisces about his childhood as a dairy farmer, he  deepens his relationship with the Lord, looking for guidance in an increasingly foggy world.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eIn the story of their aging lies a counter narrative that complicates depictions of disempowered communities and helps us understand not  just how seniors deal with death, illness and grief, but also how they live day to day, in many ways  apart from the rest of society.   \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eOfficial Selection of Sarasota International Film Festival 2021\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e        \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/IMG_1479_1_480x480.jpg?v=1649871463\" style=\"margin-right: 5px; margin-bottom: 5px; float: start;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/IMG_1479_1_480x480.jpg?v=1649871463\" width=\"193\" height=\"258\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eHazel Katz is a Los Angeles-based video artist and filmmaker focusing on the politics of visibility through reenactment and pop culture archives. Her 2017 short film, Bubby \u0026amp; Them, won top international film at WNDX festival. Hazel's work has been supported by MOMA PS1, Tate Modern, and festivals internationally, and her 2019 feature documentary Florida Water is now distributed by Collective Eye Films. Hazel recently completed a yearlong collaborative residency at UnionDocs and is currently pursuing an MFA in Visual Arts at UC San Diego.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Hazel Katz","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39392118145129,"sku":"FLORIDA-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":39392118177897,"sku":"FLORIDA-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39392118210665,"sku":"FLORIDA-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39392118243433,"sku":"FLORIDA-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/floridawater.jpg?v=1629308415"},{"product_id":"philly-da","title":"Philly D.A.","description":"\u003cdiv style=\"text-align: start;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003eTed Passon, Yoni Brook, and Nicole Salazar\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 8 Part Series of 55 Minute Episodes \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican Studies, Criminal Justice\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e***Single Episode Pricing Available as well as lower FTE University Pricing. Please Reach out for details***\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/weX8qdtbYmU\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003eIn 2017, Philadelphia, Pennsylvania had one of the highest incarceration rates of any major city in the United States. And it’s become the epicenter of a historic experiment that could shape the future of prosecution in America for decades to come. When civil rights attorney Larry Krasner mounted a long-shot campaign to become District Attorney, he ran on a bold pledge: to end mass incarceration by changing the culture of the criminal justice system from within. He shocked the establishment by winning in a landslide.\u003c\/p\u003e\n\u003cp\u003eNow, the bureaucrats he spent his campaign denigrating are his co-workers; the police he alienated are his rank-and-file law enforcers. Pressure comes from all sides of a system resistant to reform. Krasner’s unapologetic promise to use the power of the D.A.’s office for sweeping change is what got him elected; now that he’s in office, that same stubbornness threatens to alienate those he needs to work with the most.\u003c\/p\u003e\n\u003cp\u003eFrom the eye of this political storm, filmmakers Ted Passon, Yoni Brook, and Nicole Salazar gained unprecedented access into Krasner’s office and behind the scenes of the criminal justice system. Over the course of eight episodes, \u003cem\u003e\u003cstrong\u003ePhilly D.A\u003c\/strong\u003e.\u003c\/em\u003e explores the most pressing social issues of our time—police brutality, the opioid crisis, gun violence, and mass incarceration—through the lens of an idealistic team attempting fundamental overhaul from within the system.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/zd8KTADyegI\" title=\"YouTube video player\" width=\"560\" height=\"315\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eWhy Even Have Cash Bail? | The People v. | Philly D.A. | Independent Lens | PBS\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e3-5 minute PBS produced educational video series explaining the legal subjects and issues within each episode of Philly DA\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=zd8KTADyegI\u0026amp;t\" title=\"https:\/\/www.youtube.com\/watch?v=zd8KTADyegI\u0026amp;t\"\u003e\u003cspan\u003eEp1 + Ep 8 “Cash Bail” \u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=_qJtaig9B8c\" data-cke-saved-href=\"https:\/\/www.youtube.com\/watch?v=_qJtaig9B8c\" target=\"_blank\"\u003eEp2 “Juvenile Sentencing”\u003c\/a\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=4a-yul24Vyw\" data-cke-saved-href=\"https:\/\/www.youtube.com\/watch?v=4a-yul24Vyw\" target=\"_blank\"\u003eEp 5 “Probation\/Parole”\u003c\/a\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=nJtnwHo67tw\" data-cke-saved-href=\"https:\/\/www.youtube.com\/watch?v=nJtnwHo67tw\" target=\"_blank\"\u003eEp 7 “Qualified Immunity”\u003c\/a\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWorld Premiere at Sundance 2021 and PBS Independent Lens Broadcast\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTranscending the directorial workmanship and production values, however, is the simple sight of unfashionable – which is to say good, ideologically informed but practically executed – work being done on behalf of the disfranchised, the powerless, the underserved. It is deeply thrilling to watch. An unfamiliar feeling stirs, and rises higher with each episode. The feeling is hope.\u003c\/span\u003e” \u003cem\u003e– The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cmeta charset=\"UTF-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePhilly D.A. \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eis a beautiful, sprawling story that does justice to both the giant organizations and the many individuals caught inside them. It also reminds us that “doing justice” is so much harder than we may want to believe.\u003c\/span\u003e” \u003cem\u003e– Vulture\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCritic’s Pick: “PHILLY D.A. never sets foot in a courtroom… but it’s as captivating, timely and relevant a legal drama as you’re likely to watch this spring. It’s the legal thriller we need right now.”  \u003c\/span\u003e\u003cem\u003e– NY Times\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cem\u003e\u003c\/em\u003e\n\u003cp\u003e“Philly DA is one of the most thorough and compelling pieces of media I've ever seen on the criminal legal system. The series threads the needle of storytelling that is engaging, fair, captures the arguments of the other side (without doing both-side-isms) and still takes a clear point of view, exposing the profound injustices of our carceral system. Extraordinary filmmaking all around!” \u003cem\u003e– Rebecca Richman Cohen, Lecturer on Law, Harvard Law School\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"For those involved with, or just interested in criminal justice reform, Philly DA is must-see television. Philly DA shows that good intentions and progressive thinking is not enough to bring about the change needed to make the American criminal justice system more just, fair, and truly blind, especially to race, gender, and class. The show teaches that to bring about systemic reform, tireless, hard-working and dedicated reformers within the system are needed to standup to the forces within the system who are fighting to preserve the status quo.\"\u003cem\u003e – Lucius T. Outlaw III, Associate Professor, Supervising Attorney, Criminal Justice Clinic, Howard University School of Law\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"As a former Assistant U.S. Attorney for the District of Columbia, \"Philly DA\" transported me back in time to the gritty, proud places and people who attempt, via and with the help of the chief prosecutor's office, to protect the sanctity and safety of communities. \"Philly DA\" highlights the unsung heroes of the criminal justice system: lawyers who join prosecutor's offices to serve communities and individuals typically under-served by their governments. \"Philly DA\" shows how tough a job these special people have, especially when faced with the calcified cynicism that infuses and surrounds the criminal justice system.\"\u003cem\u003e – L.C. Herbert, Professor of Law, School of Law, Howard University\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/PHILLYDA-groupheadshot-YB-NS-TP_480x480.jpg?v=1624594006\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/PHILLYDA-groupheadshot-YB-NS-TP_480x480.jpg?v=1624594006\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eTed Passon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an award-winning director and video artist. He has directed episodic series for Netflix and Disney. He is a 2016 Sundance Lab Fellow, a recipient of the Pew Foundation Individual Artist Fellowship Grant, and a 2016 Headlands Artist in Residency. He has exhibited his award-winning short films in festivals and galleries around the US and abroad including exhibitions by the Whitney Museum, Yerba Buena Center for the Arts, and 96 Gillespie in London. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003cb data-mce-fragment=\"1\"\u003eYoni Brook\u003c\/b\u003e is a twice Independent Spirit-nominated cinematographer and producer. As a director, his films have screened at the Berlinale, New York and Toronto Film Festivals, True\/False, and IDFA. For PBS’s POV series, Brook co-directed \u003ci data-mce-fragment=\"1\"\u003eBronx Princess\u003c\/i\u003e (with Musa Syeed). Brook co-directed \u003ci data-mce-fragment=\"1\"\u003eThe Calling\u003c\/i\u003e, a four hour series about young religious leaders for \u003ci data-mce-fragment=\"1\"\u003eIndependent Lens\u003c\/i\u003e. His directorial debut \u003ci data-mce-fragment=\"1\"\u003eA Son's Sacrifice\u003c\/i\u003e for Independent Lens, won Best Documentary Short at the Tribeca Film Festival. Creator and producer\u003c\/span\u003e.  \u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNicole Salazar\u003c\/b\u003e is a documentary filmmaker and journalist who has worked on investigative and breaking news stories in the US and internationally for over a decade. She was a producer for the Emmy Award-winning investigative series, \u003ci data-mce-fragment=\"1\"\u003eFault Lines on Al Jazeera\u003c\/i\u003e. Credits include \u003ci data-mce-fragment=\"1\"\u003eGuatemala's Disappeared, Lost in the System, Undocumented in Trump's America\u003c\/i\u003e (Headline Award Winner), and worked as a producer and journalist for the award-winning independent daily news program \u003ci data-mce-fragment=\"1\"\u003eDemocracy Now!\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Ted Passon","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39509915697257,"sku":"PHILLY-U","price":595.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":39509915730025,"sku":"PHILLY-K","price":250.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39509915762793,"sku":"PHILLY-D","price":795.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39509915795561,"sku":"PHILLY-DD","price":845.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/PHILLY_Poster.jpg?v=1630012585"},{"product_id":"the-wild-and-wonderful-whites-of-west-virginia","title":"The Wild and Wonderful Whites of West Virginia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Julien Nitzberg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2009\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 86 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health, American Studies, Class Disparities\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pUIapa-U0bY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eShoot-outs, robberies, gas-huffing , drug dealing, pill popping, murders, and tap dancing - what do these all have in common? These are just a few of the parts of being a member of the Wild and Wonderful White Family. The legendary family is as known for their wild, excessive criminal ways as they are for their famous mountain dancing members, including Jesco White, the star of the cult classic documentary \"Dancing Outlaw.\" Exploring both the comic and tragic sides of life on the other side of the law, this stylish, fast-paced family portrait exposes the powerful forces of corruption, poverty, and West Virginia's environmentally and culturally devastating coal mining culture that helped shape the White family, a dying breed of outlaws preserving a dying form of dance. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWorld Premiere at Tribeca Film Festival 2008\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“At first the world of the Whites seems something far away, foreign, so much so that much of the dialogue comes with subtitles. Yet, when one takes a step backs from the alien aesthetics, another story emerges that sits firmly within a tradition of independent films such as Happiness, Magnolia, and American Beauty. These latter films take on intimate family lives of affluent whites in ordered suburbs but reveal the same pathologies of dysfunction, addiction and abuse. If anything, the Whites are simply honest and upfront about whom they are” \u003cem\u003e– HuffPost\u003c\/em\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/2010_Tribeca_Film_Festival_Program_Launch_Of_Tribeca_Film_New_Distribution.jpg?v=1627935602\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"180\" height=\"203\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/2010_Tribeca_Film_Festival_Program_Launch_Of_Tribeca_Film_New_Distribution_480x480.jpg?v=1627935602\"\u003eJulien Nitzberg is an American screenwriter, stage writer, lyricist, theater director and film director, best known in the film world as the director of the documentary The Wild and Wonderful Whites of West Virginia. In the theater world, Nitzberg is best known for writing the book and lyrics for two musicals.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Julien Nitzberg","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39574547103849,"sku":"WWW-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39574547136617,"sku":"WWW-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39574547169385,"sku":"WWW-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39574547202153,"sku":"WWW-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WWWposter.jpg?v=1627935949"},{"product_id":"finding-home-a-foster-youth-story","title":"Finding Home: A Foster Youth Story","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Pamela Tom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2021 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 56 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eChildren Youth and Family, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe style=\"border: 0;\" src=\"https:\/\/player.pbs.org\/viralplayer\/3015711030\/\" height=\"332\" width=\"512\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe remarkable story of four foster youth preparing for life outside the foster care system. Summer, 17 and transgender, yearns to be adopted. Glorianna, 19 an artist, struggles to live on her own after spending 12 years in a group home. Jaloni and Kalonji, 18-year-old twins, grew up in poverty, but become star athletes and scholars with the help of two loving adults.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSUMMER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSummer is a 17-year old transgender girl who grew up in foster homes and whose primary goal is to be adopted by a family who accepts her. Summer is an eternal optimist and although she has been dealt multiple blows she has not lost her inner strength or determination.\u003c\/p\u003e\n\u003cp\u003eWith help from Sam, her Court Appointed Special Advocate (CASA), Summer navigates her gender transition, bullying, school work and dream of becoming a dancer. Sam, the most important person in her life, helps her gain a sense of self-respect and responsibility.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGLORIANNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGlorianna is a 20-year old graphic novelist, artist, writer, YouTuber and budding animator. Glorianna finds herself moving to a transitional living apartment following years of living in a residential care facility with hundreds of other girls.\u003c\/p\u003e\n\u003cp\u003eWith her new independence comes the responsibilities and challenges of finding a job, paying the bills, going to school, feeding herself and finding more permanent housing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKALONJI AND JALONI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKalonji and Jaloni are 19-year-old twin brothers born into a large close-knit family living in extreme poverty.\u003c\/p\u003e\n\u003cp\u003eThe boys were placed in foster care at age 12 and after living in numerous foster homes, found a loving and supportive foster family.\u003c\/p\u003e\n\u003cp\u003eThrough the guidance of their foster family, both boys learned to trust others, excel in school and athletics and, in August, began college on full scholarships.\u003c\/p\u003e\n\u003cp\u003eJaloni, a state champion track and field athlete, is training to be in the Olympics while Kalonji is studying criminal justice.\u003c\/p\u003e\n\u003cp\u003eThey remain close to their birth family, and view them and their foster family as one large extended family.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e        \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003ePBS Special Release for the series \u003cem\u003eTo Foster Change\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e    \u003c\/strong\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg data-mce-fragment=\"1\" height=\"208\" width=\"208\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Pamela_Tom_480x480.jpg?v=1628190555\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Pamela_Tom_480x480.jpg?v=1628190555\"\u003ePamela Tom is an Emmy-winning writer, director, and producer whose films explore subjects ranging from beauty and identity, to art, technology, social justice, and the Asian American experience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHer award-winning documentary, Tyrus, premiered at the 42nd Telluride Film Festival and had its national broadcast on the Emmy-nominated season of PBS's American Masters. Her short narrative film, Two Lies, about a divorced Chinese American mother who undergoes plastic surgery to make her eyes look rounder, screened at the Sundance Film Festival and in film festivals around the world. Her documentary, Finding Home: A Foster Youth Story, about four teens as they prepare for life outside the foster care system, premiered on PBS and won a 2019 Los Angeles Emmy.  \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Pamela Tom","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39580358475881,"sku":"FIND-U","price":295.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":39580358508649,"sku":"FIND-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39580358541417,"sku":"FIND-D","price":395.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39580358574185,"sku":"FIND-DD","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1.FHKEYART.png?v=1633732344"},{"product_id":"the-faithful-the-king-the-pope-the-princess","title":"The Faithful: The King, The Pope, The Princess","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca style=\"color: #ff0000;\" title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\"\u003e\u003c\/a\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Annie Berman\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAmerican Studies, Religion and Spirituality Studies, Anthropology, Art History, Cinema Studies, Legal Studies, Media Studies, Sociology, Visual Arts \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/478283110?h=47ec894080\u0026amp;color=feddd6\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" width=\"640\" height=\"360\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eA Pope John Paul II lollipop. An Elvis Presley shower curtain. A Princess Diana teacup. These are just some of the countless pieces of memorabilia that these pop culture icons’ most devoted fans collect and cherish – but why? The Faithful‘s director, Annie Berman, explores the deep veneration and legacies of the Pope, the Princess, and the King. Over the course of 20 years, Berman profiles these figures’ biggest fans and makes numerous pilgrimages to Vatican City, Graceland, and Kensington Palace. As the years go by, the film itself becomes increasingly entwined with Berman’s daily life and identity, much like how these officially-licensed knick-knacks define the fans she filmed.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The film is an interesting take, showing how people hold various things dear. It explores how the public reacts to iconic people and how they impact the world around them. The Faithful: The King, The Pope, The Princess is a great selection for developing your library collection in popular culture and entertainment history.\" 4 Stars - Video Librarian \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Ruminative, haunting, and strange.” \u003cem\u003e– Boston Globe\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"We are centuries away from the days in which church’s would collect relics — such as the embalmed finger of a saint or a vial of a saint’s blood. Berman’s film shows that human nature hasn’t quite moved off from those earlier times. The need behind those impulses — the desires to connect and transcend and stave off a sense of aloneness — remain ever present.\"**” \u003cem\u003e– San Francisco Chronicle\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"More than interviews with the faithful, Berman’s documentary delves into the quality of perceptions of fame. There are insights into how these global figures appeared to the public, the things they said, the expressions on their faces in unguarded moments. You may believe you know who they were, but it takes an artist like Berman to show you something you hadn’t imagined.”– Memphis Flyer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“THE FAITHFUL is my favorite film we’ve screened in my five years as Associate Programmer of the USC School of Cinematic Arts. The film manages to be both deeply personal and universal, scratching at the itch of why and how we seek belonging and greater meaning. Annie’s dexterous direction reads almost like a poem, weaving across decades and seamlessly jumping between subjects and stories in a stream of consciousness guided by her unique artistic vision, which provides critical, self-reflexive insights into the nature to textuality and authenticity within a fan-driven world of replication and reproduction. THE FAITHFUL is a must-see not only for those seeking to gain new insights into the nature of fandom, but also  into the role of documentarians as active participants in this world, as creators of texts that contribute to bodies of fandom and preserve these images and ideas for generations to come. \u003cem\u003e– \u003cspan data-mce-fragment=\"1\"\u003eMatthew Meier, Associate Programmer, USC School of Cinematic Arts\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2021-11-09_at_2.48.31_PM_480x480.png?v=1636498141\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2021-11-09_at_2.48.31_PM_480x480.png?v=1636498141\" width=\"296\" height=\"262\"\u003eAnnie Berman is a NYC based media artist. Her work has shown internationally including MoMA, Spring\/Break Art Show, and the Rome Independent Film Festival where she was awarded Best Experimental Film. She teaches documentary film writing at City College, holds an MFA from Hunter College, and is a member of the Brooklyn Filmmakers Collective.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Annie Berman","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39687062782057,"sku":"TFAI-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39687062814825,"sku":"TFAI-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39687062847593,"sku":"TFAI-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39687062880361,"sku":"TFAI-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/the-faithful-poster-3.jpg?v=1636499750"},{"product_id":"surviving-sex-trafficking","title":"Surviving Sex Trafficking","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sadhvi Siddhali Shree\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 70 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eWomens Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/693724179?h=e1972c0dda\u0026amp;color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e        \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith 45 million sex trafficking victims worldwide, only 1% manage to escape or be rescued. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSurviving Sex Trafficking\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e examines the ongoing struggles of those survivors as they desperately fight to break free of their past, heal their bodies and minds, reconnect with a world of hope, and reclaim their lost humanity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJain monk \u003c\/span\u003e\u003cb\u003eSadhvi Siddhali Shree\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the filmmaker behind the award-winning documentary \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eStopping Traffic: The Movement to End Sex Traffic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, uncovers the depth of pain felt by survivors as well as if and how they can truly recover. Through conversations with victims and trips to women’s shelters around the world, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSurviving Sex Trafficking\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ereveals their stories and how they escaped, how they continue to survive, and how they live day to day with the repressed trauma from the horrific events they experienced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eShree directed and produced the film, with \u003c\/span\u003e\u003cb\u003eSadhvi Anubhuti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-producing. Executive producers include \u003c\/span\u003e\u003cb\u003eAlyssa Milano, Jeannie Mai\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eJeezy\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e2022 Official Selection at Santa Fe Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eThis documentary is an academic life preserver for any children to see and should encourage parents to foster serious life lesson dialogue with kids who already grow up too quickly these days, so sucked into the Internet where danger and inappropriate content lurks near every click.\" -\u003cem\u003e-Alliance of Women Film Journalists\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e   \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e    \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cimg data-mce-fragment=\"1\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2022-01-26_at_9.32.23_PM_480x480.png?v=1643261563\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"302\" height=\"451\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2022-01-26_at_9.32.23_PM_480x480.png?v=1643261563\"\u003eWith her team of filmmakers and monks, Shree travels the world to women’s shelters and to victims who are ready to talk, share their stories, and fight for a better future. With her upcoming sophomore feature \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSurviving Sex Trafficking\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, Shree calls for empathy and understanding for ostracized survivors to help them, and the world, heal from the tragic wounds caused by sex trafficking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShree met her spiritual guru after dissociating with the Catholic Church in high school, and later became the first North American female Jain monk. Her teachings helped her recover from PTSD resulting from serving as an Army medic. They also allowed her to reach a meditative state where she was able to recall child sexual abuse, which she suffered at the age of 6. Armed with her teachings as well as her passion to help survivors and end trafficking, she has devoted herself to aiding victims of abuse.  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTo join the fight against sex trafficking and to support survivors, visit \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/stoppingtraffic.org\/\" data-mce-href=\"http:\/\/stoppingtraffic.org\/\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003estoppingtraffic.org\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003eSadhvi Siddhali Shree \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eis a Jain monk, US Army veteran, social justice advocate, author, and documentary filmmaker. She has authored three books on her teachings, and found her calling after seeing a film about sex trafficking. It was then that she decided to work with activists to expose the horrors of the 150-billion-dollar industry. Her first film, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eStopping Traffic: The Movement to End Sex Traffic\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, did just that, drawing awards from festivals as well as international attention on the important issue.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sadhvi Anubhuti","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39840799129705,"sku":"SURV-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39840799162473,"sku":"SURV-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39840799195241,"sku":"SURV-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39840799228009,"sku":"SURV-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/surviving.jpg?v=1643262503"},{"product_id":"mama-irene-healer-of-the-andes","title":"Mama Irene: Healer of the Andes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003eBettina Ehrhardt \u0026amp; Elisabeth Möhlmann \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eSouth American Studies, Spirituality Studies, Women's Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/668686207?h=97f460d861\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003eThis is a film about Mama Irene, a remarkable 86-year-old woman Shaman (healer) from Peru who draws upon indigenous knowledge and traditions in danger of being lost forever. Yet her craft is based primarily on her own intuition: “Spirits have told me in my dreams how to proceed.”\u003cbr\u003e\u003cbr\u003eThe documentary follows Mama Irene in her everyday life, highlighting her healing methods and passion to serve each patient who knocks on her door: from local women who travel hours or days by foot through the Andes, to a medical doctor from India seeking a cure for illness that Western medicine had failed to help.\u003cbr\u003e\u003cbr\u003eWe accompany Mama Irene on ancient spiritual ceremonies such as the Snow Star Festival, where thousands of pilgrims gather in Sinakara Valley high in the Peruvian Andes to honor the local glacier and Lord Quylluritj’i. The film depicts Mama Irene’s secret healing practices, never before filmed. Yet this film is not only a vital document of endangered wisdom; it is also a story about woman empowerment. \u003cbr\u003e\u003cbr\u003eAs the film unfolds, we learn about Mama Irene’s personal journey. She discovered her healing gift by chance at three years old, when she intuitively healed a neighbor’s migraines by rubbing her own salvia on his forehead. She became known in the village as El doctor pequeño — the little doctor. She was sold by her father into slavery; beaten by her husband, who was determined to keep her in the role of servile female; gave birth to 15 children, eight of whom died; endured misogyny and rivalry from male shamans.\u003cbr\u003e\u003cbr\u003eYet Mama Irene never wavered in pursuing her craft. She believed in herself and in the gifts she was born with. This is a story about a woman who overcome tremendous trauma and obstacles, and continues to grow and inspire at age 86.\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWinner of the Prize for the Special Topic \"Women- Environment - Activism for the Greenmotion Film Festival Freiburg, Germany\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\"It's a profoundly sensitive and courageous work. The steadiness of its compassionate, honest observation is an example of real human transcendence is as tangible a use of the film medium as I've ever seen.\" - \u003cem\u003eWilliam Hurt\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e      \u003c\/div\u003e\n\u003cdiv\u003e\"The film is valuable for visual ethnography, as it is a contribution important to revalue and spread a sample of our cultural heritage immaterial, contributing to the dissemination and awareness of the safeguarding of Andean medical systems of Cusco.\" - \u003cem\u003eMr. Ricardo Guevara, Cultural Industries of the Disconcerted Directorate of Culture, Cusco, and Sub-Directorate of Cultural Industries and Arts\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"As Quechua language and Andean culture instructor at the U. of Colorado, I am always looking for visual materials to motivate and engage my students. This past semester I assigned Mama Irene to my students. It was an excellent choice. The students really enjoyed and connected with the story and shared thoughtful comments. As a woman growing up in the Peruvian Andes, I also appreciated and related to the life of Mama Irene, an Andean woman and healer who carries so much important knowledge about our culture and I’m thrilled to share her story.\"\u003cem\u003e -Doris Loayza, Quechua language and Andean culture instructor - University of Colorado\u003cbr\u003e \u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\"Mama Irene - Healer of the Andes\" is a film that portrays the life of a Peruvian Andean woman connected to Mother Nature. A person of great faith who embraces the catholic religion, introduced to Peru from Occident, without leaving aside her indigenous roots and her ancestral knowledge, which she preserves and cultivates very well. Mama Irene is an example of service, as she shares her knowledge and experiences with the women of her community, seeking to empower them in their role at home and within the community. This production manages to explore in a comprehensive way the Andean cosmovision and the role of women in Peruvian indigenous society.\"\u003cem\u003e - Ambassador of Peru to Canada, Roberto Rodríguez Arnillas\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Mama Irene is a passion play of the everyday hardscrabble yet transcendent lives of Andean people today: high altitude but down to earth. Eight decades on, Mama Irene has seen hard times aplenty yet is rooted in Pachamama and prays to the Apus to help her people. It is a film for our time as a lesson to be present in a world both natural and spiritual. To cherish and preserve the past while working for good in the present.\"\u003cem\u003e - Jeffrey Quilter\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003e     \u003cstrong\u003e     \u003c\/strong\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cimg data-mce-fragment=\"1\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/elizabeth_480x480.jpg?v=1649723256\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/elizabeth_480x480.jpg?v=1649723256\" width=\"240\" height=\"240\"\u003eElisabeth Möhlmann (Producer, Co-Director, Co-Writer) \u003c\/strong\u003eBased in NYC and Mexico, first time film maker  Elisabeth Möhlmann has a rich background as a global citizen, actor and theatre company director. Born in Munich, Elisabeth grew up in Rio de Janeiro, Brazil. She studied philosophy in Munich and acting at the Lee Strasberg school in NYC before returning to Germany, which she enjoyed recognition in Germany as proprietor of Theater of Light theater company. Elisabeth has been nurturing a trusting relationship for many years with Mama Irene and thus Mama Irene has granted Elisabeth exclusive rights to document her life and healing craft. In 2019 Elisabeth founded Blaze A Path Productions in NYC.\u003c\/p\u003e\n\u003cp class=\"\"\u003e     \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cimg data-mce-fragment=\"1\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/bettina_480x480.jpg?v=1649723283\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/bettina_480x480.jpg?v=1649723283\" width=\"246\" height=\"240\"\u003eBettina Ehrhardt (Co-Director\/Co-Writer) \u003c\/strong\u003eBased in Munich, Germany, Bettina Ehrhardt is an award-winning documentary director and producer. Her films have won numerous awards at international film festivals and been broadcast on television worldwide (ZDF, Arte, WDR, BR, Radio Canada, RAI, SVT, et. al). Her subjects have ranged from ethnology (films on Sherpas, Tuaregs or the Vodoun religion in West Africa), ecology, and nature, to politics, arts and music, including films about musicians Bobby McFerrin and Chick Corea, and composers Claudio Abbado, Zubin Mehta, Kent Nagano, Pierre Boulez, and Luigi Nono.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Elisabeth Möhlmann","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39967088640105,"sku":"MAMA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39967088672873,"sku":"MAMA-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39967088705641,"sku":"MAMA-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39967088738409,"sku":"MAMA-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MamaPoster.png?v=1656355336"},{"product_id":"surviving-sex-trafficking-referral","title":"Surviving Sex Trafficking - Referral","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sadhvi Siddhali Shree\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 70 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eWomens Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/693724179?h=e1972c0dda\u0026amp;color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e        \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith 45 million sex trafficking victims worldwide, only 1% manage to escape or be rescued. \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSurviving Sex Trafficking\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e examines the ongoing struggles of those survivors as they desperately fight to break free of their past, heal their bodies and minds, reconnect with a world of hope, and reclaim their lost humanity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJain monk \u003c\/span\u003e\u003cb\u003eSadhvi Siddhali Shree\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the filmmaker behind the award-winning documentary \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eStopping Traffic: The Movement to End Sex Traffic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, uncovers the depth of pain felt by survivors as well as if and how they can truly recover. Through conversations with victims and trips to women’s shelters around the world, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eSurviving Sex Trafficking\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ereveals their stories and how they escaped, how they continue to survive, and how they live day to day with the repressed trauma from the horrific events they experienced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eShree directed and produced the film, with \u003c\/span\u003e\u003cb\u003eSadhvi Anubhuti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-producing. Executive producers include \u003c\/span\u003e\u003cb\u003eAlyssa Milano, Jeannie Mai\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003eJeezy\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e    \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e2022 Official Selection at Santa Fe Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eThis documentary is an academic life preserver for any children to see and should encourage parents to foster serious life lesson dialogue with kids who already grow up too quickly these days, so sucked into the Internet where danger and inappropriate content lurks near every click.\" -\u003cem\u003e-Alliance of Women Film Journalists\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e   \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e    \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cimg data-mce-fragment=\"1\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2022-01-26_at_9.32.23_PM_480x480.png?v=1643261563\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"302\" height=\"451\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2022-01-26_at_9.32.23_PM_480x480.png?v=1643261563\"\u003eWith her team of filmmakers and monks, Shree travels the world to women’s shelters and to victims who are ready to talk, share their stories, and fight for a better future. With her upcoming sophomore feature \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSurviving Sex Trafficking\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, Shree calls for empathy and understanding for ostracized survivors to help them, and the world, heal from the tragic wounds caused by sex trafficking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShree met her spiritual guru after dissociating with the Catholic Church in high school, and later became the first North American female Jain monk. Her teachings helped her recover from PTSD resulting from serving as an Army medic. They also allowed her to reach a meditative state where she was able to recall child sexual abuse, which she suffered at the age of 6. Armed with her teachings as well as her passion to help survivors and end trafficking, she has devoted herself to aiding victims of abuse.  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTo join the fight against sex trafficking and to support survivors, visit \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/stoppingtraffic.org\/\" data-mce-href=\"http:\/\/stoppingtraffic.org\/\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003estoppingtraffic.org\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003eSadhvi Siddhali Shree \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eis a Jain monk, US Army veteran, social justice advocate, author, and documentary filmmaker. She has authored three books on her teachings, and found her calling after seeing a film about sex trafficking. It was then that she decided to work with activists to expose the horrors of the 150-billion-dollar industry. Her first film, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eStopping Traffic: The Movement to End Sex Traffic\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, did just that, drawing awards from festivals as well as international attention on the important issue.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Sadhvi Anubhuti","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39994611662953,"sku":"SURV-R","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39994611695721,"sku":"SURV-R","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39994611728489,"sku":"SURV-R","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39994611761257,"sku":"SURV-R","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/surviving_fcf70fc5-b3b2-4e3c-8b3a-37335d08e155.jpg?v=1651097309"},{"product_id":"fractal-stories-across-the-gender-spectrum","title":"Fractal: Stories Across the Gender Spectrum","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003ePetra Totten, Ley Comas, Vaughn Shoonmaker, Darcy McKinnon and Biliana Grozdanova\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduced: \u003c\/strong\u003e2021-2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  72 min (4 Shorts) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; Various\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eGender Studies, Gender, Sexuality and Identity, Queer Film\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/715826281?h=e15cfbb000\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e      \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eFractal: Stories Across the Gender Spectrum is a collection of 4 Transgender and Gender Queer Documentary Shorts that explores the wide spectrum of experiences often left out of the traditional narrative. From a successful trans woman running her own salon in New Orleans to a collective experimental video essay road film; the collection expands on the joys, struggles and honest conversations within the community.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTHE SHORTS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/AFineGirl-1_480x480.jpg?v=1653935095\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eA Fine Girl\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirected by: \u003cspan data-mce-fragment=\"1\"\u003eDarcy McKinnon (she\/her) and Biliana Grozdanova (she\/her)\u003c\/span\u003e\u003cbr\u003eA FINE GIRL follows Brandi Jarrow, a 27-year old trans woman of color from New Orleans, as she takes the personal and professional success she has achieved as a hairstylist, and works to open an inclusive luxury salon. The film is a joyful, optimistic portrait of what's possible when we include and uplift trans people as essential contributors to our community. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection at IF\/Then Shorts 2019 New Orleans Film Festival\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e   \u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/DSCF7632.MOV.00_00_58_02.Still001_480x480.jpg?v=1653935222\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMy Body is a Place Just Like Any Other\u003c\/strong\u003e\u003cbr\u003eDirected by: Petra Totten (she\/they)\u003cbr\u003eMaking her way across the deserts of North America in search of a place she can find herself reflected, Carrie muses on her identity through memories, stories, and conversations with people in the trans* community to uncover what it means to have an embodied experience in the world.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection at TRANSlations Transgender Film Festival 2022\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/NiAquiNiAlla_09_480x480.jpg?v=1653935549\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNi Aqui Ni Alla\u003c\/strong\u003e\u003cbr\u003eDirected by: Ley Comas (they\/them)\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrowing up in the Dominican Republic, filmmaker Ley Comas had a negative understanding of their trans identity. Years later, they attempt to share their truth with their religious family.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e      \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003eOfficial Selection at 2021 OutFest\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/PS-Still-02_480x480.png?v=1653935769\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003ePrincess Stephaney\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirected by: Vaughn Shoonmaker (he\/him)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\" mce-data-marked=\"1\"\u003eWhen the world shuts down to fight the COVID-19 pandemic, New Orleans' premier drag queen is left without a bar to tend and no one to entertain. With nothing but time on her hands and unpaid bills pilling up, Princess Stephaney reckons with her age, her solitude and an uncertain future for her life in the Crescent City.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003e    \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eOfficial Selection at 2020 New Orleans Film Festival\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Petra Totten","offers":[{"title":"University \u0026 College (with PPR*)","offer_id":40041771794537,"sku":"FRA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","offer_id":40041771827305,"sku":"FRA-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":40041771860073,"sku":"FRA-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":40041771892841,"sku":"FRA-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FractalPoster.jpg?v=1653943053"},{"product_id":"flying-the-feathered-edge-the-bob-hoover-project","title":"Flying the Feathered Edge: The Bob Hoover Project","description":"\u003cdiv style=\"text-align: start;\"\u003e\n\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Kimberley Furst\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2023 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eUS Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PzBiMQNc4tA?si=Y4v-7NKNqm1ijq4-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eFLYING THE FEATHERED EDGE is a very special documentary film about aviation, innovation, ruggedness, precision, testing, excellence... and getting it right. Machines alone could not have pushed the airplane forward. It took courage, and out of the box thinking. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eThis film, about the authentic life of a dedicated American and our greatest living aviator, R.A. \"Bob\" Hoover, shows how by pushing the edge of the flight envelope, a handful of pilots enabled aviation to be safer for others -- indefinitely. WWII veteran and prisoner of war, Bob Hoover escaped Stalag Luft 1 and flew to safety by stealing an enemy aircraft. As an accomplished experimental test pilot, he participated in breaking the speed of sound and launching the world into the Jet Age. During his unrivaled international air show career, he performed for millions of spectators worldwide for over three decades. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eThe purpose of the film is to celebrate the spirit of the American fighter pilot, show the courage and the innovation that was essential to the birth of the jet age, and to enable the audience to relive incredible stories from a man born of simple beginnings in Tennessee who lived his dream of becoming the pilot he always wanted to be. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eFilmmaker Kim Furst is an award winning director and editor of popular documentaries. Recent work includes Discovery Channel's three part series 'Rocket Challenge,\" film editor of \"One Six Right,\" producer\/director for AirshowBuzz's \"The Horsemen Cometh\" about a formation aerobatics P-51 team, and producer of 5 hours of behind the scenes documentaries for \"Mission Impossible 3,\" for which she won the Golden Satellite Award, that industry's highest award.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e           \u003c\/strong\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cimg style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/kim_480x480.jpg?v=1694649882\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/kim_480x480.jpg?v=1694649882\"\u003eKim received the Combs Gates Award for Flying the Feathered Edge, named one of the top aviation and aerospace films of all time by Flying Magazine. Having cut her teeth directing and editing documentaries, Kim has been sought out numerous times by both Harrison Ford and Tom Cruise for her sensitive, poetic, and powerful approach to storytelling.  Her penchant for drawing out the best performances in actors was forged in her years as an actor and stage director in Chicago and Los Angeles.  With a level head and workman-like approach, Kim takes everything she does to the next level aesthetically and delights in collaboration, always choosing and selecting the best artists in all departments to collaborate with.  Passionate about doing her best to help women and help solve issues of diversity, Kim is on the Executive Board of the Alliance of Women Directors, where she originated and spearheads their flagship Works in Progress program, sponsored by Canon and Fotokem.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kimberley Furst","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":46601889906996,"sku":"FTFE-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":46601889939764,"sku":"FTFE-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":46601889972532,"sku":"FTFE-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":46601890005300,"sku":"FTFE-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/FTFEposter.jpg?v=1694650049"},{"product_id":"battle-ground-georgia","title":"Battleground Georgia","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Daresha Kyi\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2024 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 40 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e***Digital Site Licenses exclusively available via Kanopy***\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J-7LD7euwUo?si=BOiDGRZokunSe1zh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\u003cspan\u003ePassionate voter engagement, followed by the fury of those who spread and believed \"the big lie\" were dominant narratives of the U.S. elections of 2020. Ahead of the 2024 election cycle, in this installment of the Turning Point series, Battleground Georgia becomes the lens through which to view the history of racist voter suppression, the power of grass roots organizing and the tension between old institutions and new ways of thinking about what a vibrant democracy could be.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e           \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eNBC Original\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-c799f90 elementor-widget elementor-widget-text-editor\" data-id=\"c799f90\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv style=\"text-align: left;\" class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg height=\"259\" width=\"261\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/dareshi.jpg?v=1718245663\"\u003eDaresha Kyi writes, produces, and directs both narrative and documentary films and television in Spanish and English. A graduate of NYU Film School, she recently completed Mama Bears, her second feature documentary about how conservative, Christian mothers are transformed when they decide to accept their LGBTQ children, which premiered at SXSW 2022 and has won numerous awards. In 2018, she was commissioned by the ACLU to direct Trans In America: Texas Strong, which garnered over 4.5 million views online, screened at SXSW, and won two Webby Awards and an Emmy. In 2017, she co-directed and produced Chavela, a multiple award-winning documentary about iconic singer Chavela Vargas that was distributed by Music Box Pictures and screened in over 40 countries. Daresha's films have been funded by ITVS, NEA, IDA Enterprise, Creative Capital, the Jerome Foundation, and many other foundations and she has an extensive background in television producing segments, shows and series for FX, WE, AMC, Telemundo, and FUSE, among other networks.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Daresha Kyi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48017143988532,"sku":"BGG1-U","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/BGG.jpg?v=1718245819"},{"product_id":"to-be-destroyed","title":"To Be Destroyed","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Arthur Bradford\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2024 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 60 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e US Education System, American Studies,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e***Digital Site Licenses exclusively available via Kanopy***\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Kr56upcVU_U?si=KouWhms3OZFv3TRz\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eTo Be Destroyed\u003c\/em\u003e\u003cspan\u003e follows author Dave Eggers as he meets with students and teachers in the Rapid City, SD school district where his novel, \u003c\/span\u003e\u003cem\u003eThe Circle\u003c\/em\u003e\u003cspan\u003e, was pulled from shelves along with works by Alison Bechdel, Stephen Chbosky, Bernardine Evaristo, and Imbolo Mbue. Through footage of heated school board meetings, community rallies and interviews with locals, we learn how these books were designated “to be destroyed”.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e            \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eNBC Original and Tribeca 2024 Official Selection\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e     \u003c\/strong\u003e \u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e            \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eArthur Bradford is an Emmy-nominated filmmaker, director of \u003c\/span\u003e\u003cem\u003e6 Days to Air\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eHow’s Your News?\u003c\/em\u003e\u003cspan\u003e, and the forthcoming \u003c\/span\u003e\u003cem\u003eSaving Casa Bonita\u003c\/em\u003e\u003cspan\u003e (wt). He is also the author of two books, \u003c\/span\u003e\u003cem\u003eDogwalker\u003c\/em\u003e\u003cspan\u003e (Knopf) and \u003c\/span\u003e\u003cem\u003eTurtleface\u003c\/em\u003e\u003cspan\u003e (FSG). He first met Dave Eggers in the late 1990s after publishing stories in his journal, McSweeney’s. Arthur founded Sweet Relief Productions with producer Jen Ollman in 2012.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e      \u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e        \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Arthur Bradford","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48072309178676,"sku":"TBD-U","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TBDposter.png?v=1720648091"},{"product_id":"motel-drive","title":"Motel Drive","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Brendan Geraghty\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2024 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 62 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAccessibility Studies, Educational Studies, Childhood Education\u003c\/span\u003e\u003ciframe title=\"Motel Drive Trailer \/\/ Slamdance 2023\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/780026078?h=58392ed117\u0026amp;badge=0\u0026amp;autopause=0\u0026amp;player_id=0\u0026amp;app_id=58479\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e         \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp class=\"\"\u003eWithin a community of motels infamous for illicit activity, the Shaw family grapples with housing insecurity and addiction while trying to raise their young son. When California's High-Speed Rail project displaces them, a glimpse of stability appears within reach.\u003c\/p\u003e\n\u003cp class=\"\"\u003e      \u003c\/p\u003e\n\u003cp class=\"\"\u003eLocated along a sun-bleached stretch of Fresno, \"Motel Drive\" is a row of historic motels that have seen better days. Originally a regional hub for performers on the circuit, Nat Cole, Sinatra and the Stones played here. Then the 99 freeway bypassed the strip, triggering a rapid decline. \u003c\/p\u003e\n\u003cp class=\"\"\u003e      \u003c\/p\u003e\n\u003cp class=\"\"\u003eToday, the motels are home to sex workers, veterans, and more than 130 families. It's all ground zero for a city eager to tackle its overlapping crises of addiction, poverty and affordable housing, and finally shed its reputation as “the meth capital of America.\" \u003c\/p\u003e\n\u003cp class=\"\"\u003e     \u003c\/p\u003e\n\u003cp class=\"\"\u003eEnter the largest infrastructure project in the U.S. history: the California High-Speed Rail, which breaks ground directly on Motel Drive. Over the next 7 years, this cinema vérité documentary observes the rippling impacts of this giant public project through the lens of one family, the Shaws, as they strive for the most basic of comforts — a stable home.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e             \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: center;\"\u003e\u003cstrong\u003eSlamdance Film Festival 2023 - World Premiere\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBest Documentary Feautre - Lighthouse International Film Festival 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e     \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"\"\u003e“One of the most striking statements about the American housing nightmare we have seen.” \u003cem\u003e- Film Threat (9\/10)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e“A raw and intimate look into the human struggles at the heart of urban development in America.” - \u003cem\u003eOverly Honest Movie Reviews\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n      \u003c\/div\u003e\n\u003cdiv\u003e           \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e      \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"UTF-8\"\u003eBrendan Geraghty is a producer and director with over ten years of experience in TV, with specific expertise in the innovative docuseries\/alternative comedy space at Abso Lutely Productions. Most notably, Brendan has worked as a producer on the critically acclaimed and Emmy nominated Comedy Central docuseries Nathan For You. He is also a returned Peace Corps Volunteer, where he was trained in cross-cultural communication and community development, living and working in West Africa. It is this unique background that has strongly positioned him to work in dynamic, logistically\u003cbr\u003echallenging environments. Recent projects include Nathan Fielder's The Rehearsal (HBO), a feature film in production (Universal Pictures), and his documentary directorial debut, Motel Drive.\u003cbr\u003e\u003c\/p\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb id=\"docs-internal-guid-11ad2532-7fff-a9e7-43bd-4551780ac1dc\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Brendan Geraghty","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48330418159924,"sku":"MOTEL-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48330418192692,"sku":"MOTEL-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48330418225460,"sku":"MOTEL-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/MotelDrive_OneSheet_103024.jpg?v=1731528444"},{"product_id":"impossible-town","title":"Impossible Town","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e David Scott Faris, Meg Griffiths\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2024 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: E\u003c\/strong\u003environmental Studies, Physical and Mental Health Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dB8MwEjZ7eg?si=BOvJuUtH2fz442Rf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003eWhen her father dies unexpectedly, Dr. Ayne Amjad is thrust to the helm of a decades-long struggle to aid Minden, a southern West Virginia town beset by cancer-causing chemicals. Haunted by her father’s mandate to “help others,” Ayne hatches an audacious plan to relocate the town and bring closure to her father’s work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp class=\"preFade fadeIn\"\u003eAfter encountering initial resistance, Ayne takes her ambitions statewide, landing a high-profile role as WV’s state health officer. But the demands of her new position combined with her goal of moving Minden take a dramatic toll on her health. When deeply entrenched community narratives collide with emerging scientific findings about the town’s pollutants, Ayne must decide how much she’s willing to sacrifice to help the people of Minden achieve their goals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e2023 Cleveland International Film Festival (Official Selection)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e2023 Virginia Film Festival (Official Selection)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e2023 MountainFilm Festival (Official Selection)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e2024 Milwaukee Film Festival (Official Selection)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e2024 Brooklyn Film Festival (Winner - Best Feature \/ Official Selection) \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e     \u003c\/strong\u003e    \u003c\/div\u003e\n\u003cdiv\u003e\"Impossible Town is a meticulously well-made film that will certainly stir up emotions. Viewers get a crystal-clear sense of life in the town and the challenges residents face. Residents are presented in a respectful and compassionate way, and you feel their pain and frustration as they struggle to gain the peace of mind they so desperately want and deserve while preserving their way of life among the scenic and rolling mountainside.\" -\u003cem\u003eMilwaukee Magazine\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e           \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e      \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMeg began her career as a photo and video journalist at the Houston Chronicle and then held a leadership role at Teach For America where she built the nonprofit’s first video studio. After overseeing content development and digital strategy at an LA-based agency, Meg co-founded Universe Creative, a documentary production company. Meg’s work has been nominated for a Pulitzer Prize and supported by the International Documentary Association and Redford Center. She holds a MA in journalism from the University of Texas at Austin.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eScott grew up in West Virginia and attended NYU’s Tisch School of the Arts before teaching 5th grade on the Rosebud Indian Reservation in South Dakota. After working as a video producer for various educational nonprofits, Scott co-founded Universe Creative, an LA-based doc production company, with his friend and long-time colleague, Meg Griffiths. Scott enjoys stories that challenge conventional wisdom and preconceived notions about people and places often overlooked by popular media. He is proud to have visited all fifty US states.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb id=\"docs-internal-guid-11ad2532-7fff-a9e7-43bd-4551780ac1dc\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Scott Faris, Meg Griffiths","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48365901709620,"sku":"IMP-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48365901742388,"sku":"IMP-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48365901775156,"sku":"IMP-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/impposter.jpg?v=1732665478"},{"product_id":"slumlord-millionaire","title":"Slumlord Millionaire","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan\u003e Steph Ching, Ellen Martinez\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e Race, Power and Privilege, Urban Spaces and Systems, Human Rights, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fd1mN8RZphU?si=3YxvUjxtEVzqs_0I\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e         \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003ch3 class=\"preSlide slideIn\"\u003eSLUMLORD MILLIONAIRE is a documentary focused on the housing crisis in NYC.\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn New York City’s most quickly gentrifying neighborhoods, a group of fearless residents, activists, and nonprofit attorneys fight corrupt landlords and developers for the basic human right to a home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e     \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e \u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eEmmy Nominee - Outstanding Business \u0026amp; Economic Documentary, \u003c\/span\u003eOfficial Selection and Audience Award Winner at 2024 DOCNYC, and Winner for \"\u003cspan\u003eBest Documentary\" at 2025 CAAMFest\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“[Slumlord Millionaire] does a pretty good job of highlighting one of the limitations of the tenant movement — that many politicians and their benefactors in New York City ultimately do not care about tenants, and cannot be shamed into doing so. But it also hints at the possibility of a larger tenant movement, one that connects battles across the city. If that movement ever fully comes into being, it’s one that New York’s one-party political system will either have to reckon with, or risk losing what once was a reliable multi-ethnic base (as is already happening across the city’s outerboroughs).” — Max Rivlen-Nadler, Hell Gate\u003c\/p\u003e\n\u003cp\u003e“By putting faces to the issue, the film effectively humanizes what might otherwise feel like an abstract debate over policy and development, reminding viewers that gentrification is more than just a term, it’s a force displacing families and transforming neighborhoods beyond recognition.” — TV and City\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e          \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ellen_4019396f-aa9d-4e8f-a49d-83f7f76a5921.jpg?v=1752866927\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eSteph is a Brooklyn-based director, producer, and editor. She directed and produced “After Spring,” a feature documentary about the Syrian refugee crisis. The film was Executive Produced by Jon Stewart and supported in part by the John D. and Catherine T. MacArthur Foundation. “After Spring” had its world premiere at the Tribeca Film Festival in 2016, was broadcast on STARZ and is the recipient of a Frontline Award for Documentary Journalism. She was the Associate Producer and Additional Editor of the Emmy Nominated documentary \u003cem\u003eSupermensch: The Legend of Shep Gordon\u003c\/em\u003e and also worked on \u003cem\u003eThe Brink\u003c\/em\u003e, \u003cem\u003eCameraperson\u003c\/em\u003e, \u003cem\u003eThe Fourth Estate\u003c\/em\u003e, and \u003cem\u003eJagged\u003c\/em\u003e, the HBO Music Box documentary about Alanis Morissette. Steph participated in the 2019 Sundance Documentary Edit and Story Labs and was a 2020 Karen Schmeer Fellowship Diversity Program Mentee. She was an honoree on DOC NYC inaugural \"40 Under 40\" list as a director. Most recently she was an editor on the HBO Max documentary series \u003cem\u003eTake Out with Lisa Ling\u003c\/em\u003e and Netflix’s \u003cem\u003eWhite Hot\u003c\/em\u003e. She is the proud daughter of Hong Kong immigrants.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb id=\"docs-internal-guid-11ad2532-7fff-a9e7-43bd-4551780ac1dc\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEllen Martinez is a documentary director, producer, and recent Netflix Nonfiction Directing Fellow. She directed and produced\u003c\/span\u003e\u003cem\u003e AFTER SPRING\u003c\/em\u003e\u003cspan\u003e, a feature documentary about the Syrian refugee crisis. The film was Executive Produced by Jon Stewart, had its world premiere at the Tribeca Film Festival, was broadcast on Starz and is the recipient of the Frontline Award for Documentary Journalism. It is now available in 50+ countries around the world. As a producer she and has worked on projects for Imagine Documentaries, Catalyst Films, Participant Media, HBO and PBS. Ellen attended New York University’s Tisch School of the Arts and was an honoree as a Director on DOC NYCs inaugural “40 Under 40” list. She grew up overseas in Dubai, Venezuela and Syria and is now based in Brooklyn, New York.\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steph Ching, Ellen Martinez","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48499424362804,"sku":"SLUM-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48499424395572,"sku":"SLUM-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48499424428340,"sku":"SLUM-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/slumposter.jpg?v=1741644806"},{"product_id":"separated","title":"Separated","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan\u003e Errol Morris\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Race, Power and Privilege, Immigration and Refugees, Children Youth and Family\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e***Digital Site Licenses exclusively available via Kanopy***\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_9k08jykkpU?si=hJ8_PA3lQHiGNNo1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAcademy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff's book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family's plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government's role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e            \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eNBC Original, Official Selection at the 2024 Telluride Film Festival and Biennale Cinema 2024\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e     \u003c\/strong\u003e \u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e            \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Errol Morris’s forensic, procedural documentary walks us through the bureaucratic backrooms to show how the policy was hatched and implemented. It explains how its principal authors – Trump adviser Stephen Miller and attorney general Jeff Sessions – junked the pre-existing catch-and-release scheme (which had allowed migrants to remain in the country until their immigration hearing) in favour of a bold new tactic of forced separation and mass imprisonment. If Separated lacks the rueful exuberance that typifies much of Morris’s early work (The Thin Blue Line, The Fog of War, even last year’s John le Carré film), that is entirely understandable. The material is sobering and the mountain of evidence needs unpicking. The film-maker handles his brief with the cold, hard precision of an expert state prosecutor.\"-\u003cem\u003e \u003ca href=\"https:\/\/www.theguardian.com\/film\/article\/2024\/aug\/29\/separated-review-quietly-furious-take-down-of-trumps-inhumane-border-policy\"\u003eThe Guardian\u003c\/a\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e          \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Urgent and riveting\"\u003ci\u003e - Washington Post\u003c\/i\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e         \u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"If “Separated” is likely too straightforward — too much of a conventional issue documentary — to be remembered as one of Morris's richest films, it is not as if the director has abandoned his sense of profound absurdity.\"\u003ci\u003e - The New York Times\u003c\/i\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cimg height=\"416\" width=\"277\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/errol.jpg?v=1741738501\"\u003eMorris's films have won many awards, including an Oscar for \u003ci\u003eThe Fog of War\u003c\/i\u003e, the Grand Jury Prize at the Sundance Film Festival for \u003ci\u003eA Brief History of Time\u003c\/i\u003e, the Silver Bear at the Berlin International Film Festival for \u003ci\u003eStandard Operating Procedure\u003c\/i\u003e, and the Edgar from the Mystery Writers of America for \u003ci\u003eThe Thin Blue Line\u003c\/i\u003e. His films have been honored by the National Society of Film Critics and the National Board of Review. Morris's work is in the permanent collection of the Museum of Modern Art. Roger Ebert called his first film, \u003ci\u003eGates of Heaven\u003c\/i\u003e (1978), one of the ten best films of all time.\u003c\/p\u003e\n\u003cp\u003eMorris is the author of two New York Times best sellers, \u003ci\u003eBelieving is Seeing\u003c\/i\u003e and \u003ci\u003eA Wilderness of Error\u003c\/i\u003e, and is a regular contributor to \u003ci\u003eThe New York Times\u003c\/i\u003e opinion pages and Op-Docs series.\u003c\/p\u003e\n\u003cp\u003eMorris has directed over 1000 television commercials, including campaigns for Apple, Levi's, Nike, Target, Citibank, and Miller High Life. He has directed short films for the 2002 and 2007 Academy Awards, ESPN, and many charitable and political organizations. In 2001, Morris won an Emmy for \"Photobooth,\" a commercial for PBS.\u003c\/p\u003e\n\u003cp\u003eMorris has received fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, and a MacArthur Fellowship. In 2007, he was inducted into the American Academy of Arts and Sciences. He is a graduate of the University of Wisconsin-Madison and was a graduate student at Princeton University and the University of California-Berkeley. He has received the Columbia Journalism Award and honorary degrees from the University of Wisconsin-Madison, Brandeis University, and Middlebury College.\u003c\/p\u003e\n\u003cp\u003eMorris lives in Cambridge, Massachusetts with his wife, Julia Sheehan, an art historian, and their French Bulldog, Ivan.          \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e        \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Errol Morris","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48501116731700,"sku":"SEPA-U","price":630.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Sepaposter.jpg?v=1741737988"},{"product_id":"a-little-fellow","title":"A Little Fellow: The Legacy of A.P. Giannini","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan\u003e Davide Fiore\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e81 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e US Systems, Urban Spaces and Systems, American Studies, Class Disparities\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wJ8bi0yyUPU?si=5YIlH0KTAmeDpPxR\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e         \u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eBefore banks in the U.S. had a branch on every corner, they were an exclusive service for the wealthy. For the poor, working, and immigrant class, saving money was as unreliable as stashing it under a mattress. But at the turn of the 20th century, Amadeo Peter (A.P.) Giannini, son of Italian immigrants, revolutionized the industry with his small Bank of Italy in San Francisco.\u003c\/p\u003e\n\u003cp\u003eAs a first-generation Italian-American, his goal was to serve “the little fellow” and breed prosperity within his immigrant community. But, by building trust and giving loans on a simple handshake, he created one of the largest banks in the country – Bank of America.\u003c\/p\u003e\n\u003cp\u003eA Little Fellow tells the story of a man who struck fear into the heart of Wall Street while having everyday people in mind. Known as “People’s banker,” he gave a friendly face to a greedy industry. As one of the first investors in Hollywood, the Golden Gate Bridge, and Hewlett-Packard, his forward-thinking helped the country through two World Wars and the Great Depression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection at the 2024 Cinequest and The Winner of the Best International DocuFilm at the 2024 Coliseum International Film Festival\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\"For one of the few times, I am simply and literally at a loss of words. I want to simply bash in the beauty of this incredible film.\" \u003ca href=\"https:\/\/thequeerreview.com\/2024\/01\/26\/sundance-2024-film-review-desire-lines\/\"\u003e- Byron Scordelis - Director California Bankers Association\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e                \u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eDavide Fiore is a bilingual video editor and director based in Los Angeles, California, with a keen eye for detail and a passion for storytelling. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eFor over 15 years, he has been crafting engaging and impactful content on a diverse range of projects including documentaries, music videos, commercials, and short films. His work has been recognized with multiple awards and has been screened at film festivals worldwide.\u003c\/span\u003e\u003cspan class=\"wixGuard wixui-rich-text__text\"\u003e​\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eDavide has worked with major brands such as Amazon, Netflix, Apple TV+, VICE Media, Ferrari, L’Oreal, FCA, Guerlain, Martini, and BMW. He has directed music videos for international labels such as Sony and Time Srl, and worked with acclaimed artists all over the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eHis impressive portfolio includes short films, such as the multiple award-winning “House+Home”, TV shows as the London Live’s \"The IT Factor\" and the VICE TV’s series “Sex Before the Internet”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eHe edited the feature film \"Bad Art\" directed by Zio Ziegler and Tania Raymonde and he recently worked on the documentary \"Unzipped: an Autopsy of American Inequality\" directed by Colin K. Gray and distributed in over 190 countries. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eDavide is currently directing \"A Little Fellow,\" a feature documentary about the founder of Bank of America, A.P. Giannini.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"color_36 wixui-rich-text__text\"\u003eIn addition to his editing work, Davide has a passion for electronic music and photography. His photography work has been published by Vogue Italy. When not in the editing room, Davide can be found exploring the city's vibrant art scene or playing house music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e                  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Davide Fiore","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48504217698612,"sku":"ALF1-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48504217731380,"sku":"ALF-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48504217764148,"sku":"ALF-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/alfposter.jpg?v=1741905058"},{"product_id":"hard-to-swallow","title":"Hard to Swallow","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan\u003e Tunde Wey \u0026amp; Theo Schear\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e6 episodes of 30 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e Food Systems, Race Power and Privilege \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GKj3c43LBOo?si=qAIjSLL5rpsykEGw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e         \u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eEssayistic + reflexive, the series recounts Wey’s explosive career while building a critique of the social structures that disenfranchise Black peoples globally.\u003c\/p\u003e\n\u003cp\u003eTraveling across the United States, Tunde investigates the ways food culture is shaped by race and class. Through unsparing interviews, poetic narration, and reflections on the filmmaking process, Tunde calls out individuals, systems and himself, prompting viewers to rethink their own position in system inequality.\u003c\/p\u003e\n\u003cp\u003eUnlike any food show before, and despite the chef's exceptional taste, this show may be....\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHard to Swallow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cstrong\u003eEpisode 1: THIS IS BLACK PEOPLE’S SHIT (Pilot)\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTunde reflects on the erasure of Black chefs from New Orleans’ food culture even as tourism and hospitality hold up the city’s economy. Tunde also examines how post-Katrina development, fueled by federal recovery dollars, drove gentrification in the city at the expense of Black New Orleanians. The expert for the episode is an award-winning journalist whose investigation of a food hall guides the episode, but when his interview takes an unexpected turn, the expert himself becomes\u003c\/span\u003e\u003cspan\u003ethe subject of examination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e         \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEpisode 2: There is No Authority without Hypocrisy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTunde visits Chef Syrena Johnson and revisits his conversation with the journalist, reflecting further on the first episode’s interwoven storylines. Quickly the story shifts to Detroit, Tunde’s first home in America. With an expired student visa, Tunde opened his first restaurant in 2013 when foodie culture was still nascent in Detroit. His experimental restaurant, (revolver), was an incubator for many other restaurateurs that have since transformed Detroit’s culinary landscape. In Episode 2, he returns to see how white developers, restaurateurs, nonprofits and big businesses have used food spaces to rebrand the city from failing to chic, and his own contribution to that narrative. Meanwhile, Tunde and Theo, the show’s co-director, are approached by their Hollywood heroine and start pitching this show to streamers.\u003c\/p\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Episode 3: A Great White Hope\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTunde visits two of Detroit’s mayors: Dennis Archer, who blames Detroit’s collapse on his notorious successor Kwame Kilpatrick; and Mike Duggan, the first white mayor in fifty years. After Tunde challenges the two mayors, the tables turn and Tunde becomes the subject of scrutiny at the first test screening of this docu-series. A critical audience dissects the cinematic decisions, illuminating a lacking analysis of gender issues in Detroit’s political story. In Episode 3’s self-reflexive timeline, Tunde and Theo’s Hollywood dreams hang in the balance and Tunde’s brother makes a comedic cameo.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEpisode 4: They're Not the Oscar \u003c\/strong\u003e\u003cb\u003eCommittee\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTunde’s Nigerian food pop-ups in Detroit marked his professional entry into cooking, which coincided with leaving his restaurant, (revolver), after a dispute with his partner. Tunde takes his Nigerian pop up dinners on the road, exploring America for the first time while racking up publicity and strange encounters, before Episode 4 screeches to a halt on the eve of his big break. Back in the present timeline, Tunde and Theo process the feedback from their first test screening, and discuss the state of the media landscape with an ally in the industry before their star-studded screening in New York.\u003c\/p\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEpisode 5: Honey, It's Probably a Porno\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTunde catches up with a vendor from the St. Roch Market, whose successful juice stand blossomed into several locations. But before Tunde can finish his lecture on racial disparity to the well-meaning white man, he interrupts himself from the editing suite, visibly frustrated by his own line of questioning. Ben, who documented much of Tunde’s early career, joins Tunde and Theo in the editing suite to watch his footage of\u003cbr\u003eTunde's pop up tour a decade ago. Tunde reminisces about the nerve-wrecking moments and crucial conversations that Ben miraculously captured during that pivotal time. An unexpected invitation makes the final test screening a celebration, setting up a dramatic season finale in France.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEpisode 6: You're in the Show Now\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe season finale of Hard To Swallow centers on an allegation of racism at the show’s world premiere in Cannes. A week of extravagant dinners and dizzying photoshoots against the lush views of the French Riviera culminate in the red carpet premiere. The festivities continue into the premiere afterparty where things turn sour when members of the \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHard To Swallow\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e team are accosted. The fallout from the incident is intense, tedious, and thoroughly documented, but the understanding of the story is up for debate. Noone is safe in this project, as Theo’s motivations come into question and Tunde’s evolving perspective begins to contradict his prior statements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOfficial Selection at the 2024 SeriesFest and 2024 Cannes Series: Docuseries Competition\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\"\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003eThe choice for best direction encapsulates a fresh and necessary voice in the\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eunscripted landscape. While presenting a subject matter that was literally hard to swallow, the\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003esharp and witty direction took on us an evocative and emotional rollercoaster –– making it clear\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ethis is a story that needs to be told by a team that is audacious enough to embrace the\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ecomplexity.\u003c\/em\u003e\" \u003ca href=\"https:\/\/thequeerreview.com\/2024\/01\/26\/sundance-2024-film-review-desire-lines\/\"\u003e- SeriesFest Jury Statement\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e                \u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003eTunde is a Nigerian immigrant artist, chef and writer working at the intersection of food and social politics. His work engages systems of exploitative power, particularly race, immigration, gentrification and global capitalism, and he uses food and dining spaces to confront and close the resulting disparities. Tunde is currently working on a memoir slated for a 2023 publish date from MCD (a division of Farrar, Straus \u0026amp; Giroux).      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTheo is a filmmaker and journalist from Oakland, California. He was an SFFILM FilmHouse Resident and a member of Detroit Public Television’s National Documentary Unit. His writing has appeared in publications such as Documentary Magazine, Nieman Lab, SFMOMA’s Open Space, and Film Threat.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e                  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Tunde Wey, Theo Schear","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48507633828148,"sku":"HARD-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48507633860916,"sku":"HARD-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48507633893684,"sku":"HARD-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Hardposter.png?v=1742253286"}],"url":"https:\/\/www.collectiveeye.org\/collections\/american-studies.oembed?page=7","provider":"Collective Eye Films","version":"1.0","type":"link"}