Age of Champions

{"id":693763604507,"title":"1948: Creation \u0026 Catastrophe","handle":"1948","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Andy Trimlett \u0026amp; Ahlam Muhtaseb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Arabic and Hebrew with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e Arabic, English, French, Hebrew \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eMiddle Eastern Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\"1948 makes the Nakba uncannily \u003ci\u003ereal\u003c\/i\u003e for the doubting spectator\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.1948movie.com\/epk.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eView the Press Kit HERE.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.1948movie.com\/guide.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.1948movie.com\/guide.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eView the Discussion Guide HERE.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThrough riveting and moving personal recollections of both Palestinians and Israelis, \u003ci\u003e1948: Creation \u0026amp; Catastrophe\u003c\/i\u003e reveals the shocking events of the most pivotal year in the most controversial conflict in the world.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt tells the story of the establishment of Israel as seen through the eyes of the people who lived it. It is simply not possible to make sense of what is happening in the Israeli-Palestinian conflict today without an understanding of 1948.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis documentary was the last chance for many of its Israeli and Palestinian characters to narrate their first-hand accounts of the creation of a state and the expulsion of a nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eAn estimated 700,000 Palestinians fled or were expelled and hundreds of towns and villages were depopulated and destroyed in Israel.\u003c\/strong\u003e Because of this, on May 15, Nakba Day or \"Day of the Catastrophe\" is commemorated, the day after the Israeli Independence Day. For Palestinians, this is a day of commemoration of the displacement during the Israeli Declaration of Independence in 1948.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/262312507?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e1948 is a powerful record of this important time. The film crew conducted over 90 interviews, poured over 20,000 pages of history, collected more than 2,000 photographs from three dozen sources, combed through hours of archival film and gathered dozens of documents from Israeli military archives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e1948 Features:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-hand accounts of 1948 from Israelis and Palestinians\u003c\/li\u003e\n\u003cli\u003eRenowned historians Charles D. Smith, Rashid Khalidi, Benny Morris, Avi Shlaim, Ilan Pappe, Nur Masalha and Sharif Kanaaneh.\u003c\/li\u003e\n\u003cli\u003eMilitary orders and intelligence documents\u003c\/li\u003e\n\u003cli\u003eOver 200 archival photographs and film clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAWARDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWinner - Rebuilding Alliance's \"Storytellers: Media \u0026amp; Education\" Award\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Middle East Studies Association Film Festival, DC \u003c\/li\u003e\n\u003cli\u003ePalestine Solidarity Week, Memphis, TN\u003c\/li\u003e\n\u003cli\u003eThe American University in Cairo, Egypt\u003c\/li\u003e\n\u003cli\u003eReel Palestine Festival, Dubai, UAE  \u003c\/li\u003e\n\u003cli\u003eAMP Conference, Chicago, IL \u003c\/li\u003e\n\u003cli\u003eUniversity of Oxford, UK\u003c\/li\u003e\n\u003cli\u003eGeorgetown University, DC\u003c\/li\u003e\n\u003cli\u003eBoston Palestine Film Festival, Cambridge, MA\u003c\/li\u003e\n\u003cli\u003eSan Diego Arab Film Festival, San Diego, CA\u003c\/li\u003e\n\u003cli\u003eUniversity of Maryland\u003c\/li\u003e\n\u003cli\u003eUniversity of Illinois, Champaign-Urbana, IL\u003c\/li\u003e\n\u003cli\u003eUC Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eSan Francisco State University, CA\u003c\/li\u003e\n\u003cli\u003eSan Diego State University, CA\u003c\/li\u003e\n\u003cli\u003eCarnegie Library East Liberty, Pittsburgh, PA\u003c\/li\u003e\n\u003cli\u003eJewish Voice for Peace, New York at CUNY\u003c\/li\u003e\n\u003cli\u003eKuwait Engineering Association, Kuwait\u003c\/li\u003e\n\u003cli\u003eCalifornia State University - San Bernardino, CA \u003c\/li\u003e\n\u003cli\u003eEastern Michigan University, Ypsilanti, MI\u003c\/li\u003e\n\u003cli\u003eIslamic Association of Greater Hartford, CT\u003c\/li\u003e\n\u003cli\u003eNorth Carolina State University, Raleigh, NC\u003c\/li\u003e\n\u003cli\u003eCalifornia State University, Fresno, CA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eACADEMIC AND EXPERT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Despite these issues, \u003cem\u003e1948 \u003c\/em\u003emakes its undeniable intervention into the contemporary media scape as an \u003cem\u003easymmetrical balancing \u003c\/em\u003eof Zionism’s \u003cem\u003eunbalanced symmetry \u003c\/em\u003ebetween Palestinian and Jewish suffering, and on this basis the film represents a landmark in the cinematic treatment of the topic.\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Arguably, the most important contribution that 1948 provides are the interviews with the survivors and witnesses which, due to the ages of the participants, could be the last chance to record their stories; the value of these oral testimonies cannot be understated... \u003cmeta charset=\"utf-8\"\u003e1948: Creation and Catastrophe presents the duality of the elation surrounding the creation of the state of Israel and the catastrophe of the loss of life and homeland that resulted from the displacement of the Arab Palestinians.\"\u003cem\u003e - History in the Making, California State University San Bernardino Journal of History\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003cem\u003e\"[1948]\u003c\/em\u003e\u003c\/em\u003e is terrific! Heart-wrenching... a very important film that illuminates many things that most people (including me) did not know but need to know.\" \u003cem\u003e- Lawrence R. Frey, PhD, Dept. of Communication, University of Colorado Boulder\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"[1948] is \u003cu\u003ethe\u003c\/u\u003e best film I've ever seen on Palestine.  I think it's truly excellent, has an amazing collection of archival photos and film clips, and interviews quite a number of Palestinians who remember 1948 and Israelis who participated in the war\/ethnic cleansing.  It's a real masterpiece.\" - \u003cem\u003eKathleen Christison, Author and Political Analyst on Israeli-Palestinian Conflict \u003c\/em\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Straightforward in style but dense with information, Andy Trimlett and Ahlam Muhtaseb's documentary on the partition of Palestine and the subsequent Arab-Israeli War incorporates often harrowing firsthand testimony from both sides. Essentially, however, this is the story from the Palestinian perspective – which in itself is worth the attention of anyone who wants to understand the world today.\"\u003cem\u003e\u003cspan\u003e - The Sydney Morning Herald \u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"1948 is exactly the kind of film many people would do well to watch. Informative and timely (the release of the film marks 70 years after the creation of the Israeli state), especially when seen in light of the ongoing claims of anti-Semitism rife within the labour party, or recent protests outside the University Union by University of Leeds Palestinian Solidarity Group. An understanding of the conflict is essential and 1948: Creation and Catastrophe provides an insightful and emotional coverage of its very beginnings.\"\u003cem\u003e\u003cspan\u003e - Don Pickworth, The Gryphon (University of Leeds)\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"In 1948: Creation \u0026amp; Catastrophe, Andy Trimlett and Ahlam Muhtaseb offer first-person accounts of survivors, along with commentary from perpetrators of the Nakba... The expertise of the interviewed historians and analysts from both sides of the divide in the documentary is impressive.\"\u003cem\u003e\u003cspan\u003e - Hatim Kanaaneh, Middle East Eye\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAndy Trimlett, Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"Co-producer Andy Trimlett\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-andytrimlett.jpg?1499141165\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"230\" height=\"202\"\u003eAndy Trimlett has a Master’s degree in Middle East Studies from the University of Washington and a Bachelor’s degree in International Security and Conflict Resolution from San Diego State University. He has a decade of experience in public television, having served as senior producer, associate producer, editor and camera operator on a wide range of productions.  He has worked on PBS programs in the United States, Hungary and Austria, winning a regional Emmy for a 30-minute documentary he co-produced about property tax law in California.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"wsite-content-title\"\u003e  \u003c\/p\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAhlam Muhtaseb, Co-Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"Co-Producer Ahlam Muhtaseb\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-ahlammuhtaseb.jpg?1499141189\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"236\" height=\"204\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003eAhlam Muhtaseb is a professor of media studies at California State University, San Bernardino. Her research interests include digital communication, social media, and diasporic communities. She has published her scholarship on digital communication and other communication sub-topics, and has presented her scholarship to national and international conventions and scholarly meetings. Her most recent project is the documentary \u003cem\u003e1948: Creation \u0026amp; Catastrophe\u003c\/em\u003e, a film on the year 1948 and its catastrophic consequences which has originated from her field work in the Palestinian refugee camps in the Lebanon, Syria, and Palestine. In addition, most of her recent research focuses on digital media and social movements online (cyber activism), and Arab and Muslim images in the media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-03-28T20:40:53-07:00","created_at":"2018-03-12T14:21:42-07:00","vendor":"Andy Trimlett","type":"DVD","tags":["Arab","Israel","Israeli","Israeli-Palestinian Conflict","Middle East","Palestine","Palestinian","Refugees"],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6470377766939,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"194-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-78,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377799707,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"194-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-8,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377832475,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"194-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - 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DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-4,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_Poster.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_-_Refugees.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_-_Operational_Order_40.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-03-28_at_8.45.05_PM.png?v=1522793359","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-04-03_at_2.16.25_PM.png?v=1522793360"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_Poster.jpg?v=1522286301","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Andy Trimlett \u0026amp; Ahlam Muhtaseb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Arabic and Hebrew with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e Arabic, English, French, Hebrew \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eMiddle Eastern Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\"1948 makes the Nakba uncannily \u003ci\u003ereal\u003c\/i\u003e for the doubting spectator\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.1948movie.com\/epk.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eView the Press Kit HERE.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.1948movie.com\/guide.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.1948movie.com\/guide.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eView the Discussion Guide HERE.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThrough riveting and moving personal recollections of both Palestinians and Israelis, \u003ci\u003e1948: Creation \u0026amp; Catastrophe\u003c\/i\u003e reveals the shocking events of the most pivotal year in the most controversial conflict in the world.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt tells the story of the establishment of Israel as seen through the eyes of the people who lived it. It is simply not possible to make sense of what is happening in the Israeli-Palestinian conflict today without an understanding of 1948.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis documentary was the last chance for many of its Israeli and Palestinian characters to narrate their first-hand accounts of the creation of a state and the expulsion of a nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eAn estimated 700,000 Palestinians fled or were expelled and hundreds of towns and villages were depopulated and destroyed in Israel.\u003c\/strong\u003e Because of this, on May 15, Nakba Day or \"Day of the Catastrophe\" is commemorated, the day after the Israeli Independence Day. For Palestinians, this is a day of commemoration of the displacement during the Israeli Declaration of Independence in 1948.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/262312507?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e1948 is a powerful record of this important time. The film crew conducted over 90 interviews, poured over 20,000 pages of history, collected more than 2,000 photographs from three dozen sources, combed through hours of archival film and gathered dozens of documents from Israeli military archives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e1948 Features:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-hand accounts of 1948 from Israelis and Palestinians\u003c\/li\u003e\n\u003cli\u003eRenowned historians Charles D. Smith, Rashid Khalidi, Benny Morris, Avi Shlaim, Ilan Pappe, Nur Masalha and Sharif Kanaaneh.\u003c\/li\u003e\n\u003cli\u003eMilitary orders and intelligence documents\u003c\/li\u003e\n\u003cli\u003eOver 200 archival photographs and film clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAWARDS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWinner - Rebuilding Alliance's \"Storytellers: Media \u0026amp; Education\" Award\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Middle East Studies Association Film Festival, DC \u003c\/li\u003e\n\u003cli\u003ePalestine Solidarity Week, Memphis, TN\u003c\/li\u003e\n\u003cli\u003eThe American University in Cairo, Egypt\u003c\/li\u003e\n\u003cli\u003eReel Palestine Festival, Dubai, UAE  \u003c\/li\u003e\n\u003cli\u003eAMP Conference, Chicago, IL \u003c\/li\u003e\n\u003cli\u003eUniversity of Oxford, UK\u003c\/li\u003e\n\u003cli\u003eGeorgetown University, DC\u003c\/li\u003e\n\u003cli\u003eBoston Palestine Film Festival, Cambridge, MA\u003c\/li\u003e\n\u003cli\u003eSan Diego Arab Film Festival, San Diego, CA\u003c\/li\u003e\n\u003cli\u003eUniversity of Maryland\u003c\/li\u003e\n\u003cli\u003eUniversity of Illinois, Champaign-Urbana, IL\u003c\/li\u003e\n\u003cli\u003eUC Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eSan Francisco State University, CA\u003c\/li\u003e\n\u003cli\u003eSan Diego State University, CA\u003c\/li\u003e\n\u003cli\u003eCarnegie Library East Liberty, Pittsburgh, PA\u003c\/li\u003e\n\u003cli\u003eJewish Voice for Peace, New York at CUNY\u003c\/li\u003e\n\u003cli\u003eKuwait Engineering Association, Kuwait\u003c\/li\u003e\n\u003cli\u003eCalifornia State University - San Bernardino, CA \u003c\/li\u003e\n\u003cli\u003eEastern Michigan University, Ypsilanti, MI\u003c\/li\u003e\n\u003cli\u003eIslamic Association of Greater Hartford, CT\u003c\/li\u003e\n\u003cli\u003eNorth Carolina State University, Raleigh, NC\u003c\/li\u003e\n\u003cli\u003eCalifornia State University, Fresno, CA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eACADEMIC AND EXPERT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Despite these issues, \u003cem\u003e1948 \u003c\/em\u003emakes its undeniable intervention into the contemporary media scape as an \u003cem\u003easymmetrical balancing \u003c\/em\u003eof Zionism’s \u003cem\u003eunbalanced symmetry \u003c\/em\u003ebetween Palestinian and Jewish suffering, and on this basis the film represents a landmark in the cinematic treatment of the topic.\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Arguably, the most important contribution that 1948 provides are the interviews with the survivors and witnesses which, due to the ages of the participants, could be the last chance to record their stories; the value of these oral testimonies cannot be understated... \u003cmeta charset=\"utf-8\"\u003e1948: Creation and Catastrophe presents the duality of the elation surrounding the creation of the state of Israel and the catastrophe of the loss of life and homeland that resulted from the displacement of the Arab Palestinians.\"\u003cem\u003e - History in the Making, California State University San Bernardino Journal of History\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003cem\u003e\"[1948]\u003c\/em\u003e\u003c\/em\u003e is terrific! Heart-wrenching... a very important film that illuminates many things that most people (including me) did not know but need to know.\" \u003cem\u003e- Lawrence R. Frey, PhD, Dept. of Communication, University of Colorado Boulder\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"[1948] is \u003cu\u003ethe\u003c\/u\u003e best film I've ever seen on Palestine.  I think it's truly excellent, has an amazing collection of archival photos and film clips, and interviews quite a number of Palestinians who remember 1948 and Israelis who participated in the war\/ethnic cleansing.  It's a real masterpiece.\" - \u003cem\u003eKathleen Christison, Author and Political Analyst on Israeli-Palestinian Conflict \u003c\/em\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Straightforward in style but dense with information, Andy Trimlett and Ahlam Muhtaseb's documentary on the partition of Palestine and the subsequent Arab-Israeli War incorporates often harrowing firsthand testimony from both sides. Essentially, however, this is the story from the Palestinian perspective – which in itself is worth the attention of anyone who wants to understand the world today.\"\u003cem\u003e\u003cspan\u003e - The Sydney Morning Herald \u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"1948 is exactly the kind of film many people would do well to watch. Informative and timely (the release of the film marks 70 years after the creation of the Israeli state), especially when seen in light of the ongoing claims of anti-Semitism rife within the labour party, or recent protests outside the University Union by University of Leeds Palestinian Solidarity Group. An understanding of the conflict is essential and 1948: Creation and Catastrophe provides an insightful and emotional coverage of its very beginnings.\"\u003cem\u003e\u003cspan\u003e - Don Pickworth, The Gryphon (University of Leeds)\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"In 1948: Creation \u0026amp; Catastrophe, Andy Trimlett and Ahlam Muhtaseb offer first-person accounts of survivors, along with commentary from perpetrators of the Nakba... The expertise of the interviewed historians and analysts from both sides of the divide in the documentary is impressive.\"\u003cem\u003e\u003cspan\u003e - Hatim Kanaaneh, Middle East Eye\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAndy Trimlett, Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"Co-producer Andy Trimlett\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-andytrimlett.jpg?1499141165\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"230\" height=\"202\"\u003eAndy Trimlett has a Master’s degree in Middle East Studies from the University of Washington and a Bachelor’s degree in International Security and Conflict Resolution from San Diego State University. He has a decade of experience in public television, having served as senior producer, associate producer, editor and camera operator on a wide range of productions.  He has worked on PBS programs in the United States, Hungary and Austria, winning a regional Emmy for a 30-minute documentary he co-produced about property tax law in California.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"wsite-content-title\"\u003e  \u003c\/p\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAhlam Muhtaseb, Co-Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"Co-Producer Ahlam Muhtaseb\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-ahlammuhtaseb.jpg?1499141189\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"236\" height=\"204\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003eAhlam Muhtaseb is a professor of media studies at California State University, San Bernardino. Her research interests include digital communication, social media, and diasporic communities. She has published her scholarship on digital communication and other communication sub-topics, and has presented her scholarship to national and international conventions and scholarly meetings. Her most recent project is the documentary \u003cem\u003e1948: Creation \u0026amp; Catastrophe\u003c\/em\u003e, a film on the year 1948 and its catastrophic consequences which has originated from her field work in the Palestinian refugee camps in the Lebanon, Syria, and Palestine. In addition, most of her recent research focuses on digital media and social movements online (cyber activism), and Arab and Muslim images in the media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":2395509817449,"title":"3100: Run and Become","handle":"3100-run-and-become","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sanjay Rawai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 78 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health, Religion and Spirituality Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t1e399N_wB0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThe documentary 3100: Run and Become is an uplifting, intimate portrait of endurance runners who push themselves to the edge of physical and mental collapse, as they endeavor to challenge the boundaries of impossibility. It’s “Chariots of Fire” meets “Samsara.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe film follows an unassuming Finnish runner (Ashprihanal) and an Austrian cellist (Shamita) in their attempt to complete the world’s longest certified footrace, the Self-Transcendence 3100 Mile Race. The 3100 promises personal expansion and, indeed, participants come from around the world to shatter their limitations and discover a deeper sense of self. The small group of competitors gathers to run a distance that approximates a US cross-country run -- a total of 3,100 miles. The race requires 60 miles per day for 52 straight days, or 5,649 laps around one city block in Queens, NY.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAshprihanal and Shamita’s 3100 journey takes the audience from the heart of this astonishing event in an urban city to sites around the world where ancient cultures have held running sacred for millennia, including the Kalahari Desert, Arizona’s Navajo Reservation, and to the sacred mountain temples of Japan. Through the heroic stories of three other runners (Shaun Martin, a Navajo runner; Gaolo of the San \u003c\/span\u003eBushmen of the Kalahari; and Gyoman-san of the Monks of Mt. Hiei, Japan) 3100: Run and Become presents a portrait of endurance and transformation.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe film contains unique and rare footage of the vanishing San Bushmen and their ancient hunting practices, as well as exclusive insight to the reclusive Buddhist Monks of Hiei and their sacred traditions. It exposes the ability that people have to go beyond competitiveness and athletic prowess and to push themselves not for glory, but for spiritual enlightenment.\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eUS Theatrical Release \u0026amp; Winner, Director's Choice at Illuminate Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Rawal has shined a light on the universality of the run as an enduring pathway to enlightenment.” \u003cem\u003e– Broadway World\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A sweeping examination of running’s spiritual nature … primed to deliver!” \u003cem\u003e– Men’s Health\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This film shows how great anyone can become when they transcend their limits.” \u003cem\u003e– Tegla Loroupe, Women’s Marathon World Record Holder\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The path to self-transcendence begins with 3100 miles.” \u003cem\u003e– Outside Magazine\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/3100_Director_Photo_Small_medium.jpg?v=1549429108\" style=\"float: left; margin: 2px 15px 15px 2px;\"\u003eSanjay worked in the human rights and international development sectors for 15 years and in over 40 countries before focusing his love for photography and storytelling onto filmmaking. His first two shorts, Ocean Monk (2010) and Challenging Impossibility (2011), screened at over 120 festivals including Tribeca, St. Louis and Locarno. Sanjay then directed his first feature, Food Chains (2014), which premiered at the 2014 Berlinale and then screened at Tribeca before securing domestic distribution from Screen Media.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2019-02-11T13:55:05-08:00","created_at":"2019-02-05T20:44:07-08:00","vendor":"Sanjay Rawai","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21514951950441,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"3100-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"3100: Run and Become - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-79,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21514951983209,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"3100-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"3100: Run and Become - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21514952015977,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"3100-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"3100: Run and Become - 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It’s “Chariots of Fire” meets “Samsara.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe film follows an unassuming Finnish runner (Ashprihanal) and an Austrian cellist (Shamita) in their attempt to complete the world’s longest certified footrace, the Self-Transcendence 3100 Mile Race. The 3100 promises personal expansion and, indeed, participants come from around the world to shatter their limitations and discover a deeper sense of self. The small group of competitors gathers to run a distance that approximates a US cross-country run -- a total of 3,100 miles. The race requires 60 miles per day for 52 straight days, or 5,649 laps around one city block in Queens, NY.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAshprihanal and Shamita’s 3100 journey takes the audience from the heart of this astonishing event in an urban city to sites around the world where ancient cultures have held running sacred for millennia, including the Kalahari Desert, Arizona’s Navajo Reservation, and to the sacred mountain temples of Japan. Through the heroic stories of three other runners (Shaun Martin, a Navajo runner; Gaolo of the San \u003c\/span\u003eBushmen of the Kalahari; and Gyoman-san of the Monks of Mt. Hiei, Japan) 3100: Run and Become presents a portrait of endurance and transformation.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe film contains unique and rare footage of the vanishing San Bushmen and their ancient hunting practices, as well as exclusive insight to the reclusive Buddhist Monks of Hiei and their sacred traditions. It exposes the ability that people have to go beyond competitiveness and athletic prowess and to push themselves not for glory, but for spiritual enlightenment.\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eUS Theatrical Release \u0026amp; Winner, Director's Choice at Illuminate Film Festival\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Rawal has shined a light on the universality of the run as an enduring pathway to enlightenment.” \u003cem\u003e– Broadway World\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A sweeping examination of running’s spiritual nature … primed to deliver!” \u003cem\u003e– Men’s Health\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This film shows how great anyone can become when they transcend their limits.” \u003cem\u003e– Tegla Loroupe, Women’s Marathon World Record Holder\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The path to self-transcendence begins with 3100 miles.” \u003cem\u003e– Outside Magazine\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmaker \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/3100_Director_Photo_Small_medium.jpg?v=1549429108\" style=\"float: left; margin: 2px 15px 15px 2px;\"\u003eSanjay worked in the human rights and international development sectors for 15 years and in over 40 countries before focusing his love for photography and storytelling onto filmmaking. His first two shorts, Ocean Monk (2010) and Challenging Impossibility (2011), screened at over 120 festivals including Tribeca, St. Louis and Locarno. Sanjay then directed his first feature, Food Chains (2014), which premiered at the 2014 Berlinale and then screened at Tribeca before securing domestic distribution from Screen Media.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}

{"id":2384024174697,"title":"6 Weeks to Mother's Day","handle":"6-weeks-to-mothers-day","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marvin Blunte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eThai\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English SDH\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eChildren, Youth, and Family, Education, Southeast Asian Studies, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducation, love and empowerment at a remarkable school in the jungle of Thailand...\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 54.06% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/261154149?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThailand is perhaps one of today’s most culturally misrepresented countries by mainstream western media. Stories about Thailand range from depictions of stark poverty, human trafficking, child prostitution and Bangkok’s massive sex industry to tales of all-night full moon parties, pristine islands, and a utopian lifestyle for tourists and expats. Beneath these stereotypes, however, pulses the heartbeat of genuine and complex people, coping with the rapid development of their country.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA documentary feature film directed by Marvin Blunte\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e6\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e paints an intimate portrait of true Thai culture by exploring one of its most progressive schools, Moo Baan Dek, known in English as the Children’s Village School.  Home to some of Thailand’s most underprivileged children, the Children’s Village has become a pillar in the Thai education system and a promising symbol of the country’s future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLocated in a remote jungle village in Kanchanaburi province, this fascinating democratic school provides a strikingly unique form of education to approximately 150 students who reside at and attend the school.  In addition to being provided with free education, food, and living accommodations, the students of Children’s Village learn to love themselves, their culture, and their land. Children’s Village is a place where the students experience a world filled with acceptance, understanding, and freedom.  Although the \u003c\/span\u003e\u003cspan\u003echildren sleep twelve to a room, have no hot water, and limited electricity, \u003c\/span\u003e\u003cspan\u003elife at Children’s Village is not that of poverty, but rather of empowerment. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e6 Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e follows the students as they learn, work, create and play while preparing a special celebration to honor the school’s founder and the person they refer to as “Mother”, Rajani Dhongchai, on what will be her 35th Mother’s Day at the school. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrepare to witness a rare slice of Thai culture as seen through the eyes of some of its most forward-thinking children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFestival\u003cspan\u003e \u0026amp; Conference Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDOC NYC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMiami International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCleveland International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewport Beach Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBentonville Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeartland Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCinetopia Presents - Michigan Theater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Democratic Education Conference\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePress \u0026amp; Accolades \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Documentarian Marvin Blunte captures with a self assertive sense of admiration, the wonderful assistance and guidance given to the impoverished children residing at Children’s Village School... portraying Mother Aew and her heroic achievements as remarkable examples to be followed worldwide. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e has the ability to fill our hearts with optimism and gratitude. [A] beautiful film about a woman and the school she founded that will make rethink what education could be or should be. In the running for one of my favorite films of 2017.”\u003ci\u003e - Film Threat\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“The idea is that by allowing the kids to help steer things they will become more engaged with themselves, their studies and the world. Based on what we see in the film it seems to be working. Watching the film you can not help but become infected with hope for the future and a sadness that your own schooling wasn't in a place such as this. This is absolutely one of the very best films playing at DOC NYC.” \u003ci\u003e- Steve Kopian, Unseen Films\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“It is very skillfully filmed and has many insightful and dramatic scenes. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e is also collaborating with Google Expeditions to create a virtual reality (VR) field trip, where teachers and students can use Google Cardboard to be transported to Children’s Village Thailand. This will be the first ever Expedition available in both English and Thai, further solidifying Mother Aew as one of the most progressive minded teachers in the country.” \u003ci\u003e- Jerry Mintz, AERO (Alternative Education Resource Organization)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ci\u003e\"6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e tells the story… of tears of gratitude…I was astonished at the educational principles demonstrated in scenes showing how children are not required to learn, but are encouraged to want to learn by the teachers; how the children run their own council that delivers discipline to the only infringement a child can make—harming another person; and how they negotiate with Mother Aew to give themselves tougher discipline than she would. The school runs on the barest of resources but it's poverty is contrasted, in one section of the film, with the degradation, alcoholism, and lack of hope seen in a visit to the parents of twin boys. Suddenly we realize that the school is actually beautiful, serene, and filled with love in comparison to the extreme harshness of life outside. This film is a must see for any educator and for anyone who likes children (and mums for that matter!)” - \u003ci\u003eJoanne Butcher, CineSource Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Rajani Aew (Mother Aew) taught in public schools but didn’t really like it, and was inspired by A.S. Neill’s Summerhill School to do something more for students. Since its conception, their philosophy has been simple–raise children with values of freedom, empowerment, equality, and compassion, and they will become functioning members of a democracy and happier human beings. Happiness is emphasized most at Moo Baan Dek (The Children's). Though choosing their own path and having ownership of their education, children are able to be happy and fulfilled. Instead of trying to shape kids to be great doctors and lawyers, Rajani explained at morning meeting, teachers aim to shape kids to be powers for good in the world.” \u003ci\u003e- Sarah Faber, TOWER \u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-01-21T10:47:00-08:00","created_at":"2019-01-18T09:09:48-08:00","vendor":"Marvin Blunte","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21427593674857,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"6WM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-79,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21427593707625,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"6WM-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21427593740393,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"6WM-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21427593773161,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"6WM-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/6WM_V_Key_Art_FInal.png?v=1548096371"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/6WM_V_Key_Art_FInal.png?v=1548096371","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marvin Blunte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eThai\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English SDH\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eChildren, Youth, and Family, Education, Southeast Asian Studies, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducation, love and empowerment at a remarkable school in the jungle of Thailand...\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 54.06% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/261154149?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThailand is perhaps one of today’s most culturally misrepresented countries by mainstream western media. Stories about Thailand range from depictions of stark poverty, human trafficking, child prostitution and Bangkok’s massive sex industry to tales of all-night full moon parties, pristine islands, and a utopian lifestyle for tourists and expats. Beneath these stereotypes, however, pulses the heartbeat of genuine and complex people, coping with the rapid development of their country.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA documentary feature film directed by Marvin Blunte\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e6\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e paints an intimate portrait of true Thai culture by exploring one of its most progressive schools, Moo Baan Dek, known in English as the Children’s Village School.  Home to some of Thailand’s most underprivileged children, the Children’s Village has become a pillar in the Thai education system and a promising symbol of the country’s future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLocated in a remote jungle village in Kanchanaburi province, this fascinating democratic school provides a strikingly unique form of education to approximately 150 students who reside at and attend the school.  In addition to being provided with free education, food, and living accommodations, the students of Children’s Village learn to love themselves, their culture, and their land. Children’s Village is a place where the students experience a world filled with acceptance, understanding, and freedom.  Although the \u003c\/span\u003e\u003cspan\u003echildren sleep twelve to a room, have no hot water, and limited electricity, \u003c\/span\u003e\u003cspan\u003elife at Children’s Village is not that of poverty, but rather of empowerment. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e6 Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e follows the students as they learn, work, create and play while preparing a special celebration to honor the school’s founder and the person they refer to as “Mother”, Rajani Dhongchai, on what will be her 35th Mother’s Day at the school. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrepare to witness a rare slice of Thai culture as seen through the eyes of some of its most forward-thinking children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFestival\u003cspan\u003e \u0026amp; Conference Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDOC NYC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMiami International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCleveland International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewport Beach Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBentonville Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeartland Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCinetopia Presents - Michigan Theater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Democratic Education Conference\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePress \u0026amp; Accolades \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Documentarian Marvin Blunte captures with a self assertive sense of admiration, the wonderful assistance and guidance given to the impoverished children residing at Children’s Village School... portraying Mother Aew and her heroic achievements as remarkable examples to be followed worldwide. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e has the ability to fill our hearts with optimism and gratitude. [A] beautiful film about a woman and the school she founded that will make rethink what education could be or should be. In the running for one of my favorite films of 2017.”\u003ci\u003e - Film Threat\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“The idea is that by allowing the kids to help steer things they will become more engaged with themselves, their studies and the world. Based on what we see in the film it seems to be working. Watching the film you can not help but become infected with hope for the future and a sadness that your own schooling wasn't in a place such as this. This is absolutely one of the very best films playing at DOC NYC.” \u003ci\u003e- Steve Kopian, Unseen Films\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“It is very skillfully filmed and has many insightful and dramatic scenes. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e is also collaborating with Google Expeditions to create a virtual reality (VR) field trip, where teachers and students can use Google Cardboard to be transported to Children’s Village Thailand. This will be the first ever Expedition available in both English and Thai, further solidifying Mother Aew as one of the most progressive minded teachers in the country.” \u003ci\u003e- Jerry Mintz, AERO (Alternative Education Resource Organization)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ci\u003e\"6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e tells the story… of tears of gratitude…I was astonished at the educational principles demonstrated in scenes showing how children are not required to learn, but are encouraged to want to learn by the teachers; how the children run their own council that delivers discipline to the only infringement a child can make—harming another person; and how they negotiate with Mother Aew to give themselves tougher discipline than she would. The school runs on the barest of resources but it's poverty is contrasted, in one section of the film, with the degradation, alcoholism, and lack of hope seen in a visit to the parents of twin boys. Suddenly we realize that the school is actually beautiful, serene, and filled with love in comparison to the extreme harshness of life outside. This film is a must see for any educator and for anyone who likes children (and mums for that matter!)” - \u003ci\u003eJoanne Butcher, CineSource Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Rajani Aew (Mother Aew) taught in public schools but didn’t really like it, and was inspired by A.S. Neill’s Summerhill School to do something more for students. Since its conception, their philosophy has been simple–raise children with values of freedom, empowerment, equality, and compassion, and they will become functioning members of a democracy and happier human beings. Happiness is emphasized most at Moo Baan Dek (The Children's). Though choosing their own path and having ownership of their education, children are able to be happy and fulfilled. Instead of trying to shape kids to be great doctors and lawyers, Rajani explained at morning meeting, teachers aim to shape kids to be powers for good in the world.” \u003ci\u003e- Sarah Faber, TOWER \u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":132924385,"title":"A Girl \u0026 A Gun","handle":"a-girl-a-gun-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Cathryne Czubek\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduction by: Cathryne Czubek, Jessica Wolfson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes:\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-EXPERTS on Gender, Power, Violence \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e -EXPERTS on the Debate\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e76 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLanguage\u003c\/b\u003e\u003cb style=\"color: #000000;\"\u003e: \u003c\/b\u003eEnglish  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects:\u003c\/b\u003e Gender \u0026amp; Sexuality Studies, Feminism, Sociology \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e presents a female perspective on an object whose history is deeply bound up with men and masculinity. Filmed throughout the US, this documentary delves into the psyche of the American gun world to investigate how women relate to guns and gun culture. Reaching far beyond Hollywood’s hypersexualized femme fatales, the film candidly explores the modern American woman through intimate portraits encompassing issues of protection, power, feminism, and violence. \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e is a complex and thoughtful meditation on a deadly serious issue. The film’s intimate and detailed portrayals of women who’ve carved themselves a home in the gun community reveal personal journeys that reflect, in one way or another, the same issues every woman faces in today’s America.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51539120?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tmso-bidi-font-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Times;\n\tmso-fareast-font-family:Times;\n\tmso-hansi-font-family:Times;\n\tmso-bidi-font-family:\"Times New Roman\";}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/51099546051\/interview-with-cathryne-czubek\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director Cathryne Czubek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eFestivals: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDOC NYC World Premiere, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOneata Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSarasota Film Festival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUN Women Through Women's Eyes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMontclair International Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes\/ Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“Rarely have any 75 minutes in a cinema felt so much like a several course meal….If you want a film that will do more than wash over you see this film. If you want to be forced to think about things see this film. If you just want to see a damn good film see A GIRL \u0026amp; A GUN.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - UNSEEN FILMS\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Documentaries on hot-button political issues can often be plodding and preachy, but A GIRL \u0026amp; A GUN is a fast-paced, nuanced, and anything-but-soapbox-y exploration of why women lock and load.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - BUST Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan st=\"\" style=\"color: #000000;\"\u003e\"A GIRL \u0026amp; A GUN doesn’t force an easy conclusion, but instead lays out evidence for the multiple sexual, political, and personal dynamics at play at the intersection of femininity and firearms.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        — Bitch Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eA GIRL \u0026amp; A GUN \"put[s] forth interview content that is revealing and powerful and… presents a variety of viewpoints. The film is particularly apt for undergraduates and would support curriculum in sociology, criminology, victimology, women’s studies, psychology, and cultural studies. It would be especially effective as discussion starter.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         —Educational Media Reviews Online \u003cbr\u003e       \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2013-05-01T16:46:00-07:00","created_at":"2013-04-23T13:50:02-07:00","vendor":"Cathryne Czubek","type":"DVD ","tags":[],"price":6999,"price_min":6999,"price_max":35000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":301792213,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"GAG-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":35000,"weight":100,"compare_at_price":null,"inventory_quantity":38,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":301792215,"title":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","option1":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","option2":null,"option3":null,"sku":"GAG-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","public_title":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","options":["K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)"],"price":20000,"weight":100,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":301792217,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GAG-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":6999,"weight":0,"compare_at_price":null,"inventory_quantity":-4,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":301792219,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"GAG-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":35000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/A_Girl_and_a_Gun_poster_art_-_JPEG_copy.JPG?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Samantha-shoots-biggun-crop_1_grande_9b44b80e-4bc4-4123-84ea-076541601a63.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Robin-man-target_94_grande_4d960fa3-78eb-4410-9835-8fd9a2113476.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne_Czubek_cherobi_with_gun_grande_8f21daaa-7ed7-4f76-84c1-69784cf697a6.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Violet-in-Bedroom-9_grande_14e7e69b-6fd6-4b5c-b6a7-1a463589ea2c.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Simon-Luethi-Red-Heels-and-Bbullets_1_grande_91b5cba7-2bbc-4e38-a0f5-cf0fa956a455.jpg?v=1519765961"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/A_Girl_and_a_Gun_poster_art_-_JPEG_copy.JPG?v=1519765961","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Cathryne Czubek\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduction by: Cathryne Czubek, Jessica Wolfson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes:\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-EXPERTS on Gender, Power, Violence \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e -EXPERTS on the Debate\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e76 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLanguage\u003c\/b\u003e\u003cb style=\"color: #000000;\"\u003e: \u003c\/b\u003eEnglish  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects:\u003c\/b\u003e Gender \u0026amp; Sexuality Studies, Feminism, Sociology \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e presents a female perspective on an object whose history is deeply bound up with men and masculinity. Filmed throughout the US, this documentary delves into the psyche of the American gun world to investigate how women relate to guns and gun culture. Reaching far beyond Hollywood’s hypersexualized femme fatales, the film candidly explores the modern American woman through intimate portraits encompassing issues of protection, power, feminism, and violence. \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e is a complex and thoughtful meditation on a deadly serious issue. The film’s intimate and detailed portrayals of women who’ve carved themselves a home in the gun community reveal personal journeys that reflect, in one way or another, the same issues every woman faces in today’s America.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51539120?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tmso-bidi-font-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Times;\n\tmso-fareast-font-family:Times;\n\tmso-hansi-font-family:Times;\n\tmso-bidi-font-family:\"Times New Roman\";}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/51099546051\/interview-with-cathryne-czubek\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director Cathryne Czubek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eFestivals: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDOC NYC World Premiere, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOneata Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSarasota Film Festival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUN Women Through Women's Eyes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMontclair International Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes\/ Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“Rarely have any 75 minutes in a cinema felt so much like a several course meal….If you want a film that will do more than wash over you see this film. If you want to be forced to think about things see this film. If you just want to see a damn good film see A GIRL \u0026amp; A GUN.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - UNSEEN FILMS\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Documentaries on hot-button political issues can often be plodding and preachy, but A GIRL \u0026amp; A GUN is a fast-paced, nuanced, and anything-but-soapbox-y exploration of why women lock and load.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - BUST Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan st=\"\" style=\"color: #000000;\"\u003e\"A GIRL \u0026amp; A GUN doesn’t force an easy conclusion, but instead lays out evidence for the multiple sexual, political, and personal dynamics at play at the intersection of femininity and firearms.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        — Bitch Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eA GIRL \u0026amp; A GUN \"put[s] forth interview content that is revealing and powerful and… presents a variety of viewpoints. The film is particularly apt for undergraduates and would support curriculum in sociology, criminology, victimology, women’s studies, psychology, and cultural studies. It would be especially effective as discussion starter.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         —Educational Media Reviews Online \u003cbr\u003e       \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":666429128731,"title":"A Good American","handle":"a-good-american-1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Friedrich Moser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e March 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 100 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Site License includes English Closed Captions\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eTechnology, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003eFROM EXECUTIVE PRODUCER OLIVER STONE \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"A Good American\" is a gripping docu-thriller about a groundbreaking surveillance program, the brilliant mastermind behind it and how a perfect alternative to mass surveillance was killed by NSA-management for money – three weeks prior to 9\/11.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kbVfub-L5Rs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBefore Edward Snowden, there was Bill Binney...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBill Binney was a brilliant cryptologist, long-time National Security Agency (NSA) analyst, and Technical Director. He developed a sophisticated program named ThinThread for gathering data capable of providing clues, in real-time, of potential terrorist threats.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBuilt-in safeguards would have prevented the massive surveillance methods later exposed by Edward Snowden. Why was this program killed off? And who was behind it?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFriedrich Moser’s eye-opening and deeply disturbing documentary tells the complete story of Bill Binney and those, both inside the NSA and out, who backed ThinThread. A program that gathered data, lawfully, effectively, and more inexpensively, than the now discredited programs pursued by the US and EU governments. \u003c\/span\u003eIt’s also a chilling account of those willing to go on the record and what happened to them when they tried to expose the truth. Could ThinThread have prevented 9\/11?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - Amnesty International Award Special Mention, Millenium Docs Against Gravity (Poland)\u003c\/li\u003e\n\u003cli\u003eNominated - CPH:DOX, Politiken Audience Award\u003c\/li\u003e\n\u003cli\u003eNominated - Austrian Film Award (Best Score)\u003c\/li\u003e\n\u003cli\u003eNominated - Audience Award, Palm Springs International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOC NYC (Co-presented by Columbia Journalism Review)\u003c\/li\u003e\n\u003cli\u003eMovies that Matter @ The Hague\u003c\/li\u003e\n\u003cli\u003eRotterdam (IFFR)\u003c\/li\u003e\n\u003cli\u003ePortland International Film Festival\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOXA\u003c\/li\u003e\n\u003cli\u003eBiografilm\u003c\/li\u003e\n\u003cli\u003eNashville Film Festival\u003c\/li\u003e\n\u003cli\u003eSpecial Screening at the Brussels European Parliament\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Stunning and Deeply Disturbing\" \u003cem\u003e- Newsweek\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Infuriating!\" \u003cem\u003e- Daphne Howland, The Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Another example of the toxic fallout from corruption and power...\"\u003cem\u003e - Spirituality \u0026amp; Practice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“The film is a fascinating, sometimes jaw-dropping account of gifted individuals thwarted by self-serving superiors, with tragic results“\u003cem\u003e - IndieWIRE\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"[The film's] subjects have an urgent narrative to tell.\" - The New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Convincing! … fascinating… certainly packs a punch!”\u003cem\u003e - The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"A Good American is as exciting as a well-made thriller....extremely cinematic“ - \u003cem\u003eFilmmagasinet Ekko (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An insanely compelling, well-orchestrated and explosive documentary.\" - \u003cem\u003eSoundVenue (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Enraging, terrifying and eye-opening!\" \u003cem\u003e- Avi Offer, NYC Movie Guru\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Riveting, enraging and beautifully crafted!\" \u003cem\u003e- Cory Doctorow, BoingBoing\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/MV5BMzYyMDc5NjY4NV5BMl5BanBnXkFtZTgwMjIxNTU2OTE_._V1_UY317_CR17_0_214_317_AL_large.jpg?v=1521695959\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003eFriedrich holds a university degree (MA) in history and german studies from the University of Salzburg \/ Austria. Friedrich started his professional career as a TV journalist and editor in Bolzano-Bozen \/ Italy. In 2001 he founded blue+green communication. He has made over 20 documentaries in the past years, most of them as producer \/ director \/ DoP. Friedrich’s professional career also includes lecturing on history and documentaries at the University of Vienna \/ Department of Economic and Social History, as well as teaching video production at the Secondary School for Commercial Graphics in Bressanone-Brixen \/ Italy. Friedrich lives in Vienna\/Austria and in Bressanone-Brixen \/ Italy. His films include THE BRUSSELS BUSINESS and A GOOD AMERICAN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-10-19T13:12:55-07:00","created_at":"2018-02-28T10:12:48-08:00","vendor":"Friedrich Moser","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6393941032987,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"AGO-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Good American - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-61,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6393941065755,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"AGO-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Good American - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6393941098523,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"AGO-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Good American - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-14,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6394151436315,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AGO-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Good American - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6394165592091,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"AGO-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Good American - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Final_website.jpg?v=1521066647","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_NSA_BND_listening_post_Bad_Aibling_Germany_06_300dpi.jpg?v=1521066682","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Tom_drake_int_02.jpg?v=1521066765","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Binney_cemetary_01.jpg?v=1521084281"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Final_website.jpg?v=1521066647","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Friedrich Moser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e March 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 100 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Site License includes English Closed Captions\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eTechnology, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003eFROM EXECUTIVE PRODUCER OLIVER STONE \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"A Good American\" is a gripping docu-thriller about a groundbreaking surveillance program, the brilliant mastermind behind it and how a perfect alternative to mass surveillance was killed by NSA-management for money – three weeks prior to 9\/11.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kbVfub-L5Rs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBefore Edward Snowden, there was Bill Binney...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBill Binney was a brilliant cryptologist, long-time National Security Agency (NSA) analyst, and Technical Director. He developed a sophisticated program named ThinThread for gathering data capable of providing clues, in real-time, of potential terrorist threats.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBuilt-in safeguards would have prevented the massive surveillance methods later exposed by Edward Snowden. Why was this program killed off? And who was behind it?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFriedrich Moser’s eye-opening and deeply disturbing documentary tells the complete story of Bill Binney and those, both inside the NSA and out, who backed ThinThread. A program that gathered data, lawfully, effectively, and more inexpensively, than the now discredited programs pursued by the US and EU governments. \u003c\/span\u003eIt’s also a chilling account of those willing to go on the record and what happened to them when they tried to expose the truth. Could ThinThread have prevented 9\/11?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - Amnesty International Award Special Mention, Millenium Docs Against Gravity (Poland)\u003c\/li\u003e\n\u003cli\u003eNominated - CPH:DOX, Politiken Audience Award\u003c\/li\u003e\n\u003cli\u003eNominated - Austrian Film Award (Best Score)\u003c\/li\u003e\n\u003cli\u003eNominated - Audience Award, Palm Springs International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOC NYC (Co-presented by Columbia Journalism Review)\u003c\/li\u003e\n\u003cli\u003eMovies that Matter @ The Hague\u003c\/li\u003e\n\u003cli\u003eRotterdam (IFFR)\u003c\/li\u003e\n\u003cli\u003ePortland International Film Festival\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOXA\u003c\/li\u003e\n\u003cli\u003eBiografilm\u003c\/li\u003e\n\u003cli\u003eNashville Film Festival\u003c\/li\u003e\n\u003cli\u003eSpecial Screening at the Brussels European Parliament\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Stunning and Deeply Disturbing\" \u003cem\u003e- Newsweek\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Infuriating!\" \u003cem\u003e- Daphne Howland, The Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Another example of the toxic fallout from corruption and power...\"\u003cem\u003e - Spirituality \u0026amp; Practice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“The film is a fascinating, sometimes jaw-dropping account of gifted individuals thwarted by self-serving superiors, with tragic results“\u003cem\u003e - IndieWIRE\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"[The film's] subjects have an urgent narrative to tell.\" - The New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Convincing! … fascinating… certainly packs a punch!”\u003cem\u003e - The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"A Good American is as exciting as a well-made thriller....extremely cinematic“ - \u003cem\u003eFilmmagasinet Ekko (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An insanely compelling, well-orchestrated and explosive documentary.\" - \u003cem\u003eSoundVenue (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Enraging, terrifying and eye-opening!\" \u003cem\u003e- Avi Offer, NYC Movie Guru\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Riveting, enraging and beautifully crafted!\" \u003cem\u003e- Cory Doctorow, BoingBoing\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/MV5BMzYyMDc5NjY4NV5BMl5BanBnXkFtZTgwMjIxNTU2OTE_._V1_UY317_CR17_0_214_317_AL_large.jpg?v=1521695959\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003eFriedrich holds a university degree (MA) in history and german studies from the University of Salzburg \/ Austria. Friedrich started his professional career as a TV journalist and editor in Bolzano-Bozen \/ Italy. In 2001 he founded blue+green communication. He has made over 20 documentaries in the past years, most of them as producer \/ director \/ DoP. Friedrich’s professional career also includes lecturing on history and documentaries at the University of Vienna \/ Department of Economic and Social History, as well as teaching video production at the Secondary School for Commercial Graphics in Bressanone-Brixen \/ Italy. Friedrich lives in Vienna\/Austria and in Bressanone-Brixen \/ Italy. His films include THE BRUSSELS BUSINESS and A GOOD AMERICAN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":127769410,"title":"A Lot Like You","handle":"a-lot-like-you-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003eA\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003enthropology, African Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSoutheast Asian Studies, Multicultural Studies, Children, Youth and Family Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions 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div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, 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1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2013-03-27T14:19:00-07:00","created_at":"2013-03-20T15:06:52-07:00","vendor":"Eliaichi Kimaro","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":289001382,"title":"University and College (With PPR)","option1":"University and College (With 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style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003eA\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003enthropology, African Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSoutheast Asian Studies, Multicultural Studies, Children, Youth and Family Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions 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div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":44945408027,"title":"A Suitable Girl","handle":"a-suitable-girl","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sarita Khurana \u0026amp; Smriti Mundhra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 94 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Asian Studies, Women's Studies, Anthropology, Sociology, Modern Indian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"Stirring, and heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\" \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e– Variety\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3Gb9fPBZxs8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Suitable Girl\u003c\/strong\u003e follows three young women in India struggling to maintain their identities and follow their dream\u003cspan style=\"color: #000000;\"\u003es amid intense pressure to get married. Ritu, Dipti \u003c\/span\u003eand\u003cspan style=\"color: #000000;\"\u003e Amrita represent the new India. Educated, financially stable and raised with a mix of traditional and contemporary values in the urban c\u003c\/span\u003eities of Mumbai and New Delhi, they have access to the world in ways their mothers did not. Yet their lives take a dramatic turn when the pressure to settle down and get married hits. Career aspirations become secondary to the pursuit of a husband, and the women struggle with the prospect of leaving their homes and families to become part of another.\u003c\/p\u003e\n\u003cp\u003eDocumenting the arranged marriage and matchmaking process in vérité over four years, the film examines the women’s complex relationships with the institution of marriage, the many nuanced ways society molds them into traditional roles, and a rarely-seen portrait of India’s urban middle class.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginal Score by Gingger Shankar\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards \u0026amp; Notable Events:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTribeca Film Festival - Winner \"Albert Maysles Best New Documentary Director Award\"\u003c\/li\u003e\n\u003cli\u003eAFI Docs - Official Selection \u003c\/li\u003e\n\u003cli\u003eMumbai Film Festival - Official Selection\u003c\/li\u003e\n\u003cli\u003eSheffield Doc\/Fest - Official Selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"review-issue-info\"\u003e\u003cstrong\u003eRecommended by Video Librarian\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-issue-info\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-issue-info\"\u003e\"The mechanics of arranged marriages in India are explored by filmmakers Sarita Khurana and Smriti Mundhra in this documentary that focuses on three single women facing societal pressure to wed. Ritu is sophisticated and well-educated, with a successful career in Mumbai, but she agrees to marry under pressure from her mother Seema. Amrita enjoys a freewheeling lifestyle in Delhi but consents to wed—in spite of the fact that the match will force her to move to a remote area—because her intended will allow her to continue to work outside the home. Thirty-year-old Dipti, on the other hand, is desperate to find a husband, working with her parents to locate a plausible candidate through all available means—scouring newspaper advertisements and attending events where men present themselves for interviews. After numerous failed attempts leave her in a state of virtual depression, she does succeed.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Suitable Girl\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edetails the peculiarities involved in selecting a mate—including the comparison of horoscopes to assess compatibility—and emphasizes the fact that financial considerations factor heavily in negotiations (all three women come from reasonably well-to-do families). But the overall emphasis here is on the human costs that traditional marriages continue to have on Indian women, since most will assume a subservient place in the husband’s family, losing whatever freedom they had previously enjoyed. So despite the festive appearance of the wedding scenes at the close, all carry a somber undertone. An insightful portrait of a persistent custom in Indian culture, this is recommended.\" \u003cem\u003e- Aud: C, P. (F. Swietek) for Video Librarian\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“A Suitable Girl is an overwhelming testament to the power of patriarchy and the continued struggle of women to gain agency over their lives.” \u003cem\u003e– Shubhodeep Pal, \u003ca href=\"http:\/\/www.thehindu.com\/entertainment\/movies\/a-suitable-connection\/article17892957.ece\"\u003eThe Hindu\u003c\/a\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Oscar-worthy. It’s impossible to not be moved by ‘A Suitable Girl.’”\u003cem\u003e — Clay Cane, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.bet.com\/celebrities\/news\/2017\/04\/24\/_a-suitable-girl-review.html\"\u003e\u003cem\u003eBET.com\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A Suitable Girl depicts the diverse forms arranged marriages take, breaking down stereotypes and creating an intricate portrait of an ever-evolving practice in one of the most populous countries in the world.\"\u003cem\u003e — Prachi Gupta, \u003ca href=\"http:\/\/jezebel.com\/becoming-an-unsuitable-girl-1794923371\"\u003eJezebel\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“Opening a window onto a cultural custom many Westerners find baffling, the Indian-American filmmakers Sarita Khurana and Smriti Mundhra stirringly chronicle this often heart-rending, occasionally humorous rite of passage without judgment.\"  - Kathryn Shattuck, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Stirring and Heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\"\u003cem\u003e - Nick Schager, Variety\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"A fantastic film...It was like getting on a plane and experiencing another world.\"\u003cem\u003e — Susan Kolker, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The film’s directors, Sarita Khurana and Smriti Mundhra, who are both Indian American women and won the festival’s award for new documentary director, are trying to overturn stereotypes about arranged marriage.”\u003cem\u003e\u003cspan\u003e — Kavita Das, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/soloish\/wp\/2017\/05\/02\/india-has-changed-a-lot-in-70-years-but-arranged-marriage-remains-the-norm\/?utm_term=.562a34e95a1b\"\u003e\u003cem\u003eWashington Post\u003cbr\u003e \u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Fascinating look into how Indian arranged marriages actually work”\u003cem\u003e — Carrie Wittmer, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.businessinsider.com\/a-suitable-girl-review-documentary-indian-marriages-2017-5\"\u003e\u003cem\u003eBusiness Insider\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Honest and thoughtful...I cried watching these stories.\"\u003cem\u003e — Maureen O'Connor, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.vulture.com\/2017\/04\/tribeca-film-festival-17-movies-to-see-this-year.html\"\u003e\u003cem\u003eNew York Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl is likely the best documentary of the festival. It would be really hard not to enjoy A Suitable Girl.”\u003cem\u003e — Eli Sentman, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/blog.moviepass.com\/tribeca-film-festival-weekend-1-recap\/\"\u003e\u003cem\u003eMovie Pass\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Intimate, unbiased, and thoughtful.\"\u003cem\u003e — Charline Jao, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.themarysue.com\/a-suitable-girl-review\/\"\u003e\u003cem\u003eThe Mary Sue\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl does everything a good documentary should do”\u003cem\u003e — Kristen O’Neal, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/birthmoviesdeath.com\/2017\/04\/25\/tribeca-film-festival-review-a-suitable-girl\"\u003e\u003cem\u003eBirth Movies Death\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There is actual magic in the making of A Suitable Girl.\"\u003cem\u003e — John Curtis, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/boldaslove.us\/2017\/04\/23\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eBold As Love Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Stirring Examination Of Family And Marriage.\"\u003cem\u003e — Beth Reynolds\u003cspan\u003e, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.monkeysfightingrobots.com\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eMonkeys Fighting Robots\u003c\/em\u003e\u003c\/a\u003e  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With A Suitable Girl, filmmakers Sarita Khurana and Smriti Mundhra have achieved what many documentarians can only attempt, taking a topic that many outsiders misunderstand and laying it out beautifully bare.” –\u003cem\u003e Loren Hammonds, Programmer, Tribeca Film Festival \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-01-22T15:46:05-08:00","created_at":"2017-08-29T14:57:40-07:00","vendor":"Sarita 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charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sarita Khurana \u0026amp; Smriti Mundhra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 94 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Asian Studies, Women's Studies, Anthropology, Sociology, Modern Indian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"Stirring, and heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\" \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e– Variety\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3Gb9fPBZxs8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Suitable Girl\u003c\/strong\u003e follows three young women in India struggling to maintain their identities and follow their dream\u003cspan style=\"color: #000000;\"\u003es amid intense pressure to get married. Ritu, Dipti \u003c\/span\u003eand\u003cspan style=\"color: #000000;\"\u003e Amrita represent the new India. Educated, financially stable and raised with a mix of traditional and contemporary values in the urban c\u003c\/span\u003eities of Mumbai and New Delhi, they have access to the world in ways their mothers did not. Yet their lives take a dramatic turn when the pressure to settle down and get married hits. Career aspirations become secondary to the pursuit of a husband, and the women struggle with the prospect of leaving their homes and families to become part of another.\u003c\/p\u003e\n\u003cp\u003eDocumenting the arranged marriage and matchmaking process in vérité over four years, the film examines the women’s complex relationships with the institution of marriage, the many nuanced ways society molds them into traditional roles, and a rarely-seen portrait of India’s urban middle class.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginal Score by Gingger Shankar\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards \u0026amp; Notable Events:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTribeca Film Festival - Winner \"Albert Maysles Best New Documentary Director Award\"\u003c\/li\u003e\n\u003cli\u003eAFI Docs - Official Selection \u003c\/li\u003e\n\u003cli\u003eMumbai Film Festival - Official Selection\u003c\/li\u003e\n\u003cli\u003eSheffield Doc\/Fest - Official Selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"review-issue-info\"\u003e\u003cstrong\u003eRecommended by Video Librarian\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-issue-info\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-issue-info\"\u003e\"The mechanics of arranged marriages in India are explored by filmmakers Sarita Khurana and Smriti Mundhra in this documentary that focuses on three single women facing societal pressure to wed. Ritu is sophisticated and well-educated, with a successful career in Mumbai, but she agrees to marry under pressure from her mother Seema. Amrita enjoys a freewheeling lifestyle in Delhi but consents to wed—in spite of the fact that the match will force her to move to a remote area—because her intended will allow her to continue to work outside the home. Thirty-year-old Dipti, on the other hand, is desperate to find a husband, working with her parents to locate a plausible candidate through all available means—scouring newspaper advertisements and attending events where men present themselves for interviews. After numerous failed attempts leave her in a state of virtual depression, she does succeed.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Suitable Girl\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edetails the peculiarities involved in selecting a mate—including the comparison of horoscopes to assess compatibility—and emphasizes the fact that financial considerations factor heavily in negotiations (all three women come from reasonably well-to-do families). But the overall emphasis here is on the human costs that traditional marriages continue to have on Indian women, since most will assume a subservient place in the husband’s family, losing whatever freedom they had previously enjoyed. So despite the festive appearance of the wedding scenes at the close, all carry a somber undertone. An insightful portrait of a persistent custom in Indian culture, this is recommended.\" \u003cem\u003e- Aud: C, P. (F. Swietek) for Video Librarian\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“A Suitable Girl is an overwhelming testament to the power of patriarchy and the continued struggle of women to gain agency over their lives.” \u003cem\u003e– Shubhodeep Pal, \u003ca href=\"http:\/\/www.thehindu.com\/entertainment\/movies\/a-suitable-connection\/article17892957.ece\"\u003eThe Hindu\u003c\/a\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Oscar-worthy. It’s impossible to not be moved by ‘A Suitable Girl.’”\u003cem\u003e — Clay Cane, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.bet.com\/celebrities\/news\/2017\/04\/24\/_a-suitable-girl-review.html\"\u003e\u003cem\u003eBET.com\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A Suitable Girl depicts the diverse forms arranged marriages take, breaking down stereotypes and creating an intricate portrait of an ever-evolving practice in one of the most populous countries in the world.\"\u003cem\u003e — Prachi Gupta, \u003ca href=\"http:\/\/jezebel.com\/becoming-an-unsuitable-girl-1794923371\"\u003eJezebel\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“Opening a window onto a cultural custom many Westerners find baffling, the Indian-American filmmakers Sarita Khurana and Smriti Mundhra stirringly chronicle this often heart-rending, occasionally humorous rite of passage without judgment.\"  - Kathryn Shattuck, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Stirring and Heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\"\u003cem\u003e - Nick Schager, Variety\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"A fantastic film...It was like getting on a plane and experiencing another world.\"\u003cem\u003e — Susan Kolker, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The film’s directors, Sarita Khurana and Smriti Mundhra, who are both Indian American women and won the festival’s award for new documentary director, are trying to overturn stereotypes about arranged marriage.”\u003cem\u003e\u003cspan\u003e — Kavita Das, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/soloish\/wp\/2017\/05\/02\/india-has-changed-a-lot-in-70-years-but-arranged-marriage-remains-the-norm\/?utm_term=.562a34e95a1b\"\u003e\u003cem\u003eWashington Post\u003cbr\u003e \u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Fascinating look into how Indian arranged marriages actually work”\u003cem\u003e — Carrie Wittmer, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.businessinsider.com\/a-suitable-girl-review-documentary-indian-marriages-2017-5\"\u003e\u003cem\u003eBusiness Insider\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Honest and thoughtful...I cried watching these stories.\"\u003cem\u003e — Maureen O'Connor, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.vulture.com\/2017\/04\/tribeca-film-festival-17-movies-to-see-this-year.html\"\u003e\u003cem\u003eNew York Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl is likely the best documentary of the festival. It would be really hard not to enjoy A Suitable Girl.”\u003cem\u003e — Eli Sentman, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/blog.moviepass.com\/tribeca-film-festival-weekend-1-recap\/\"\u003e\u003cem\u003eMovie Pass\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Intimate, unbiased, and thoughtful.\"\u003cem\u003e — Charline Jao, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.themarysue.com\/a-suitable-girl-review\/\"\u003e\u003cem\u003eThe Mary Sue\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl does everything a good documentary should do”\u003cem\u003e — Kristen O’Neal, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/birthmoviesdeath.com\/2017\/04\/25\/tribeca-film-festival-review-a-suitable-girl\"\u003e\u003cem\u003eBirth Movies Death\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There is actual magic in the making of A Suitable Girl.\"\u003cem\u003e — John Curtis, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/boldaslove.us\/2017\/04\/23\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eBold As Love Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Stirring Examination Of Family And Marriage.\"\u003cem\u003e — Beth Reynolds\u003cspan\u003e, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.monkeysfightingrobots.com\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eMonkeys Fighting Robots\u003c\/em\u003e\u003c\/a\u003e  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With A Suitable Girl, filmmakers Sarita Khurana and Smriti Mundhra have achieved what many documentarians can only attempt, taking a topic that many outsiders misunderstand and laying it out beautifully bare.” –\u003cem\u003e Loren Hammonds, Programmer, Tribeca Film Festival \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":433871532,"title":"American Meat","handle":"american-meat-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Graham Meriwether \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Memo Salazar, Ryan Nethery, Graham Meriwether, Carlye Rubin, Alejandro de Onis\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2013\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 84 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles:\u003c\/strong\u003e English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Science and Nature, Agriculture\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\" face=\"georgia, times, times new roman, serif\" style=\"color: #000000;\"\u003eAMERICAN MEAT examines the history and future of meat production in the United States, weaving together the diverse voices of chicken, cattle, and hog farmers in a lively and dynamic portrayal of the past and promise of American agriculture. Exploring both the conventional models of commercial agriculture and the alternative model championed by Joel Salatin at Polyface Farms, the film provides an accessible and educational view of the farmers, chefs, and everyday consumers at the heart of the local food movement and focuses on the central question: Can sustainable agriculture actually feed America? \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\" face=\"georgia, times, times new roman, serif\" style=\"color: #000000; font-family: georgia, times, 'times new roman', serif;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/143180993\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\" American Meat offers a way out of an agricultural nightmare...\" -Eric Monder, Film Journal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"The film makes a powerfully persuasive case for the benefits of small grass-based organic farms and local sourcing... it presents its arguments forcefully without strident didacticism.\" -Fred Scheck, The Hollywood Reporter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"The documentary gives me hope that alternative forms of livestock production may increase the demand for labor in agriculture and increase some rural populations and economies.\" -Dale Gruis State FFA Advisor of Iowa\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Best of 2014 Shortlist!\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e","published_at":"2015-02-25T15:02:00-08:00","created_at":"2015-02-25T12:38:00-08:00","vendor":"Graham Meriwether","type":"DVD","tags":[],"price":3999,"price_min":3999,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1187781768,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"AMM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"American Meat - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":25000,"weight":0,"compare_at_price":null,"inventory_quantity":16,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":1187781772,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"AMM-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"American Meat - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":9995,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1187781776,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"AMM-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"American Meat - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1187781784,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AMM-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"American Meat - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":25000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/American-Meat_388X657_1024x1024_1fea782a-41eb-41e8-b8a1-f80cb479d796.png?v=1496048979","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AmericanMeat_BabyCow_montana_low-res_11_grande_1e4ee84e-88d9-4d93-be8e-7ff2a4bc5b06.jpg?v=1496048979","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AmericanMeat_Chicken_montana_low-res_7_grande_fde56fe4-7069-4400-a220-af54480e0e65.jpg?v=1496048979","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/tractor_view_grande_2eaeba8f-85ea-4429-a5dc-09baf0bee44c.jpg?v=1496048979","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AmericanMeat_Dreamy_farm_grande_75361941-956d-4d53-9a8e-60941d7a5dec.jpg?v=1496048979","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HI_RES_TWO_COWS_grande_adf638c9-9eb4-498d-bd2d-0edb8c36ca9d.jpg?v=1496048979"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/American-Meat_388X657_1024x1024_1fea782a-41eb-41e8-b8a1-f80cb479d796.png?v=1496048979","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Graham Meriwether \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Memo Salazar, Ryan Nethery, Graham Meriwether, Carlye Rubin, Alejandro de Onis\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2013\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 84 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles:\u003c\/strong\u003e English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Science and Nature, Agriculture\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\" face=\"georgia, times, times new roman, serif\" style=\"color: #000000;\"\u003eAMERICAN MEAT examines the history and future of meat production in the United States, weaving together the diverse voices of chicken, cattle, and hog farmers in a lively and dynamic portrayal of the past and promise of American agriculture. Exploring both the conventional models of commercial agriculture and the alternative model championed by Joel Salatin at Polyface Farms, the film provides an accessible and educational view of the farmers, chefs, and everyday consumers at the heart of the local food movement and focuses on the central question: Can sustainable agriculture actually feed America? \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan color=\"#000000\" face=\"georgia, times, times new roman, serif\" style=\"color: #000000; font-family: georgia, times, 'times new roman', serif;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/143180993\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\" American Meat offers a way out of an agricultural nightmare...\" -Eric Monder, Film Journal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"The film makes a powerfully persuasive case for the benefits of small grass-based organic farms and local sourcing... it presents its arguments forcefully without strident didacticism.\" -Fred Scheck, The Hollywood Reporter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"The documentary gives me hope that alternative forms of livestock production may increase the demand for labor in agriculture and increase some rural populations and economies.\" -Dale Gruis State FFA Advisor of Iowa\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Best of 2014 Shortlist!\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e"}

{"id":9527857553,"title":"American Winter","handle":"american-winter-educational","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/barge-screening\" target=\"_blank\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/barge-screening\" target=\"_blank\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/American_Winter_Discussion_Guide.pdf?9795503593304629396\" title=\"American Winter Discussion Guide\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/pdf-icon-4_thumb.png?v=1491842675\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/American_Winter_Discussion_Guide.pdf?9795503593304629396\" title=\"American Winter Discussion Guide\"\u003e\u003cstrong\u003eClick here to download the American Winter discussion guide!\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Joe Gantz \u0026amp; Harry Gantz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by\u003c\/strong\u003e: Joe Gantz \u0026amp; Harry Gantz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 Educational release \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Children, Youth and Family, Socioeconomics\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAMERICAN WINTER\u003c\/strong\u003e is a timely documentary that follows the personal stories of eight families struggling in the worst economic downturn since the Great Depression.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eFilmed over the winter of 2011-12, the film reveals the devastating effects of the mortgage meltdown, high unemployment, the health care crisis, and budget cuts to the social safety net through the eyes of families in crisis.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eWoven into the film are interviews with economic experts, policy analysts, religious leaders, and social workers. Ultimately, \u003cstrong\u003eAMERICAN WINTER\u003c\/strong\u003e presents a powerful portrait of the consequences of rising poverty, the decline of the middle class, and the fracturing of the American Dream. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/220061225\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Sidney Award for Excellence in Journalism for the Common Good - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Bending Toward Justice Award From Senator Jeff Merkley - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBEST OF FESTIVAL - Workers Unite Film Festival - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBEST DOCUMENTARY FEATURE - 36th Portland International Film Festival - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Using a mix of hard facts and personal stories, American Winter is too compelling to ignore.\" -\u003cem\u003e Indiewire Review \u003c\/em\u003e\u003c\/span\u003e\"American Winter\" \u003cem\u003eA Devastating Portrait Of The Erosion Of The Middle Class by Kevin Jagernauth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Wrenching\" - \u003cem\u003eWashington Post by Elaine Weiss\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Finally, a movie has arrived that shows the precariousness of the US economy for the majority of Americans, refusing to distinguish between a deserving and non-deserving poor\" - \u003cem\u003eGreg Kaufman, The Nation, This Week in Poverty: 'A Place at the Table' and 'American Winter'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"...A very vivid snapshot of what life was like for many formerly middle-class families. Families that, amid the deepest valley of the economic downturn, were having trouble keeping it all together.\" \u003cem\u003e- Kai Ryssdal, Marketplace (American Public Media)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Powerful and timely\" \u003cem\u003e- NBC's In Plain Sight\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"A thoughtful and confrontational exploration of poverty\" \u003cem\u003e- P. L. Thomas, Daily Kos\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"An intimate portrait of real American families struggling to make ends meet\" \u003cem\u003e- Ben Bamsey, HLNtv\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eHighly Recommended by Video Librarian: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe twin blows of job losses and advancing poverty hit several Portland, OR, families hard in filmmaker Joe Gantz’s American Winter, a melancholy look at paycheck-to-paycheck despair and reduced circumstances in the wake of 2008's economic crash. Cameras follow several representative families in weakening income brackets, whose breadwinners have lost jobs to overseas, suffered cuts in benefits, and are now left slaving for the minimum wage—when they can find jobs at all. One woman is newly widowed, experiencing her first winter with her son in a homeless shelter. Another household has to choose between paying the mortgage or utilities bills (a good neighbor allows them to run an electrical cord all the way to his property). A man whose son has Down syndrome faces foreclosure on a homestead that he says brings the boy stability. Another couple, turned out of their own place, must move back in with parents. While some social-service organizations offer relief, one pastor interviewed here declares that he has never seen so many new needy with so few safety nets. Occasional intertitles offer statistics on corporate job-killing practices and the pernicious decay of the middle-class, but policy-makers and apologists for Wall Street are conspicuous by their absence. A powerful, timely documentary, this is highly recommended. Aud: C, P. (C. Cassady)\u003c\/span\u003e\u003c\/div\u003e","published_at":"2017-06-06T01:52:14-07:00","created_at":"2017-05-23T16:57:24-07:00","vendor":"View Film, Inc","type":"DVD","tags":["Home-Use"],"price":2000,"price_min":2000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":34949794769,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"AMW-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"American Winter - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-53,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":34949794833,"title":"K‐12, Public Libraries, 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PPR*)"],"price":2000,"weight":91,"compare_at_price":null,"inventory_quantity":-14,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":34949794961,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AMW-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"American Winter - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":399152381979,"title":"Home Use","option1":"Home Use","option2":null,"option3":null,"sku":"AMW-H","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"American Winter - Home Use","public_title":"Home Use","options":["Home Use"],"price":2000,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AmericanWinterboxart_dvd_7c4f36bb-8ece-4a54-9c36-b6f796859cc1.png?v=1496434136","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AW_Ben_leaning_on_crying_Paula-sml_d9c595c8-c504-4d0d-880e-9f46d3fa5a06.jpg?v=1496434153","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AW_Diedre_the_washer.jpg_copy_113c1e90-9450-4191-afc0-5c3e597fe0e1.jpg?v=1496434155","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AW_John_Geral_with_dog_1_26386af2-cf9c-4cda-b618-8075eddd12d3.jpg?v=1496434158"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AmericanWinterboxart_dvd_7c4f36bb-8ece-4a54-9c36-b6f796859cc1.png?v=1496434136","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/barge-screening\" target=\"_blank\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/barge-screening\" target=\"_blank\" title=\"Link to screening page BARGE\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cb\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/American_Winter_Discussion_Guide.pdf?9795503593304629396\" title=\"American Winter Discussion Guide\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/pdf-icon-4_thumb.png?v=1491842675\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/American_Winter_Discussion_Guide.pdf?9795503593304629396\" title=\"American Winter Discussion Guide\"\u003e\u003cstrong\u003eClick here to download the American Winter discussion guide!\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Joe Gantz \u0026amp; Harry Gantz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by\u003c\/strong\u003e: Joe Gantz \u0026amp; Harry Gantz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 Educational release \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Children, Youth and Family, Socioeconomics\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAMERICAN WINTER\u003c\/strong\u003e is a timely documentary that follows the personal stories of eight families struggling in the worst economic downturn since the Great Depression.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eFilmed over the winter of 2011-12, the film reveals the devastating effects of the mortgage meltdown, high unemployment, the health care crisis, and budget cuts to the social safety net through the eyes of families in crisis.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eWoven into the film are interviews with economic experts, policy analysts, religious leaders, and social workers. Ultimately, \u003cstrong\u003eAMERICAN WINTER\u003c\/strong\u003e presents a powerful portrait of the consequences of rising poverty, the decline of the middle class, and the fracturing of the American Dream. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/220061225\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Sidney Award for Excellence in Journalism for the Common Good - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Bending Toward Justice Award From Senator Jeff Merkley - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBEST OF FESTIVAL - Workers Unite Film Festival - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBEST DOCUMENTARY FEATURE - 36th Portland International Film Festival - 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Using a mix of hard facts and personal stories, American Winter is too compelling to ignore.\" -\u003cem\u003e Indiewire Review \u003c\/em\u003e\u003c\/span\u003e\"American Winter\" \u003cem\u003eA Devastating Portrait Of The Erosion Of The Middle Class by Kevin Jagernauth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Wrenching\" - \u003cem\u003eWashington Post by Elaine Weiss\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Finally, a movie has arrived that shows the precariousness of the US economy for the majority of Americans, refusing to distinguish between a deserving and non-deserving poor\" - \u003cem\u003eGreg Kaufman, The Nation, This Week in Poverty: 'A Place at the Table' and 'American Winter'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"...A very vivid snapshot of what life was like for many formerly middle-class families. Families that, amid the deepest valley of the economic downturn, were having trouble keeping it all together.\" \u003cem\u003e- Kai Ryssdal, Marketplace (American Public Media)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"Powerful and timely\" \u003cem\u003e- NBC's In Plain Sight\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"A thoughtful and confrontational exploration of poverty\" \u003cem\u003e- P. L. Thomas, Daily Kos\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"An intimate portrait of real American families struggling to make ends meet\" \u003cem\u003e- Ben Bamsey, HLNtv\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eHighly Recommended by Video Librarian: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe twin blows of job losses and advancing poverty hit several Portland, OR, families hard in filmmaker Joe Gantz’s American Winter, a melancholy look at paycheck-to-paycheck despair and reduced circumstances in the wake of 2008's economic crash. Cameras follow several representative families in weakening income brackets, whose breadwinners have lost jobs to overseas, suffered cuts in benefits, and are now left slaving for the minimum wage—when they can find jobs at all. One woman is newly widowed, experiencing her first winter with her son in a homeless shelter. Another household has to choose between paying the mortgage or utilities bills (a good neighbor allows them to run an electrical cord all the way to his property). A man whose son has Down syndrome faces foreclosure on a homestead that he says brings the boy stability. Another couple, turned out of their own place, must move back in with parents. While some social-service organizations offer relief, one pastor interviewed here declares that he has never seen so many new needy with so few safety nets. Occasional intertitles offer statistics on corporate job-killing practices and the pernicious decay of the middle-class, but policy-makers and apologists for Wall Street are conspicuous by their absence. A powerful, timely documentary, this is highly recommended. Aud: C, P. (C. Cassady)\u003c\/span\u003e\u003c\/div\u003e"}

{"id":439127512,"title":"Angel Azul","handle":"angel-azul-educational","description":"\u003cul\u003e\n\u003cli\u003eDirected by: Marcelina Cravat\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: Marcelina Cravat; Exec. Producer: Curt Overway, Assoc. Producer: Anna Scout Wise\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2014\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 72 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles:\u003c\/strong\u003e English \u0026amp; Spanish \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Arts, Visual Arts, Science and Nature, Environmental Studies\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_04e4e807-cf1b-4d2c-a1a9-7addb36c5ee4_medium.png?v=1485876336\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eANGEL AZUL tells the story of one artist’s inspiring attempt to draw attention to the perilous situation coral reefs currently face worldwide. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/107735725?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" style=\"line-height: 1.4;\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJason DeCaires Taylor is an eco-sculptor who casts cement statues from live human models and installs them on the ocean floor to create an artificial coral reef. The story follows the making of an angel, a symbol of hope, with wings made from live fan coral. She will reside in an underwater museum alongside 400 of Jason’s statues located off the coast of Cancún in the National Marine Park, El Museo Subacuatico De Arte (MUSA). Over time the statues grow coral, provide habitat for marine life and a diversion for tourists, offering the natural reefs a reprieve from heavy usage. But when the coral that has been growing on the statues starts to die, issues related to waste water pollution and rising sea temperatures become evident. Through local experts and scientists in the field, the full scope of the problem is revealed. Jason faces his own problems in keeping his workshop afloat, but never tires from his efforts to spread the message about this valuable ecosystem that is in grave danger of disappearing completely if steps are not taken to prevent its demise. Through the hauntingly beautiful underwater world created by this incredible eco-sculptor, we are reminded that everything connects.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary\u003cem\u003e, \u003cem\u003eJulien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eGrand Jury Prize\u003cem\u003e\u003cem\u003e, Julien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Director\u003cem\u003e, \u003cem\u003eMoscow EcoCup Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWild and Scenic 2015\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003ePremiere, \u003cem\u003eEnvironmental DC Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography, \u003cem\u003eBel-Air Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography,\u003cem\u003eUNAFF\u003c\/em\u003e \u003cem\u003eUnited Nations Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBoston International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eRaindance Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHonorable Mention, \u003cem\u003eAlamos Mexico International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eSan Francisco Green Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection,\u003cem\u003e EcoFest Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFinalist, \u003ci\u003eBlue Ocean Film Festival 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003ci\u003eEcocinema 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBelize International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eHawaii Green Screen Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eAmerican's Latin EcoFest 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWine Country Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary Film, \u003cem\u003eBreckenridge Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWoodstock Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental International Film Festival (FICMA) 2014\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental Film Festival in the Nation's Capital 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003eSilver Winner, \u003cem\u003eFilmmakers of the Year Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cstrong\u003eHighly Recommend!\u003c\/strong\u003e Visually appealing and thought-provoking, ANGEL AZUL is an outstanding choice for libraries supporting studies in art, oceanography and environmental science; armchair travelers and scuba enthusiasts, those planning a trip to Mecixo's Yucatan Peninsula, and anyone concerned about the health of earth's coral reefs will find much to enjoy and ponder here.\" \u003cem\u003e—Educational Media Reviews Online \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"Peter Coyote provides narration for Marcelina Cravat's beautifully shot documentary on art in the service of science. English-born sculptor Jason deCaires Taylor lives in West Indies with his wife and child. After Hurricane Ivan devastates Grenada, Taylor decides to build a series of underwater sculptures to double as an artificial reef. Over time, coral, algae, and other biological entities begin to cover the cement figures, transforming them into creatures that simultaneously appear both elegant and eerie. Eventually, they will no longer be recognizable as human. Taylor's pieces also carry messages about global warming and water pollution, such as the heads-in-the-ground-figures of \"The Politicians,\" and \"The Last Supper\", which depicts a repast of fish and hand grenades. \"The Listener,\" a body covered in ears, actually records the sounds of the reef. As word of his work spreads, Taylor receives invitations from other territories concerned with reef protection (grants and sponsorships pay for his work). In Mexico, the artist creates \"The Silent Evolution,\" a congregation of 400 figures that look quite realistic because Taylor used people in Cancun as models. In Angel Azul, Taylor and his team cover a woman from head to toe (only her nostrils remain visible) in goopy white silicone, a scene sure to incite claustrophobia in many viewers. Cravat follows the making of this piece, called \"The Angel\", from start to finish. After installation, Taylor leaves Mexico with his family for the Canary Islands, where he plans to create more underwater communities. An interesting portrait of a nontraditional artist, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“It’s about people and their relationship with nature. (The) film celebrates that in a beautiful way… A winner.” - \u003ci\u003eSylvia Earle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Students’ lives changed.” - \u003ci\u003eTerry Tempest Williams\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“This is an excellent film, has wide appeal for those interested in world-wide climate change…” -\u003ci\u003eDr. Samuel Lee Hancock\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e","published_at":"2015-03-04T13:56:00-08:00","created_at":"2015-03-04T13:24:15-08:00","vendor":"Marcy Cravat","type":"DVD","tags":[],"price":3999,"price_min":3999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1207451748,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"AGA-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":29500,"weight":0,"compare_at_price":null,"inventory_quantity":16,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":1207451756,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"AGA-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":19500,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1207451760,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"AGA-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":91,"compare_at_price":null,"inventory_quantity":-13,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1207451764,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AGA-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Angel-Azul_388x408_1024x1024_8c76b331-19c8-4bc3-ba09-601c81fa44d9.png?v=1496050249","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/grenada18_grande_ba62530a-3230-466a-8def-ac8f69591242.jpg?v=1496050249","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/es2_grande_cad353ff-78da-47a7-bc17-1556066e70ac.jpg?v=1496050249","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Man_0n_Fire09_grande_6b69422e-a56a-468b-9993-7fdffcf7e95e.jpg?v=1496050249","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Man_on_Docks.jpg?v=1496050249","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Underwater_Heads.jpg?v=1496050249","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Angel_Azul.jpg?v=1496050249"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Angel-Azul_388x408_1024x1024_8c76b331-19c8-4bc3-ba09-601c81fa44d9.png?v=1496050249","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003eDirected by: Marcelina Cravat\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: Marcelina Cravat; Exec. Producer: Curt Overway, Assoc. Producer: Anna Scout Wise\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2014\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 72 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles:\u003c\/strong\u003e English \u0026amp; Spanish \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Arts, Visual Arts, Science and Nature, Environmental Studies\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_04e4e807-cf1b-4d2c-a1a9-7addb36c5ee4_medium.png?v=1485876336\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eANGEL AZUL tells the story of one artist’s inspiring attempt to draw attention to the perilous situation coral reefs currently face worldwide. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/107735725?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" style=\"line-height: 1.4;\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eJason DeCaires Taylor is an eco-sculptor who casts cement statues from live human models and installs them on the ocean floor to create an artificial coral reef. The story follows the making of an angel, a symbol of hope, with wings made from live fan coral. She will reside in an underwater museum alongside 400 of Jason’s statues located off the coast of Cancún in the National Marine Park, El Museo Subacuatico De Arte (MUSA). Over time the statues grow coral, provide habitat for marine life and a diversion for tourists, offering the natural reefs a reprieve from heavy usage. But when the coral that has been growing on the statues starts to die, issues related to waste water pollution and rising sea temperatures become evident. Through local experts and scientists in the field, the full scope of the problem is revealed. Jason faces his own problems in keeping his workshop afloat, but never tires from his efforts to spread the message about this valuable ecosystem that is in grave danger of disappearing completely if steps are not taken to prevent its demise. Through the hauntingly beautiful underwater world created by this incredible eco-sculptor, we are reminded that everything connects.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary\u003cem\u003e, \u003cem\u003eJulien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eGrand Jury Prize\u003cem\u003e\u003cem\u003e, Julien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Director\u003cem\u003e, \u003cem\u003eMoscow EcoCup Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWild and Scenic 2015\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003ePremiere, \u003cem\u003eEnvironmental DC Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography, \u003cem\u003eBel-Air Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography,\u003cem\u003eUNAFF\u003c\/em\u003e \u003cem\u003eUnited Nations Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBoston International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eRaindance Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHonorable Mention, \u003cem\u003eAlamos Mexico International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eSan Francisco Green Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection,\u003cem\u003e EcoFest Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFinalist, \u003ci\u003eBlue Ocean Film Festival 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003ci\u003eEcocinema 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBelize International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eHawaii Green Screen Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eAmerican's Latin EcoFest 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWine Country Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary Film, \u003cem\u003eBreckenridge Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWoodstock Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental International Film Festival (FICMA) 2014\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental Film Festival in the Nation's Capital 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003eSilver Winner, \u003cem\u003eFilmmakers of the Year Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cstrong\u003eHighly Recommend!\u003c\/strong\u003e Visually appealing and thought-provoking, ANGEL AZUL is an outstanding choice for libraries supporting studies in art, oceanography and environmental science; armchair travelers and scuba enthusiasts, those planning a trip to Mecixo's Yucatan Peninsula, and anyone concerned about the health of earth's coral reefs will find much to enjoy and ponder here.\" \u003cem\u003e—Educational Media Reviews Online \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"Peter Coyote provides narration for Marcelina Cravat's beautifully shot documentary on art in the service of science. English-born sculptor Jason deCaires Taylor lives in West Indies with his wife and child. After Hurricane Ivan devastates Grenada, Taylor decides to build a series of underwater sculptures to double as an artificial reef. Over time, coral, algae, and other biological entities begin to cover the cement figures, transforming them into creatures that simultaneously appear both elegant and eerie. Eventually, they will no longer be recognizable as human. Taylor's pieces also carry messages about global warming and water pollution, such as the heads-in-the-ground-figures of \"The Politicians,\" and \"The Last Supper\", which depicts a repast of fish and hand grenades. \"The Listener,\" a body covered in ears, actually records the sounds of the reef. As word of his work spreads, Taylor receives invitations from other territories concerned with reef protection (grants and sponsorships pay for his work). In Mexico, the artist creates \"The Silent Evolution,\" a congregation of 400 figures that look quite realistic because Taylor used people in Cancun as models. In Angel Azul, Taylor and his team cover a woman from head to toe (only her nostrils remain visible) in goopy white silicone, a scene sure to incite claustrophobia in many viewers. Cravat follows the making of this piece, called \"The Angel\", from start to finish. After installation, Taylor leaves Mexico with his family for the Canary Islands, where he plans to create more underwater communities. An interesting portrait of a nontraditional artist, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“It’s about people and their relationship with nature. (The) film celebrates that in a beautiful way… A winner.” - \u003ci\u003eSylvia Earle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Students’ lives changed.” - \u003ci\u003eTerry Tempest Williams\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“This is an excellent film, has wide appeal for those interested in world-wide climate change…” -\u003ci\u003eDr. Samuel Lee Hancock\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e"}

{"id":1424686084,"title":"Arresting Power","handle":"arresting-power-educational","description":"\u003cspan style=\"color: #ffff00;\"\u003e\u003cstrong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Jodi Darby, Julie Perini \u0026amp; Erin Yanke  \u003c\/span\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?10384625402143917297\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 84 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish, Spanish Subtitles, \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_icon.png?9631344061641639057\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Criminal Justice, African American Studies \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003eARRESTING POWER documents the history of conflict between the Portland police and community members throughout the past fifty years. The film features personal stories of resistance told by victims of police misconduct, the families of people who were killed by police, and members of Portland’s reform and abolition movements. Utilizing meditative footage taken at sites of police violence, experimental filmmaking techniques, and archival newsreel, Arresting Power creates a space for understanding the impacts of police violence and imagining a world without police.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eThis film provides a historical and political analysis of the role of the police in contemporary society and the history of policing in the United States. It provides a framework for understanding the systems of social control in Portland with its history of exclusion laws, racial profiling, gentrification practices and policing along lines of race and class. It serves to uncover Portland’s unique history of police relations and community response.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/131142472?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“In this era of unrestrained police violence, Arresting Power should not be missed. While focused on Portland, the lessons are universal and ageless - the system is not broken, the police are here to maintain power for those that have always wielded it!” - Claude Marks, The Freedom Archives\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“If we can not take an honest, graphic, look at the problem of state violence and police terror as it relates to race and class, then we are doomed to escalate and repeat the worst aspects of our potential as an oppressive society. Arresting Power is a deep meditation on the reality of a deadly danger in our midst that destroys lives of real people. This film is an important step in an assessment of where we've been, where we are and what must change.” - Mic Crenshaw \/ Afrikan Hip Hop Caravan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“As Portland continues to rise in rankings of ‘best cities to live in,’ it’s imperative to understand a part of the city’s history and present-day climate that doesn’t pop up on Portlandia.” -Amy Lam \/ Bitch Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Bucking the current Portlandia image, the film builds a context for understanding systemic racism in Portland through the long lens of history. “ - Rose Bond \/ \u003ca href=\"http:\/\/vsw.org\/afterimage\/\" style=\"color: #000000;\"\u003eAfterimage: The Journal of Media Arts and Cultural Criticism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Arresting Power is an activist’s tool. This is a film made not so much for Oscar contention as for community ownership.” - Rose Bond \/ \u003ca href=\"http:\/\/vsw.org\/afterimage\/\" style=\"color: #000000;\"\u003eAfterimage: The Journal of Media Arts and Cultural Criticism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e","published_at":"2015-09-22T12:28:00-07:00","created_at":"2015-09-10T16:08:17-07:00","vendor":"Jodi Darby","type":"DVD","tags":["Home-Use"],"price":2000,"price_min":2000,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":5061805636,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"ATP-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Arresting Power - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":25000,"weight":91,"compare_at_price":null,"inventory_quantity":-44,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":5061805700,"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"ATP-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Arresting Power - K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":5061805764,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"ATP-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Arresting Power - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":4000,"weight":91,"compare_at_price":null,"inventory_quantity":-6,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":5061805828,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"ATP-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Arresting Power - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":25000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":399154380827,"title":"Home Use","option1":"Home Use","option2":null,"option3":null,"sku":"ATP-H","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Arresting Power - Home Use","public_title":"Home Use","options":["Home Use"],"price":2000,"weight":136,"compare_at_price":null,"inventory_quantity":-4,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Arresting-Power_389X657_1024x1024_a390af8b-d746-4e15-80c2-e1f441811624.png?v=1495672467","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AP_Panters_grande_245b1e67-afad-4c78-9b6a-dc18d0a0e2b4.jpg?v=1495672467","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AP_Kendra_James_rally_grande_fb8e1b91-a309-4a97-87fd-83d41d9df0b0.jpg?v=1495672467","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/d.still_Kent_Ford_grande_d2c38f59-a15c-4fce-8a4d-139eb1f58610.jpg?v=1495672467","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AP_March_grande_90f4edd6-bad2-4749-9b54-73e2ecb26bff.jpg?v=1495672467"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Arresting-Power_389X657_1024x1024_a390af8b-d746-4e15-80c2-e1f441811624.png?v=1495672467","options":["License"],"content":"\u003cspan style=\"color: #ffff00;\"\u003e\u003cstrong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Jodi Darby, Julie Perini \u0026amp; Erin Yanke  \u003c\/span\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?10384625402143917297\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 84 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish, Spanish Subtitles, \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_icon.png?9631344061641639057\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Criminal Justice, African American Studies \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003eARRESTING POWER documents the history of conflict between the Portland police and community members throughout the past fifty years. The film features personal stories of resistance told by victims of police misconduct, the families of people who were killed by police, and members of Portland’s reform and abolition movements. Utilizing meditative footage taken at sites of police violence, experimental filmmaking techniques, and archival newsreel, Arresting Power creates a space for understanding the impacts of police violence and imagining a world without police.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eThis film provides a historical and political analysis of the role of the police in contemporary society and the history of policing in the United States. It provides a framework for understanding the systems of social control in Portland with its history of exclusion laws, racial profiling, gentrification practices and policing along lines of race and class. It serves to uncover Portland’s unique history of police relations and community response.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/131142472?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“In this era of unrestrained police violence, Arresting Power should not be missed. While focused on Portland, the lessons are universal and ageless - the system is not broken, the police are here to maintain power for those that have always wielded it!” - Claude Marks, The Freedom Archives\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“If we can not take an honest, graphic, look at the problem of state violence and police terror as it relates to race and class, then we are doomed to escalate and repeat the worst aspects of our potential as an oppressive society. Arresting Power is a deep meditation on the reality of a deadly danger in our midst that destroys lives of real people. This film is an important step in an assessment of where we've been, where we are and what must change.” - Mic Crenshaw \/ Afrikan Hip Hop Caravan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“As Portland continues to rise in rankings of ‘best cities to live in,’ it’s imperative to understand a part of the city’s history and present-day climate that doesn’t pop up on Portlandia.” -Amy Lam \/ Bitch Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Bucking the current Portlandia image, the film builds a context for understanding systemic racism in Portland through the long lens of history. “ - Rose Bond \/ \u003ca href=\"http:\/\/vsw.org\/afterimage\/\" style=\"color: #000000;\"\u003eAfterimage: The Journal of Media Arts and Cultural Criticism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Arresting Power is an activist’s tool. This is a film made not so much for Oscar contention as for community ownership.” - Rose Bond \/ \u003ca href=\"http:\/\/vsw.org\/afterimage\/\" style=\"color: #000000;\"\u003eAfterimage: The Journal of Media Arts and Cultural Criticism\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e"}

{"id":317921149,"title":"Austin Unbound: a Deaf Journey of Transgender Heroism","handle":"austin-unbound-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected By: Eliza Greenwood, Sel Staley, Basil Shadid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced By: Eliza Greenwood\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEducational Release: 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 43 minutes\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eNTSC \/ ASL with English subtitles\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Gender and Sexuality Studies, Gender, People with Disability\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_04e4e807-cf1b-4d2c-a1a9-7addb36c5ee4_medium.png?v=1485876336\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDeafness may appear to be his disability, but that isn't what makes Austin self-conscious. This is a film at the intersection of Deaf and transgender. Burdened by female anatomy, he binds his chest every day. While his mother strives to accept his male identity, Austin's community views him as a pioneer. A natural comedian and romantic, Austin's courageous journey is shared in AUSTIN UNBOUND, which follows him through personal reflections, family interactions, and even into the operating room. AUSTIN UNBOUND, a deaf journey of transgender heroism breaks through barriers and tells a sensitive story with grace and heart. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/74509190?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/vimeo.com\/74509190\" style=\"color: #000000;\"\u003e\"Austin Unbound\" trailer music by Chris Funk\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/user931417\" style=\"color: #000000;\"\u003eEliza Greenwood\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #351c75;\"\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003e\"The film is unique in that it is entirely in sign language and captions\/subtitles; even the voices of hearing people are not heard. But that adds to its power.\" \u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #351c75;\"\u003e\u003cem\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003e- Beth Haller, Media d\u003c\/span\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003eis\u0026amp;dat\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest film that breaks down stereotypes - Breaking Down Barriers International Film Festival, Moscow Russia 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Doc - Seattle Deaf Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Transcreen Film Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - TIDFAF 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Reel Out 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Rainbow Reels 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Focus Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Portland Oregon Women's Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Northwest Filmmakers Festival 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Melbourne Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Seattle Deaf Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Maine Deaf Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Ashland Independent Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Miami Gay and Lesbian Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Translations: The Settle Transgender Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - CineDeaf 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - BOSIFest 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Kashish-Mumbai International Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - DeafFest 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Entzaubert 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Out on Screen, Vancouver Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Gender Reel 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - OFF (Other Film Festival) 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Queer Lisboa Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Hamburg International Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"border-collapse: collapse; color: #000000;\"\u003e\u003cspan style=\"font-family: Arial; vertical-align: baseline; white-space: pre-wrap;\"\u003e\"Austin Unbound asks audiences to gaze into a normally private journey. I ask myself what kind of gaze is this? What outcome will result from this viewing? Austin takes us on a deeply personal\u003c\/span\u003e\u003cspan style=\"vertical-align: baseline;\"\u003e\u003cspan style=\"font-family: Times;\" face=\"Times\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial; vertical-align: baseline; white-space: pre-wrap;\"\u003ejourney. For that I am grateful.\"\u003c\/span\u003e\u003cspan style=\"vertical-align: baseline;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Ben Bahan, ASL Literature Professor, Gallaudet University\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003eAustin Unbound lets viewers into two little known worlds: Deaf \u0026amp; transgender. Highly likable and accessible, this provocative film employs the Deaf community's collective approach to exchanging and sharing information in an honest and up-front manner to the advantage of anyone interested in, experiencing, or simply curious about the transition process of a young man. - Jamison Green, Author of Becoming a Visible Man\u003cbr\u003e \u003cbr\u003eAustin Unbound offers a rich life story that invites activists and community members alike to consider how understandings of gender, race, and disability profoundly shape lives and identities in the United States - Dr. Susan Burch, Historian, Middlebury College\u003cbr\u003e \u003cbr\u003eDeftly weaving a tale of modern day manhood, Austin Unbound acknowledges society's barriers, but portrays how gender stereotypes are frail and outdated. Watching the film illuminates the misconception that all people always fit neatly into gendered labels and boxes. This film captured my heart, opened my eyes - as well as my mind- and changed my life! - Dr. Jan Humphrey, Professor of Interpreting at University of North Florida\u003cbr\u003e \u003cbr\u003eThe galvanizing story of an exceedingly likeable human being who's made happier as he's able to more fully express all the parts of who he is. See it with your own best pals. - Lindsay Baltus, Bitch Magazine\u003cbr\u003e \u003cbr\u003eAustin is a proud and self-assured man and so obviously a role model, not only to the deaf and transgender communities, but to everyone he encounters. - Michelle da Silva, The Georga Straight\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003e\u003cspan style=\"color: #000000;\"\u003e“PPR or PUBLIC PERFORMANCE RIGHTS” means the right for institutions and organizations to privately screen the title in an educational setting, in addition to face-to-face teaching. To hold a larger event or community screening, be in touch with the filmmaker by \u003ca href=\"http:\/\/austinunbound.org\/screenings-and-presentations\/\" target=\"_blank\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003eCLICKING HERE\u003c\/a\u003e!\u003c\/span\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2014-05-22T15:46:00-07:00","created_at":"2014-05-22T14:51:20-07:00","vendor":"Eliza Greenwood","type":"DVD ","tags":[],"price":2395,"price_min":2395,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":762124473,"title":"University and College (with PPR)","option1":"University and College (with PPR)","option2":null,"option3":null,"sku":"AUB-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Austin Unbound: a Deaf Journey of Transgender Heroism - University and College (with PPR)","public_title":"University and College (with PPR)","options":["University and College (with PPR)"],"price":29500,"weight":181,"compare_at_price":null,"inventory_quantity":-12,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":762124477,"title":"K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","option1":"K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","option2":null,"option3":null,"sku":"AUB-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Austin Unbound: a Deaf Journey of Transgender Heroism - K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","public_title":"K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","options":["K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)"],"price":19500,"weight":181,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":31852086097,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AUB-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Austin Unbound: a Deaf Journey of Transgender Heroism - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":5098014179355,"title":"Home-Use","option1":"Home-Use","option2":null,"option3":null,"sku":"AUB-H","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Austin Unbound: a Deaf Journey of Transgender Heroism - Home-Use","public_title":"Home-Use","options":["Home-Use"],"price":2395,"weight":181,"compare_at_price":null,"inventory_quantity":-9,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Austin-Unbound_388X657_1024x1024_7b99fb39-b3a7-43a5-86d9-69abb9be9f24.png?v=1496050994","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/rootbeer_Austin_as_a_child_archival_grande_76ca121a-9028-47bc-bc3f-371e91606bb5.jpg?v=1496050994","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/06_grande_14b9ef25-8fc9-4411-8269-441d84662ef0.jpg?v=1496050994","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/08_grande_ad2a279c-1e8b-4eb6-9925-9f4d33db0886.jpg?v=1496050994","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Austin_in_truck_photo_by_Zeo_Cohen_grande_946c6956-f158-4d6b-a146-acd95f4ce494.jpg?v=1496050994"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Austin-Unbound_388X657_1024x1024_7b99fb39-b3a7-43a5-86d9-69abb9be9f24.png?v=1496050994","options":["Title"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected By: Eliza Greenwood, Sel Staley, Basil Shadid\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced By: Eliza Greenwood\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEducational Release: 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 43 minutes\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eNTSC \/ ASL with English subtitles\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Gender and Sexuality Studies, Gender, People with Disability\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_04e4e807-cf1b-4d2c-a1a9-7addb36c5ee4_medium.png?v=1485876336\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDeafness may appear to be his disability, but that isn't what makes Austin self-conscious. This is a film at the intersection of Deaf and transgender. Burdened by female anatomy, he binds his chest every day. While his mother strives to accept his male identity, Austin's community views him as a pioneer. A natural comedian and romantic, Austin's courageous journey is shared in AUSTIN UNBOUND, which follows him through personal reflections, family interactions, and even into the operating room. AUSTIN UNBOUND, a deaf journey of transgender heroism breaks through barriers and tells a sensitive story with grace and heart. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/74509190?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/vimeo.com\/74509190\" style=\"color: #000000;\"\u003e\"Austin Unbound\" trailer music by Chris Funk\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/user931417\" style=\"color: #000000;\"\u003eEliza Greenwood\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #351c75;\"\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003e\"The film is unique in that it is entirely in sign language and captions\/subtitles; even the voices of hearing people are not heard. But that adds to its power.\" \u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #351c75;\"\u003e\u003cem\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003e- Beth Haller, Media d\u003c\/span\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003eis\u0026amp;dat\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest film that breaks down stereotypes - Breaking Down Barriers International Film Festival, Moscow Russia 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Doc - Seattle Deaf Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Transcreen Film Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - TIDFAF 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Reel Out 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Rainbow Reels 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Focus Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Portland Oregon Women's Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Northwest Filmmakers Festival 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Melbourne Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Seattle Deaf Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Maine Deaf Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Ashland Independent Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Miami Gay and Lesbian Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Translations: The Settle Transgender Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - CineDeaf 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - BOSIFest 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Kashish-Mumbai International Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - DeafFest 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Entzaubert 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Out on Screen, Vancouver Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Gender Reel 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - OFF (Other Film Festival) 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Queer Lisboa Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Hamburg International Queer Film Festival 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"border-collapse: collapse; color: #000000;\"\u003e\u003cspan style=\"font-family: Arial; vertical-align: baseline; white-space: pre-wrap;\"\u003e\"Austin Unbound asks audiences to gaze into a normally private journey. I ask myself what kind of gaze is this? What outcome will result from this viewing? Austin takes us on a deeply personal\u003c\/span\u003e\u003cspan style=\"vertical-align: baseline;\"\u003e\u003cspan style=\"font-family: Times;\" face=\"Times\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial; vertical-align: baseline; white-space: pre-wrap;\"\u003ejourney. For that I am grateful.\"\u003c\/span\u003e\u003cspan style=\"vertical-align: baseline;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial; vertical-align: baseline; white-space: pre-wrap;\"\u003e- Ben Bahan, ASL Literature Professor, Gallaudet University\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003eAustin Unbound lets viewers into two little known worlds: Deaf \u0026amp; transgender. Highly likable and accessible, this provocative film employs the Deaf community's collective approach to exchanging and sharing information in an honest and up-front manner to the advantage of anyone interested in, experiencing, or simply curious about the transition process of a young man. - Jamison Green, Author of Becoming a Visible Man\u003cbr\u003e \u003cbr\u003eAustin Unbound offers a rich life story that invites activists and community members alike to consider how understandings of gender, race, and disability profoundly shape lives and identities in the United States - Dr. Susan Burch, Historian, Middlebury College\u003cbr\u003e \u003cbr\u003eDeftly weaving a tale of modern day manhood, Austin Unbound acknowledges society's barriers, but portrays how gender stereotypes are frail and outdated. Watching the film illuminates the misconception that all people always fit neatly into gendered labels and boxes. This film captured my heart, opened my eyes - as well as my mind- and changed my life! - Dr. Jan Humphrey, Professor of Interpreting at University of North Florida\u003cbr\u003e \u003cbr\u003eThe galvanizing story of an exceedingly likeable human being who's made happier as he's able to more fully express all the parts of who he is. See it with your own best pals. - Lindsay Baltus, Bitch Magazine\u003cbr\u003e \u003cbr\u003eAustin is a proud and self-assured man and so obviously a role model, not only to the deaf and transgender communities, but to everyone he encounters. - Michelle da Silva, The Georga Straight\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman, Times, serif\"\u003e\u003cspan style=\"color: #000000;\"\u003e“PPR or PUBLIC PERFORMANCE RIGHTS” means the right for institutions and organizations to privately screen the title in an educational setting, in addition to face-to-face teaching. To hold a larger event or community screening, be in touch with the filmmaker by \u003ca href=\"http:\/\/austinunbound.org\/screenings-and-presentations\/\" target=\"_blank\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003eCLICKING HERE\u003c\/a\u003e!\u003c\/span\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e"}