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Nowhere to Hide (Pre-Order)

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{"id":1338494091369,"title":"Nowhere to Hide (Pre-Order)","handle":"nowhere-to-hide","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Zaradasht Ahmed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSHIPS OCT 22nd, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eArabic with English subtitles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English closed captions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eMiddle Eastern Studies, Immigrant and Refugee Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/190076830\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThis is a story of a man struggling for survival in Iraq...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e...where war has become the norm. The enemy is invisible, and neither women nor children have a safe hideout. Our protagonist, 36-year-old Nori Sharif, is husband, father of four children, and a male nurse. He becomes a videographer, documenting life over several years in one of Iraq’s most dangerous provinces: Diyala.\u003c\/p\u003e\n\u003cp\u003eBy following Nori we take part in his daily life. We are with him as another war erupts after the American retreat in 2011; a new war without fronts, uniforms or common rules. Without choosing sides, Nori records destruction as well as hope from this war zone. But it is the beginning of the end. The film stretches over a period of five years, beginning with the hope of a better future, to witnessing the growth of ISIS (the Islamic State), and eventually the fall of Nori’s home town. As Nori keeps filming throughout this period of time, he begins to turn the camera on himself.\u003c\/p\u003e\n\u003cp\u003eNori’s narrative represents persistence, hope and faith. But, in this new reality of being squeezed between two giant forces – ISIS on one side and the Iraqi militias on the other, is it possible to remain impartial and keep his family intact? Will he and his family survive, and be able to rebuild the country and the oasis that lies hidden behind the smoke and rubble?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBackground on the Issue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"av-special-heading av-special-heading-h1 custom-color-heading blockquote modern-quote avia-builder-el-39 el_before_av_one_half avia-builder-el-first \"\u003e\n\u003cdiv class=\"av-subheading av-subheading_below av_custom_color \"\u003e\n\u003cp\u003eFifteen years after the US-led invasion of Iraq the country continues to dominate the headlines with stories of sectarian violence, bombings, kidnappings, corruption and dire poverty, human displacement and a massive refugee crisis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding first avia-builder-el-40 el_after_av_heading el_before_av_one_half \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eInstitutions and infrastructures are breaking down, and the de-stabilization of the region continues to reach new areas. The country has become a breeding ground for new and diverging religious, ethnic and political conflicts that also spreads far beyond the Arabian Peninsula. A lot of land is now in the Islamic state’s (IS) hands; a seemingly undefined army of international jihadist, mercenaries, ex-military and clans that don’t seem to have any greater common long-term strategy than power and influence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eDuring the first years after the US invasion a war pattern was obvious: that being between the occupier and the opposition forces. But in 2006-8 there was a change in character; ethnic sectarianism flared up and the violence became increasingly unpredictable and random. Families, tribes and communities were divided, and it became difficult to distinguish friend from foe. How can one give a truthful picture of this state of war when the areas are forbidden “no-go”-zones, and the survivors are without a voice? By training and directing Nori Sharif to film his surrounding, this has become a possibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAwards \u0026amp; Festivals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003e17 prestigious awards to date\u003c\/b\u003e (in order of receipt)...\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e  \u003cbr\u003eBest Feature Length Documentary – IDFA (top prize)\u003cbr\u003eAudience Award, International Selection - Thessaloniki International Film Festival 2017\u003cbr\u003eBest Film Award, International Competition - One World Film Festival 2017 (largest human rights film festival in the world)\u003cbr\u003eBest Feature Length Documentary - Dokfilm, Norway 2017\u003cbr\u003eBest Film Main Competition - Dok.international, DokFest Münich 2017\u003cbr\u003eSpecial Jury Award - Nordic\/Docs 2017\u003cbr\u003eBest Documentary - Berkshire International Film Festival 2017\u003cbr\u003eNestor Almendros Award for courage in filmmaking + Opening Night Film - Human Rights Watch Film Festival 2017\u003cbr\u003eSpecial Founders Prize For Citizen Journalism - Traverse City Film Festival\u003cbr\u003eAmanda Award – Best Documentary (equivalent to Oscar in Norway)\u003cbr\u003eEurope Orient Documentary Film Festival 2017 – Best Director Zaradasht Ahmed\u003cbr\u003eAudience Award - Twin Cities Arab Film Festival 2017\u003cbr\u003eBest Documentary – Bergen International Film Festival 2017\u003cbr\u003eSMart Award - Festival des Libertés, Belgium 2017 \u003cbr\u003eAudience Award - 44th Internationales Filmwochenende in Würzburg, Germany 2018\u003cbr\u003eBest Feature Documentary - 2018 Social Impact Media Awards\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJury Award - 2018 Bellingham Human Rights Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\"★★★★ = Masterpiece - “Nowhere to Hide’ gives a gift: Making Iraq under the Islamic State no longer a faraway crisis.” - \u003cmeta charset=\"utf-8\"\u003eThe Washington Post, Chief Film Critic Ann Hornaday\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Nowhere to Hide is the most essential documentary of the year.\" - \u003cmeta charset=\"utf-8\"\u003eChicago Reader\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“\u003cmeta charset=\"utf-8\"\u003e★★★★ = Masterpiece - Nowhere to Hide” makes it not just impossible, but unconscionable, to turn away.” - \u003cmeta charset=\"utf-8\"\u003eChicago Tribune \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Bracing doc ‘Nowhere to Hide’ puts you on the ground and on the run in war-torn Iraq... potently immersive… a deeply personal perspective of the volatility in Iraq over the years following the 2011 pullout of American troops. Rather than taking a more traditional documentary-filmmaking \u003cwbr\u003e\u003c\/wbr\u003eapproach, Kurdish Norwegian director Zaradasht Ahmed shrewdly chose to hand his camera over to Sharif, a soulful, eloquent father of four whose firsthand interactions provide an affecting portrait of ordinary civilians caught in an endless crossfire between Islamic State and Shiite and Kurdish factions… offers an uneasy prognosis that is at once graphically gut-wrenching and doggedly life-affirming.” - \u003cmeta charset=\"utf-8\"\u003eLos Angeles Times\u003cbr\u003e\u003cbr\u003e“Raw immediacy that’s both appropriate and involving…gripping portrait…buoyed by Mr. Sharif’s cheery personality” - \u003cmeta charset=\"utf-8\"\u003eThe New York Times - CRITICS' PICK!  \u003cbr\u003e\u003cbr\u003e“Some great documentaries cut through the inessentials and help you make sense of an apparently senseless world. Others have the opposite effect: They shock you into an even greater confoundment, demonstrating, moment by moment, how irrational the world really is. Nowhere to Hide is in the latter camp. It’s an “experiential” doc, a first-person view of the disintegration of Iraq as it happens…very beautiful guitar soundtrack… No one can make sense of what is happening to this and other families. But they must film it.” – David Edelstein, \u003cmeta charset=\"utf-8\"\u003eNew York Magazine \/ Vulture \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Director\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003eDirector and Photographer Zaradasht Ahmed is a Kurdish\/Norwegian Filmmaker. He was born and raised in Northern Iraq. His previous work includes the award-winning “Road to Diyarbakir” and “Fata Morgana”. His latest film “Nowhere to Hide” has won several prestigious international prizes including Best Feature Length Documentary at IDFA (2016), Best Documentary at the One World Human Rights Festival (2017), the Audience Award at Thessaloniki Film Festival (2017), the Nestor Almendros Prize for courage in filmmaking at the Human Rights Watch FF (New York 2017), the Citizen Journalists prize from Traverse City FF (2017), and the Norwegian AMANDA for Best Documentary (2017). Zaradasht has many years of experience working with documentary filmmaking in the Middle East, North-Africa, and Asian regions, as well as experience training locals in documentation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-13T12:27:36-07:00","created_at":"2018-09-12T14:36:44-07:00","vendor":"Kathlyn Horan","type":"DVD","tags":[],"price":15000,"price_min":15000,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12626527879273,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"NTH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Nowhere to Hide (Pre-Order) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-60,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12626527912041,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"NTH-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Nowhere to Hide (Pre-Order) - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":15000,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12626527977577,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"NTH-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nowhere to Hide (Pre-Order) - DVD + DSL (W\/ PPR)","public_title":"DVD + DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":49500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12626528010345,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"NTH-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nowhere to Hide (Pre-Order) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-09-13_at_12.34.27_PM.png?v=1536867297"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-09-13_at_12.34.27_PM.png?v=1536867297","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Zaradasht Ahmed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSHIPS OCT 22nd, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eArabic with English subtitles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English closed captions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eMiddle Eastern Studies, Immigrant and Refugee Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/190076830\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThis is a story of a man struggling for survival in Iraq...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e...where war has become the norm. The enemy is invisible, and neither women nor children have a safe hideout. Our protagonist, 36-year-old Nori Sharif, is husband, father of four children, and a male nurse. He becomes a videographer, documenting life over several years in one of Iraq’s most dangerous provinces: Diyala.\u003c\/p\u003e\n\u003cp\u003eBy following Nori we take part in his daily life. We are with him as another war erupts after the American retreat in 2011; a new war without fronts, uniforms or common rules. Without choosing sides, Nori records destruction as well as hope from this war zone. But it is the beginning of the end. The film stretches over a period of five years, beginning with the hope of a better future, to witnessing the growth of ISIS (the Islamic State), and eventually the fall of Nori’s home town. As Nori keeps filming throughout this period of time, he begins to turn the camera on himself.\u003c\/p\u003e\n\u003cp\u003eNori’s narrative represents persistence, hope and faith. But, in this new reality of being squeezed between two giant forces – ISIS on one side and the Iraqi militias on the other, is it possible to remain impartial and keep his family intact? Will he and his family survive, and be able to rebuild the country and the oasis that lies hidden behind the smoke and rubble?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBackground on the Issue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"av-special-heading av-special-heading-h1 custom-color-heading blockquote modern-quote avia-builder-el-39 el_before_av_one_half avia-builder-el-first \"\u003e\n\u003cdiv class=\"av-subheading av-subheading_below av_custom_color \"\u003e\n\u003cp\u003eFifteen years after the US-led invasion of Iraq the country continues to dominate the headlines with stories of sectarian violence, bombings, kidnappings, corruption and dire poverty, human displacement and a massive refugee crisis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding first avia-builder-el-40 el_after_av_heading el_before_av_one_half \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eInstitutions and infrastructures are breaking down, and the de-stabilization of the region continues to reach new areas. The country has become a breeding ground for new and diverging religious, ethnic and political conflicts that also spreads far beyond the Arabian Peninsula. A lot of land is now in the Islamic state’s (IS) hands; a seemingly undefined army of international jihadist, mercenaries, ex-military and clans that don’t seem to have any greater common long-term strategy than power and influence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eDuring the first years after the US invasion a war pattern was obvious: that being between the occupier and the opposition forces. But in 2006-8 there was a change in character; ethnic sectarianism flared up and the violence became increasingly unpredictable and random. Families, tribes and communities were divided, and it became difficult to distinguish friend from foe. How can one give a truthful picture of this state of war when the areas are forbidden “no-go”-zones, and the survivors are without a voice? By training and directing Nori Sharif to film his surrounding, this has become a possibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAwards \u0026amp; Festivals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003e17 prestigious awards to date\u003c\/b\u003e (in order of receipt)...\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e  \u003cbr\u003eBest Feature Length Documentary – IDFA (top prize)\u003cbr\u003eAudience Award, International Selection - Thessaloniki International Film Festival 2017\u003cbr\u003eBest Film Award, International Competition - One World Film Festival 2017 (largest human rights film festival in the world)\u003cbr\u003eBest Feature Length Documentary - Dokfilm, Norway 2017\u003cbr\u003eBest Film Main Competition - Dok.international, DokFest Münich 2017\u003cbr\u003eSpecial Jury Award - Nordic\/Docs 2017\u003cbr\u003eBest Documentary - Berkshire International Film Festival 2017\u003cbr\u003eNestor Almendros Award for courage in filmmaking + Opening Night Film - Human Rights Watch Film Festival 2017\u003cbr\u003eSpecial Founders Prize For Citizen Journalism - Traverse City Film Festival\u003cbr\u003eAmanda Award – Best Documentary (equivalent to Oscar in Norway)\u003cbr\u003eEurope Orient Documentary Film Festival 2017 – Best Director Zaradasht Ahmed\u003cbr\u003eAudience Award - Twin Cities Arab Film Festival 2017\u003cbr\u003eBest Documentary – Bergen International Film Festival 2017\u003cbr\u003eSMart Award - Festival des Libertés, Belgium 2017 \u003cbr\u003eAudience Award - 44th Internationales Filmwochenende in Würzburg, Germany 2018\u003cbr\u003eBest Feature Documentary - 2018 Social Impact Media Awards\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJury Award - 2018 Bellingham Human Rights Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\"★★★★ = Masterpiece - “Nowhere to Hide’ gives a gift: Making Iraq under the Islamic State no longer a faraway crisis.” - \u003cmeta charset=\"utf-8\"\u003eThe Washington Post, Chief Film Critic Ann Hornaday\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Nowhere to Hide is the most essential documentary of the year.\" - \u003cmeta charset=\"utf-8\"\u003eChicago Reader\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“\u003cmeta charset=\"utf-8\"\u003e★★★★ = Masterpiece - Nowhere to Hide” makes it not just impossible, but unconscionable, to turn away.” - \u003cmeta charset=\"utf-8\"\u003eChicago Tribune \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Bracing doc ‘Nowhere to Hide’ puts you on the ground and on the run in war-torn Iraq... potently immersive… a deeply personal perspective of the volatility in Iraq over the years following the 2011 pullout of American troops. Rather than taking a more traditional documentary-filmmaking \u003cwbr\u003e\u003c\/wbr\u003eapproach, Kurdish Norwegian director Zaradasht Ahmed shrewdly chose to hand his camera over to Sharif, a soulful, eloquent father of four whose firsthand interactions provide an affecting portrait of ordinary civilians caught in an endless crossfire between Islamic State and Shiite and Kurdish factions… offers an uneasy prognosis that is at once graphically gut-wrenching and doggedly life-affirming.” - \u003cmeta charset=\"utf-8\"\u003eLos Angeles Times\u003cbr\u003e\u003cbr\u003e“Raw immediacy that’s both appropriate and involving…gripping portrait…buoyed by Mr. Sharif’s cheery personality” - \u003cmeta charset=\"utf-8\"\u003eThe New York Times - CRITICS' PICK!  \u003cbr\u003e\u003cbr\u003e“Some great documentaries cut through the inessentials and help you make sense of an apparently senseless world. Others have the opposite effect: They shock you into an even greater confoundment, demonstrating, moment by moment, how irrational the world really is. Nowhere to Hide is in the latter camp. It’s an “experiential” doc, a first-person view of the disintegration of Iraq as it happens…very beautiful guitar soundtrack… No one can make sense of what is happening to this and other families. But they must film it.” – David Edelstein, \u003cmeta charset=\"utf-8\"\u003eNew York Magazine \/ Vulture \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Director\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003eDirector and Photographer Zaradasht Ahmed is a Kurdish\/Norwegian Filmmaker. He was born and raised in Northern Iraq. His previous work includes the award-winning “Road to Diyarbakir” and “Fata Morgana”. His latest film “Nowhere to Hide” has won several prestigious international prizes including Best Feature Length Documentary at IDFA (2016), Best Documentary at the One World Human Rights Festival (2017), the Audience Award at Thessaloniki Film Festival (2017), the Nestor Almendros Prize for courage in filmmaking at the Human Rights Watch FF (New York 2017), the Citizen Journalists prize from Traverse City FF (2017), and the Norwegian AMANDA for Best Documentary (2017). Zaradasht has many years of experience working with documentary filmmaking in the Middle East, North-Africa, and Asian regions, as well as experience training locals in documentation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Nowhere to Hide (Pre-Order)

Nowhere to Hide (Pre-Order)

$350.00

Directed by: Zaradasht Ahmed Released: 2018 (educational) Year of Production: 2016 SHIPS OCT 22nd, 2018 Running Time: 86 min Format: NTSC DVD Language: Arabic with English subtitles Includes English closed captions Subjects: Middle Eastern Studies, Immigrant and Refugee Studies      Synopsis This is a story of a man struggling for s...


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{"id":1325239173225,"title":"Killing For Love (Pre-Order)","handle":"killing-for-love","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marcus Vetter \u0026amp; Karin Steinberger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSHIPS IN NOVEMBER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e130 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eLaw, Criminal Justice, Film Studies, TV\/Cultural Studies,\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation...\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/244775312\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/244775312?color=d50808\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the film\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eObsessed young lovers, obscene murders, a sensational trial, and a shocking miscarriage of justice. KILLING FOR LOVE is a riveting dissection of the \u003c\/span\u003e\u003cspan\u003eprosecution’s case, the courtroom battle played out on television, and the disturbing aftermath. Convicted of brutally murdering his girlfriend’s parents, \u003c\/span\u003e\u003cspan\u003eserving two life sentences, Jens Soering has been in prison for 32 years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThe film reveals for the first time the mounting evidence of his innocence: the \u003c\/span\u003e\u003cspan\u003eFBI profile of the killer withheld from the jury, the bloody footprint and unidentified fingerprints pointing to other perpetrators, and the new exculpatory \u003c\/span\u003e\u003cspan\u003eDNA analysis. Highly cinematic in the way of The Staircase, as suspenseful as Serial, and as confounding as Making of a Murderer, KILLING FOR LOVE \u003c\/span\u003e\u003cspan\u003edelivers a powerful story that is indeed, stranger than fiction. \u003c\/span\u003e\u003cspan\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation. The Haysoms were wealthy, respected members \u003c\/span\u003e\u003cspan\u003eof Virginia society, and the murder conviction of their daughter Elizabeth and her German boyfriend Jens Soering sent shock-waves through the rural \u003c\/span\u003e\u003cspan\u003ecommunity of Bedford County. Elizabeth and Jens had met in a university program for high achieving students. She was a product of European boarding \u003c\/span\u003e\u003cspan\u003eschools, he was the son of a diplomat. After being arrested in London, England, for passing bad checks in 1986, they were both extradited to the United \u003c\/span\u003e\u003cspan\u003eStates. This beautifully crafted film reveals a mismanaged judicial process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThis was the first criminal trial of its kind held in front of TV cameras — and was the first such high profile, international case tried in a small town. \u003c\/span\u003e\u003cspan\u003ePhotgraphic evidence that points to sexual abuse, the presiding judge’s friendship with the victims, a missing FBI profile, a bloody car with a knife under \u003c\/span\u003e\u003cspan\u003ethe seat — all point to a very different story, one that is revealed in the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eInvestigations over the past several years have turned up stunning evidence that was previously suppressed or deemed inadmissible. New forensic \u003c\/span\u003e\u003cspan\u003etechniques have disproven evidence that was key to Jens Soering’s original conviction. Soering was previously denied parole 12 times, his 13th hearing \u003c\/span\u003e\u003cspan\u003etook place in October 2017. That hearing was attended by former German president Christian Wulff and German ambassador Peter Wittig who spoke of \u003c\/span\u003e\u003cspan\u003etheir belief in Soering’s innocence and commitment to his repatriation. The parole board’s decision has not yet been announced.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAwards \u0026amp; Selected Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e100% rating on Rotten Tomatoes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eU.S. Theatrical Release \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eIDFA (International Documentary Film Festival of Amsterdam) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDoc NYC\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDenver Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eVirginia Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDocAviv\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Gruesome, but utterly gripping... masterful documentary\" \u003cem\u003e- The Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A gripping murder mystery about the fated coupling of a pair of calculating romantics too smart for their own good, and the limits of the American justice system.\"\u003cem\u003e - The Los Angeles Times\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"An important movie that should lead to justice\"\u003cem\u003e\u003ci\u003e - Munich Merkur\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003ci\u003e\"A compelling documentary reveals that the story of the 1985 murder of Derek and Nancy Haysom is as perplexing as ever. ...Anyone who has binged on Making a Murderer, Serial or even Truman Capote’s In Cold Blood (the original true-crime “non-fiction novel”) will know the cocktail of emotions this increasingly popular and morally dubious genre induces: obsessive fascination, horror, cynicism and loss of faith in the justice system. I, for one, am getting sick of the bitter aftertaste.\" - The Guardian\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A shocking story of love and betrayal\"\u003ci\u003e \u003cem\u003e- taz\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"At the end of it all – and watching it and the old trial footage was like being a juror at some kind of retrial – the best conclusion was the pragmatic one reached by the Governor of Virginia Tim Kaine in 2010, which was that Soering had already served a conventionally long sentence and was no danger to the public and could be safely packed off to Germany.\"\u003ci\u003e - \u003c\/i\u003e\u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Featuring compelling real-life figures who practically invite casting guesses for the inevitable Hollywood dramatization, Killing for Love should easily satisfy viewers...\" \u003cem\u003e\u003ci\u003e- \u003c\/i\u003e\u003ci\u003eThe Hollywood Reporter\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"An extraordinary filmic work\"\u003cem\u003e\u003ci\u003e - SWR Kunscht\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-18T10:22:43-07:00","created_at":"2018-08-09T13:59:01-07:00","vendor":"Kathlyn Horan","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12542683742313,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"KFL-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Killing For Love (Pre-Order) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-60,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12542683775081,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"KFL-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Killing For Love (Pre-Order) - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12542683807849,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"KFL-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Killing For Love (Pre-Order) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-13,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12542683840617,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"KFL-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Killing For Love (Pre-Order) - DVD + DSL (W\/ 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charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marcus Vetter \u0026amp; Karin Steinberger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSHIPS IN NOVEMBER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e130 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eLaw, Criminal Justice, Film Studies, TV\/Cultural Studies,\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation...\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/244775312\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/244775312?color=d50808\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the film\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eObsessed young lovers, obscene murders, a sensational trial, and a shocking miscarriage of justice. KILLING FOR LOVE is a riveting dissection of the \u003c\/span\u003e\u003cspan\u003eprosecution’s case, the courtroom battle played out on television, and the disturbing aftermath. Convicted of brutally murdering his girlfriend’s parents, \u003c\/span\u003e\u003cspan\u003eserving two life sentences, Jens Soering has been in prison for 32 years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThe film reveals for the first time the mounting evidence of his innocence: the \u003c\/span\u003e\u003cspan\u003eFBI profile of the killer withheld from the jury, the bloody footprint and unidentified fingerprints pointing to other perpetrators, and the new exculpatory \u003c\/span\u003e\u003cspan\u003eDNA analysis. Highly cinematic in the way of The Staircase, as suspenseful as Serial, and as confounding as Making of a Murderer, KILLING FOR LOVE \u003c\/span\u003e\u003cspan\u003edelivers a powerful story that is indeed, stranger than fiction. \u003c\/span\u003e\u003cspan\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation. The Haysoms were wealthy, respected members \u003c\/span\u003e\u003cspan\u003eof Virginia society, and the murder conviction of their daughter Elizabeth and her German boyfriend Jens Soering sent shock-waves through the rural \u003c\/span\u003e\u003cspan\u003ecommunity of Bedford County. Elizabeth and Jens had met in a university program for high achieving students. She was a product of European boarding \u003c\/span\u003e\u003cspan\u003eschools, he was the son of a diplomat. After being arrested in London, England, for passing bad checks in 1986, they were both extradited to the United \u003c\/span\u003e\u003cspan\u003eStates. This beautifully crafted film reveals a mismanaged judicial process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThis was the first criminal trial of its kind held in front of TV cameras — and was the first such high profile, international case tried in a small town. \u003c\/span\u003e\u003cspan\u003ePhotgraphic evidence that points to sexual abuse, the presiding judge’s friendship with the victims, a missing FBI profile, a bloody car with a knife under \u003c\/span\u003e\u003cspan\u003ethe seat — all point to a very different story, one that is revealed in the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eInvestigations over the past several years have turned up stunning evidence that was previously suppressed or deemed inadmissible. New forensic \u003c\/span\u003e\u003cspan\u003etechniques have disproven evidence that was key to Jens Soering’s original conviction. Soering was previously denied parole 12 times, his 13th hearing \u003c\/span\u003e\u003cspan\u003etook place in October 2017. That hearing was attended by former German president Christian Wulff and German ambassador Peter Wittig who spoke of \u003c\/span\u003e\u003cspan\u003etheir belief in Soering’s innocence and commitment to his repatriation. The parole board’s decision has not yet been announced.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAwards \u0026amp; Selected Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e100% rating on Rotten Tomatoes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eU.S. Theatrical Release \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eIDFA (International Documentary Film Festival of Amsterdam) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDoc NYC\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDenver Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eVirginia Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDocAviv\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Gruesome, but utterly gripping... masterful documentary\" \u003cem\u003e- The Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A gripping murder mystery about the fated coupling of a pair of calculating romantics too smart for their own good, and the limits of the American justice system.\"\u003cem\u003e - The Los Angeles Times\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"An important movie that should lead to justice\"\u003cem\u003e\u003ci\u003e - Munich Merkur\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003ci\u003e\"A compelling documentary reveals that the story of the 1985 murder of Derek and Nancy Haysom is as perplexing as ever. ...Anyone who has binged on Making a Murderer, Serial or even Truman Capote’s In Cold Blood (the original true-crime “non-fiction novel”) will know the cocktail of emotions this increasingly popular and morally dubious genre induces: obsessive fascination, horror, cynicism and loss of faith in the justice system. I, for one, am getting sick of the bitter aftertaste.\" - The Guardian\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A shocking story of love and betrayal\"\u003ci\u003e \u003cem\u003e- taz\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"At the end of it all – and watching it and the old trial footage was like being a juror at some kind of retrial – the best conclusion was the pragmatic one reached by the Governor of Virginia Tim Kaine in 2010, which was that Soering had already served a conventionally long sentence and was no danger to the public and could be safely packed off to Germany.\"\u003ci\u003e - \u003c\/i\u003e\u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Featuring compelling real-life figures who practically invite casting guesses for the inevitable Hollywood dramatization, Killing for Love should easily satisfy viewers...\" \u003cem\u003e\u003ci\u003e- \u003c\/i\u003e\u003ci\u003eThe Hollywood Reporter\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"An extraordinary filmic work\"\u003cem\u003e\u003ci\u003e - SWR Kunscht\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Killing For Love (Pre-Order)

Killing For Love (Pre-Order)

$350.00

Directed by: Marcus Vetter & Karin Steinberger Released: 2018 (educational) Year of Production: 2016 SHIPS IN NOVEMBER   Running Time: 130 min Format: NTSC DVD Language: English Accessibility: Includes English closed captions Subjects: Law, Criminal Justice, Film Studies, TV/Cultural Studies,    The gruesome murders of Nancy an...


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Jackson

DVD

From $95.00
{"id":644349001755,"title":"Jackson","handle":"jackson","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VL_Best_Docs_Seal_2017_large.jpg?v=1513877870\" alt=\"\" width=\"224\" height=\"170\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Maisie Crow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Women's Studies, Sociology, Gender \u0026amp; Sexuality Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eChildren, Youth \u0026amp; Families, Religion \u0026amp; Spirituality Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eWinner of 13 Film Festival Awards \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003eEasily one of the year's strongest documentaries...”\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e- Criterion Cast\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/215365585\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAbortion remains legal in the United States, but anti-abortion efforts have succeeded in making it virtually inaccessible in some places, and in the Deep South, often unthinkable. At one time Mississippi had fourteen abortion clinics. Now only one remains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSince the passage of Roe v. Wade more than four decades ago, the self-labeled “pro-life” movement has won significant cultural, political and legal battles. Now, the stigma of abortion is prolific in Mississippi and women in poverty and women of color are particularly vulnerable. Jackson is wrought with the racial and religious undertones of the Deep South and explores the nuanced nature of abortion in America’s Bible Belt. Shannon Brewer is the director of Jackson Women’s Health Organization, the only remaining abortion clinic in the state. Barbara Beaver runs the Center for Pregnancy Choices and is a leader of the anti-abortion movement in Mississippi. April Jackson is a young mother of four children faced with another unplanned pregnancy. Jackson is an intimate, unprecedented look at the lives of three women caught up in the complex issues surrounding abortion access. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSet against the backdrop of the fight to close the last abortion clinic in Mississippi, \u003ci\u003eJackson\u003c\/i\u003e captures the essential and hard truth of the lives at the center of the debate over reproductive healthcare in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFestival Awards \u0026amp; Selections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - HOT SPRINGS DOCUMENTARY FILM FESTIVAL, Jury Award for Best Documentary\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - INDIE MEMPHIS, Jury Award for Best Documentary \u0026amp; Audience Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - LOFT FILM FESTIVAL, CICAE Art Cinema Award\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - NEWBURYPORT FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - NEW ORLEANS FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - OJAI FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - PORTLAND FILM FESTIVAL, Jury Award for Best Documentary \u0026amp; Audience Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - SOCIAL JUSTICE FILM FESTIVAL, Gold Jury Prize for Feature Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - TALLGRASS FILM FESTIVAL, Outstanding Courage in Filmmaking\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - SOCIAL IMPACT MEDIA AWARDS, Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - MONMOUTH FILM FESTIVAL, Best Documentary Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER, DENTON BLACK FILM FESTIVAL, Best Documentary Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER, SAN SEBASTIAN HUMAN RIGHTS FESTIVAL, Amnesty International Prize for Best Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHONORABLE MENTION - SIDEWALK FILM FESTIVAL, Jury Award for Best Documentary\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Los Angeles Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Human Rights Watch Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Big Sky Documentary Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003eAn alarming documentary on a perennial hot-button issue, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Easily one of the year's strongest documentaries...”\u003cem\u003e - Criterion Cast\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Following three very different women positioned at the ideological crossroads of Mississippi’s last remaining abortion clinic, Maisie Crow’s film represents a strong and scrupulously even-handed addition to the annals of documentaries on this most divisive of subjects, including “12th \u0026amp; Delaware,” “After Tiller” and the recent “Trapped.” - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In its focus on that final surviving Mississippi abortion clinic, Maisie Crow's elegant, unsettling Jackson finds issues of class, race, religion, executive power, and women's rights to be tightly interwoven.\" - \u003cem\u003eThe Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A grim warning of what restrictive abortion legislation across the U.S. actually looks like.”\u003cem\u003e - The Huffington Post\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Jackson allows all sides in the abortion issue to have their say to illuminate the issue's truths and lies. The results are sometimes engrossing, sometimes anger-inducing.” \u003cem\u003e- Beyond Chron \u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Crow deftly allows the story to unfold in the words, deeds, and realities of those involved without pushing too hard in one direction. In the end, the viewer is left to draw their own conclusions and work out their own feelings about whether the film chronicles the tale of a victory or a defeat.” \u003cem\u003e- The Lancet Medical Journal\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"This well-crafted film adds to our understanding by humanizing some of the opponents.” - \u003cem\u003eThe Hollywood Reporter \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Jackson is not only one of the best documentaries to premiere at this year’s L.A. Film Festival, it’s sure to be one of the best of the year, period.” - \u003cem\u003ePatheos \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\"It seems every festival year we get an \"important\" work of art, something that cuts through the rhetoric, and Jackson shows all signs of being very important.\" - \u003cem\u003eLA Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-02-20T12:26:39-08:00","created_at":"2018-02-20T10:12:16-08:00","vendor":"Maisie Crow","type":"DVD","tags":[],"price":9500,"price_min":9500,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6325358919707,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"JAC-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Jackson - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with 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PPR)","option2":null,"option3":null,"sku":"JAC-DD","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Jackson - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":49500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/keyart_verticalwtitle_nobilling.jpg?v=1519153896","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/jackson_film_images_008.JPG?v=1519153896","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/jackson_film_images_006.jpg?v=1519153896","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/jackson_film_images_004.JPG?v=1519153896","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/jackson_film_images_002.JPG?v=1519153896"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/keyart_verticalwtitle_nobilling.jpg?v=1519153896","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VL_Best_Docs_Seal_2017_large.jpg?v=1513877870\" alt=\"\" width=\"224\" height=\"170\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Maisie Crow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Women's Studies, Sociology, Gender \u0026amp; Sexuality Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eChildren, Youth \u0026amp; Families, Religion \u0026amp; Spirituality Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eWinner of 13 Film Festival Awards \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003eEasily one of the year's strongest documentaries...”\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e- Criterion Cast\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/215365585\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAbortion remains legal in the United States, but anti-abortion efforts have succeeded in making it virtually inaccessible in some places, and in the Deep South, often unthinkable. At one time Mississippi had fourteen abortion clinics. Now only one remains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSince the passage of Roe v. Wade more than four decades ago, the self-labeled “pro-life” movement has won significant cultural, political and legal battles. Now, the stigma of abortion is prolific in Mississippi and women in poverty and women of color are particularly vulnerable. Jackson is wrought with the racial and religious undertones of the Deep South and explores the nuanced nature of abortion in America’s Bible Belt. Shannon Brewer is the director of Jackson Women’s Health Organization, the only remaining abortion clinic in the state. Barbara Beaver runs the Center for Pregnancy Choices and is a leader of the anti-abortion movement in Mississippi. April Jackson is a young mother of four children faced with another unplanned pregnancy. Jackson is an intimate, unprecedented look at the lives of three women caught up in the complex issues surrounding abortion access. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSet against the backdrop of the fight to close the last abortion clinic in Mississippi, \u003ci\u003eJackson\u003c\/i\u003e captures the essential and hard truth of the lives at the center of the debate over reproductive healthcare in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFestival Awards \u0026amp; Selections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - HOT SPRINGS DOCUMENTARY FILM FESTIVAL, Jury Award for Best Documentary\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - INDIE MEMPHIS, Jury Award for Best Documentary \u0026amp; Audience Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - LOFT FILM FESTIVAL, CICAE Art Cinema Award\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - NEWBURYPORT FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - NEW ORLEANS FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - OJAI FILM FESTIVAL, Jury Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - PORTLAND FILM FESTIVAL, Jury Award for Best Documentary \u0026amp; Audience Award for Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - SOCIAL JUSTICE FILM FESTIVAL, Gold Jury Prize for Feature Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - TALLGRASS FILM FESTIVAL, Outstanding Courage in Filmmaking\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - SOCIAL IMPACT MEDIA AWARDS, Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER - MONMOUTH FILM FESTIVAL, Best Documentary Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER, DENTON BLACK FILM FESTIVAL, Best Documentary Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWINNER, SAN SEBASTIAN HUMAN RIGHTS FESTIVAL, Amnesty International Prize for Best Feature\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHONORABLE MENTION - SIDEWALK FILM FESTIVAL, Jury Award for Best Documentary\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Los Angeles Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Human Rights Watch Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOFFICIAL SELECTION - Big Sky Documentary Film Festival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"\u003c\/i\u003eAn alarming documentary on a perennial hot-button issue, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Easily one of the year's strongest documentaries...”\u003cem\u003e - Criterion Cast\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Following three very different women positioned at the ideological crossroads of Mississippi’s last remaining abortion clinic, Maisie Crow’s film represents a strong and scrupulously even-handed addition to the annals of documentaries on this most divisive of subjects, including “12th \u0026amp; Delaware,” “After Tiller” and the recent “Trapped.” - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In its focus on that final surviving Mississippi abortion clinic, Maisie Crow's elegant, unsettling Jackson finds issues of class, race, religion, executive power, and women's rights to be tightly interwoven.\" - \u003cem\u003eThe Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“A grim warning of what restrictive abortion legislation across the U.S. actually looks like.”\u003cem\u003e - The Huffington Post\u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Jackson allows all sides in the abortion issue to have their say to illuminate the issue's truths and lies. The results are sometimes engrossing, sometimes anger-inducing.” \u003cem\u003e- Beyond Chron \u2028\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Crow deftly allows the story to unfold in the words, deeds, and realities of those involved without pushing too hard in one direction. In the end, the viewer is left to draw their own conclusions and work out their own feelings about whether the film chronicles the tale of a victory or a defeat.” \u003cem\u003e- The Lancet Medical Journal\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"This well-crafted film adds to our understanding by humanizing some of the opponents.” - \u003cem\u003eThe Hollywood Reporter \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“Jackson is not only one of the best documentaries to premiere at this year’s L.A. Film Festival, it’s sure to be one of the best of the year, period.” - \u003cem\u003ePatheos \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\"It seems every festival year we get an \"important\" work of art, something that cuts through the rhetoric, and Jackson shows all signs of being very important.\" - \u003cem\u003eLA Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Jackson

Jackson

$350.00

  Directed by: Maisie Crow Released: 2018 (educational) Running Time: 93 min. Format: NTSC Language: English, Closed Captioned Subjects: Feminism, Women's Studies, Sociology, Gender & Sexuality Studies,  Children, Youth & Families, Religion & Spirituality Studies Winner of 13 Film Festival Awards "Easily one of the y...


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The Listening Project

DVD

From $50.00
{"id":681386606619,"title":"The Listening Project","handle":"the-listening-project","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/products\/the-listening-project-home-use?variant=6445273350171\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large_88c006a9-057c-4260-ada5-1fa09d8e6f0e_large.png?v=1524173099\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Irene Taylor Brodsky \u0026amp; Jane Madell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e April 2018 (Educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e35 min (and 24 min version included)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eOpen Captioned in English\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003ePeople with Disability\u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003e, \u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003eSociology, Technology\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #0000ff;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #0000ff;\"\u003e\u003ca href=\"https:\/\/www.nytimes.com\/2018\/08\/07\/opinion\/deafness-cochlear-implants.html\" target=\"_blank\" style=\"color: #0000ff;\" rel=\"noopener noreferrer\"\u003eWatch the 11min NY Times Op-Doc based on \"The Listening Project\" by clicking here\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eAre you a corporation interested in screening or licensing \u003cem\u003eThe Listening Project\u003c\/em\u003e? \u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003ePlease click here to inquire about our corporate rates.\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe profound impact of technology on the lives and identities of young deaf adults is explored in \u003ci\u003eThe Listening Project\u003c\/i\u003e.  Fourteen deaf people tell stories beginning with a childhood wide-eyed about sound, into the growing pains of adolescence and, eventually, their professional lives.  Sometimes humorous, always tender, \u003ci\u003eThe Listening Project\u003c\/i\u003e is a timely coming of age story, one we haven’t heard before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Listening Project is\u003c\/em\u003e directed by Academy Award-nominated, Emmy and Peabody Award-winning filmmaker Irene Taylor Brodsky and Jane Madell, Clinical Audiologist and Professor.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/252962848\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eSELECT SCREENINGS \u0026amp; CONFERENCES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Listening Project is just beginning its educational campaign. Early events include...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e• American Cochlear Implant Alliance Emerging Issues Symposium CI2018 DC March 9, 2018 - \u003ca href=\"http:\/\/www.acialliance.org\/page\/CI2018\"\u003ehttp:\/\/www.acialliance.org\/page\/CI2018\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e• Early Hearing Detection and Intervention Annual Meeting 2018 March 18-20 2018, Denver CO - \u003ca href=\"https:\/\/ehdimeeting.org\/\"\u003ehttps:\/\/ehdimeeting.org\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e• AGBell Conference, Scottsdale AZ \u003cem\u003e(Upcoming June 2018)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e• NYMedical Center Screening \u003cem\u003e(Upcoming April 2018)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIrene Taylor Brodsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIrene is an Oscar-nominated, Emmy and Peabody Award-winning filmmaker, most recently nominated for Best Director and Best Documentary with her film \u003cem\u003eBeware the Slenderman \u003c\/em\u003eat the 2017 Critics Choice Awards.  Her other credits include\u003cem\u003e Hear and Now, Open Your Eyes, One Last Hug, Saving Pelican 895, \u003c\/em\u003eand \u003cem\u003eThe Final Inch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJane Madell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDr. Jane Madell is an internationally renowned pediatric audiologist, speech language pathologist, and LSLS auditory verbal therapist. She has published 7 text books, numerous book chapters, and journal articles. She is a former clinic director and now consults nationally and internationally on management of hearing loss in children. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003e–Click Here to host a screening and request a filmmaker talk–\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-03-07T10:55:53-08:00","created_at":"2018-03-07T10:46:25-08:00","vendor":"Irene Brodsky","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6437743656987,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"TLP-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Listening Project - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with 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License","option2":null,"option3":null,"sku":"TLP-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Listening Project - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-09-18_at_10.54.00_AM.png?v=1537293299"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-09-18_at_10.54.00_AM.png?v=1537293299","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/products\/the-listening-project-home-use?variant=6445273350171\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large_88c006a9-057c-4260-ada5-1fa09d8e6f0e_large.png?v=1524173099\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Irene Taylor Brodsky \u0026amp; Jane Madell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e April 2018 (Educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e35 min (and 24 min version included)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eOpen Captioned in English\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003ePeople with Disability\u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003e, \u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003eSociology, Technology\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #0000ff;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #0000ff;\"\u003e\u003ca href=\"https:\/\/www.nytimes.com\/2018\/08\/07\/opinion\/deafness-cochlear-implants.html\" target=\"_blank\" style=\"color: #0000ff;\" rel=\"noopener noreferrer\"\u003eWatch the 11min NY Times Op-Doc based on \"The Listening Project\" by clicking here\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003eAre you a corporation interested in screening or licensing \u003cem\u003eThe Listening Project\u003c\/em\u003e? \u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003ePlease click here to inquire about our corporate rates.\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe profound impact of technology on the lives and identities of young deaf adults is explored in \u003ci\u003eThe Listening Project\u003c\/i\u003e.  Fourteen deaf people tell stories beginning with a childhood wide-eyed about sound, into the growing pains of adolescence and, eventually, their professional lives.  Sometimes humorous, always tender, \u003ci\u003eThe Listening Project\u003c\/i\u003e is a timely coming of age story, one we haven’t heard before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Listening Project is\u003c\/em\u003e directed by Academy Award-nominated, Emmy and Peabody Award-winning filmmaker Irene Taylor Brodsky and Jane Madell, Clinical Audiologist and Professor.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/252962848\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eSELECT SCREENINGS \u0026amp; CONFERENCES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Listening Project is just beginning its educational campaign. Early events include...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e• American Cochlear Implant Alliance Emerging Issues Symposium CI2018 DC March 9, 2018 - \u003ca href=\"http:\/\/www.acialliance.org\/page\/CI2018\"\u003ehttp:\/\/www.acialliance.org\/page\/CI2018\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e• Early Hearing Detection and Intervention Annual Meeting 2018 March 18-20 2018, Denver CO - \u003ca href=\"https:\/\/ehdimeeting.org\/\"\u003ehttps:\/\/ehdimeeting.org\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e• AGBell Conference, Scottsdale AZ \u003cem\u003e(Upcoming June 2018)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e• NYMedical Center Screening \u003cem\u003e(Upcoming April 2018)\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIrene Taylor Brodsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIrene is an Oscar-nominated, Emmy and Peabody Award-winning filmmaker, most recently nominated for Best Director and Best Documentary with her film \u003cem\u003eBeware the Slenderman \u003c\/em\u003eat the 2017 Critics Choice Awards.  Her other credits include\u003cem\u003e Hear and Now, Open Your Eyes, One Last Hug, Saving Pelican 895, \u003c\/em\u003eand \u003cem\u003eThe Final Inch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJane Madell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDr. Jane Madell is an internationally renowned pediatric audiologist, speech language pathologist, and LSLS auditory verbal therapist. She has published 7 text books, numerous book chapters, and journal articles. She is a former clinic director and now consults nationally and internationally on management of hearing loss in children. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003e–Click Here to host a screening and request a filmmaker talk–\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
The Listening Project

The Listening Project

$295.00

Directed by: Irene Taylor Brodsky & Jane Madell Released: April 2018 (Educational) Year of Production: 2018 Running Time: 35 min (and 24 min version included) Format: NTSC DVD Language: English Open Captioned in English Subjects: People with Disability, Sociology, Technology   Watch the 11min NY Times Op-Doc based on "The Listeni...


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Side by Side

DVD

From $125.00
{"id":1341058875497,"title":"Side by Side","handle":"side-by-side","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Christoper Kenneally\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduced by:\u003c\/strong\u003e Keanu Reeves \u0026amp; Justin Szlasa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2011\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 99 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003e includes English Closed Captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFilm Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBonus features\u003c\/strong\u003e include extended interviews with Martin Scorsese (\u003cem\u003eTaxi Driver, Goodfellas\u003c\/em\u003e) and Lena Dunham (\u003cem\u003eGirls, Tiny Furniture).\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\"No true movie junkie is going to want to miss Side by Side\" \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e- Rolling Stone\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290514341?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003cem\u003eSide by Side, \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003eproduced by Keanu Reeves,\u003cem\u003e \u003c\/em\u003eis an in-depth examination of how digital filmmaking is challenging traditional celluloid film as the gold standard in moviemaking. \u003cem\u003eSide by Side\u003c\/em\u003e captures the essence of the film versus digital debate through unprecedented access to influential filmmakers such as James Cameron, David Fincher, George Lucas, David Lynch, Martin Scorsese, Robert Rodriguez, Lana and Andy Wachowski, Steven Soderbergh and many more.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eFor almost one hundred years there was only one way to make a movie. Movies where shot, edited and projected using photochemical film. But over the last two decades a digital process has emerged to challenge photochemical filmmaking. \u003cem\u003eSide by Side\u003c\/em\u003e investigates the history, process and workflow of both digital and photochemical film creation, and how — at least for now — the two forms coexist side by side.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThrough interviews with directors, cinematographers, film students, producers, technologists, editors, and exhibitors, Side by Side examines all aspects of filmmaking - from capture to edit, visual effects to color correction, distribution to archive. The film examines what is gained and what is lost both practically and philosophically in the changeover from film to digital through anecdotes and candid opinions about how the digital revolution is transforming their storytelling tools, techniques\u003cstrong\u003e \u003c\/strong\u003eand democratizing the filmmaking process.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAt this moment when digital and photochemical filmmaking coexist, Side by Side explores what has been gained, what is lost, and what the future might bring.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eInterviews include influential Hollywood Directors:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eLena Dunham\u003c\/div\u003e\n\u003cdiv\u003eJohn Malkovich\u003c\/div\u003e\n\u003cdiv\u003eDanny Boyle\u003c\/div\u003e\n\u003cdiv\u003eGeorge Lucas\u003c\/div\u003e\n\u003cdiv\u003eJames Cameron\u003c\/div\u003e\n\u003cdiv\u003eDavid Fincher\u003c\/div\u003e\n\u003cdiv\u003eDavid Lynch\u003c\/div\u003e\n\u003cdiv\u003eRobert Rodriguez\u003c\/div\u003e\n\u003cdiv\u003eMartin Scorsese\u003c\/div\u003e\n\u003cdiv\u003eSteven Soderbergh\u003c\/div\u003e\n\u003cdiv\u003eThe Wachowskis\u003c\/div\u003e\n\u003cdiv\u003eChristopher Nolan\u003c\/div\u003e\n\u003cdiv\u003eJoel Schumacher\u003c\/div\u003e\n\u003cdiv\u003eRichard Linklater\u003c\/div\u003e\n\u003cdiv\u003eLars von Trier \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNotable Screenings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremiered at the 62nd Berlin International Film Festival\u003c\/li\u003e\n\u003cli\u003eTribeca Film Festival  \u003c\/li\u003e\n\u003cli\u003eU.S. Theatrical Release (92% rating on Rotten Tomatoes)\u003c\/li\u003e\n\u003cli\u003eSydney Film Festival\u003c\/li\u003e\n\u003cli\u003eHong Kong International Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn the Press\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Essential viewing for understanding different sides of one of the most vital current debates in cinema.\"\u003cem\u003e - Film4\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"This exhaustive documentary is one of the best films ever made about the filmmaking process.\"\u003cem\u003e\u003cspan\u003e - The Aristocrat\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A trim, informative 99-minute primer on celluloid film, which to many viewers has a warmth and feel as soothing as buttered popcorn, and the brave new world of digital cinema.\" \u003cem\u003e- Minneapolis Star Tribune\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"It's this simple: If you like movies, you need to see \"Side by Side.\"\u003cem\u003e - Arizona Republic\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"There is great flux in this world, as Side by Side so entertainingly demonstrates, and where it's all headed is both discomforting and exhilarating. Stay tuned.\"\u003cem\u003e - Christian Science Monitor\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Side By Side is a riveting, under-the-hood distillation of 100 years of Hollywood experimentation, innovation and expensive bravery.\"\u003cem\u003e - Birmingham Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"It's sweet and sparkling, as glassfuls of thought are provided by James Cameron, Martin Scorsese, George Lucas, David Lynch, Steven Soderbergh and other champagne cinematic cerebra.\"\u003cem\u003e - Financial Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Always accessible, the doc lays out pros and cons of each medium.\"\u003cem\u003e - Time Out Chicago\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-18T09:25:57-07:00","created_at":"2018-09-17T14:06:32-07:00","vendor":"Justin Szlasa","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12666394509417,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"SBS-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Side by Side - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with 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PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/SBS_Key_Art.png?v=1537218470","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Keanu_and_Martin_Scorsese.jpg?v=1537287531","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Feature_Still_1_High_Res.jpg?v=1537287546","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Feature_Still_6_High_Res.jpg?v=1537287553"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/SBS_Key_Art.png?v=1537218470","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Christoper Kenneally\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduced by:\u003c\/strong\u003e Keanu Reeves \u0026amp; Justin Szlasa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2011\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 99 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003e includes English Closed Captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFilm Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBonus features\u003c\/strong\u003e include extended interviews with Martin Scorsese (\u003cem\u003eTaxi Driver, Goodfellas\u003c\/em\u003e) and Lena Dunham (\u003cem\u003eGirls, Tiny Furniture).\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\"No true movie junkie is going to want to miss Side by Side\" \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e- Rolling Stone\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290514341?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003cem\u003eSide by Side, \u003c\/em\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003eproduced by Keanu Reeves,\u003cem\u003e \u003c\/em\u003eis an in-depth examination of how digital filmmaking is challenging traditional celluloid film as the gold standard in moviemaking. \u003cem\u003eSide by Side\u003c\/em\u003e captures the essence of the film versus digital debate through unprecedented access to influential filmmakers such as James Cameron, David Fincher, George Lucas, David Lynch, Martin Scorsese, Robert Rodriguez, Lana and Andy Wachowski, Steven Soderbergh and many more.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eFor almost one hundred years there was only one way to make a movie. Movies where shot, edited and projected using photochemical film. But over the last two decades a digital process has emerged to challenge photochemical filmmaking. \u003cem\u003eSide by Side\u003c\/em\u003e investigates the history, process and workflow of both digital and photochemical film creation, and how — at least for now — the two forms coexist side by side.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThrough interviews with directors, cinematographers, film students, producers, technologists, editors, and exhibitors, Side by Side examines all aspects of filmmaking - from capture to edit, visual effects to color correction, distribution to archive. The film examines what is gained and what is lost both practically and philosophically in the changeover from film to digital through anecdotes and candid opinions about how the digital revolution is transforming their storytelling tools, techniques\u003cstrong\u003e \u003c\/strong\u003eand democratizing the filmmaking process.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAt this moment when digital and photochemical filmmaking coexist, Side by Side explores what has been gained, what is lost, and what the future might bring.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eInterviews include influential Hollywood Directors:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eLena Dunham\u003c\/div\u003e\n\u003cdiv\u003eJohn Malkovich\u003c\/div\u003e\n\u003cdiv\u003eDanny Boyle\u003c\/div\u003e\n\u003cdiv\u003eGeorge Lucas\u003c\/div\u003e\n\u003cdiv\u003eJames Cameron\u003c\/div\u003e\n\u003cdiv\u003eDavid Fincher\u003c\/div\u003e\n\u003cdiv\u003eDavid Lynch\u003c\/div\u003e\n\u003cdiv\u003eRobert Rodriguez\u003c\/div\u003e\n\u003cdiv\u003eMartin Scorsese\u003c\/div\u003e\n\u003cdiv\u003eSteven Soderbergh\u003c\/div\u003e\n\u003cdiv\u003eThe Wachowskis\u003c\/div\u003e\n\u003cdiv\u003eChristopher Nolan\u003c\/div\u003e\n\u003cdiv\u003eJoel Schumacher\u003c\/div\u003e\n\u003cdiv\u003eRichard Linklater\u003c\/div\u003e\n\u003cdiv\u003eLars von Trier \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNotable Screenings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremiered at the 62nd Berlin International Film Festival\u003c\/li\u003e\n\u003cli\u003eTribeca Film Festival  \u003c\/li\u003e\n\u003cli\u003eU.S. Theatrical Release (92% rating on Rotten Tomatoes)\u003c\/li\u003e\n\u003cli\u003eSydney Film Festival\u003c\/li\u003e\n\u003cli\u003eHong Kong International Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn the Press\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Essential viewing for understanding different sides of one of the most vital current debates in cinema.\"\u003cem\u003e - Film4\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"This exhaustive documentary is one of the best films ever made about the filmmaking process.\"\u003cem\u003e\u003cspan\u003e - The Aristocrat\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A trim, informative 99-minute primer on celluloid film, which to many viewers has a warmth and feel as soothing as buttered popcorn, and the brave new world of digital cinema.\" \u003cem\u003e- Minneapolis Star Tribune\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"It's this simple: If you like movies, you need to see \"Side by Side.\"\u003cem\u003e - Arizona Republic\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"There is great flux in this world, as Side by Side so entertainingly demonstrates, and where it's all headed is both discomforting and exhilarating. Stay tuned.\"\u003cem\u003e - Christian Science Monitor\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Side By Side is a riveting, under-the-hood distillation of 100 years of Hollywood experimentation, innovation and expensive bravery.\"\u003cem\u003e - Birmingham Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"It's sweet and sparkling, as glassfuls of thought are provided by James Cameron, Martin Scorsese, George Lucas, David Lynch, Steven Soderbergh and other champagne cinematic cerebra.\"\u003cem\u003e - Financial Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Always accessible, the doc lays out pros and cons of each medium.\"\u003cem\u003e - Time Out Chicago\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Side by Side

Side by Side

$295.00

Directed by: Christoper Kenneally Produced by: Keanu Reeves & Justin Szlasa Release Date: 2018 (Educational) Year of Production: 2011 Running Time: 99 min Language: English Accessibility: includes English Closed Captions Subjects: Film Studies Bonus features include extended interviews with Martin Scorsese (Taxi Driver, Goodfel...


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The IF Project (Pre-Order)

DVD

From $50.00
{"id":1325002457193,"title":"The IF Project (Pre-Order)","handle":"the-if-project","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Kathlyn Horan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSHIPS by Nov. 1st, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e88 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes closed captions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003eWomen's Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eCriminal Justice, Urban Studies, Socioeconomics,\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/284036188?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn the United States, there are over 6.8 million people in prison, jail, on probation or parole. That is 1 in every 35 adults. Perhaps even more alarming is that women are the fastest growing segment of the incarcerated population, increasing at nearly double the rate of men since 1985.\u003c\/p\u003e\n\u003cp\u003eThe If Project is a feature-length documentary that explores the reasons behind these staggering numbers. The film follows a group of inmates incarcerated in a maximum- security women's prison who are part of a writing workshop co-created by a Seattle police detective and a repeat offender serving a nine-year sentence.\u003c\/p\u003e\n\u003cp\u003eThe writing workshop provides access to an emotional depth and intimacy we are not often afforded with those behind bars. We journey with them as they take a brutally honest look into their past and work to explore, often for the first time, what exactly led them to prison. These stories serve as a launching off point to follow three of the women in the program as they are released, reunited with their families and faced with life on the outside. Most astoundingly, they do all of this with a police officer by their side every step of the way. We watch as a lasting bond is formed and this unlikely partnership between cop and convict unfolds.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAwards \u0026amp; Special Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*Winner* Special Jury Award \u0026amp; Lena Sharpe Persistence of Vision Award - Seattle International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*Winner* Special Jury Commendation - Port Townsend Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*Winner* Audience Choice Award - Gig Harbor Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAmerican Film Showcase Participant (Sponsored by US State Department)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBrooklyn Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIndieMemphis Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Amid a heated national conversation about the militarization of police and the often toxic relationship between cops and civilians, the film could hardly be more timely.\" \u003cem\u003e- The Hollywood Reporter\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Moving\" \u003cem\u003e- Seattle Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"An important piece of media that every American should see as soon as possible.\" \u003cem\u003e- The Huffington Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Filmmaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eKATHLYN HORAN - Director\/Producer\/Writer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eKathlyn Horan has been working as an independent director, producer and photographer for over \u003c\/span\u003e\u003cspan\u003e15 years. Her passion for social justice has led her to use the documentary medium as a way to \u003c\/span\u003e\u003cspan\u003ebring stories to light that elevate awareness, connect communities and ignite discussion. She \u003c\/span\u003e\u003cspan\u003especializes in working in an embedded journalistic capacity with her subjects in order to allow the \u003c\/span\u003e\u003cspan\u003eviewer an intimate journey into often unseen worlds. Her subjects range from some of the nations \u003c\/span\u003e\u003cspan\u003eleading politicians, activists and artists such as Hillary Clinton, Gloria Steinem, Sheryl Crow, and Bill \u003c\/span\u003e\u003cspan\u003eMaher in “A Voice for Choice” to Zen Buddhist monks in different stages of their practice in “What \u003c\/span\u003e\u003cspan\u003eis Zen?” Her most recently completed film, \u003cem\u003eOne Lost Day\u003c\/em\u003e follows Grammy-winning duo Indigo Girls \u003c\/span\u003e\u003cspan\u003eas they head to Nashville to record with a young and untested music producer, Jordan Hamlin. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv 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DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12541156589673,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"TIP-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The IF Project (Pre-Order) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/If_Project_Box_Art.png?v=1533764952","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-08-08_at_3.03.55_PM.png?v=1533765914","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-08-08_at_3.04.05_PM.png?v=1533765917","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-08-08_at_3.04.13_PM.png?v=1533765920"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/If_Project_Box_Art.png?v=1533764952","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Kathlyn Horan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSHIPS by Nov. 1st, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e88 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes closed captions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003eWomen's Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eCriminal Justice, Urban Studies, Socioeconomics,\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/284036188?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn the United States, there are over 6.8 million people in prison, jail, on probation or parole. That is 1 in every 35 adults. Perhaps even more alarming is that women are the fastest growing segment of the incarcerated population, increasing at nearly double the rate of men since 1985.\u003c\/p\u003e\n\u003cp\u003eThe If Project is a feature-length documentary that explores the reasons behind these staggering numbers. The film follows a group of inmates incarcerated in a maximum- security women's prison who are part of a writing workshop co-created by a Seattle police detective and a repeat offender serving a nine-year sentence.\u003c\/p\u003e\n\u003cp\u003eThe writing workshop provides access to an emotional depth and intimacy we are not often afforded with those behind bars. We journey with them as they take a brutally honest look into their past and work to explore, often for the first time, what exactly led them to prison. These stories serve as a launching off point to follow three of the women in the program as they are released, reunited with their families and faced with life on the outside. Most astoundingly, they do all of this with a police officer by their side every step of the way. We watch as a lasting bond is formed and this unlikely partnership between cop and convict unfolds.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAwards \u0026amp; Special Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*Winner* Special Jury Award \u0026amp; Lena Sharpe Persistence of Vision Award - Seattle International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*Winner* Special Jury Commendation - Port Townsend Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e*Winner* Audience Choice Award - Gig Harbor Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAmerican Film Showcase Participant (Sponsored by US State Department)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBrooklyn Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIndieMemphis Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Amid a heated national conversation about the militarization of police and the often toxic relationship between cops and civilians, the film could hardly be more timely.\" \u003cem\u003e- The Hollywood Reporter\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Moving\" \u003cem\u003e- Seattle Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"An important piece of media that every American should see as soon as possible.\" \u003cem\u003e- The Huffington Post\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Filmmaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eKATHLYN HORAN - Director\/Producer\/Writer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eKathlyn Horan has been working as an independent director, producer and photographer for over \u003c\/span\u003e\u003cspan\u003e15 years. Her passion for social justice has led her to use the documentary medium as a way to \u003c\/span\u003e\u003cspan\u003ebring stories to light that elevate awareness, connect communities and ignite discussion. She \u003c\/span\u003e\u003cspan\u003especializes in working in an embedded journalistic capacity with her subjects in order to allow the \u003c\/span\u003e\u003cspan\u003eviewer an intimate journey into often unseen worlds. Her subjects range from some of the nations \u003c\/span\u003e\u003cspan\u003eleading politicians, activists and artists such as Hillary Clinton, Gloria Steinem, Sheryl Crow, and Bill \u003c\/span\u003e\u003cspan\u003eMaher in “A Voice for Choice” to Zen Buddhist monks in different stages of their practice in “What \u003c\/span\u003e\u003cspan\u003eis Zen?” Her most recently completed film, \u003cem\u003eOne Lost Day\u003c\/em\u003e follows Grammy-winning duo Indigo Girls \u003c\/span\u003e\u003cspan\u003eas they head to Nashville to record with a young and untested music producer, Jordan Hamlin. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
The IF Project (Pre-Order)

The IF Project (Pre-Order)

$295.00

Directed by: Kathlyn Horan Released: 2018 (educational) Year of Production: 2017 SHIPS by Nov. 1st, 2018 Running Time: 88 min Format: NTSC DVD Language: English Includes closed captions Subjects: Women's Studies,  Criminal Justice, Urban Studies, Socioeconomics,     Synopsis In the United States, there are over 6.8 million peopl...


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Modified

DVD

From $125.00
{"id":1341057335401,"title":"Modified","handle":"modified","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Aube Giroux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 educational release\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSHIPS Oct. 4th, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; French with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAccessibility: \u003c\/strong\u003eIncludes English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eEnvironmental Studies, Farming \u0026amp; Agriculture, Culinary Studies, Human Rights\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eA Food Lover's Journey into GMOs...\u003c\/strong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290370562?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eAube Giroux (the filmmaker) and her mother embark on a very personal and poignant investigative journey to find out why genetically modified organisms (GMOs) are not labeled on food products in the United States and Canada, despite being labeled in 64 countries around the world. Interweaving the personal and the political, the film is anchored in the filmmaker’s relationship to her mom, a gardener and food activist who battled cancer during the film's production. Their intimate mother-daughter quest for answers, fuelled by a shared love of food, reveals the extent to which the agribusiness industry controls our food policies, making a strong case for a more transparent and sustainable food system. A visual celebration of family legacy and the love of food, cooking, and gardening.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRAVE REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Modified is a very personal, tender, touching tribute to a great mom, and a well-researched, well-written, enlightening and powerful documentary!\" \u003cem\u003e- Chef Jacques Pépin\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Like Agnès Varda in The Gleaners and I, Giroux draws us into encounters with various people directly impacted by these (food) policies, exposing the agribusiness industry's control over our democratic institutions.\" \u003cem\u003e -  Journal Metro\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux strikes a beautiful balance between the personal and political with her debut feature film.\"\u003cem\u003e - The Coast Magazine\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Aube Giroux wanted to make a film about food but instead found herself making a film about democracy.\"\u003cem\u003e - Le Devoir\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"With such a weighty subject as its focus, it is a testament to Giroux’s deft story-telling that “Modified” is so compelling and compassionate, and that it can evoke such a range of emotions. For anyone who cares about what they put in their mouth, where it comes from and how it is produced — and I would like to think that is all of us — this film is a must-see. It is also beautiful beyond words.\" \u003cem\u003e -  Joan Baxter, Medium\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Modified is a love story, exploring the loving bond between a daughter and her mother; between a woman and her garden; a filmmaker and the food she cooks and the small, sustainable farms that produce it. It’s also about the regrettable loss of biodiversity, communities, small farms, and even small towns.\" -  Signe Langford, Harrowsmith Magazine \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAWARDS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e*Winner* Award of Excellence, Rhode Island International Film Festival\u003c\/li\u003e\n\u003cli\u003e*Winner* Audience Choice Award - Lunenberg Doc Fest\u003c\/li\u003e\n\u003cli\u003eAnd 6 more film festival awards...\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSELECTIONS \u0026amp; SCREENINGS\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSanta Barbara International Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival (Ashland, OR)\u003c\/li\u003e\n\u003cli\u003eMaine International Film Festival\u003c\/li\u003e\n\u003cli\u003ePlanet in Focus Film Festival (Toronto)\u003c\/li\u003e\n\u003cli\u003eVermont International Film Festival\u003c\/li\u003e\n\u003cli\u003eSt. Louis International Film Festival\u003c\/li\u003e\n\u003cli\u003eNational Heirloom Expo, Santa Rosa, CA \u003c\/li\u003e\n\u003cli\u003eIowa Independent Film Festival -  Mason City, IA\u003c\/li\u003e\n\u003cli\u003eDOCUTAH - St. George, UT\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eAnd grass-roots screening events around the world...\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2018-09-17_at_2.22.26_PM_large.png?v=1537219393\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAube Giroux,\u003c\/b\u003e \u003cspan class=\"s2\"\u003eDirector | Producer | Editor (left)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003eAube Giroux is an award-winning documentary filmmaker, organic gardener, and food blogger who works on food, agriculture, and sustainability issues. She previously directed two documentaries for the National Film Board of Canada and several independent productions. Her work has been shown on CBC and at international film festivals. Aube is the creator of Kitchen Vignettes, an acclaimed farm-to-table food blog and online cooking show on PBS. The show received the 2012 Saveur Magazine Best Food Blog Award and is a two-time James Beard Award nominee. Aube holds an MFA in Film Production from York University. Modified is her first feature-length documentary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCamelia Frieberg,\u003c\/b\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003eExecutive and Co-Producer (right)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003eCamelia Frieberg is an award-winning film producer, director and a biodynamic farmer. She was the producer of Atom Egoyan's Oscar-nominated “The Sweet Hereafter” and “Exotica” and Jeremy Podeswa's “The Five Senses”. Camelia manages \u003ca href=\"http:\/\/www.watershedfarm.org\/\"\u003e\u003cspan class=\"s3\"\u003eWatershed Farm\u003c\/span\u003e\u003c\/a\u003e, a mixed livestock, vegetable, flower, herb and fruit farm on Nova Scotia's South Shore. She is a board member of USC Canada and proud mother of two.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMORE FROM THE PRESS...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"A love story about cooking and gardening - and the importance of regaining control over where our food comes from.\"\u003cem\u003e - Treehugger\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"A visually beautiful, informative foray into the facts about GMOs, efforts to have them labeled, and how individuals are protecting the choice—and quality—of what they eat. ...a paean to food—from seed to plant to crop, to transforming the harvest into culinary delights, to savoring the delectable creation. It’s mouth-watering, and rekindles appreciation of what nourishes our experience as living beings on a living earth.\" \u003cem\u003e- The Organic and Non-GMO Report\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux shone at the festival's closing gala, receiving the award for best East Coast feature film as well as the Audience Choice award for her film, Modified.\" \u003cem\u003e- Radio-Canada (CBC)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"In addition to the extensive scientific and political research she undertook, the filmmaker presents a moving and universal work.\" \u003cem\u003e- Acadie Nouvelle\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"We chose this film for the award because its auteur-led approach is steeped in candour and authenticity. Because it skillfully interweaves the political and the personal. And because of the urgency of the film's message that citizens must demand transparency from their governments.\" \u003cem\u003e- Lawrence Côté-Collins, jury member, FICFA\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-01-22T13:50:13-08:00","created_at":"2018-09-17T13:56:49-07:00","vendor":"Aube Giroux","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12666345259113,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"MDF-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Modified - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-64,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12666345291881,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"MDF-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Modified - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-13,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12666345390185,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"MDF-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Modified - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12666345422953,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"MDF-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Modified - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/modified_dvd_sep11_copy.jpg?v=1537219030"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/modified_dvd_sep11_copy.jpg?v=1537219030","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Aube Giroux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 educational release\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSHIPS Oct. 4th, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; French with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAccessibility: \u003c\/strong\u003eIncludes English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eEnvironmental Studies, Farming \u0026amp; Agriculture, Culinary Studies, Human Rights\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eA Food Lover's Journey into GMOs...\u003c\/strong\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290370562?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eAube Giroux (the filmmaker) and her mother embark on a very personal and poignant investigative journey to find out why genetically modified organisms (GMOs) are not labeled on food products in the United States and Canada, despite being labeled in 64 countries around the world. Interweaving the personal and the political, the film is anchored in the filmmaker’s relationship to her mom, a gardener and food activist who battled cancer during the film's production. Their intimate mother-daughter quest for answers, fuelled by a shared love of food, reveals the extent to which the agribusiness industry controls our food policies, making a strong case for a more transparent and sustainable food system. A visual celebration of family legacy and the love of food, cooking, and gardening.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRAVE REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Modified is a very personal, tender, touching tribute to a great mom, and a well-researched, well-written, enlightening and powerful documentary!\" \u003cem\u003e- Chef Jacques Pépin\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Like Agnès Varda in The Gleaners and I, Giroux draws us into encounters with various people directly impacted by these (food) policies, exposing the agribusiness industry's control over our democratic institutions.\" \u003cem\u003e -  Journal Metro\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux strikes a beautiful balance between the personal and political with her debut feature film.\"\u003cem\u003e - The Coast Magazine\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Aube Giroux wanted to make a film about food but instead found herself making a film about democracy.\"\u003cem\u003e - Le Devoir\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"With such a weighty subject as its focus, it is a testament to Giroux’s deft story-telling that “Modified” is so compelling and compassionate, and that it can evoke such a range of emotions. For anyone who cares about what they put in their mouth, where it comes from and how it is produced — and I would like to think that is all of us — this film is a must-see. It is also beautiful beyond words.\" \u003cem\u003e -  Joan Baxter, Medium\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Modified is a love story, exploring the loving bond between a daughter and her mother; between a woman and her garden; a filmmaker and the food she cooks and the small, sustainable farms that produce it. It’s also about the regrettable loss of biodiversity, communities, small farms, and even small towns.\" -  Signe Langford, Harrowsmith Magazine \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAWARDS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e*Winner* Award of Excellence, Rhode Island International Film Festival\u003c\/li\u003e\n\u003cli\u003e*Winner* Audience Choice Award - Lunenberg Doc Fest\u003c\/li\u003e\n\u003cli\u003eAnd 6 more film festival awards...\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSELECTIONS \u0026amp; SCREENINGS\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSanta Barbara International Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival (Ashland, OR)\u003c\/li\u003e\n\u003cli\u003eMaine International Film Festival\u003c\/li\u003e\n\u003cli\u003ePlanet in Focus Film Festival (Toronto)\u003c\/li\u003e\n\u003cli\u003eVermont International Film Festival\u003c\/li\u003e\n\u003cli\u003eSt. Louis International Film Festival\u003c\/li\u003e\n\u003cli\u003eNational Heirloom Expo, Santa Rosa, CA \u003c\/li\u003e\n\u003cli\u003eIowa Independent Film Festival -  Mason City, IA\u003c\/li\u003e\n\u003cli\u003eDOCUTAH - St. George, UT\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eAnd grass-roots screening events around the world...\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2018-09-17_at_2.22.26_PM_large.png?v=1537219393\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAube Giroux,\u003c\/b\u003e \u003cspan class=\"s2\"\u003eDirector | Producer | Editor (left)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003eAube Giroux is an award-winning documentary filmmaker, organic gardener, and food blogger who works on food, agriculture, and sustainability issues. She previously directed two documentaries for the National Film Board of Canada and several independent productions. Her work has been shown on CBC and at international film festivals. Aube is the creator of Kitchen Vignettes, an acclaimed farm-to-table food blog and online cooking show on PBS. The show received the 2012 Saveur Magazine Best Food Blog Award and is a two-time James Beard Award nominee. Aube holds an MFA in Film Production from York University. Modified is her first feature-length documentary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCamelia Frieberg,\u003c\/b\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003eExecutive and Co-Producer (right)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003eCamelia Frieberg is an award-winning film producer, director and a biodynamic farmer. She was the producer of Atom Egoyan's Oscar-nominated “The Sweet Hereafter” and “Exotica” and Jeremy Podeswa's “The Five Senses”. Camelia manages \u003ca href=\"http:\/\/www.watershedfarm.org\/\"\u003e\u003cspan class=\"s3\"\u003eWatershed Farm\u003c\/span\u003e\u003c\/a\u003e, a mixed livestock, vegetable, flower, herb and fruit farm on Nova Scotia's South Shore. She is a board member of USC Canada and proud mother of two.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMORE FROM THE PRESS...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"A love story about cooking and gardening - and the importance of regaining control over where our food comes from.\"\u003cem\u003e - Treehugger\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"A visually beautiful, informative foray into the facts about GMOs, efforts to have them labeled, and how individuals are protecting the choice—and quality—of what they eat. ...a paean to food—from seed to plant to crop, to transforming the harvest into culinary delights, to savoring the delectable creation. It’s mouth-watering, and rekindles appreciation of what nourishes our experience as living beings on a living earth.\" \u003cem\u003e- The Organic and Non-GMO Report\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux shone at the festival's closing gala, receiving the award for best East Coast feature film as well as the Audience Choice award for her film, Modified.\" \u003cem\u003e- Radio-Canada (CBC)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"In addition to the extensive scientific and political research she undertook, the filmmaker presents a moving and universal work.\" \u003cem\u003e- Acadie Nouvelle\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"We chose this film for the award because its auteur-led approach is steeped in candour and authenticity. Because it skillfully interweaves the political and the personal. And because of the urgency of the film's message that citizens must demand transparency from their governments.\" \u003cem\u003e- Lawrence Côté-Collins, jury member, FICFA\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Modified

Modified

$295.00

Directed by: Aube Giroux Released: 2018 educational release Year of Production: 2017 SHIPS Oct. 4th, 2018 Running Time: 87 min  Language: English & French with English Subtitles Accessibility: Includes English Closed Captions Subjects: Environmental Studies, Farming & Agriculture, Culinary Studies, Human Rights   A Food Lover...


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{"id":1318692814953,"title":"Saving Atlantis","handle":"saving-atlantis","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e David Baker \u0026amp; Justin Smith\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 75\u003cstrong\u003e \u003c\/strong\u003emin. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eAccessibility:\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e Includes English Closed Captioning\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English, Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/246008971?autoplay=1\u0026amp;color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDeveloped by OREGON STATE UNIVERSITY and produced by a team of award-winning filmmakers \u0026amp; researchers.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cem\u003eSaving Atlantis\u003c\/em\u003e is the first documentary to take a deep dive into one of the most consequential issues of our time: the dramatic decline of global coral reef ecosystems and the impact on human populations that depend on them. Coral reefs are one of the world's most diverse habitats. They are often called \"the rainforests of the ocean\", b\u003c\/span\u003eut the rapid acceleration of coral bleaching events around the world is jeopardizing their future.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan\u003eProduced by a team of award-winning filmmakers and researchers, \u003cem\u003eSaving Atlantis\u003c\/em\u003e follows those who are fighting to uncover the causes of coral decline and find solutions before it’s too late. Combining the ecological impacts and human toll of\u003c\/span\u003e hundreds of millions of people worldwide who depend on coral reefs for their very survival, \u003cem\u003eSaving Atlantis\u003c\/em\u003e charts an\u003cspan\u003e emotional exploration of some of our planet's greatest natural wonders at a tipping point in their ecological history.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cbr\u003eThe film follows several stories: renowned scientists looking to unlock the microbial secrets to coral survival; a mysterious coral reef in Colombia that has withstood five hundred years of human pressures but now faces its greatest threat; and a group of young aboriginal students in Australia working to restore the ancient connections of their people to a marine habitat just as it could disappear forever. \u003cbr\u003e \u003cbr\u003eExploring the science behind corals, speaking with the top researchers who study these animals and taking global journey that celebrates the majesty and mystery of coral habitats, \u003cem\u003eSaving Atlantis\u003c\/em\u003e sheds light on the daunting challenges communities face and follows those who are making a desperate attempt to preserve them for future generations. \u003cbr\u003e \u003cbr\u003eFilmed in Australia, the South Pacific, Hawai’i, the Caribbean and the Red Sea, Saving Atlantis is a worldwide tour of one of the most important issues of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTHE PROBLEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCoral reefs cover only 0.1 percent of the Earth’s surface, but they’re home to 25 percent of all marine species, and they’re being lost at an alarming rate. Pollution, overfishing and climate change are some of the human-influenced culprits in the dramatic decline of these magnificent natural structures. Coral reefs serve as a linchpin in the global food web. Their decline leads our entire planet in a perilous direction. But research from scientists around the world hints at bright spots where real strides can be made in preservation and protection of these habitats.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong style=\"font-size: 15px;\"\u003eSELECTED SCREENINGS\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eAmerican Documentary Film Festival\u003c\/li\u003e\n\u003cli\u003eNewport Beach Film Festival\u003c\/li\u003e\n\u003cli\u003eBendFilm Festival\u003c\/li\u003e\n\u003cli\u003eEmerald Ocean Film Festival\u003c\/li\u003e\n\u003cli\u003eHatfield Marine Science Center Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eTHE RESEARCHER\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Saving_Atlantis_medium.jpg?v=1532552107\" style=\"float: left; margin: .25px 15px .25px .25px;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Rebecca Vega Thurber, Ph.D.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVega Thurber is a leading coral microbiologist whose research had led her to sudy corals around the world. After securing a grant from the National Science Foundation to investigate the microbiome of corals, she decided to use video as the medium for communicating her research to the public, which became the genesis of this documentary project.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE FILMMAKERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJustin Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmith directed two award-winning short documentaries for Oregon State University, Relentless and Kel Wer. His filmmaking has led him to five continents. He holds a degree in film from the University of Utah and an MBA from Oregon State University.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Baker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaker directed the feature documentary \u003cem\u003eAmerican Wine Story\u003c\/em\u003e and directed the upcoming film \u003cem\u003eThree Days of Glory. \u003c\/em\u003eHe has reitten award-winning feature scripts and is the author of the novel \u003cem\u003eVintage,\u003c\/em\u003e published by Simon and Schuster in 2015.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eNARRATOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Coyote\u003c\/strong\u003e\u003c\/p\u003e\nCoyote is an Emmy-winning narrator, actor and author, and the iconic voice of such films as \u003cem\u003eThe National Parks: America's Best Idea\u003c\/em\u003e, \u003cem\u003eThe West,\u003c\/em\u003e and \u003cem\u003eThe Vietnam War.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003e\u003cstrong\u003eBOOK THE FILMMAKERS AT YOUR SCREENING\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-07-25T14:02:43-07:00","created_at":"2018-07-16T11:38:41-07:00","vendor":"OSU","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12426270244969,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"SAT-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Saving Atlantis - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-77,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12426270277737,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"SAT-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Saving Atlantis - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-9,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12426270310505,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"SAT-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Saving Atlantis - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-22,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12426270343273,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"SAT-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Saving Atlantis - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12426270376041,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"SAT-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saving Atlantis - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Saving_Atlantis_PNG.png?v=1531766686","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GOPR3539.JPG?v=1532576129","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/P1010079.JPG?v=1532576132","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/P1010224.JPG?v=1532576135","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/P1020169.JPG?v=1532576137","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/P1030213.JPG?v=1532576140","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/P1060371.JPG?v=1532576143"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Saving_Atlantis_PNG.png?v=1531766686","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e David Baker \u0026amp; Justin Smith\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 75\u003cstrong\u003e \u003c\/strong\u003emin. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eAccessibility:\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e Includes English Closed Captioning\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English, Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/246008971?autoplay=1\u0026amp;color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDeveloped by OREGON STATE UNIVERSITY and produced by a team of award-winning filmmakers \u0026amp; researchers.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cem\u003eSaving Atlantis\u003c\/em\u003e is the first documentary to take a deep dive into one of the most consequential issues of our time: the dramatic decline of global coral reef ecosystems and the impact on human populations that depend on them. Coral reefs are one of the world's most diverse habitats. They are often called \"the rainforests of the ocean\", b\u003c\/span\u003eut the rapid acceleration of coral bleaching events around the world is jeopardizing their future.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan\u003eProduced by a team of award-winning filmmakers and researchers, \u003cem\u003eSaving Atlantis\u003c\/em\u003e follows those who are fighting to uncover the causes of coral decline and find solutions before it’s too late. Combining the ecological impacts and human toll of\u003c\/span\u003e hundreds of millions of people worldwide who depend on coral reefs for their very survival, \u003cem\u003eSaving Atlantis\u003c\/em\u003e charts an\u003cspan\u003e emotional exploration of some of our planet's greatest natural wonders at a tipping point in their ecological history.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cbr\u003eThe film follows several stories: renowned scientists looking to unlock the microbial secrets to coral survival; a mysterious coral reef in Colombia that has withstood five hundred years of human pressures but now faces its greatest threat; and a group of young aboriginal students in Australia working to restore the ancient connections of their people to a marine habitat just as it could disappear forever. \u003cbr\u003e \u003cbr\u003eExploring the science behind corals, speaking with the top researchers who study these animals and taking global journey that celebrates the majesty and mystery of coral habitats, \u003cem\u003eSaving Atlantis\u003c\/em\u003e sheds light on the daunting challenges communities face and follows those who are making a desperate attempt to preserve them for future generations. \u003cbr\u003e \u003cbr\u003eFilmed in Australia, the South Pacific, Hawai’i, the Caribbean and the Red Sea, Saving Atlantis is a worldwide tour of one of the most important issues of our time.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTHE PROBLEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCoral reefs cover only 0.1 percent of the Earth’s surface, but they’re home to 25 percent of all marine species, and they’re being lost at an alarming rate. Pollution, overfishing and climate change are some of the human-influenced culprits in the dramatic decline of these magnificent natural structures. Coral reefs serve as a linchpin in the global food web. Their decline leads our entire planet in a perilous direction. But research from scientists around the world hints at bright spots where real strides can be made in preservation and protection of these habitats.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong style=\"font-size: 15px;\"\u003eSELECTED SCREENINGS\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003eAmerican Documentary Film Festival\u003c\/li\u003e\n\u003cli\u003eNewport Beach Film Festival\u003c\/li\u003e\n\u003cli\u003eBendFilm Festival\u003c\/li\u003e\n\u003cli\u003eEmerald Ocean Film Festival\u003c\/li\u003e\n\u003cli\u003eHatfield Marine Science Center Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eTHE RESEARCHER\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Saving_Atlantis_medium.jpg?v=1532552107\" style=\"float: left; margin: .25px 15px .25px .25px;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Rebecca Vega Thurber, Ph.D.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVega Thurber is a leading coral microbiologist whose research had led her to sudy corals around the world. After securing a grant from the National Science Foundation to investigate the microbiome of corals, she decided to use video as the medium for communicating her research to the public, which became the genesis of this documentary project.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE FILMMAKERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJustin Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmith directed two award-winning short documentaries for Oregon State University, Relentless and Kel Wer. His filmmaking has led him to five continents. He holds a degree in film from the University of Utah and an MBA from Oregon State University.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Baker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaker directed the feature documentary \u003cem\u003eAmerican Wine Story\u003c\/em\u003e and directed the upcoming film \u003cem\u003eThree Days of Glory. \u003c\/em\u003eHe has reitten award-winning feature scripts and is the author of the novel \u003cem\u003eVintage,\u003c\/em\u003e published by Simon and Schuster in 2015.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eNARRATOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Coyote\u003c\/strong\u003e\u003c\/p\u003e\nCoyote is an Emmy-winning narrator, actor and author, and the iconic voice of such films as \u003cem\u003eThe National Parks: America's Best Idea\u003c\/em\u003e, \u003cem\u003eThe West,\u003c\/em\u003e and \u003cem\u003eThe Vietnam War.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003e\u003cstrong\u003eBOOK THE FILMMAKERS AT YOUR SCREENING\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Saving Atlantis

Saving Atlantis

$295.00

Directed by: David Baker & Justin Smith Released: 2018 (educational) Year of Production: 2017 Running Time: 75 min.  Language: English Accessibility: Includes English Closed Captioning Subtitle Options: English, Spanish Subjects: Environmental Studies     Developed by OREGON STATE UNIVERSITY and produced by a ...


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{"id":1341400416361,"title":"Green Days by the River (Pre-Order)","handle":"green-days-by-the-river","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Michael Mooleedhar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSHIPS Oct. 8th, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 102 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eTrinidad \u0026amp; Tobago with English subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003e includes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eCaribbean Studies, Caribbean Literature, Post-Colonial Literature,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/271441136?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eA powerful new coming-of-age film based on the famed 1967 novel by Trinidadian Author Michael Anthony...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA Caribbean coming-of-age classic in the tradition of SUGAR CANE ALLEY, Michael Mooleedhar's first feature is adapted from Michael Anthony's acclaimed 1967 novel. Set in 1952, the story centers on the 15-year-old boy Shellie (Tafari), whose poor but closely knit family has recently relocated to a village in the Mayaro region of Trinidad.\u003c\/p\u003e\n\u003cp\u003eWith his father seriously ill, Shellie acquires a surrogate father-figure in the wealthy plantation-owner Mr. Gidharee (Lawkaran), and he finds himself torn between Gidharee's seductive half-Indian daughter Rosalie (Kandhai) and the more down-to-earth charms of out-of-town girl Joan (Bartholomew).\u003c\/p\u003e\n\u003cp\u003eBut does Shellie really have a choice, or has a trap been laid for him from the very beginning? GREEN DAYS BY THE RIVER is a rich sensory experience, featuring a lush sense of place, a superb music-laced soundtrack, and vividly colored, beautifully composed cinematography.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFestivals \u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDiaspora Festival of Black and Independent Film \u003c\/li\u003e\n\u003cli\u003eSeattle International Film Festival \u003c\/li\u003e\n\u003cli\u003e24th Annual Black Harvest Film Festival                                          \u003c\/li\u003e\n\u003cli\u003eCaribbeanTales International Film Festival \u003c\/li\u003e\n\u003cli\u003eValetta Film Festival \u003c\/li\u003e\n\u003cli\u003eAFI Silver DC Caribbean Filmfest \u003c\/li\u003e\n\u003cli\u003eWashington, DC International Film Festival \u003c\/li\u003e\n\u003cli\u003eFestival International de Films de Fribourg (EU Premiere) \u003c\/li\u003e\n\u003cli\u003ePan African Film Festival – Los Angeles, USA (US Premiere) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Press\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A rich sensory experience, featuring a lush sense of place, a superb music-laced soundtrack, and vividly colored, beautifully composed cinematography.\" \u003cem\u003e- Gene Siskel Film Center\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Proudly Trinidadian, it is a moving, suspenseful film that stirred the mostly Canadian Caribbean audience that all but filled the College Street cinema. Aside from the English subtitles for those that don’t have a “Caribbean ear”, the actors, the landscape and the moral dilemmas of its main characters were Trini to the Bone.\" \u003cem\u003e- Stephen Weir\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"The story, following faithfully Anthony’s novel, is a daily life saga, but has deep and menacing messages.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eNothing comes for free, as the main character, Shellie, finds out. You cannot play with people’s lives, and kindness offered may have an ulterior motive.\"\u003c\/span\u003e\u003cem\u003e - The Nassau \u003c\/em\u003eGaurdian\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-18T15:13:32-07:00","created_at":"2018-09-18T14:56:38-07:00","vendor":"Michael Mooleedhar","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12675235971177,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"GRE-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Green Days by the River (Pre-Order) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-61,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12675236003945,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"GRE-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Green Days by the River (Pre-Order) - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12675236036713,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GRE-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Green Days by the River (Pre-Order) - 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DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Green_Day_by_the_River_Key_Art.png?v=1537308759"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Green_Day_by_the_River_Key_Art.png?v=1537308759","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Michael Mooleedhar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSHIPS Oct. 8th, 2018\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 102 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eTrinidad \u0026amp; Tobago with English subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003e includes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eCaribbean Studies, Caribbean Literature, Post-Colonial Literature,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/271441136?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eA powerful new coming-of-age film based on the famed 1967 novel by Trinidadian Author Michael Anthony...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA Caribbean coming-of-age classic in the tradition of SUGAR CANE ALLEY, Michael Mooleedhar's first feature is adapted from Michael Anthony's acclaimed 1967 novel. Set in 1952, the story centers on the 15-year-old boy Shellie (Tafari), whose poor but closely knit family has recently relocated to a village in the Mayaro region of Trinidad.\u003c\/p\u003e\n\u003cp\u003eWith his father seriously ill, Shellie acquires a surrogate father-figure in the wealthy plantation-owner Mr. Gidharee (Lawkaran), and he finds himself torn between Gidharee's seductive half-Indian daughter Rosalie (Kandhai) and the more down-to-earth charms of out-of-town girl Joan (Bartholomew).\u003c\/p\u003e\n\u003cp\u003eBut does Shellie really have a choice, or has a trap been laid for him from the very beginning? GREEN DAYS BY THE RIVER is a rich sensory experience, featuring a lush sense of place, a superb music-laced soundtrack, and vividly colored, beautifully composed cinematography.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFestivals \u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDiaspora Festival of Black and Independent Film \u003c\/li\u003e\n\u003cli\u003eSeattle International Film Festival \u003c\/li\u003e\n\u003cli\u003e24th Annual Black Harvest Film Festival                                          \u003c\/li\u003e\n\u003cli\u003eCaribbeanTales International Film Festival \u003c\/li\u003e\n\u003cli\u003eValetta Film Festival \u003c\/li\u003e\n\u003cli\u003eAFI Silver DC Caribbean Filmfest \u003c\/li\u003e\n\u003cli\u003eWashington, DC International Film Festival \u003c\/li\u003e\n\u003cli\u003eFestival International de Films de Fribourg (EU Premiere) \u003c\/li\u003e\n\u003cli\u003ePan African Film Festival – Los Angeles, USA (US Premiere) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Press\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A rich sensory experience, featuring a lush sense of place, a superb music-laced soundtrack, and vividly colored, beautifully composed cinematography.\" \u003cem\u003e- Gene Siskel Film Center\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Proudly Trinidadian, it is a moving, suspenseful film that stirred the mostly Canadian Caribbean audience that all but filled the College Street cinema. Aside from the English subtitles for those that don’t have a “Caribbean ear”, the actors, the landscape and the moral dilemmas of its main characters were Trini to the Bone.\" \u003cem\u003e- Stephen Weir\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"The story, following faithfully Anthony’s novel, is a daily life saga, but has deep and menacing messages.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eNothing comes for free, as the main character, Shellie, finds out. You cannot play with people’s lives, and kindness offered may have an ulterior motive.\"\u003c\/span\u003e\u003cem\u003e - The Nassau \u003c\/em\u003eGaurdian\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Green Days by the River (Pre-Order)

Green Days by the River (Pre-Order)

$295.00

Directed by: Michael Mooleedhar Release Date: 2018 (Educational) Year of Production: 2017 SHIPS Oct. 8th, 2018 Running Time: 102 min Language: Trinidad & Tobago with English subtitles Accessibility: includes English closed captions Subjects: Caribbean Studies, Caribbean Literature, Post-Colonial Literature,      A powerful ...


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Drokpa: Nomads of Tibet

DVD

From $50.00
{"id":1330876809321,"title":"Drokpa: Nomads of Tibet","handle":"drokpa","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Yan Chun Su\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e79 min + 57 min classroom version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English SDH\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eAsian Studies, Anthropology, Environmental Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"Recommended\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/81752199?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSet in the high plateau of eastern Tibet, \u003cstrong\u003e\u003cem\u003eDrokpa\u003c\/em\u003e\u003c\/strong\u003e is an intimate portrait of the lives and struggles of Tibetan nomads whose life is on the cusp of irreversible change.\u003c\/p\u003e\n\u003cp\u003eThe grasslands of the Tibetan plateau are home to the source of Asia’s major rivers. Nearly half of humanity depends on this water for survival. Tibetan nomads, known as DROKPA have roamed on this land for thousands of years. In recent decades, these once lush grasslands are rapidly turning into deserts.\u003c\/p\u003e\n\u003cp\u003eWith rare access to an extended nomadic family living at the center stage of this drastic and historical change, \u003cstrong\u003e\u003cem\u003eDrokpa\u003c\/em\u003e\u003c\/strong\u003e reveals the unprecedented environmental and sociopolitical forces that are pushing the Tibetan nomads to the edge of their existence.\u003c\/p\u003e\n\u003cp\u003eRichly observed daily lives and family relationships, especially those of Tamku, a teenage single mother, Dhongya, a senior nomad and Yithan, a mother of two boys are at once deeply personal and illustrative of the universal issues of gender, freedom, adaptation to a changing climate and the resilience of human spirits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECOMMENDED by Video Librarian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Yan Chun Su’s documentary spans several years in the lives of an extended family of nomads whose traditional occupation—raising yaks and sheep in the high plateau of eastern Tibet, sometimes called the “Roof of the World”—is endangered by environmental change and government pressure. Dhongya, chief herder of the clan, mourns the transformation of much of the once-lush grassland into desert since rainfall has decreased, while new laws restrict the family to a relatively small pasture, making their migratory lifestyle impossible. Following the family as they set up their tents for the season, Su concentrates not merely on the men who oversee the animals, but also the children who play in the fields, and the women who must constantly tend to the housework—including Yithan, who worries about the future of her two sons; Magyuk, whose sons have departed for work elsewhere and whose daughter Asu yearns to abandon the nomadic life; and Tamku, a divorced teenager with a child. \u003cem\u003eDrokpa \u003c\/em\u003epresents an informative and affecting portrait of a tribe whose way of life is being rendered untenable by forces that they barely understand and cannot resist. At the same time, it also underscores an ecological problem with wider ramifications since the plateau where nomads have labored for centuries also serves as the source of water that fills many of Asia’s rivers. Presented in both the full-length version and a 57-minute abridgement, this is recommended. Aud: C, P. (\u003cem\u003eF. Swietek\u003c\/em\u003e)\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Breathtakingly beautiful...\" \u003cem\u003e- Pat Mullen, POV Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"With balance and equanimity, the narrative fully reveals the complexities of colonialism, patriarchy, and climate change without judgment.\" \u003cem\u003e- DOXA Documentary film Festival \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards \u0026amp; Official Selections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eDOXA Documentary Film Festival, Best Female Directed Fea\u003c\/span\u003e\u003cspan\u003eture Documentary \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eMargaret Mead Film Festival, Margaret Mead Filmmaker Nominat\u003c\/span\u003e\u003cspan\u003eion \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eSebastopol Documentary Film Festival, Best of the Fest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eWild and Scenic Environmental Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eAthens International Film + Video Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eBoulder International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eHuman Rights Film Festival Barcelona \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eAnchorage International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eTrento Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eDOCUTAH International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eMatsalu Nature Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eBuddhist Film Festival Europe \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eTaiwan International Ethnographic Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eEnvironmental Film Festival Australia \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eColorado Environmental Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eSalt Spring Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eGreen Mountain Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eWorld Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eEthnografilm Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eDirector's Statement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\"I wanted to find a group of people living very close to a visibly changing environment so that in a microcosmic and direct way, we see what the future might be like for us all...” – director, Yan Chun Su\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAbout the Filmmaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\" style=\"float: left;\"\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.der.org\/films\/treasure-of-lisu.html\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/yan-chun-su-pic_medium.jpg?v=1537391940\" style=\"float: left; margin: 5px 15px 5px 5px;\"\u003e\u003c\/a\u003eYan Chun Su is a self-taught documentary filmmaker currently based in Colorado. She was born in China and received her education in both China and the US. After a career in computer science, her interests in traditional cultures and the environment have taken her to work with and live among many indigenous communities around the world. Her first documentary film, \u003c\/span\u003e\u003ca href=\"http:\/\/www.der.org\/films\/treasure-of-lisu.html\"\u003e\u003cem\u003eTreasure of the Lisu\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e, about an ethnic musician from the foothills of the Himalayas was made under the tutelage of acclaimed documentarian Les Blank. \u003c\/span\u003e\u003ci\u003eDrokpa\u003c\/i\u003e\u003cspan\u003e, a documentary about Tibetan nomads facing ecological and cultural survival is her first feature-length documentary. Filmed at the eastern Tibetan plateau among one extended nomadic family for over four years, \u003c\/span\u003e\u003ci\u003eDrokpa\u003c\/i\u003e\u003cspan\u003e premiered at the Margaret Mead Film Festival at the American Museum of Natural History in NYC in October 2016 and it received the EDA Award for Best Female-Directed Feature film at the 2017 DOXA Documentary Film Festival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBOOK THIS FILMMAKER AT YOUR EVENT\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-18T15:32:30-07:00","created_at":"2018-08-22T17:34:35-07:00","vendor":"Yan Chun Su","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12573293707369,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"DRP-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Drokpa: Nomads of Tibet - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-62,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12573293740137,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"DRP-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Drokpa: Nomads of Tibet - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-12,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12573293772905,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"DRP-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Drokpa: Nomads of Tibet - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-13,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12682709434473,"title":"Digital Site License (w\/PPR)","option1":"Digital Site License (w\/PPR)","option2":null,"option3":null,"sku":"DRP-D","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drokpa: Nomads of Tibet - Digital Site License (w\/PPR)","public_title":"Digital Site License (w\/PPR)","options":["Digital Site License (w\/PPR)"],"price":39500,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12682711826537,"title":"DVD+DSL Bundle","option1":"DVD+DSL Bundle","option2":null,"option3":null,"sku":"DRP-DD","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drokpa: Nomads of Tibet - DVD+DSL Bundle","public_title":"DVD+DSL Bundle","options":["DVD+DSL Bundle"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/DROKPA_POSTER_COMP.jpg?v=1534985425","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/DROKPA-still-2.jpeg?v=1534985620","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/DROKPA-still-4.jpeg?v=1534985678","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/DROKPA-still-5.jpeg?v=1537558106","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/DROKPA-still-3.jpeg?v=1537558317"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/DROKPA_POSTER_COMP.jpg?v=1534985425","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Yan Chun Su\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e79 min + 57 min classroom version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English SDH\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eAsian Studies, Anthropology, Environmental Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"Recommended\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/81752199?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSet in the high plateau of eastern Tibet, \u003cstrong\u003e\u003cem\u003eDrokpa\u003c\/em\u003e\u003c\/strong\u003e is an intimate portrait of the lives and struggles of Tibetan nomads whose life is on the cusp of irreversible change.\u003c\/p\u003e\n\u003cp\u003eThe grasslands of the Tibetan plateau are home to the source of Asia’s major rivers. Nearly half of humanity depends on this water for survival. Tibetan nomads, known as DROKPA have roamed on this land for thousands of years. In recent decades, these once lush grasslands are rapidly turning into deserts.\u003c\/p\u003e\n\u003cp\u003eWith rare access to an extended nomadic family living at the center stage of this drastic and historical change, \u003cstrong\u003e\u003cem\u003eDrokpa\u003c\/em\u003e\u003c\/strong\u003e reveals the unprecedented environmental and sociopolitical forces that are pushing the Tibetan nomads to the edge of their existence.\u003c\/p\u003e\n\u003cp\u003eRichly observed daily lives and family relationships, especially those of Tamku, a teenage single mother, Dhongya, a senior nomad and Yithan, a mother of two boys are at once deeply personal and illustrative of the universal issues of gender, freedom, adaptation to a changing climate and the resilience of human spirits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECOMMENDED by Video Librarian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Yan Chun Su’s documentary spans several years in the lives of an extended family of nomads whose traditional occupation—raising yaks and sheep in the high plateau of eastern Tibet, sometimes called the “Roof of the World”—is endangered by environmental change and government pressure. Dhongya, chief herder of the clan, mourns the transformation of much of the once-lush grassland into desert since rainfall has decreased, while new laws restrict the family to a relatively small pasture, making their migratory lifestyle impossible. Following the family as they set up their tents for the season, Su concentrates not merely on the men who oversee the animals, but also the children who play in the fields, and the women who must constantly tend to the housework—including Yithan, who worries about the future of her two sons; Magyuk, whose sons have departed for work elsewhere and whose daughter Asu yearns to abandon the nomadic life; and Tamku, a divorced teenager with a child. \u003cem\u003eDrokpa \u003c\/em\u003epresents an informative and affecting portrait of a tribe whose way of life is being rendered untenable by forces that they barely understand and cannot resist. At the same time, it also underscores an ecological problem with wider ramifications since the plateau where nomads have labored for centuries also serves as the source of water that fills many of Asia’s rivers. Presented in both the full-length version and a 57-minute abridgement, this is recommended. Aud: C, P. (\u003cem\u003eF. Swietek\u003c\/em\u003e)\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Breathtakingly beautiful...\" \u003cem\u003e- Pat Mullen, POV Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"With balance and equanimity, the narrative fully reveals the complexities of colonialism, patriarchy, and climate change without judgment.\" \u003cem\u003e- DOXA Documentary film Festival \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards \u0026amp; Official Selections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eDOXA Documentary Film Festival, Best Female Directed Fea\u003c\/span\u003e\u003cspan\u003eture Documentary \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eMargaret Mead Film Festival, Margaret Mead Filmmaker Nominat\u003c\/span\u003e\u003cspan\u003eion \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eSebastopol Documentary Film Festival, Best of the Fest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eWild and Scenic Environmental Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eAthens International Film + Video Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eBoulder International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eHuman Rights Film Festival Barcelona \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eAnchorage International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eTrento Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eDOCUTAH International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eMatsalu Nature Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eBuddhist Film Festival Europe \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eTaiwan International Ethnographic Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eEnvironmental Film Festival Australia \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eColorado Environmental Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eSalt Spring Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eGreen Mountain Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eWorld Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eEthnografilm Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eDirector's Statement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\"I wanted to find a group of people living very close to a visibly changing environment so that in a microcosmic and direct way, we see what the future might be like for us all...” – director, Yan Chun Su\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAbout the Filmmaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\" style=\"float: left;\"\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.der.org\/films\/treasure-of-lisu.html\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/yan-chun-su-pic_medium.jpg?v=1537391940\" style=\"float: left; margin: 5px 15px 5px 5px;\"\u003e\u003c\/a\u003eYan Chun Su is a self-taught documentary filmmaker currently based in Colorado. She was born in China and received her education in both China and the US. After a career in computer science, her interests in traditional cultures and the environment have taken her to work with and live among many indigenous communities around the world. Her first documentary film, \u003c\/span\u003e\u003ca href=\"http:\/\/www.der.org\/films\/treasure-of-lisu.html\"\u003e\u003cem\u003eTreasure of the Lisu\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e, about an ethnic musician from the foothills of the Himalayas was made under the tutelage of acclaimed documentarian Les Blank. \u003c\/span\u003e\u003ci\u003eDrokpa\u003c\/i\u003e\u003cspan\u003e, a documentary about Tibetan nomads facing ecological and cultural survival is her first feature-length documentary. Filmed at the eastern Tibetan plateau among one extended nomadic family for over four years, \u003c\/span\u003e\u003ci\u003eDrokpa\u003c\/i\u003e\u003cspan\u003e premiered at the Margaret Mead Film Festival at the American Museum of Natural History in NYC in October 2016 and it received the EDA Award for Best Female-Directed Feature film at the 2017 DOXA Documentary Film Festival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBOOK THIS FILMMAKER AT YOUR EVENT\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Drokpa: Nomads of Tibet

Drokpa: Nomads of Tibet

$295.00

Directed by: Yan Chun Su Released: 2018 (educational) Year of Production: 2016 Running Time: 79 min + 57 min classroom version Format: NTSC DVD Language: English Accessibility: Includes English SDH Subjects: Asian Studies, Anthropology, Environmental Studies   "Recommended" - Video Librarian     Synopsis Set in the high pla...


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Priced Out

DVD

From $50.00
{"id":1337478643817,"title":"Priced Out","handle":"priced-out","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Cornelius Swart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 63\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eUrban Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eHuman Rights, African-American Studies, Gentrification\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e15 years of gentrification in Portland, Oregon\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290068274\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eWhat does the word gentrification make you feel? \"Pain.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eIn the 1990s, Nikki Williams embraced the idea of gentrification. Fifteen years later she blamed it for \"obliterating\" her neighborhood. Priced Out is an emotional and investigative look at how rising home prices have displaced Portland's African-American community and reshaped the entire city.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003ePriced Out\u003c\/em\u003e\u003cspan\u003e explores the complexities and contradictions of gentrification and life after the era of “the ghetto.” It powerfully illustrates how government policies and market forces combine to destroy and rebuild neighborhoods. Some embrace new investment at first, but few are left standing when new money moves in and old residents find themselves priced out.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003ePriced Out\u003c\/em\u003e is a sequel to the 2002 documentary \u003c\/span\u003e“NorthEast Passage: The Inner City and the American Dream.”\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eProduced in partnership with NW Documentary Arts \u0026amp; Media.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAwards \u0026amp; Selected Screenings:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eSt. Louis International Film Festival - 2017\u003c\/div\u003e\n\u003cdiv\u003eNorthwest Filmmakers' Festival - 2017\u003c\/div\u003e\n\u003cdiv\u003eNew Urbanism Film Festival - Best Feature Film\u003c\/div\u003e\n\u003cdiv\u003eHollywood International Film Festival Independent Documentary Awards - 2019\u003c\/div\u003e\n\u003cdiv\u003eFestigious International Film Festival - 2018\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMeet Nikki Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Nikki_Williams_large.jpg?v=1536533339\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"yui_3_17_2_1_1536533116093_549\"\u003eWilliams is a straight-talking single mom who does not suffer fools gladly. Her only wish was to live in a healthy black community. In the documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNorthEast Passage\u003c\/em\u003e, filmed in the late 1990s, Nikki worked to kick drug dealers off her block and fight off subsidized housing projects on her street. She welcomed gentrification. Over a decade later, she realized she was one of the last black people on her street. While Nikki wanted to see the neighborhood fixed up, she never thought “they would kick everybody out, fix it up, and tell everyone they can’t come back.”\u003cbr\u003e\u003cbr\u003eNikki is a homeowner. As we return to Nikki in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePriced Out\u003c\/em\u003e, we find her torn between grieving for the loss of her community and seeing the opportunity to sell her home and achieve economic freedom for the first time in her life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"As fascinating to watch as it is devastating to comprehend\"\u003cem\u003e - Portland Mercury\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Not a problem confined to Portland\" \u003cem\u003e- Orange County Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Swart's powerful documentary should be required viewing\"\u003cem\u003e - Willamette Week\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Both\u003cem\u003e\u003cspan\u003e [Northwest Passage \u003c\/span\u003e\u003c\/em\u003eand\u003cem\u003e\u003cspan\u003e Priced Out] \u003c\/span\u003e\u003c\/em\u003epoignantly depict how the particular processes that displace and erase marginalized communities–and in these cases processes that displace black people and black neighborhoods–contribute to logics that naturalize gentrification. Priced Out also particularly shows the how the aesthetics and young, white demographics of gentrifying coffee shops (and I’m thinking about the recent controversy in Denver with its “\u003ca href=\"https:\/\/www.nytimes.com\/2017\/11\/27\/us\/denver-cafe-gentrification.html?_r=0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ehappily gentrifying\u003c\/a\u003e” coffee shop) and apartments act as violent signifiers to long-term, often non-white residents—who often also being displaced by huge rent hikes—that they are no longer welcome in their neighborhood.\"\u003cem\u003e - Urban Cultural Studies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.pbs.org\/newshour\/show\/black-families-were-pushed-out-of-portland-can-this-program-help-more-return#transcript\"\u003ePBS NewsHour coverage of Portland's gentrification issue\u003c\/a\u003e\u003cem\u003e (features segment about Priced Out)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Filmmaker \u003c\/strong\u003e\u003cem\u003eCornelius Swart, Director\/Producer\u003c\/em\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/swart.headshot.no.smile.crop_medium.jpg?v=1536945263\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eCornelius Swart co-produced the prequel to \u003cem\u003ePriced Out, \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eNortheast Passage\u003c\/em\u003e\u003cspan\u003e, with Spencer Wolf. Since then Swart has established himself as a reporter with a deep knowledge of the community. He published the\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003ePortland Sentinel, \u003c\/em\u003e\u003cspan\u003ea community newspaper and hyperlocal website that covered St. Johns, North, and Northeast Portland, for five years. He has worked on staff at the state’s largest newspaper, \u003c\/span\u003e\u003cem\u003eThe Oregonian\u003c\/em\u003e\u003cspan\u003e, the state’s largest television station, KGW NewsChannel 8, and was director of content during the startup of the web-based news platform GoLocalPDX.com. Swart volunteers his time to the project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-09T18:38:00-07:00","created_at":"2018-09-09T15:28:07-07:00","vendor":"Cornelius Swart","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12608640745577,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"PRO-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Priced Out - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with 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PPR*)","option2":null,"option3":null,"sku":"PRO-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Priced Out - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-19,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12608640843881,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"PRO-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Priced Out - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12608640876649,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"PRO-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Priced Out - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Priced_Out_Key_Art.png?v=1536533440","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/UP_Priced.Out_Housingprotest.state.capitol.2016.jpg?v=1536534154","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/UP_Priced.Out__Albina_.Williams.Ave.2013.jpg?v=1536534182","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/screener_PricedOut_4407.jpg?v=1536945497"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Priced_Out_Key_Art.png?v=1536533440","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Cornelius Swart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 63\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eUrban Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eHuman Rights, African-American Studies, Gentrification\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e15 years of gentrification in Portland, Oregon\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290068274\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eWhat does the word gentrification make you feel? \"Pain.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eIn the 1990s, Nikki Williams embraced the idea of gentrification. Fifteen years later she blamed it for \"obliterating\" her neighborhood. Priced Out is an emotional and investigative look at how rising home prices have displaced Portland's African-American community and reshaped the entire city.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003ePriced Out\u003c\/em\u003e\u003cspan\u003e explores the complexities and contradictions of gentrification and life after the era of “the ghetto.” It powerfully illustrates how government policies and market forces combine to destroy and rebuild neighborhoods. Some embrace new investment at first, but few are left standing when new money moves in and old residents find themselves priced out.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003ePriced Out\u003c\/em\u003e is a sequel to the 2002 documentary \u003c\/span\u003e“NorthEast Passage: The Inner City and the American Dream.”\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eProduced in partnership with NW Documentary Arts \u0026amp; Media.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAwards \u0026amp; Selected Screenings:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eSt. Louis International Film Festival - 2017\u003c\/div\u003e\n\u003cdiv\u003eNorthwest Filmmakers' Festival - 2017\u003c\/div\u003e\n\u003cdiv\u003eNew Urbanism Film Festival - Best Feature Film\u003c\/div\u003e\n\u003cdiv\u003eHollywood International Film Festival Independent Documentary Awards - 2019\u003c\/div\u003e\n\u003cdiv\u003eFestigious International Film Festival - 2018\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMeet Nikki Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Nikki_Williams_large.jpg?v=1536533339\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"yui_3_17_2_1_1536533116093_549\"\u003eWilliams is a straight-talking single mom who does not suffer fools gladly. Her only wish was to live in a healthy black community. In the documentary\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNorthEast Passage\u003c\/em\u003e, filmed in the late 1990s, Nikki worked to kick drug dealers off her block and fight off subsidized housing projects on her street. She welcomed gentrification. Over a decade later, she realized she was one of the last black people on her street. While Nikki wanted to see the neighborhood fixed up, she never thought “they would kick everybody out, fix it up, and tell everyone they can’t come back.”\u003cbr\u003e\u003cbr\u003eNikki is a homeowner. As we return to Nikki in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePriced Out\u003c\/em\u003e, we find her torn between grieving for the loss of her community and seeing the opportunity to sell her home and achieve economic freedom for the first time in her life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"As fascinating to watch as it is devastating to comprehend\"\u003cem\u003e - Portland Mercury\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Not a problem confined to Portland\" \u003cem\u003e- Orange County Weekly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Swart's powerful documentary should be required viewing\"\u003cem\u003e - Willamette Week\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Both\u003cem\u003e\u003cspan\u003e [Northwest Passage \u003c\/span\u003e\u003c\/em\u003eand\u003cem\u003e\u003cspan\u003e Priced Out] \u003c\/span\u003e\u003c\/em\u003epoignantly depict how the particular processes that displace and erase marginalized communities–and in these cases processes that displace black people and black neighborhoods–contribute to logics that naturalize gentrification. Priced Out also particularly shows the how the aesthetics and young, white demographics of gentrifying coffee shops (and I’m thinking about the recent controversy in Denver with its “\u003ca href=\"https:\/\/www.nytimes.com\/2017\/11\/27\/us\/denver-cafe-gentrification.html?_r=0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ehappily gentrifying\u003c\/a\u003e” coffee shop) and apartments act as violent signifiers to long-term, often non-white residents—who often also being displaced by huge rent hikes—that they are no longer welcome in their neighborhood.\"\u003cem\u003e - Urban Cultural Studies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.pbs.org\/newshour\/show\/black-families-were-pushed-out-of-portland-can-this-program-help-more-return#transcript\"\u003ePBS NewsHour coverage of Portland's gentrification issue\u003c\/a\u003e\u003cem\u003e (features segment about Priced Out)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Filmmaker \u003c\/strong\u003e\u003cem\u003eCornelius Swart, Director\/Producer\u003c\/em\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/swart.headshot.no.smile.crop_medium.jpg?v=1536945263\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eCornelius Swart co-produced the prequel to \u003cem\u003ePriced Out, \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eNortheast Passage\u003c\/em\u003e\u003cspan\u003e, with Spencer Wolf. Since then Swart has established himself as a reporter with a deep knowledge of the community. He published the\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003ePortland Sentinel, \u003c\/em\u003e\u003cspan\u003ea community newspaper and hyperlocal website that covered St. Johns, North, and Northeast Portland, for five years. He has worked on staff at the state’s largest newspaper, \u003c\/span\u003e\u003cem\u003eThe Oregonian\u003c\/em\u003e\u003cspan\u003e, the state’s largest television station, KGW NewsChannel 8, and was director of content during the startup of the web-based news platform GoLocalPDX.com. Swart volunteers his time to the project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Priced Out

Priced Out

$295.00

Directed by: Cornelius Swart Released: 2018 (educational) Year of Production: 2016 Running Time: 63 min  Language: English Closed Captioned Subjects: Urban Studies,  Human Rights, African-American Studies, Gentrification   15 years of gentrification in Portland, Oregon     What does the word gentrification make you feel? "Pain." ...


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The Food Cure

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{"id":693769011227,"title":"The Food Cure","handle":"the-food-cure","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sarah Mabrouk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Alex Wadouh\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 105\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, German, French\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes English SDH \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health,  Science \u0026amp; Nature, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnvironmental Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WH3HX76jhCI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSYNOPSIS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSix cancer patients make an unusual choice when faced with a bad prognosis and little chance of recovery: They decide to face the disease with their forks. An arduous but hopeful 5-year journey through unchartered territory ensues as the patients, ranging in age from a baby to a 70-year-old man, attempt to eat and juice their way back to health.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe capability of plants to prevent and cure illness is an ancient idea and central to medicine in both Eastern and Western traditions. But can food alone fight the deadliest disease of our era? Balanced, object, and intimate, THE FOOD CURE documents the personal struggles, formidable odds, and the arsenal of organic produce that accompanies these ordinary individuals in their extraordinary battles with cancer.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2018-09-10_at_4.13.48_PM_large.png?v=1536621327\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES EXPERTS INCLUDING\u003cbr\u003e\u003cbr\u003eDr. Jeffrey White \u003c\/strong\u003e \u003cbr\u003eDirector of the Office of Cancer Complementary and Alternative Medicine, National Cancer Institute\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Valter Longo \u003c\/strong\u003e\u003cbr\u003eProfessor of Gerontology and Cancer Research at USC, Edna Jones Chair of Biogerontology, and Head of Longevity Institute\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Terry Mason \u003c\/strong\u003e\u003cbr\u003eChief Medical Officer, Former Chicago Public Health Commissioner\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeata Bishop\u003c\/strong\u003e\u003cbr\u003eFormer BBC Journalist, former Stage IV Melanoma patient, Author of  ‘A Time to Heal’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Alexander\u003c\/strong\u003e\u003cbr\u003eGovernment health policy advisor, Australia\u003c\/p\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eMORE ABOUT THE FILM\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eWhen faced with a cancer diagnosis and a bad prognosis with conventional treatments, what would you do? In the documentary film THE FOOD CURE, six cancer patients make an unusual choice at this junction. Feeling they have little to lose, the patients pin their hopes on controversial nutritional cancer treatments based on a stringent, plant-based diet and a draconian juicing schedule.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e In following the patients’ stories over more than five years – the point at which cancer patients are recorded as survivors in most statistics – filmmaker Sarah Mabrouk treads virgin ground in taking such an in-depth and long term look at what it is like to use nutritional approaches to treat serious, potentially fatal diseases. Shedding much-needed light on the important and increasingly prevalent topic of food as medicine, the film does not shy away from showing some of the more disturbing consequences of this choice. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003ePeople say “you are what you eat”, but is the power of food so great that it could actually cure cancer? Upon their return from the clinics, the protagonists face intense challenges at home, where they are expected to continue the therapy on their own for at least two years. Confronted with disapproving doctors, concerned family members, financial troubles, and the constant temptation to tinker with the dauntingly strict diet, they nevertheless attempt to adhere to their unconventional plan, which they see as their last chance. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe principle behind the alternative therapies they choose is that the body’s own immune system - when fully functional – can effectively detect and kill cancer cells. By restoring and boosting the immune system through strict diet and detoxification, the theory is that the cancer patient’s immune system can be revitalized, therefore resuming its job of selectively destroying cancer cells without harming any other cells. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThis concept, once frowned upon by the medical establishment, is similar to the idea behind cutting-edge new immunotherapy drugs that are being heralded as the future in cancer medicine. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eDo unusual holistic approaches and high-tech medicine have more common ground than one might think? Could a cure for cancer really be hidden in our immune systems - and in our food? \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe film raises important questions about the nature of our food and medical systems, and about the role that lifestyle and nutrition can play in the prevention and treatment of chronic diseases. Providing a rare inside look into the challenges, accomplishments, and disappointments that go hand in hand with swimming against the stream, THE FOOD CURE tells an engaging story about what it is like to make a leap of faith when your life is at stake. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eABOUT THE FILMMAKERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSara Mabrouk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"row sqs-row\" id=\"yui_3_17_2_1_1536619829402_407\"\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-7cecb6bf8ef2a417d66c\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eDirector\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e| Sarah Mabrouk holds degrees in journalism and film, and spent ten years working in news, primarily in Europe and the Middle East. She reported on the Iraq war, the Lebanon war, the conflict in Israel\/Palestine, the Arab Spring, and Iran. Within the news world, Sarah has worked as a reporter, producer, speaker, camerawoman, production manager, and writer for press agencies, television, and radio. Her clients have included Associated Press, BBC, CNN, Gamma, France 24, Abaca, Agencia EFE, and ZDF. Sarah grew up in Washington, D.C. and speaks fluent English, Arabic, German, French, and Spanish.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row sqs-row\" id=\"yui_3_17_2_1_1536619829402_429\"\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-89432523dcc9edfeddb2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eAlexander Wadouh \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e| Alexander Wadouh heads the Berlin-based production company Chromosom Film GmbH. His films, including A Coffee in Berlin (distributed in the US) and White Shadow (executive produced by Ryan Gosling), have won more than 50 international awards, among them six German Academy Awards, a European Film Award, the prestigious Dino de Laurentiis Award in Venice. They were sold to more than 30 territories.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-10T12:06:28-07:00","created_at":"2018-03-12T14:23:37-07:00","vendor":"Sarah Mabrouk","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6470394445851,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"TFC-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Food Cure - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with 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PPR)","option2":null,"option3":null,"sku":"TFC-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Food Cure - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TFC_Final_Poster.png?v=1533767903","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/00033r.jpg?v=1533768927","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Marie_inject.jpg?v=1533768930","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MVI_4722.jpg?v=1533768933"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TFC_Final_Poster.png?v=1533767903","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sarah Mabrouk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by:\u003c\/strong\u003e Alex Wadouh\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 105\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, German, French\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes English SDH \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003ePhysical and Mental Health,  Science \u0026amp; Nature, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnvironmental Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WH3HX76jhCI\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSYNOPSIS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSix cancer patients make an unusual choice when faced with a bad prognosis and little chance of recovery: They decide to face the disease with their forks. An arduous but hopeful 5-year journey through unchartered territory ensues as the patients, ranging in age from a baby to a 70-year-old man, attempt to eat and juice their way back to health.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe capability of plants to prevent and cure illness is an ancient idea and central to medicine in both Eastern and Western traditions. But can food alone fight the deadliest disease of our era? Balanced, object, and intimate, THE FOOD CURE documents the personal struggles, formidable odds, and the arsenal of organic produce that accompanies these ordinary individuals in their extraordinary battles with cancer.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2018-09-10_at_4.13.48_PM_large.png?v=1536621327\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES EXPERTS INCLUDING\u003cbr\u003e\u003cbr\u003eDr. Jeffrey White \u003c\/strong\u003e \u003cbr\u003eDirector of the Office of Cancer Complementary and Alternative Medicine, National Cancer Institute\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Valter Longo \u003c\/strong\u003e\u003cbr\u003eProfessor of Gerontology and Cancer Research at USC, Edna Jones Chair of Biogerontology, and Head of Longevity Institute\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. Terry Mason \u003c\/strong\u003e\u003cbr\u003eChief Medical Officer, Former Chicago Public Health Commissioner\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeata Bishop\u003c\/strong\u003e\u003cbr\u003eFormer BBC Journalist, former Stage IV Melanoma patient, Author of  ‘A Time to Heal’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Alexander\u003c\/strong\u003e\u003cbr\u003eGovernment health policy advisor, Australia\u003c\/p\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eMORE ABOUT THE FILM\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eWhen faced with a cancer diagnosis and a bad prognosis with conventional treatments, what would you do? In the documentary film THE FOOD CURE, six cancer patients make an unusual choice at this junction. Feeling they have little to lose, the patients pin their hopes on controversial nutritional cancer treatments based on a stringent, plant-based diet and a draconian juicing schedule.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e In following the patients’ stories over more than five years – the point at which cancer patients are recorded as survivors in most statistics – filmmaker Sarah Mabrouk treads virgin ground in taking such an in-depth and long term look at what it is like to use nutritional approaches to treat serious, potentially fatal diseases. Shedding much-needed light on the important and increasingly prevalent topic of food as medicine, the film does not shy away from showing some of the more disturbing consequences of this choice. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003ePeople say “you are what you eat”, but is the power of food so great that it could actually cure cancer? Upon their return from the clinics, the protagonists face intense challenges at home, where they are expected to continue the therapy on their own for at least two years. Confronted with disapproving doctors, concerned family members, financial troubles, and the constant temptation to tinker with the dauntingly strict diet, they nevertheless attempt to adhere to their unconventional plan, which they see as their last chance. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe principle behind the alternative therapies they choose is that the body’s own immune system - when fully functional – can effectively detect and kill cancer cells. By restoring and boosting the immune system through strict diet and detoxification, the theory is that the cancer patient’s immune system can be revitalized, therefore resuming its job of selectively destroying cancer cells without harming any other cells. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThis concept, once frowned upon by the medical establishment, is similar to the idea behind cutting-edge new immunotherapy drugs that are being heralded as the future in cancer medicine. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eDo unusual holistic approaches and high-tech medicine have more common ground than one might think? Could a cure for cancer really be hidden in our immune systems - and in our food? \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe film raises important questions about the nature of our food and medical systems, and about the role that lifestyle and nutrition can play in the prevention and treatment of chronic diseases. Providing a rare inside look into the challenges, accomplishments, and disappointments that go hand in hand with swimming against the stream, THE FOOD CURE tells an engaging story about what it is like to make a leap of faith when your life is at stake. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eABOUT THE FILMMAKERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSara Mabrouk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"row sqs-row\" id=\"yui_3_17_2_1_1536619829402_407\"\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-7cecb6bf8ef2a417d66c\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eDirector\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e| Sarah Mabrouk holds degrees in journalism and film, and spent ten years working in news, primarily in Europe and the Middle East. She reported on the Iraq war, the Lebanon war, the conflict in Israel\/Palestine, the Arab Spring, and Iran. Within the news world, Sarah has worked as a reporter, producer, speaker, camerawoman, production manager, and writer for press agencies, television, and radio. Her clients have included Associated Press, BBC, CNN, Gamma, France 24, Abaca, Agencia EFE, and ZDF. Sarah grew up in Washington, D.C. and speaks fluent English, Arabic, German, French, and Spanish.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row sqs-row\" id=\"yui_3_17_2_1_1536619829402_429\"\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-89432523dcc9edfeddb2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eAlexander Wadouh \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e| Alexander Wadouh heads the Berlin-based production company Chromosom Film GmbH. His films, including A Coffee in Berlin (distributed in the US) and White Shadow (executive produced by Ryan Gosling), have won more than 50 international awards, among them six German Academy Awards, a European Film Award, the prestigious Dino de Laurentiis Award in Venice. They were sold to more than 30 territories.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
The Food Cure

The Food Cure

$295.00

Directed by: Sarah Mabrouk Produced by: Alex Wadouh Released: 2018 (educational) Year of Production: 2018 Running Time: 105 min  Language: English, German, French Accessibility: Includes English SDH  Subjects: Physical and Mental Health,  Science & Nature,  Environmental Studies     SYNOPSIS   Six cancer patients make an u...


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