{"title":"Asian Cinema","description":"","products":[{"product_id":"iron-fists-and-kung-fu-kicks","title":"Iron Fists and Kung Fu Kicks","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Serge Ou\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2020 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 108 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eVisual Arts, Asian American Studies, Asian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/llbHrM7D2v0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eIron Fists and Kung Fu Kicks is a fast-paced, fist-filled feature documentary exploring the influence of Hong Kong’s martial arts cinema and how it’s shaped filmmaking from Hollywood to Uganda, from fly-by-night grindhouse fare to lavish mainstream productions - and inspired social movements across the world, from hip-hop to breakdance, Tae-bo to parkour. Featuring interviews with Hong Kong legends like Cheng Pei-Pei, Lo Meng, Sammo Hung, and Wilson Yip, along with an incredible line-up of action stars, critics, crew, and cultural commentators. Iron Fists and Kung Fu Kicks is the ultimate celebration of the impact Hong Kong filmmakers have had on moviemaking around the world — a celebration of the martial arts genre’s unexpected path to global domination.  \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e    \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/serge_480x480.jpg?v=1602567085\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"248\" height=\"248\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/serge_480x480.jpg?v=1602567085\"\u003eSerge has a diverse and successful career as a director and has received many awards for his work. Most recently, Serge completed directing the 90 minute feature documentary The Digger (2011, History Channel) which premiered on ANZAC Day 2011. Serge has also directed the series As Australian As (2010, Bio Channel) and Blessed Mary: A Saint for All Australians (2010, History Channel) the highest rating program on the channel for 2010 and short-listed for a TV Week Logie Award. Serge's documentary For Valour (2009, History Channel) was also the highest rating show on the channel in the year of broadcast and received outstanding reviews nationally. Other work in documentary includes Icons (2007, Bio Channel) and the $1.5m multi-media theatre experience Circa for the National Museum of Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Serge Ou","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":32868443521129,"sku":"IRON-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":32868443553897,"sku":"IRON-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":32868443586665,"sku":"IRON-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":32868443619433,"sku":"IRON-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ScreenShot2021-02-10at2.37.08PM.png?v=1612996685"},{"product_id":"detention","title":"Detention","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" target=\"_blank\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e John Hsu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 102 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eMandarin\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAsian Studies, Human Rights, Narrative Feature\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e7BBxVtbFTs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\"\u003eWe’re in 1962 Taiwan, during the time of the White Terror, with martial law in full force on the island. In this time of extreme repression, all ideas considered to be dissident are banned, and the culprits are tortured or executed.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTsuihua Secondary School is not an exception from this oppression. Despite close surveillance by the military police, Professor Chang (Fu Meng-Po) runs an underground literary club where he and his students learn about banned books and dream of freedom. One of his club members, Fang (Gingle Wang) is madly in love with him. The usually shy teenage girl from an abusive home manages to open up like a book in his presence. Then Chang disappears...\u003c\/p\u003e\n\u003cp class=\"\"\u003eOne night, Fang wakes up at her desk, but the school has changed. As she wanders through the sinister corridors and other dilapidated rooms in search of her teacher, she meets Wei (Tse Jing-Hua). Together, they must confront the ghosts and deformed monsters that have taken over their alma mater, to find out what happened there. \u003c\/p\u003e\n\u003cp class=\"\"\u003eAdapted from the eponymous video game, this masterful debut from director and co-writer John Hsu creates an at once a shocking historical drama, a melancholy coming-of-age tale and a nightmarish horror film; that recalls the best of Guillermo del Toro (\u003cem\u003eThe Devil's Backbone\u003c\/em\u003e and \u003cem\u003ePan's Labyrinth\u003c\/em\u003e), and with enough blood, striking sound design, art direction and special effects to evoke the best of \u003cem\u003eSilent Hill\u003c\/em\u003e. Based on true events. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e2020 Official Selection at the International Film Festival Rotterdam and 5  category Winner at the 2019 Golden Horse Awards \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“It’s more about reckoning with Taiwan’s past and examining how an authoritarian society can force people to make impossible choices. In gaming terms, this movie’s characters find themselves on a screen where every move leads to a bottomless pit. The nightmare they’re in is as existential as it is visceral. \u003cem\u003e– Los Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e    \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/john_hsu.jpg?v=1636060798\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"230\" height=\"345\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/john_hsu_480x480.jpg?v=1636060798\"\u003eJohn Hsu is a Taiwanese film director. His debut feature film Detention, was based on the video game of the same name. It was nominated for twelve prizes at the 56th Golden Horse Awards and won five, including Best Adapted Screenplay, shared by Fu Kai-ling and Chien Shih-keng. Hsu also won Best New Director.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"John Hsu","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39680836501609,"sku":"DETE-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39680836534377,"sku":"DETE-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39680836567145,"sku":"DETE-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39680836599913,"sku":"DETE-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/detentionposter.jpg?v=1636060959"},{"product_id":"air-doll","title":"Air Doll","description":"\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003eHirokazu Kore-eda\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2022 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2009\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 116 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Fiction\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/656260375?h=bccbc5324a\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\"\u003eA present-day fable for the increasing disconnect we find in urban life, Hirokazu Kore-eda’s \u003cem\u003eAir Doll \u003c\/em\u003etransports the Galatea myth to present day Tokyo.\u003c\/p\u003e\n\u003cp class=\"\"\u003e   \u003cbr\u003eA life-size air doll (Bae Doona, \u003cem\u003eThe Host\u003c\/em\u003e) lives in a shabby apartment in Tokyo. She cannot speak, nor can she move. But she is the only companion her middle-aged master has. He talks to her, puts her in a bath, and makes love with her every day after he returns from work.\u003cbr\u003e\u003cbr\u003eThis routine life is disrupted when fantasy turns into reality. The air doll suddenly comes to life, filled with a soul. Like a newborn baby, she doesn’t understand what is going on around her, but she sees a world waiting to be explored outside the apartment. Eventually venturing to the outside world, the air doll is fascinated by everything she sees, and though she meets many people in all walks of life, they can’t seem to provide her an answer to what “being alive” means. \u003cbr\u003e\u003cbr\u003eWhen the air doll wanders into a video store, her world is forever changed. She meets Junichi (Arata Iura, \u003cem\u003eAfter Life\u003c\/em\u003e), the clerk, and immediately falls in love with him. The air doll begins working in the store and everyday, she and Junichi become closer. They go to the movies and explore the city together…like a couple. Everything is going perfectly for the air doll, until one day when her hand is accidentally cut and she begins to deflate in front of Junichi… \u003cbr\u003e\u003cbr\u003eA romantic fantasy that explores the complexities of love and loss, joy and pain, fantasy and reality, this bittersweet love story examines the intricacies and frailties of human existence.\u003c\/p\u003e\n\u003cp class=\"\"\u003e    \u003cbr\u003eAdapted from the manga by Yoshiie Goda and featuring breathtaking cinematography from Mark Lee Ping-Bing (\u003cem\u003eIn The Mood For Love\u003c\/em\u003e).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCannes Film Festival Official Selection 2009 and Winner \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eToronto International Film Festival Official Selection 2009\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“An achingly beautiful meditation on loneliness and longing in the city.”\u003cem\u003e – The Hollywood Reporter\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“One of those films that can haunt viewers long after they’ve left the theater.” \u003cem\u003e– NPR\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e       \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Hirokazu_Kore-eda_Cannes_2015_480x480.jpg?v=1646699415\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Hirokazu_Kore-eda_Cannes_2015_480x480.jpg?v=1646699415\"\u003eBorn in Tokyo in 1962. Originally intended to be a novelist, but after graduating from Waseda University in 1987 went on to become an assistant director at T.V. Man Union. Snuck off set to film \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0236515?ref_=nmbio_mbio\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.imdb.com\/title\/tt0236515?ref_=nmbio_mbio\"\u003eLessons from a Calf\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1991). His first feature, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0113725?ref_=nmbio_mbio\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.imdb.com\/title\/tt0113725?ref_=nmbio_mbio\"\u003eMaborosi\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1995), based on a \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/name\/nm0594429?ref_=nmbio_mbio\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.imdb.com\/name\/nm0594429?ref_=nmbio_mbio\"\u003eTeru Miyamoto\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e novel and drawn from his own experiences while filming \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0236374?ref_=nmbio_mbio\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.imdb.com\/title\/tt0236374?ref_=nmbio_mbio\"\u003eAugust Without Him\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1994), won jury prizes at Venice and Chicago. The main themes of his oeuvre include memory, loss, death and the intersection of documentary and fictive narratives.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Hirokazu Kore-eda","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":39911201210473,"sku":"DOLL-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":39911201243241,"sku":"DOLL-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":39911201276009,"sku":"AIRD-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":39911201308777,"sku":"DOLL-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/airdollposter.webp?v=1646699262"},{"product_id":"kfc","title":"KFC","description":"\u003cdiv style=\"text-align: start;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"UTF-8\"\u003eLê Bình Giang\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2023 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 69 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eVietnamese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/713458283?h=5426ea136e\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp class=\"\"\u003eTalk about out-of-left-field. This omnibus of strange and harrowing stories connected by vagabond characters at various levels of moral bankruptcy revolves around the same KFC location.\u003c\/p\u003e\n\u003cp class=\"\"\u003eA sick doctor and his twisted cohorts attack random people and ultimately cannibalize them. The doctor’s own rotund young son has grown accustomed to the taste of human flesh and gleefully tries to share it with street kids, who have already run afoul of an assortment of evil creeps. 'Bizarre' would be an understatement for this out-of-control orgy of revenge, featuring cryptic dialogue and plastic, almost detached depictions of deliberate torment and the squashy sucking, splattering and dull thudding of abused flesh.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDebut filmmaker Lê Bình Giang takes the body-horror genre to new heights, combining an ethereal ennui and anomie with raw, visceral savagery.\u003c\/p\u003e\n\u003cp class=\"\"\u003eNot for the faint-hearted.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e            \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch4\u003e\n\u003cstrong\u003eFestival du Nouveau Cinéma\u003c\/strong\u003e Montréal, QB • \u003cstrong\u003eNew York Asian Film Festival\u003c\/strong\u003e New York, NY\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e     \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\"Incredibly intense. An essential piece of cinema for audiences wanting their violence to mean something.\"\u003cbr\u003e\u003cem\u003e— Mynt Marsellus, Film Pulse\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e      \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"One of the wildest and most bizarre pieces of cinema from anywhere in the world for some time. Genuinely jaw-dropping. A bold, taboo-breaking debut from Lê Bình Giang.\" \u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e— James Mudge, Eastern Kicks\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/lebinh_480x480.jpg?v=1682463973\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLÊ Bình Giang (1990, Vietnam) was educated in Film at the University of Ho Chi Minh, but he wasn’t allowed to graduate because the script for his film \u003c\/span\u003e\u003cstrong class=\"sc-iJCRrE cHDkkM\" data-mce-fragment=\"1\"\u003eKfc\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was considered too violent by the Council of Examiners. Lê didn't give up on his project and tried to find sponsors. He won the Film of the Future Award at the Vietnamese Autumn Meeting 2013, which helped him get started. After making several short films he finally made \u003c\/span\u003e\u003cstrong class=\"sc-iJCRrE cHDkkM\" data-mce-fragment=\"1\"\u003eKfc\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2016), his feature film debut, three years later. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Lê Bình Giang","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":44944949477684,"sku":"KFC-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"K-­12, Public Libraries (with PPR*)","offer_id":44944949510452,"sku":"KFC-K","price":125.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":44944949543220,"sku":"KFC-D","price":495.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":44944949575988,"sku":"KFC-DD","price":520.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/KFC-poster-marked.jpg?v=1682464221"},{"product_id":"streetwise","title":"Streetwise","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Na Jiazuo\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2024 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eChinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Narrative Fiction\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/828087881?h=cb97a30b41\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan\u003eSet in 2004 in Zhenwu, one of the many small towns in the Sichuan province where the young people who remain are those who could not leave. A gritty portrait of a group of outcasts in a fading riverside town as they come to terms with life’s uneasy lot.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith his father requiring costly and continual hospital treatment due to complications brought on by long term alcoholism, aimless youth Dongzi (Li Jiuxiao) ends up working as a debt collector for the local mafia. Further complicating things, Dongzi is in love with the boss’s wife (Huang Miyi), a troubled tattoo parlor owner who dreams of divorcing her husband and fleeing Zhenwu.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBreathtaking and unforgettable, this largely nocturnal neo-noir embraces a woozily romantic ambience, heightened by the alluring glow of neon signage, recalling the mood of Lou Ye's masterpiece \u003c\/span\u003e\u003cem\u003eSuzhou River\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e            \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDenver Film Festival\u003c\/strong\u003e\u003cspan\u003e Denver, CO • \u003c\/span\u003e\u003cstrong\u003eEmagine Eagan \u003c\/strong\u003e\u003cspan\u003eEagan, MN • \u003c\/span\u003e\u003cstrong\u003eEmagine Novi\u003c\/strong\u003e\u003cspan\u003e Novi, MI • \u003c\/span\u003e\u003cstrong\u003eEmagine Rochester Hills\u003c\/strong\u003e\u003cspan\u003e Rochester Hills, MI • \u003c\/span\u003e\u003cstrong\u003eEmagine Willow Creek\u003c\/strong\u003e\u003cspan\u003e Plymouth, MN • \u003c\/span\u003e\u003cstrong\u003eJim Thorpe Independent Film Festival\u003c\/strong\u003e\u003cspan\u003e Jim Thorpe, PA • \u003c\/span\u003e\u003cstrong\u003eLaemmle Royal\u003c\/strong\u003e\u003cspan\u003e Los Angeles, CA • \u003c\/span\u003e\u003cstrong\u003eMetrograph\u003c\/strong\u003e\u003cspan\u003e New York, NY • \u003c\/span\u003e\u003cstrong\u003eWebster Film Series\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003eSaint Louis, MO\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e     \u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"An unusual crowdpleaser...meditative and wickedly deadpan.\" \u003cem style=\"font-size: 0.875rem;\"\u003e— - Stephen Saito, The Moveable Fest\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/na.jpg?v=1714071498\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" width=\"290\" height=\"435\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/na.jpg?v=1714071498\"\u003eNa Jiazuo is an ethnic Manchu, born in 1989 and raised in Beijing. Having learned to draw from the age of nine, he was admitted to the affiliated middle school of the China Academy of Fine Arts in 2006. Upon graduation, he had originally hoped to go to the Dunhuang Grottoes to sculpt or work in mural restoration, but he failed to make the final China Academy of Fine Arts selection list.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 2010, he was admitted to the Beijing Film Academy and majored in cinematography.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe enjoys being at home playing the piano, reading, sculpting, or simply just chilling. He is allergic to alcohol and doesn’t like going out much.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 2007, at the age of 18, Na Jiazuo formed a six-member band that has since been reduced to just two members. During the summer of 2021, they composed a song called “Me First”, which became the theme song of his film, “Streetwise (Gaey Wa’r)”. Na Jiazuo created the lyrics, vocals, and part of the composition, and played the guitar accompaniment.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Na Jiazuo","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":47931478638900,"sku":"STREET-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":47931478704436,"sku":"STREET-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":47931478737204,"sku":"STREET-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/streetwiseposter.jpg?v=1714071485"},{"product_id":"art-college-1994","title":"Art College 1994","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/dek.jpg?v=1762202561\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLiu Jian\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e118 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Chinese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Animation\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3DCvvHJVqzc?si=mmHw86Y4omkLBkdr\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eART COLLEGE 1994 is a portrait of youth set on the campus of the Chinese\u003cbr\u003eSouthern Academy of Arts in the early 1990s. Against the backdrop of reforms\u003cbr\u003eopening China to the Western world, a group of college students live in full swing as\u003cbr\u003ethey take their first steps into adulthood, where love and friendships are intertwined\u003cbr\u003ewith artistic pursuits, ideals and ambitions. Caught between tradition and modernity,\u003cbr\u003ethey now have to choose who they want to become.    \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003e\u003ci\u003e2023 Berlinale Official Selection\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eLiu Jian (China, 1969) majored in Chinese Painting and graduated from the Nanjing\u003cbr\u003eArt Institute in 1993. Since then, he has made various works that met with the criteria of modern art and that were presented in some of the most important exhibitions in China and abroad. He is one of the representative artists of Gaudy Art and Conceptual Photography. He began working on animations in 1995 and founded Le-joy Animation Studio in 2007. His first feature animation, Piercing 1, screened in numerous film festivals, including Holland Animation FF, Annecy International Animation FF, and Hong Kong International FF. The film also won Best Animated Feature Film at the 4th Asia Pacific Screen Awards. Liu Jian also teaches animation filmmaking at the China Academy of Art. In 2017, his feature animation film Have A Nice Day premieres in competition at the Berlin Film Festival before being screened in more than 50 festivals worldwide including BFI London, Sitges, Thessaloniki and Annecy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Liu Jian","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48527125938484,"sku":"AC94-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48527125971252,"sku":"AC94-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48527126004020,"sku":"AC94-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ArtCollege1994_Dekanalog_WEB.png?v=1743535635"},{"product_id":"the-red-suitcase","title":"The Red Suitcase","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/dek.jpg?v=1762202561\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eFidel Devkota\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e87 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Nepalese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5Y-XlpxowrM?si=TllnlKttjQMP5Sh3\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003eA pick-up driver sets off on the long journey from Kathmandu airport to a remote mountain village with a delivery arriving from abroad. At the same time, a solitary figure with a small red suitcase makes his way along the country road towards the same village. Along the seemingly endless roads, mysterious events take place that may be directly related to the delivery.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn his remarkable feature film debut, anthropologist and filmmaker Fidel Devkota reflects the mood in Nepal today, which is marked by political and economic uncertainty. An atmospheric road movie through the breathtaking landscape of Nepal. \u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e        \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eDairy Arts Center\u003c\/strong\u003e\u003cspan\u003e Boulder, CO • \u003c\/span\u003e\u003cstrong\u003eGateway Film Center\u003c\/strong\u003e\u003cspan\u003e Columbus, OH • \u003c\/span\u003e\u003cstrong\u003eLumiere Music Hall\u003c\/strong\u003e\u003cspan\u003e Beverly Hills, CA • \u003c\/span\u003e\u003cstrong\u003eNepal American Film Society\u003c\/strong\u003e\u003cspan\u003e Silver Spring, MD • \u003c\/span\u003e\u003cstrong\u003eSouth Asian Film Festival\u003c\/strong\u003e\u003cspan\u003e Maitland, FL • \u003c\/span\u003e\u003cstrong\u003eWebster University Film Series\u003c\/strong\u003e\u003cspan\u003e Saint Louis, MO\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“A gem that must be considered. Every frame communicates a heightened sense of human emotions and experiences. The Red Suitcase emanates a lingering effect through a deeply humane story, set within an enchanting visual spectacle. It becomes an artistic mirror that reflects our struggle, resilience, and hope in the face of life’s unpredictable journey.” - Bita Habibi, Universal Cinema Film \u0026amp; TV Journal\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e                  \u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_3 et_pb_column_5  et_pb_css_mix_blend_mode_passthrough\"\u003e\n\u003cdiv class=\"et_pb_module et_pb_text et_pb_text_1  et_pb_text_align_left et_pb_bg_layout_light\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003e\u003cspan\u003eFidel Devkota is a filmmaker and visual anthropologist from Nepal who has been active as a filmmaker, anthropologist, photographer, and lecturer for the past decade. His works are mainly focused on human-environmental relationships, addressing the themes of spiritual, social, and economic transformation in a time of environmental and political change in the Himalayas. BONE TRUMPET will be his debut fiction film. His latest feature film, THE RED SUITCASE (2023), has been selected at the Venice IFF.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fidel Devkota","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48527235547444,"sku":"TRS-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48527235580212,"sku":"TRS-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48527235612980,"sku":"TRS-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TRSposter.jpg?v=1743553064"},{"product_id":"being-natural","title":"Being Natural","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eTadashi Nagayama \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e96 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Comedy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kZlJAhaX4RE?si=co6qI5owaU-vCuvg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eTakashi Uno (Yohta Kawase, \u003c\/span\u003e\u003cem\u003eRubber's Lover\u003c\/em\u003e\u003cspan\u003e) wants little more from life than to play the bongo under the starlight. When his uncle passes, his freshly divorced cousin inherits their traditional country home and tasks the shy slacker with caring for it. Together with the town’s underdog grocer Sho, the three revert to a joyful childhood dynamic. Leisurely BBQ (the cheapest beef!) and cup noodles, it’s all fun and games until a family from Tokyo led by an unhinged patriarch (screen veteran Kanji Tsuda, \u003c\/span\u003e\u003cem\u003eJu-On: The Grudge\u003c\/em\u003e\u003cspan\u003e) and his enigmatic wife (Natsuki Mieda) manifest their desire to open a countryside café at all costs. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTadashi Nagayama – a protégé of the Yubari International Fantastic Film Festival since his Grand Prix-winning debut \u003c\/span\u003e\u003cem\u003eJourney of the Tortoise\u003c\/em\u003e\u003cspan\u003e (2017) – baffles audience expectations at every turn with this gentle, mellow yet thoroughly eccentric pastoral comedy about the right to do nothing, Japan’s growing urban-rural divide and the country’s ongoing nuclear anxieties.\u003c\/span\u003e  \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003e\u003ci\u003e2018 Fantasia Festival\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNagayama Tadashi was born in 1983 in Kanagawa, After his studies at the Tokyo Polytechnic university, he worked as an assistant cameraman before directing his first full-length feature in 2012, TOBIHI. This narrative immediately won a prize at the PIA Film Festival, underlining his promise and his talent. After working on commercials and as a freelance director\/camera man, Nagayama luckily returned to the silver screen in 2016 with Journey of the Tortoise.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tadashi Nagayama","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935710261556,"sku":"BEING-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935710294324,"sku":"BEING-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935710327092,"sku":"BEING-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/beingposter.jpg?v=1762207207"},{"product_id":"cain-and-abel","title":"Cain and Abel","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLino Brocka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1982\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e112 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dmM0gMkkkHI?si=GS_FEh8tpmJLokvF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFirstborn Lorens (Phillip Salvador) toils the land by buffalo while Ellis (Christopher de Leon), the apple of his mother's eye, is given a university education in Manila. When the latter returns to the family’s hacienda with a metropolitan fiancée in tow (Carmi Martin), the domineering Señora Pina (Mona Lisa) immediately disapproves. Looking to reassert her influence, she asks her youngest to name his inheritance. Ellis claims the land – which sparks a family feud that invites tragedy and boils over into all-out filial war.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePenned by the prolific screenwriter Ricardo “Ricky” Lee and directed by Lino Brocka on the heels of masterpieces such as \u003c\/span\u003e\u003cem\u003eWeighed But Found Wanting\u003c\/em\u003e\u003cspan\u003e (1974), \u003c\/span\u003e\u003cem\u003eManila in the Claws of Light\u003c\/em\u003e\u003cspan\u003e (1975) and \u003c\/span\u003e\u003cem\u003eInsiang\u003c\/em\u003e\u003cspan\u003e (1976) – the first Filipino film to play at the Cannes Festival – \u003c\/span\u003e\u003cem\u003eCain and Abel\u003c\/em\u003e\u003cspan\u003e is a powerful examination of the landed class and its frontier justice. Part high-pitched melodrama; part allegory for the rampant bellicosity of the Philippines under Ferdinand Marcos; part timeless Biblical retelling, with nods to Sam Peckinpah’s 1971 \u003c\/span\u003e\u003cem\u003eStraw Dogs\u003c\/em\u003e\u003cspan\u003e, Brocka’s lush actioner is a powerful introduction to the pulpier side of the National Artist of the Philippines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIntense, searing visions of life, death, sex, and struggle on the mean streets of Manila, the films of preeminent Filipino auteur Lino Brocka fuse feverish melodrama with hard-hitting social and political commentary. His films—including defining works of Filipino cinema like the gritty urban nightmare MANILA IN THE CLAWS OF LIGHT, the shattering revenge drama INSIANG, and the blistering action thriller CAIN AND ABEL—scorch the screen with raw emotion and righteous anger at class inequality, sexual violence, and the pervasive corruption of the Marcos era.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lino Brocka","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935719141684,"sku":"CAIN-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935719174452,"sku":"CAIN-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935719207220,"sku":"CAIN-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/cainposter.webp?v=1762207828"},{"product_id":"robinsons-garden","title":"Robinson's Garden","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eMasashi Yamamoto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1987\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e119 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XYAy4sbnco0?si=8oC2nn4axuDctoXc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOn a drunken walk home, bohemian drug-dealer Kumi (Kumiko Ota) discovers an abandoned building on the outskirts of Tokyo. Attracted by the vast and untapped space rampant with luxuriant vegetation, she promptly sells all of her belongings and retreats from the world. She carves an island out of the concrete squat and wiles her days away growing cabbage and expressing herself in any way she pleases. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eFollowing his gonzo hachimiri (8mm) debut SAINT TERRORISM (1980) and the memorable CARNIVAL IN THE NIGHT (1981), Masashi Yamamoto offers his defining punk statement. Winner of a Special Mention at the 1987 Locarno International Film Festival, ROBINSON'S GARDEN is a rare, radical vision of a marginal, multicultural Tokyo. Think Punk Rock rather than City Pop (the soundtrack features Jagatara, Hamza El Din, and Yoichiro Yoshikawa), this film offers a stark contrast to the sights of financial prosperity brought forth by the films of the Economic Bubble era. Lensed by Tom DiCillo (LIVING IN OBLIVION, JOHNNY SUEDE), it instead shares much in common with the No Wave films the cinematographer pioneered alongside Jim Jarmusch (STRANGER THAN PARADISE). An unsung, anticapitalist masterwork.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMasashi Yamamoto was born on 24 January 1956 in Oita, Japan. He is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0095999\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRobinson's Garden (1987)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt13403572\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eWonderful Paradise (2020)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt1236242\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMan, Woman and the Wall (2006)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masashi Yamamoto","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935728447796,"sku":"ROBI-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935728480564,"sku":"ROBI-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935728513332,"sku":"ROBI-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/robiposter.jpg?v=1762209549"},{"product_id":"whats-up-connection","title":"What's Up Connection","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eMasashi Yamamoto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1990\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e121 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese, Chinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gR8t5ob2ZuE?si=p4K3hERJhsOAIrvI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWhen Hong Kong teenager Chi Gau Shin (Tse Wai Kit, \u003c\/span\u003e\u003cem\u003eSchool on Fire\u003c\/em\u003e\u003cspan\u003e) wins a trip to Japan, he unleashes a chain of events that will soon bring him from the secluded fishing village of Po Toi O to Tokyo, by way of Kamagasaki – the so-called slums of Osaka. On the way, he connects with a barely competent tour guide named Kumi and the shapeshifting, loud-mouthed and loveable thief Akane. Upon returning home with this merry band of schemers, Gau Shin finds his family of resourceful counterfeiters on the verge of expropriation. A multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMasashi Yamamoto one-ups \u003c\/span\u003e\u003cem\u003eRobinson's Garden\u003c\/em\u003e\u003cspan\u003e (1987) with the go-for-broke ambition of \u003c\/span\u003e\u003cem\u003eWhat's Up Connection\u003c\/em\u003e\u003cspan\u003e: a rare bilingual Japan-Hong Kong coproduction that unfolds as part unhinged globalization mini-epic, fringe documentary and portrait of a crazy family (the “Chi” of the Chi family a homonym for “crazy” in Cantonese). A breathless, kaleidoscopic evocation of a specific pan-Asian cultural experience as the 1990s drew near, \u003c\/span\u003e\u003cem\u003eWhat's Up Connection\u003c\/em\u003e\u003cspan\u003e has it all: Hongkongers looking to Japan for shopping and recreation; Japanese looking to Hong Kong for investment and opportunity – and the gangsters, hackers, thieves and Taoist priests stuck in-between it all. Scored by avant-garde trumpeter Toshinori Kondo, here is a lively film that bursts at the seams with possibility and brings Yamamoto’s project – of capturing beauty and resilience in the margins of capital – to its maximalist apex.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMasashi Yamamoto was born on 24 January 1956 in Oita, Japan. He is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0095999\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRobinson's Garden (1987)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt13403572\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eWonderful Paradise (2020)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt1236242\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMan, Woman and the Wall (2006)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masashi Yamamoto","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935729496372,"sku":"WUC-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935729529140,"sku":"WUC-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935729561908,"sku":"WUC-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WUCposter.jpg?v=1762209977"},{"product_id":"spacked-out","title":"Spacked Out","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eLawrence Lau\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2000\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eChinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Grr-8DVhhho?si=0VK-iRMBuhrJL4CB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the godforsaken satellite city of Tuen Mun, 13-year-old Cookie suspects she's pregnant. Lately things have not been going her way. Her mother left; her father ignores her; her best friend is in reform school; and her boyfriend Is off selling bootleg VCDs in bustling Mong Kok. Flanked by her ride-or-dies Banana, Sissy and Bean Curd, she journeys into town to find an abortionist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDirector Lawrence Lau updates his 1988 debut \u003c\/span\u003e\u003cem\u003eGangs\u003c\/em\u003e\u003cspan\u003e—a shocking account of underage Triads— with an all-girls cast surviving on the lowest rungs of gang-life after the bosses have long gone legit... Swimming in turn-of-century malaise, this Category Ill youth drama offers a slice of urban grime as our quartet, who can only rely on themselves, navigate drug abuse, bad boyfriends and library books way past their due dates. Produced by Johnnie To (\u003c\/span\u003e\u003cem\u003eElection\u003c\/em\u003e\u003cspan\u003e) and written by Lo Chi-leung (\u003c\/span\u003e\u003cem\u003eViva Erotica\u003c\/em\u003e\u003cspan\u003e).\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLawrence Ah Mon or Lawrence Lau Kwok Cheong (劉國昌) (born 1949) is a \u003c\/span\u003e\u003cb\u003eHong Kong film director\u003c\/b\u003e\u003cspan\u003e. His films are notable for their exploration of people on the fringes of society, such as Gangs (1988), Spacked Out (2000), Gimme Gimme (2001) and City Without Baseball (2008).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lawrence Lau","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935733362996,"sku":"SPACK-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935733395764,"sku":"SPACK-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935733428532,"sku":"SPACK-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/spackposter.jpg?v=1762210750"},{"product_id":"will-your-heart-beat-faster","title":"Will Your Heart Beat Faster?","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMike De Leon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1980\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e106 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VGOfF2MTgCY?si=Ehj50ZBvLKVFCd5q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eConcerned that the audience might mistake the film’s nuns for real ones, \u003c\/span\u003e\u003cem\u003eWill Your Heart Beat Faster?\u003c\/em\u003e\u003cspan\u003e begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (\u003c\/span\u003e\u003cem\u003eKisapmata\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eBatch ’81\u003c\/em\u003e\u003cspan\u003e) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMike De Leon, the producer and cinematographer of Lino Brocka’s haunting masterpiece \u003c\/span\u003e\u003cem\u003eManila in the Claws of Light\u003c\/em\u003e\u003cspan\u003e (1975), is one of Filipino cinema’s most fiercely political and dramatic storytellers in his own right. This complete retrospective, the first ever presented in North America, brings together all of De Leon’s feature films and shorts as a writer and director. De Leon’s films are presented alongside some of the few surviving classic melodramas, musicals, costume dramas, and noir films of the 1930s–’60s to come out of the greatest of all Filipino studios, LVN Pictures, which was founded in 1938 by De Leon’s grandmother Doña Sisang. Inspired by this storied history of popular moviemaking in the Philippines—one he experienced firsthand as a child on the LVN studio lot—as well as by Hollywood and European cinema, De Leon’s own films mix the genres of melodrama, crime, supernatural horror, slapstick comedy, and the musical with blisteringly critical stances toward his country’s history of corruption and cronyism, state-sponsored violence, feudalist exploitation, and populist machismo: the festering legacies of the nation’s colonial past made even more purulent by the dictatorships of Ferdinand Marcos and Rodrigo Duterte. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike De Leon","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48938256171316,"sku":"WYHBF-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48938256204084,"sku":"WYHBF-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48938256236852,"sku":"WYHBF-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/will-your-heart-beat-fasterposter.jpg?v=1762383979"},{"product_id":"beijing-watermelon","title":"Beijing Watermelon","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eNobuhiko Obayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1989\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e135 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IQwcp6mMeGI?si=S05wNPQKHX6ao74U\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eShunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShot between May-July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (\u003c\/span\u003e\u003cem\u003eHouse\u003c\/em\u003e\u003cspan\u003e) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, \u003c\/span\u003e\u003cem\u003eBeijing Watermelon\u003c\/em\u003e\u003cspan\u003e finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNobuhiko Obayashi (January 9, 1938 – April 10, 2020) was a Japanese director, screenwriter and editor of films and television advertisements who is well known for his surreal visual style. He began his career as a pioneering figure in Japanese experimental film during the 1960s before transitioning to directing more mainstream works such as television and feature films. Though he remains mostly unknown outside of Japan, he has made a prolific number of films in his 50 years of working with the medium.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nobuhiko Obayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48938284679476,"sku":"BEIJING-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48938284712244,"sku":"BEIJING-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48938284745012,"sku":"BEIJING-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/beijingposter.jpg?v=1762385353"},{"product_id":"my-heart-is-that-eternal-rose","title":"My Heart is That Eternal Rose","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003ePatrick Tam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1989\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e91 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Chinese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JvU9Nt67zko?si=i_GNfJvWNCA7jPDY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe idyllic, beach-side life of a retired Triad boss, his daughter Lap (Joey Wong) and her boyfriend Rick (Kenny Bee), shatters when a mob favor turns into a bloody shootout. Trading her freedom for her father’s, Lap becomes mistress to Godfather Shen, while Rick goes into exile. Years later, as Shen unknowingly hires Rick as a hitman, Lap sees her chance at escape, while doe-eyed Triad gofer (Tony Leung) completes the doomed quadrangle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDirected by the foremost stylist of the Hong Kong New Wave (and a mentor to Wong Kar-Wai), \u003c\/span\u003e\u003cem\u003eMy Heart Is That Eternal Rose\u003c\/em\u003e\u003cspan\u003e is the apotheosis of Patrick Tam’s time within the strictures of the Hong Kong mainstream. Fulfilling commercial requirements while elevating formula with a lush sense of style, it sings with the painterly cinematography of Christopher Doyle and David Chung as Tam’s dream-like direction bridges the distance between the bullet ballets of a John Woo and the festering darkness of a David Lynch. It is the blue jewel in the crown of the Hong Kong heroic bloodshed sub-genre, shining bright to this day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA native of Guangdong, in 1967 he joined TVB as a cinematographer. In 1975, he became a director and a scriptwriter, and made the well-known artistic dramas such as ''CID'' and ''Seven Women''. One of the episodes titles ''The Star Map'' in his TV work ''Wonderfun'' even won the Silver Medal in International Film and TV Festival of New York. In the same year, Tan was sent by TVB to San Francisco, the United States, to further study the techniques of film-making and editing. In 1977, he left TVB to become a film director. His works ''The Sword'', ''Love Massacre'' and ''Nomad'' were characterized by an innovative usage of the film language, and assured Tan's position as one of the representatives of Hong Kong New Wave Directors. Tan has been concentrating on film editing most recently. He won the Best Editing Awards in the 28th and 31st Golden Horse Awards with ''Days of Being Wild'' and ''Ashes of Time'' respectively, both directed by Wong Kar-Wai. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Patrick Tam","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48938668294452,"sku":"MHITER-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48938668327220,"sku":"MHITER-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48938668359988,"sku":"MHITER-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/mhiterposter.jpg?v=1762399522"},{"product_id":"plastic","title":"Plastic","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eDaisuke Miyazaki\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e104 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CmSGEE1ijCE?si=kHu6zhzQhnPXWn1H\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003ePromised to a record deal that didn’t work out, teenage Jun (Takuma Fujie, \u003c\/span\u003e\u003cem\u003eAugust My Heaven\u003c\/em\u003e\u003cspan\u003e) arrives in Nagoya as a transfer student with dashed dreams. One day, his busking of songs by Exne Kedy catches the eye of fellow fan Ibuki (An Ogawa, \u003c\/span\u003e\u003cem\u003eHeaven Is Still Far Away\u003c\/em\u003e\u003cspan\u003e) and the pair soon falls in love over their shared musical taste. But as adult responsibilities loom, prospects in Tokyo beckon and a global pandemic hits, they slowly drift apart… Until the legendary Exne Kedy announce a reunion tour. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInspired by Kensuke Ide’s 2021 concept album \u003c\/span\u003e\u003cem\u003eStrolling Planet ’74\u003c\/em\u003e\u003cspan\u003e, in which the frontman transformed his band into the fictitious 70s glam rock group Exne Kedy and the Poltergeists, Daisuke Miyazaki’s \u003c\/span\u003e\u003cem\u003ePlastic\u003c\/em\u003e\u003cspan\u003e is a colorful, rock-inflected coming-of-age tale tracking the disilliusionment of Japanese youth. Following his breakout hip-hop drama \u003c\/span\u003e\u003cem\u003eYamato (California)\u003c\/em\u003e\u003cspan\u003e (2016, also included in this release) and the Osaka-set thriller \u003c\/span\u003e\u003cem\u003eVideophobia\u003c\/em\u003e\u003cspan\u003e (2019), Miyazaki showcases a keen sensibility for epochal longing, teenage loneliness, as well as for the vanishing sounds and places of everyday Japan. Dreamy, even cosmic at times, \u003c\/span\u003e\u003cem\u003ePlastic\u003c\/em\u003e\u003cspan\u003e is an atypical romance examining how love for art shapes us.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003eDaisuke Miyazaki was born in 1980 in Yokohama, Kanagawa. He started making films when he was studying at Waseda University. In 2004, he participated in the summer school of New York University that took place in Japan. His thesis \"The 10th Room\" won the Christine Choi Award which is the grandprix at the KUT Film Festival held by the NYU. His following film \"Love Will Tear Us Apart\" was invited to the special screening at the Image Forum Film Festival 2006, which is the largest experimental film festival in Japan. After attending Leos Carax's film \"Meld\" (2008) as a production designer assistant, he started working as an assistant director in the commercial film industry. So far, Miyazaki has worked for many directors who represent modern Japanese cinema such as Kiyoshi Kurosawa and Kunitoshi Manda. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Daisuke Miyazaki","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940581191988,"sku":"PLAST-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940581224756,"sku":"PLAST-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940581257524,"sku":"PLAST-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/plastposter.png?v=1762545828"},{"product_id":"yamato-california","title":"Yamato (California)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eDaisuke Miyazaki\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e118 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/b7BOZvVDmyU?si=PoGhVnvAlk8WIz0H\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSakura (Hanae Kan, \u003c\/span\u003e\u003cem\u003eNobody Knows\u003c\/em\u003e\u003cspan\u003e), a moody teenager, lives in Yamato, Japan. A small town one hour away from Tokyo, it is unremarkable in every way except for the massive US military base that remains at its center. This closeness to American culture has also shaped Sakura’s consciousness: she dreams of becoming a rapper, like the American musicians she admires. Already feeling like an outsider in her own home, her routine is further disturbed when a young Japanese-American girl, Rei (Nina Endo, \u003c\/span\u003e\u003cem\u003eTourism\u003c\/em\u003e\u003cspan\u003e), visits from the States. The daughter of an absent G.I. that her mother is dating, Rei has friendship to spare... which Sakura initially resists.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYamato (California)\u003c\/em\u003e\u003cspan\u003e, Daisuke Miyazaki’s sophomore film following \u003c\/span\u003e\u003cem\u003eEnd of Night\u003c\/em\u003e\u003cspan\u003e (2011), stands out to this day as his most personal and heartfelt: a tale of growing up in Yamato (the director’s own home town) at a particular nexus of postwar histories and imperialisms both large and small, cultural and otherwise. Taking the military base as his backdrop and symbolic gateway to address the long-standing influence of American culture on Japanese society, Miyazaki weaves a musical coming-of-age film affectionate of slackers yet propelled by a creative impulse to make life worth remembering.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003eDaisuke Miyazaki was born in 1980 in Yokohama, Kanagawa. He started making films when he was studying at Waseda University. In 2004, he participated in the summer school of New York University that took place in Japan. His thesis \"The 10th Room\" won the Christine Choi Award which is the grandprix at the KUT Film Festival held by the NYU. His following film \"Love Will Tear Us Apart\" was invited to the special screening at the Image Forum Film Festival 2006, which is the largest experimental film festival in Japan. After attending Leos Carax's film \"Meld\" (2008) as a production designer assistant, he started working as an assistant director in the commercial film industry. So far, Miyazaki has worked for many directors who represent modern Japanese cinema such as Kiyoshi Kurosawa and Kunitoshi Manda. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Daisuke Miyazaki","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940591022388,"sku":"YAMA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940591055156,"sku":"YAMA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940591087924,"sku":"YAMA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/yamaposter.jpg?v=1762546256"},{"product_id":"videophobia","title":"Videophobia","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eDaisuke Miyazaki\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e89 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/civoYpx0g3g?si=IWe95oel1_fbbjH1\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAi (a superbly laconic Tomona Hirota) haunts the streets of Osaka dressed as a mascot. After going home with a stranger, she wakes up to find footage of their intimate encounter uploaded to a porn site. As all systems of recourse and remedy fail her and her sense of dislocation and alienation intensifies, Ai resorts to a strange solution.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing the rap-inflected drama \u003c\/span\u003e\u003cem\u003eYamato (California)\u003c\/em\u003e\u003cspan\u003e and the globe-trotting \u003c\/span\u003e\u003cem\u003eTourism\u003c\/em\u003e\u003cspan\u003e, Daisuke Miyazaki unveils another potent subversion of the so-called monolith of Japanese culture. \u003c\/span\u003e\u003cem\u003eVideophobia\u003c\/em\u003e\u003cspan\u003e unfolds as paranoid techno-thriller about identity, set on the backstreets of an industrial and multicultural Osaka captured here in beautiful, stark black-and-white. Concerns with obsessive image-making and issues of surveillance and consent in the digital age are embodied in the plight of a young woman from the city’s Koreatown; in an eerie film about the self – watching us as much as we watch it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003eDaisuke Miyazaki was born in 1980 in Yokohama, Kanagawa. He started making films when he was studying at Waseda University. In 2004, he participated in the summer school of New York University that took place in Japan. His thesis \"The 10th Room\" won the Christine Choi Award which is the grandprix at the KUT Film Festival held by the NYU. His following film \"Love Will Tear Us Apart\" was invited to the special screening at the Image Forum Film Festival 2006, which is the largest experimental film festival in Japan. After attending Leos Carax's film \"Meld\" (2008) as a production designer assistant, he started working as an assistant director in the commercial film industry. So far, Miyazaki has worked for many directors who represent modern Japanese cinema such as Kiyoshi Kurosawa and Kunitoshi Manda. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Daisuke Miyazaki","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940593512756,"sku":"VIDEO-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940593545524,"sku":"VIDEO-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940593578292,"sku":"VIDEO-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/videoposter.jpg?v=1762546521"},{"product_id":"bona","title":"Bona","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLino Brocka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1980\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Hz7hUWjXfdk?si=huRZimiQuEXh8l2i\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eBona (Nora Aunor), a middle-class girl from the Philippines, is obsessed with Gardo (Philip Salvador), a bit actor in low-budget films. When she decides to drop out of school to follow the object of her infatuation, her furious father casts her out and Bona moves in with the actor in the Manila slums. At first delighted to play house, the young woman soon finds herself not the wife, but rather the maid — at the mercy of Gardo’s every whim and desire, yet intent on enduring his unending parade of conquests, in the hopes of finally being seen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by its iconic superstar Nora Aunor as a subversion of her own fame at the time, and brought to life through Lino Brocka’s (\u003c\/span\u003e\u003cem\u003eCain and Abel\u003c\/em\u003e\u003cspan\u003e) trademark blend of high stakes melodrama and keenly observed social realism, \u003c\/span\u003e\u003cem\u003eBona\u003c\/em\u003e\u003cspan\u003e is a masterpiece of Filipino cinema. It unfolds as a troubling character study at the intersection of fandom, sexuality and martyrdom, in a country where fanaticism, both political, pop cultural and religious, remain driving societal forces. After premiering at the 1981 Directors’ Fortnight at the Cannes Film Festival and long thought lost thereafter, \u003c\/span\u003e\u003cem\u003eBona\u003c\/em\u003e\u003cspan\u003e makes its triumphant return in a new 4K restoration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A well-known opponent of the dictatorship of Ferdinand and Imelda Marcos, Brocka had his own agenda. A film about a star-struck naïf in thrall to a tawdry strongman had another meaning for those who chose to see it.\" - \u003c\/span\u003e\u003cem\u003eJ. Hoberman, New York Times\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Grabs and shakes with both hands patriarchal power high and low and the (im)moral order that goes with it\" - \u003c\/span\u003e\u003cem\u003eRichard Brody\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIntense, searing visions of life, death, sex, and struggle on the mean streets of Manila, the films of preeminent Filipino auteur Lino Brocka fuse feverish melodrama with hard-hitting social and political commentary. His films—including defining works of Filipino cinema like the gritty urban nightmare MANILA IN THE CLAWS OF LIGHT, the shattering revenge drama INSIANG, and the blistering action thriller CAIN AND ABEL—scorch the screen with raw emotion and righteous anger at class inequality, sexual violence, and the pervasive corruption of the Marcos era.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lino Brocka","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940605735220,"sku":"BONA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940605767988,"sku":"BONA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940605800756,"sku":"BONA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/bonaposter.jpg?v=1762546952"},{"product_id":"carnival-in-the-night","title":"Carnival in the Night","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eMasashi Yamamoto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1981\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e101 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese, Chinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f42pR5FzZJ4?si=t8nlh4jRcYxnkQUZ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOf a pair with his 8mm debut \u003c\/span\u003e\u003cem\u003eSaint Terrorism\u003c\/em\u003e\u003cspan\u003e, Masashi Yamamoto’s \u003c\/span\u003e\u003cem\u003ejishu-eiga\u003c\/em\u003e\u003cspan\u003e (self-produced) breakthrough \u003c\/span\u003e\u003cem\u003eCarnival in the Night\u003c\/em\u003e\u003cspan\u003e unfurls with a palpable sense of rage and abandon, capturing images of Shinjuku’s underground and transforming its DIY scene into a purgatorial and claustrophobic realm. Aspiring punk rocker and single mother Kumi (Kumiko Ohta) drops off her child with her ex-husband and the world is bled of colour as she hits town for one last bender. This begins a phantasmagorical journey of self-discovery and self-destruction; a pitch black look at the margins of society contrasted by a backhanded, yet no less poignant, reflection on responsibility and motherhood. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYamamoto’s film — shot in an hypnotizing vérité style — propels Kumi forward as she crosses path with a variety of addicts, sex workers, squatters and bomb-makers, her march ‘till dawn marked by senseless acts of violence. Anticipating the squatter’s eden depicted in \u003c\/span\u003e\u003cem\u003eRobinson’s Garden\u003c\/em\u003e\u003cspan\u003e (where Kumiko Ota returns as another version of herself) as well as the anti-capitalist global antics of \u003c\/span\u003e\u003cem\u003eWhat’s Up Connection\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eCarnival in the Night\u003c\/em\u003e\u003cspan\u003e also prefigures Japanese punk cinema classics such as Sogo Ishii’s \u003c\/span\u003e\u003cem\u003eBurst City\u003c\/em\u003e\u003cspan\u003e(1982) and Shinya Tsukamoto’s \u003c\/span\u003e\u003cem\u003eBullet Ballet\u003c\/em\u003e\u003cspan\u003e (1998). Restored from its original 16mm negatives, it is Masashi Yamamoto at his most anarchic and transgressive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"These are Yamamoto’s politics: to squat, to squander, and to soil reality. Whether anyone takes notice is beyond him; his unceasing state of resistance exists beyond society and blooms by virtue of its separation from its norms.\" — Nicolas Pedrero-Setzer, Screen Slate\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMasashi Yamamoto was born on 24 January 1956 in Oita, Japan. He is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0095999\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRobinson's Garden (1987)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt13403572\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eWonderful Paradise (2020)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt1236242\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMan, Woman and the Wall (2006)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masashi Yamamoto","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940606292276,"sku":"CARNI-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940606325044,"sku":"CARNI-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940606357812,"sku":"CARNI-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/carniposter.jpg?v=1762547408"},{"product_id":"karnal","title":"Karnal","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMarilou Diaz-Abaya\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1982\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e123 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nG9X-SN6Gfk?si=4DLPHYaGweEDqN6y\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA fork in the road brings Narcing (Phillip Salvador) back to his hometown of Mulawin, rumored to be located not so far from Hell. Freshly married, he arrives from Manila in the hopes of introducing his wife Puring (Cecille Castillo) to his relatives. Gusting (Vic Silayan), the family’s domineering patriarch, does not welcome the couple kindly. Still scarred by the suicide of wife, Gusting immediately resents his son for what he perceives as a betrayal: the loss of land-owning heritage to the vulgarity of city women. Spite mingles with jealousy, turning to something altogether more sinister when Narcing’s behavior begins mirroring that of his father who, in turn, begins noticing Puring’s uncanny resemblance to his wife.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing Brutal (1980) and Moral (1982), Marilou Diaz-Abaya closes her informal feminist trilogy with Karnal, a striking example of Filipino Gothic set in the 1930s. Inspired by a sordid true crime story, what begins as archetypal Filipino melodrama soon turns to horror: a Village of the Damned-inspired study of the places that turn people into monsters and of the cruel, feudalistic patriarchy that continues to have deadly repercussions for Philippines politics today. The latter is embodied brilliantly by Vic Silayan, on the heels of a similar, monstrous turn as a tyrannical father in Kisapmata (1981).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMarilou Diaz-Abaya was a film and television director and screenwriter. She  began her career in the 1980s and was  part of the generation that defined what  is today remembered as the “Second  Golden Age of Philippine Cinema.” Her first collaboration with screenwriter Ricky Lee was \u003ci\u003eBrutal \u003c\/i\u003e(1980).  They would go on to collaborate on half of her filmography. \u003ci\u003eBrutal \u003c\/i\u003ewas a box-office success and a  critically acclaimed work, for which she received her first Best Director award from the Metro Manila Film Festival  (MMFF).  \u003ci\u003eS\u003c\/i\u003ehe emerged as a bold experimenter of storytelling structure and a fierce creative protester of the harrowing plight of women in a male-dominated society. \u003ci\u003eMoral \u003c\/i\u003e(1982), was named  Outstanding Film of the Year by the British Film Institute.  \u003ci\u003eKarnal \u003c\/i\u003e(1983), received the Best Picture prizes at the MMFF and the Filipino Academy of Movie Arts and Sciences (FAMAS). It was also named one of the Ten Best Films of the Decade by the  Manunuri ng Pelikulang Pilipino. She directed television and gave the public a variety of shows. In 1997, she directed Rolando Tinio’s \u003ci\u003eMilagros\u003c\/i\u003e, which won ten awards at the  Gawad Urian, and the Manunuri ng Pelikulang Pilipino named it one of the best films of the decade. \u003ci\u003eSa Pusod ng Dagat \u003c\/i\u003e(1998), received the International Federation of  Film Critics\/Network for the Promotion of Asian Cinema Award at Singapore International  Film Festival. Her \u003ci\u003eJose Rizal \u003c\/i\u003eBest  Picture and Best Director, at the MMFF and FAMAS, and was named one of the best films of the decade by the Manunuri ng Pelikulang Pilipino.  \u003ci\u003eMuro-Ami \u003c\/i\u003e(1999), also won Best Picture and Best Director at the MMFF and FAMAS. \u003ci\u003eBagong Buwan \u003c\/i\u003e(2001) likewise won the Best Picture and Best Director prizes at FAMAS. She established the Asia Pacific Film Institute in 2005 and \u003c\/span\u003e\u003cspan\u003ethen the Marilou Diaz-Abaya Film Institute and Arts Center in 2007. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marilou Diaz-Abaya","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949086519604,"sku":"KARN-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949086552372,"sku":"KARN-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949086585140,"sku":"KARN-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/karnposter.jpg?v=1763520547"},{"product_id":"moral","title":"Moral","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMarilou Diaz-Abaya\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1983\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e157 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFour best friends are graduating from the University of the Philippines Diliman, their paths diverging in significant, if inevitable ways. Joey (Lorna Tolentino) bounces from lover to lover, couch to couch. Kathy (Gina Alajar), a mediocre singer, is intent on making it at all costs. Sylvia (Sandy Andolong) separates from her husband, while he sets up house with another man. Maritess (Anna Marin) gets married and sees her life reduced to the role of mother and housewife. Over the course of three years, the life of four friends intersects at the vanguard of wider societal changes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnhurried, rich with character development, and unlike any ensemble in international cinema, Moral, the midpoint film in Marilou Diaz-Abaya’s landmark feminist trilogy, is often considered one of the best Filipino films ever made. Miraculously restored from near-unsalvageable elements in 2017, it remains an essential film for its bold structure and epic portrait of womanhood in the time of Martial Law. From anti-Marcos resistance to American culture creeping to new values being put in practice, Moral is a novelistic examination of an evolving Philippines society heading into the 80s with updated definitions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMarilou Diaz-Abaya was a film and television director and screenwriter. She  began her career in the 1980s and was  part of the generation that defined what  is today remembered as the “Second  Golden Age of Philippine Cinema.” Her first collaboration with screenwriter Ricky Lee was \u003ci\u003eBrutal \u003c\/i\u003e(1980).  They would go on to collaborate on half of her filmography. \u003ci\u003eBrutal \u003c\/i\u003ewas a box-office success and a  critically acclaimed work, for which she received her first Best Director award from the Metro Manila Film Festival  (MMFF).  \u003ci\u003eS\u003c\/i\u003ehe emerged as a bold experimenter of storytelling structure and a fierce creative protester of the harrowing plight of women in a male-dominated society. \u003ci\u003eMoral \u003c\/i\u003e(1982), was named  Outstanding Film of the Year by the British Film Institute.  \u003ci\u003eKarnal \u003c\/i\u003e(1983), received the Best Picture prizes at the MMFF and the Filipino Academy of Movie Arts and Sciences (FAMAS). It was also named one of the Ten Best Films of the Decade by the  Manunuri ng Pelikulang Pilipino. She directed television and gave the public a variety of shows. In 1997, she directed Rolando Tinio’s \u003ci\u003eMilagros\u003c\/i\u003e, which won ten awards at the  Gawad Urian, and the Manunuri ng Pelikulang Pilipino named it one of the best films of the decade. \u003ci\u003eSa Pusod ng Dagat \u003c\/i\u003e(1998), received the International Federation of  Film Critics\/Network for the Promotion of Asian Cinema Award at Singapore International  Film Festival. Her \u003ci\u003eJose Rizal \u003c\/i\u003eBest  Picture and Best Director, at the MMFF and FAMAS, and was named one of the best films of the decade by the Manunuri ng Pelikulang Pilipino.  \u003ci\u003eMuro-Ami \u003c\/i\u003e(1999), also won Best Picture and Best Director at the MMFF and FAMAS. \u003ci\u003eBagong Buwan \u003c\/i\u003e(2001) likewise won the Best Picture and Best Director prizes at FAMAS. She established the Asia Pacific Film Institute in 2005 and \u003c\/span\u003e\u003cspan\u003ethen the Marilou Diaz-Abaya Film Institute and Arts Center in 2007. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marilou Diaz-Abaya","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949094154548,"sku":"MORAL-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949094187316,"sku":"MORAL-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949094220084,"sku":"MORAL-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/moralposter.jpg?v=1763522169"},{"product_id":"kisapmata","title":"Kisapmata","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMike De Leon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1981\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e99 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L1kUR_s76-c?si=TXkLYF8yb1vq8I6k\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOne Sunday in November, Mila (Charo Santos) announces to her father Dadang (Vic Silayan), a retired police officer, that she is pregnant, asking for permission to marry her co-worker Noel (Jay Ilangan). The noose further tightens as Dadong's unreasonable expectations for a dowry are not met and he exhibits an increasingly authoritarian streak. The couple marries and soon, Mila's father begins a game of exclusion and manipulation in the hopes of reasserting control over his kin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBased on the true crime reportage \"The House on Zapote Street\" penned by Nick Joaquin, Mike De Leon's \u003c\/span\u003e\u003cem\u003eKisapmata\u003c\/em\u003e\u003cspan\u003e, beautifully restored in 4K by L'Immagine Ritrovata, is a stunning example of psychological horror; a film that meticulously tighten the noose around its characters' neck until the outcome feels inevitable — culminating in a brutal, unflinching portrait of the horrors of patriarchy at its most pathological. Voted the 3rd Best Filipino Film Of All Time by the Pinoy Rebyu (SFFR), it stands as one of Mike De Leon's most unsettling and politically resonant films.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMike De Leon, the producer and cinematographer of Lino Brocka’s haunting masterpiece \u003c\/span\u003e\u003cem\u003eManila in the Claws of Light\u003c\/em\u003e\u003cspan\u003e (1975), is one of Filipino cinema’s most fiercely political and dramatic storytellers in his own right. Inspired by this storied history of popular moviemaking in the Philippines—one he experienced firsthand as a child on the LVN studio lot—as well as by Hollywood and European cinema, De Leon’s own films mix the genres of melodrama, crime, supernatural horror, slapstick comedy, and the musical with blisteringly critical stances toward his country’s history of corruption and cronyism, state-sponsored violence, feudalist exploitation, and populist machismo: the festering legacies of the nation’s colonial past made even more purulent by the dictatorships of Ferdinand Marcos and Rodrigo Duterte.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike De Leon","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949550121268,"sku":"KISA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949550154036,"sku":"KISA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949550186804,"sku":"KISA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/kisaposter.jpg?v=1763581846"},{"product_id":"batang-west-side","title":"Batang West Side","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLav Diaz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2001\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e301 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zyCYFUvU-k8?si=vwBOHqLUhvdh-V_Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eInvestigating the murder of the young Hanzel (Yul Servo), shot dead one winter night on West Side Ave, police detective Juan Mijares (Joel Torres) plumbs the depths of the Filipino youth gangs of Jersey city who trade in \u003c\/span\u003e\u003cem\u003eshabu\u003c\/em\u003e\u003cspan\u003e – crystal meth. Talking to the boy’s mother, remarried to an American, to his grandfather, an ex-soldier as well as to his American-born girlfriend, bigger questions emerge: what dark history has pushed so many Filipinos to migrate this wintry land? Why are these the conditions of their children? What past does this detective emerge from? \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShot at the freezing turn of the millennium by a young and fearless Lav Diaz (\u003c\/span\u003e\u003cem\u003eNorte, The End of History\u003c\/em\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cem\u003eBatang West Side\u003c\/em\u003e\u003cspan\u003e is a timeless epic about Filipino immigration over generations. Diaz’s sole film shot in the United States, and the longest film to be made by a Southeast Asia director at the time, Diaz does not shy away from the power of cumulative answers, revealed intricately over the course of the kind epic runtime and Dostoyevskian themes that would become hallmarks in the oeuvre of the Filipino master.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLav Diaz (born Lavrente Indico Diaz on 30 December 1958) is a Filipino filmmaker. He is known as one of the key members of the slow cinema movement, having made several of the longest narrative films on record. Although he had been making films since the late 90s Diaz didn't attract much public attention outside of the Philippines and the festival circuit until the release of his 2013 film Norte, the End of History, which was entered into Un Certain Regard section of the 2013 Cannes Film Festival. His three subsequent films have received much critical attention and many awards with 2014's From What Is Before earning him the Golden Leopard at the 2014 Locarno International Film Festival as well as a nomination for the Asian Film Award for Best Director, 2016's A Lullaby to the Sorrowful Mystery competing for the Golden Bear at the 66th Berlin International Film Festival and winning the Alfred Bauer Prize, and 2016's The Woman Who Left competing at the 73rd Venice International Film Festival and winning the Golden Lion.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lav Diaz","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949735293236,"sku":"BATANG-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949735326004,"sku":"BATANG-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949735358772,"sku":"BATANG-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/batangposter.jpg?v=1763596757"},{"product_id":"tokyo-uber-blues","title":"Tokyo Uber Blues","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eTaku Aoyagi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAsian Cinema, Documentary, Health and Wellness Asian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RMERHWhtSIU?si=_WYdA45S9v6Jduyx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eUnemployed in the wake of the pandemic, 26 year-old filmmaker Taku Aoyagi decides to try his luck in Tokyo. Short on worldly possessions but a bike and a phone, he becomes an Uber Eats rider. Now, he can decide his own hours and is free to choose when to take orders! But pedalling through deserted streets delivering boba tea to cloistered condos, he starts to wonder... what was it that Ken Loach said about the Uberization of society?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThrillingly shot from a first-person perspective on a mixture of smartphones and GoPros, first-time vlogger-turned-director Taku Aoyagi invites the audience to join him on his daily rides speeding through a deserted city. Talking to himself and his peers, he asks: for a young, unemployed person with $40,000 of student debt, does gig-work offer a model for the future?\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eTaku AOYAGI, born in Yamanashi Prefecture in 1993, studied at the Japan Institute of the Moving Image. In 2018, he premiered his graduation film THE ROAD HE WALKS: A STORY OF HE-KUN (2017 \/ NC ’18) internationally at Nippon Connection. TOKYO UBER BLUES (2022 \/ NC ’23) is his first feature-length documentary.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Taku Aoyagi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949753872692,"sku":"YAMA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949753905460,"sku":"YAMA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949753938228,"sku":"YAMA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/tokyoposter.png?v=1763597585"},{"product_id":"shari","title":"Shari","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eNao Yoshigai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e63 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAsian Cinema, Japanese Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2zu_VfcL3oM?si=MzKXGZnohFZTHmqP\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWelcome to Shari: a small town on the north-east coast of Japan’s northernmost island of Hokkaido, on the Shiretoko Peninsula where the Sea of Okhotsk meets Russian shores. Here, we meet hunters and bakers who love venison a few ways; flying squirrel enthusiasts and a collector known for his “Hall of Hidden Treasures.” At the heart of it all is the conspicuous absence of drift ice and fish in this crucial winter season. Meanwhile, the Red Thing, a yeti-like creature, sanguine “like a throbbing blood clot” rampages through the scenery where folklore blossoms from the meeting between human and nature... the latter now skipping a beat.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDancer-turned-filmmaker Nao Yoshigai (whose short films, such as the 2019 Directors’ Fortnight-selected Grand Bouquet, have charmed festival audiences across the world) makes her feature debut with Shari, an experimental documentary bringing audiences to one of Japan’s most secluded and magnificent areas. Like Yoshigai’s short works, blurring the line between documentary, dance film and fantasy, Shari is multifaceted: part introspective travelogue, part wistful exploration of myth and legend, part climate change diary or in situ intervention. Offering a unique viewpoint into a community rarely captured on film, Shari advocates for the future of Japan’s far-flung rural areas, uncertain in the face of a warming world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eBorn in 1987 in Yamaguchi Prefecture, Japan. Graduated from the Department of Dance at Japan Women’s College of Physical Education and completed her master’s degree at Tokyo University of the Arts Graduate School of Film and New Media. She creates films with the intention of making cinema itself “dance,” focusing on the senses and emotions evoked by seeing and listening. She also works as a music video director, choreographer, and performer.\u003c\/p\u003e\n\u003cp\u003eHer notable films include \u003cem\u003eShari\u003c\/em\u003e (official selection, Rotterdam International Film Festival 2022), \u003cem\u003eGrand Bouquet\u003c\/em\u003e(invited to the Directors’ Fortnight at the Cannes Film Festival 2019), and \u003cem\u003eHottamaru Days\u003c\/em\u003e (winner of the New Face Award, Entertainment Division, Japan Media Arts Festival). She choreographed and appeared in the music video for Kenshi Yonezu’ “\u003cem\u003eLemon\u003c\/em\u003e“.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nao Yoshigai","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48956488352052,"sku":"SHARI-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48956488384820,"sku":"SHARI-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48956488417588,"sku":"SHARI-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/shariposter.jpg?v=1764636045"},{"product_id":"desert-of-namibia","title":"Desert of Namibia","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eYoko Yamanaka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e137 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAsian Cinema, Drama Narrative\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/24ewX2Zf4m0?si=-oxs_u60kt9Uo75B\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e21-year-old Kana (rising star Yuumi Kawai) works a disaffected job at a beauty salon, where she bristles against the beauty expectations placed on women her age. Her erratic mood and default to self-destruct impacts all of her relationships, as moments of levity erupt into violence and optimism simmers to despair. Bored with her slavish boyfriend, she finds another; the novel excitement of it all soon devolving into a volatile predicament. Uncommitted and trapped in her own life, Kana slowly makes her way towards the inner desert of her emotions. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlternating between claustrophobic blocking, ample zooms and expressive whip-pans brought together by dryly comedic editing and an intense actor’s direction, the sophomore effort from director Yoko Yamanaka (the youngest filmmaker to have a film selected at the Berlin International Film Festival with her 2017 debut \u003c\/span\u003e\u003cem\u003eAmiko\u003c\/em\u003e\u003cspan\u003e) provides a frank and dynamic examination of womanhood and mental health in contemporary Japan. Inspired by the female protagonists of Yasuzo Masumura as much as the intense Cassavetes\/Rowlands collaboration, Yamanaka breaks out with a work of stark confrontational honesty.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Yoko Yamanaka's \u003c\/span\u003e\u003cem\u003eDesert of Namibia\u003c\/em\u003e\u003cspan\u003e is profoundly affecting; imbued with a calm, introverted cruelty; like a girl without a home standing on any Tokyo street corner saying to the world, ‘I don't understand!’” \u003c\/span\u003e\u003cem\u003e– Lou Ye (Suzhou River)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Elusive, \u003c\/span\u003e\u003cem\u003eDesert of Namibia\u003c\/em\u003e\u003cspan\u003e is an ultra-melancholic slapstick comedy, a slow-burn vaudeville, a fantasy film without monsters or ghosts–or else entirely populated by monsters and ghosts, but with a seemingly everyday quality... About a generation's relationship to the world...”\u003c\/span\u003e\u003cem\u003e – Jean-Michel Frodon, Slate (France)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Yuumi Kawai is immediately magnetic... Yamanaka’s work defies binaries… The film and its lead feel[s] pulsating alive.” \u003c\/span\u003e\u003cem\u003e– Siddhant Adhlaka, Variety\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Kawai’s masterful, multilayered performance, which presents Kana more as willful and lost than born bad and raised wrong, both exposes and humanizes her.” \u003c\/span\u003e\u003cem\u003e– Mark Schilling, Japan Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The messages here are klaxon-level clear. Japanese conformity is killing Kana and her generation as they twist themselves into shapes that don’t fit.” \u003c\/span\u003e\u003cem\u003e– Fionnuala Halligan, Screen International\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eYôko Yamanaka was born in 1997 in Nagano, Nagano, Japan. She is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt32128870\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eDesert of Namibia (2024)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt8134468\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eAmiko (2017)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt9716782\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003e21st Century Girl (2019)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yoko Yamanaka","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48956492218676,"sku":"DON-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48956492251444,"sku":"DON-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48956492284212,"sku":"DON-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/DONposter.jpg?v=1764637152"},{"product_id":"amiko","title":"Amiko","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eYoko Yamanaka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e66 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAsian Cinema, Drama Narrative\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/05-SQGUlzO0?si=KaBvHx9fuUN1XYzr\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eBefore \u003c\/span\u003e\u003cem\u003eDesert of Namibia\u003c\/em\u003e\u003cspan\u003e, Yoko Yamanaka premiered \u003c\/span\u003e\u003cem\u003eAmiko\u003c\/em\u003e\u003cspan\u003e, described as a “distant cousin of Louis Malle’s \u003c\/span\u003e\u003cem\u003eZazie dans le métro\u003c\/em\u003e\u003cspan\u003e” by way of the uniquely DIY spirit of the self-produced film (\u003c\/span\u003e\u003cem\u003ejishu eiga\u003c\/em\u003e\u003cspan\u003e) tradition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe young Amiko is obsessed with her classmate Aomi, a cool soccer player and Radiohead fan, with whom she goes on a short, but memorable stroll through the park. There begins a fixation that carries over the entire school year: a period during which she dares not speak to the boy, though she obsesses over him with every waking thought. So when he run away to the big city to pursue his own life, Amiko becomes determined to find him, and tell him how she really feels, on a journey that will take her from her banal home town of Nagano to the bustling, anonymous streets of Tokyo. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmiko\u003c\/em\u003e\u003cspan\u003e is a gleefully irreverent, crystalline sour-sweet confection of extreme emotions, forged in the fiery pits of adolescence. Having dropped out of college herself to pursue this first feature, Yamanaka subverts the image of the schoolgirl into a strong counter-cultural figure, revealing what should become a cult character: a young punk in \u003c\/span\u003e\u003cem\u003eseifuku\u003c\/em\u003e\u003cspan\u003e, resisting apathy, mass culture and a boy’s indifference one fistful of conviction at a time. Shot with available means and a bathtub-full of mouth-puckering passion, this Pia Film Festival-awarded and Berlinale-selected film established Yamanaka as one to watch.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eYôko Yamanaka was born in 1997 in Nagano, Nagano, Japan. She is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt32128870\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eDesert of Namibia (2024)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt8134468\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eAmiko (2017)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt9716782\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003e21st Century Girl (2019)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yoko Yamanaka","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48956494119220,"sku":"AMIKO-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48956494151988,"sku":"AMIKO-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48956494184756,"sku":"AMIKO-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/amikopostercopy.jpg?v=1764637590"},{"product_id":"the-stairway-to-the-distant-past","title":"The Stairway to the Distant Past","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eKaizo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1995\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e101 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XoWO68gMPoQ?si=prPD2T83wrSNUx5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLaunched to stardom by Jim Jarmusch’s \u003c\/span\u003e\u003cem\u003eMystery Train \u003c\/em\u003e\u003cspan\u003e(1989), enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e (1993), \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e (1995) and \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, presented here from its new 4K restoration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e, now in vibrant colour, Maiku Hama returns in a dashing convertible that is promptly repo’d. Taking on odd jobs like looking for lost dogs, Hama’s search leads him to a past he thought he’d left him behind as the port city’s most legendary stripper returns and gangs vie for the control of the waterfront.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with To Sleep so as to Dream. He is best known for his neo-noir Maiku Hama trilogy, The Most Terrible Time in My Life, Stairway to the Distant Past and The Trap.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaizo Hayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957248602420,"sku":"TSTDP-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957248635188,"sku":"TSTDP-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957248667956,"sku":"TSTDP-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TSTDPposter.jpg?v=1764735203"},{"product_id":"the-most-terrible-time-in-my-life","title":"The Most Terrible Time in My Life","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eKaizo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1995\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e101 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_kOkKqsViuc?si=Nmw1hOdzAS9nszfZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLaunched to stardom by Jim Jarmusch’s \u003c\/span\u003e\u003cem\u003eMystery Train\u003c\/em\u003e\u003cspan\u003e (1989), enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e (1993), \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e (1995) and \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, presented here from its new 4K restoration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe trilogy kicks things off in \u003c\/span\u003e\u003cem\u003eakushon\u003c\/em\u003e\u003cspan\u003e black-and-white with \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e, set among the immigrant communities of a multi-cultural Yokohama. When Maiku accidentally saves a Taiwanese immigrant named Yang during a mahjong parlour brawl, he becomes embroiled in a tale of two brothers at the heart of an underground pan-Asian mafia on the brink of war.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with To Sleep so as to Dream. He is best known for his neo-noir Maiku Hama trilogy, The Most Terrible Time in My Life, Stairway to the Distant Past and The Trap.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaizo Hayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957251060020,"sku":"TMTTML-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957251092788,"sku":"TMTTML-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957251125556,"sku":"TMTTML-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TMTTMLposter.jpg?v=1764735623"},{"product_id":"the-trap","title":"The Trap","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eKaizo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1996\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e106 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N-CY9BUVF_s?si=70b0-wH-g-ZZpXdC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLaunched to stardom by Jim Jarmusch’s \u003c\/span\u003e\u003cem\u003eMystery Train\u003c\/em\u003e\u003cspan\u003e (1989), enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e (1993), \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e (1995) and \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, presented here from its new 4K restoration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClosing out the trilogy is \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e in which Nagase stars in a memorable double role. When a string of young women in floral dresses are found dead, alarms are sounded throughout Yokohama about the possibility of a serial killer on the loose. But when all evidence points to Hama, he has to fight against the clock and former allies, putting his trust in a rookie cop and his trusted sidekick Hoshino. Will Hama escape the trap?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with To Sleep so as to Dream. He is best known for his neo-noir Maiku Hama trilogy, The Most Terrible Time in My Life, Stairway to the Distant Past and The Trap.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaizo Hayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957254369588,"sku":"TTRAP-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957254402356,"sku":"TTRAP-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957254435124,"sku":"TTRAP-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TTRAPposter.jpg?v=1764736580"},{"product_id":"looking-for-an-angel","title":"Looking for an Angel","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eAkihiro Suzuki\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1999\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e61 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema, Queer Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMostly seen on the gay pink circuit and recently restored by its director to its rightful place in the Japanese arthouse canon, Akihiro Suzuki's debut takes the death of a young gay porn performer named Takachi as its starting point. \u003c\/span\u003e\u003cem\u003eLooking for an Angel \u003c\/em\u003e\u003cspan\u003efollows Shinpei and Reiko as they process their friend’s disappearance, their memories coalescing into a bold exploration of grief set against the backdrop of a nostalgic, blue-hued city shot in a variety of filmic formats. As the viewer begins to piece together Takachi’s story, laden with desire for another boy named Sorao, between the cities of Tokyo and Kochi (“where the boys look like angels”), a powerful free-associative beauty emerges from a unique work described by Suzuki himself as “neither straight, gay, queer, bisexual, asexual or pornographic, but [rather] anti-heterosexist” — a film completely free of dogma and convention.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“At the time, I felt a sense of rebellion against the heterosexual-dominated world, and wanted to portray sexuality and identity through an ambiguity that cannot be categorized,” says director Akihiro Suzuki. \"I wanted to make a 35mm film like an 8mm film, mix various visual media, and include people of diverse sexualities around me in it.” — Akihiro Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAkihiro Suzuki (b. 1961) is a \u003c\/span\u003e\u003cb\u003eJapanese director, producer, and film distributor\u003c\/b\u003e\u003cspan\u003e largely known for his contributions to the history of Japanese experimental, underground, and queer cinema.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Akihiro Suzuki","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957260103988,"sku":"LOOK-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957260136756,"sku":"LOOK-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957260169524,"sku":"LOOK-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/LOOKposter.png?v=1772493630"}],"url":"https:\/\/www.collectiveeye.org\/collections\/asian-cinema.oembed?page=3","provider":"Collective Eye Films","version":"1.0","type":"link"}