{"title":"Restoration","description":"","products":[{"product_id":"leila-and-the-wolves","title":"Leila and the Wolves","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/several.webp?v=1762202946\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e\u003cspan\u003e Heiny Srour\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1984\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003eArabic\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e Middle Eastern Studies, Women Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e       \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YQw5x__CMq0?si=QtPI6_qSi94wIgwK\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e         \u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center has-small-font-size\"\u003e\u003cem\u003eDrawing on the Arab heritage of the ‘Arabian Nights’, \u003c\/em\u003e\u003cstrong\u003eLeila and the Wolves\u003c\/strong\u003e\u003cem\u003e combines fictional drama, archival footage, fantasy sequences, mosaic pattern, to refute the colonial and male dominated version of history. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center has-small-font-size\"\u003eLeila travels across time and space to explore the collective memory of Arab women in Palestine and Lebanon and their hidden role in historical events.\u003c\/p\u003e\n\u003cp\u003e                               \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e\u003cstrong\u003eOfficial Selection at the 2021 La Biennale di Venezia\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e                   \u003cspan style=\"font-size: 0.875rem;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Feminist masterwork.”\u003cbr\u003e–The Guardian\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e         \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e        \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eHeiny Srour is a Lebanese film director. She is best known for being the first female Arab filmmaker to have a film chosen for the Cannes Film Festival. Srour advocated for women's rights through her films, her writing, and by funding other filmmakers.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\u003cspan\u003e       \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\n\u003cspan\u003e      \u003c\/span\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heiny Srour","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48722411618612,"sku":"LEILA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48722411651380,"sku":"LEILA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48722411684148,"sku":"LEILA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Leilaposter.jpg?v=1753226063"},{"product_id":"underground","title":"Underground","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eEmile De Antionio \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1976\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e87 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/search\/title\/?title_type=feature\u0026amp;primary_language=en\u0026amp;sort=moviemeter%2Casc\u0026amp;ref_=tt_dt_ln\" aria-disabled=\"false\" class=\"ipc-metadata-list-item__list-content-item ipc-metadata-list-item__list-content-item--link\" tabindex=\"0\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/549366522?h=6ce07e932c\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003ePortrays the life of the Weather Underground Organization, which was near the top of the FBI’s Most Wanted list in the 1970s. The film juxtaposes interviews with the Underground collective with footage of the radical political movements of the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e   \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the Filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\" role=\"presentation\"\u003e\n\u003cdiv class=\"ipc-html-content-inner-div\" role=\"presentation\"\u003eThe son of a wealthy physician, Emile de Antonio grew up in the tough coal-mining town of Scranton, Pennsylvania, and it made a deep impression on him. His sympathies were always with working-class people (although he was a Harvard graduate, he was at times a dock worker, a peddler, the captain of a river barge and a broker in war-surplus equipment), and his documentaries are decidedly Marxist in philosophy. His most famous film is probably \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"https:\/\/www.imdb.com\/title\/tt0058481\/?ref_=nmbio_mbio\"\u003ePoint of Order! (1964)\u003c\/a\u003e, about the Army-McCarthy hearings ten years previously, but his most controversial films would be \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"https:\/\/www.imdb.com\/title\/tt0067431\/?ref_=nmbio_mbio\"\u003eMillhouse (1971)\u003c\/a\u003e, a scathing indictment of then-President \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"https:\/\/www.imdb.com\/name\/nm0633271\/?ref_=nmbio_mbio\"\u003eRichard Nixon\u003c\/a\u003e, and \u003ca class=\"ipc-md-link ipc-md-link--entity\" href=\"https:\/\/www.imdb.com\/title\/tt0064482\/?ref_=nmbio_mbio\"\u003eIn the Year of the Pig (1968)\u003c\/a\u003e, a radically left-wing perspective on the Vietnam War.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\u003cspan\u003e        \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Emile De Antionio","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48915492372788,"sku":"UNDER-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48915492405556,"sku":"UNDER-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48915492438324,"sku":"UNDER-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/under.jpg?v=1760142763"},{"product_id":"no-sad-songs","title":"No Sad Songs","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eNik Sheehan\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1985\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e60 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/search\/title\/?title_type=feature\u0026amp;primary_language=en\u0026amp;sort=moviemeter%2Casc\u0026amp;ref_=tt_dt_ln\" aria-disabled=\"false\" class=\"ipc-metadata-list-item__list-content-item ipc-metadata-list-item__list-content-item--link\" tabindex=\"0\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e American Studies, Queer Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/537419788?h=3b93bea760\" title=\"vimeo-player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\"\u003eThe first Canadian film on the subject of AIDS. In 1985-86 it was featured in festivals and theatres around the world. \"No Sad Songs\" attracted much critical attention for its sardonic dramatic performances which are interwoven throughout the documentary footage. The film centres on Jim Black, 37, and his views on the premature death in store for him. Catherine Hunt, who has a brother in the U.S. with the illness, speaks with remarkable emotion of the values such a crisis brings out in families and friends.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAn important film to document the Toronto gay community as the AIDS tide was sweeping over it, \"No Sad Songs\" reaches to understand a little bit about death. Despite its sad subject matter, however, the film has considerable humour and warmth. As it deals with the moral and emotional side of AIDS, as opposed to the medical, the film remains highly relevant. \"No Sad Songs\" was co-produced by the AIDS Committee of Toronto and is narrated by Kate Reid.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e   \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the Filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\" role=\"presentation\"\u003e\n\u003cdiv class=\"ipc-html-content-inner-div\" role=\"presentation\"\u003e\u003cspan\u003eNik Sheehan is a Canadian documentary filmmaker, who established an international reputation with No Sad Songs, the first major documentary on AIDS. The film cited by world-renowned specialist Dr. Balfour Mount as \"the best film on the planet this year\".\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003e\u003cspan\u003e        \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nik Sheehan","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48917021557044,"sku":"NSS-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48917021589812,"sku":"NSS-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48917021622580,"sku":"NSS-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/NSSposter.jpg?v=1760378078"},{"product_id":"rush-to-judgement","title":"Rush to Judgement","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eEmile De Antionio \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1966\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e124 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003c\/span\u003e\u003ca class=\"ipc-metadata-list-item__list-content-item ipc-metadata-list-item__list-content-item--link\" aria-disabled=\"false\" href=\"https:\/\/www.imdb.com\/search\/title\/?title_type=feature\u0026amp;primary_language=en\u0026amp;sort=moviemeter%2Casc\u0026amp;ref_=tt_dt_ln\" tabindex=\"0\"\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003e American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/840944095?h=f578110f63\" title=\"vimeo-player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn 1966, the documentary \"Rush to Judgment\" presented for the first time a simple, concise legal argument that the Warren Commission was hiding something, suggesting a broader conspiracy. Lee Harvey Oswald could not have single-handedly killed President John F. Kennedy. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDirector Emile de Antonio and lawyer Mark Lane recorded unpolished, first-hand interviews from witnesses with direct proximity to the murders–but who were not given a platform in the official inquiry. For a subject that has been rehashed and sensationalized so many times in the intervening 60 years, this documentary brings fresh clarity and presents a cool-headed argument that is untouched by time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e   \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the Filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\"\u003e\n\u003cdiv role=\"presentation\" class=\"ipc-html-content-inner-div\"\u003eThe son of a wealthy physician, Emile de Antonio grew up in the tough coal-mining town of Scranton, Pennsylvania, and it made a deep impression on him. His sympathies were always with working-class people (although he was a Harvard graduate, he was at times a dock worker, a peddler, the captain of a river barge and a broker in war-surplus equipment), and his documentaries are decidedly Marxist in philosophy. His most famous film is probably \u003ca href=\"https:\/\/www.imdb.com\/title\/tt0058481\/?ref_=nmbio_mbio\" class=\"ipc-md-link ipc-md-link--entity\"\u003ePoint of Order! (1964)\u003c\/a\u003e, about the Army-McCarthy hearings ten years previously, but his most controversial films would be \u003ca href=\"https:\/\/www.imdb.com\/title\/tt0067431\/?ref_=nmbio_mbio\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMillhouse (1971)\u003c\/a\u003e, a scathing indictment of then-President \u003ca href=\"https:\/\/www.imdb.com\/name\/nm0633271\/?ref_=nmbio_mbio\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRichard Nixon\u003c\/a\u003e, and \u003ca href=\"https:\/\/www.imdb.com\/title\/tt0064482\/?ref_=nmbio_mbio\" class=\"ipc-md-link ipc-md-link--entity\"\u003eIn the Year of the Pig (1968)\u003c\/a\u003e, a radically left-wing perspective on the Vietnam War.\u003c\/div\u003e\n\u003c\/div\u003e\n      \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv class=\"ipc-html-content ipc-html-content--base ipc-metadata-list-item-html-item\" role=\"presentation\"\u003e\n\u003cdiv class=\"ipc-html-content-inner-div\" role=\"presentation\"\u003e\u003cspan\u003e        \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Emile De Antionio","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48917034893620,"sku":"RUSH-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48917034926388,"sku":"RUSH-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48917034959156,"sku":"RUSH-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/rushposter.png?v=1760378718"},{"product_id":"cain-and-abel","title":"Cain and Abel","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLino Brocka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1982\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e112 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dmM0gMkkkHI?si=GS_FEh8tpmJLokvF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFirstborn Lorens (Phillip Salvador) toils the land by buffalo while Ellis (Christopher de Leon), the apple of his mother's eye, is given a university education in Manila. When the latter returns to the family’s hacienda with a metropolitan fiancée in tow (Carmi Martin), the domineering Señora Pina (Mona Lisa) immediately disapproves. Looking to reassert her influence, she asks her youngest to name his inheritance. Ellis claims the land – which sparks a family feud that invites tragedy and boils over into all-out filial war.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePenned by the prolific screenwriter Ricardo “Ricky” Lee and directed by Lino Brocka on the heels of masterpieces such as \u003c\/span\u003e\u003cem\u003eWeighed But Found Wanting\u003c\/em\u003e\u003cspan\u003e (1974), \u003c\/span\u003e\u003cem\u003eManila in the Claws of Light\u003c\/em\u003e\u003cspan\u003e (1975) and \u003c\/span\u003e\u003cem\u003eInsiang\u003c\/em\u003e\u003cspan\u003e (1976) – the first Filipino film to play at the Cannes Festival – \u003c\/span\u003e\u003cem\u003eCain and Abel\u003c\/em\u003e\u003cspan\u003e is a powerful examination of the landed class and its frontier justice. Part high-pitched melodrama; part allegory for the rampant bellicosity of the Philippines under Ferdinand Marcos; part timeless Biblical retelling, with nods to Sam Peckinpah’s 1971 \u003c\/span\u003e\u003cem\u003eStraw Dogs\u003c\/em\u003e\u003cspan\u003e, Brocka’s lush actioner is a powerful introduction to the pulpier side of the National Artist of the Philippines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIntense, searing visions of life, death, sex, and struggle on the mean streets of Manila, the films of preeminent Filipino auteur Lino Brocka fuse feverish melodrama with hard-hitting social and political commentary. His films—including defining works of Filipino cinema like the gritty urban nightmare MANILA IN THE CLAWS OF LIGHT, the shattering revenge drama INSIANG, and the blistering action thriller CAIN AND ABEL—scorch the screen with raw emotion and righteous anger at class inequality, sexual violence, and the pervasive corruption of the Marcos era.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lino Brocka","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935719141684,"sku":"CAIN-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935719174452,"sku":"CAIN-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935719207220,"sku":"CAIN-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/cainposter.webp?v=1762207828"},{"product_id":"robinsons-garden","title":"Robinson's Garden","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eMasashi Yamamoto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1987\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e119 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XYAy4sbnco0?si=8oC2nn4axuDctoXc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOn a drunken walk home, bohemian drug-dealer Kumi (Kumiko Ota) discovers an abandoned building on the outskirts of Tokyo. Attracted by the vast and untapped space rampant with luxuriant vegetation, she promptly sells all of her belongings and retreats from the world. She carves an island out of the concrete squat and wiles her days away growing cabbage and expressing herself in any way she pleases. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003eFollowing his gonzo hachimiri (8mm) debut SAINT TERRORISM (1980) and the memorable CARNIVAL IN THE NIGHT (1981), Masashi Yamamoto offers his defining punk statement. Winner of a Special Mention at the 1987 Locarno International Film Festival, ROBINSON'S GARDEN is a rare, radical vision of a marginal, multicultural Tokyo. Think Punk Rock rather than City Pop (the soundtrack features Jagatara, Hamza El Din, and Yoichiro Yoshikawa), this film offers a stark contrast to the sights of financial prosperity brought forth by the films of the Economic Bubble era. Lensed by Tom DiCillo (LIVING IN OBLIVION, JOHNNY SUEDE), it instead shares much in common with the No Wave films the cinematographer pioneered alongside Jim Jarmusch (STRANGER THAN PARADISE). An unsung, anticapitalist masterwork.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMasashi Yamamoto was born on 24 January 1956 in Oita, Japan. He is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0095999\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRobinson's Garden (1987)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt13403572\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eWonderful Paradise (2020)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt1236242\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMan, Woman and the Wall (2006)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masashi Yamamoto","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935728447796,"sku":"ROBI-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935728480564,"sku":"ROBI-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935728513332,"sku":"ROBI-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/robiposter.jpg?v=1762209549"},{"product_id":"whats-up-connection","title":"What's Up Connection","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eMasashi Yamamoto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1990\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e121 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese, Chinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gR8t5ob2ZuE?si=p4K3hERJhsOAIrvI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWhen Hong Kong teenager Chi Gau Shin (Tse Wai Kit, \u003c\/span\u003e\u003cem\u003eSchool on Fire\u003c\/em\u003e\u003cspan\u003e) wins a trip to Japan, he unleashes a chain of events that will soon bring him from the secluded fishing village of Po Toi O to Tokyo, by way of Kamagasaki – the so-called slums of Osaka. On the way, he connects with a barely competent tour guide named Kumi and the shapeshifting, loud-mouthed and loveable thief Akane. Upon returning home with this merry band of schemers, Gau Shin finds his family of resourceful counterfeiters on the verge of expropriation. A multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMasashi Yamamoto one-ups \u003c\/span\u003e\u003cem\u003eRobinson's Garden\u003c\/em\u003e\u003cspan\u003e (1987) with the go-for-broke ambition of \u003c\/span\u003e\u003cem\u003eWhat's Up Connection\u003c\/em\u003e\u003cspan\u003e: a rare bilingual Japan-Hong Kong coproduction that unfolds as part unhinged globalization mini-epic, fringe documentary and portrait of a crazy family (the “Chi” of the Chi family a homonym for “crazy” in Cantonese). A breathless, kaleidoscopic evocation of a specific pan-Asian cultural experience as the 1990s drew near, \u003c\/span\u003e\u003cem\u003eWhat's Up Connection\u003c\/em\u003e\u003cspan\u003e has it all: Hongkongers looking to Japan for shopping and recreation; Japanese looking to Hong Kong for investment and opportunity – and the gangsters, hackers, thieves and Taoist priests stuck in-between it all. Scored by avant-garde trumpeter Toshinori Kondo, here is a lively film that bursts at the seams with possibility and brings Yamamoto’s project – of capturing beauty and resilience in the margins of capital – to its maximalist apex.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMasashi Yamamoto was born on 24 January 1956 in Oita, Japan. He is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0095999\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRobinson's Garden (1987)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt13403572\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eWonderful Paradise (2020)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt1236242\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMan, Woman and the Wall (2006)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masashi Yamamoto","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935729496372,"sku":"WUC-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935729529140,"sku":"WUC-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935729561908,"sku":"WUC-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WUCposter.jpg?v=1762209977"},{"product_id":"spacked-out","title":"Spacked Out","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eLawrence Lau\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2000\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eChinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Grr-8DVhhho?si=0VK-iRMBuhrJL4CB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the godforsaken satellite city of Tuen Mun, 13-year-old Cookie suspects she's pregnant. Lately things have not been going her way. Her mother left; her father ignores her; her best friend is in reform school; and her boyfriend Is off selling bootleg VCDs in bustling Mong Kok. Flanked by her ride-or-dies Banana, Sissy and Bean Curd, she journeys into town to find an abortionist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDirector Lawrence Lau updates his 1988 debut \u003c\/span\u003e\u003cem\u003eGangs\u003c\/em\u003e\u003cspan\u003e—a shocking account of underage Triads— with an all-girls cast surviving on the lowest rungs of gang-life after the bosses have long gone legit... Swimming in turn-of-century malaise, this Category Ill youth drama offers a slice of urban grime as our quartet, who can only rely on themselves, navigate drug abuse, bad boyfriends and library books way past their due dates. Produced by Johnnie To (\u003c\/span\u003e\u003cem\u003eElection\u003c\/em\u003e\u003cspan\u003e) and written by Lo Chi-leung (\u003c\/span\u003e\u003cem\u003eViva Erotica\u003c\/em\u003e\u003cspan\u003e).\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLawrence Ah Mon or Lawrence Lau Kwok Cheong (劉國昌) (born 1949) is a \u003c\/span\u003e\u003cb\u003eHong Kong film director\u003c\/b\u003e\u003cspan\u003e. His films are notable for their exploration of people on the fringes of society, such as Gangs (1988), Spacked Out (2000), Gimme Gimme (2001) and City Without Baseball (2008).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lawrence Lau","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48935733362996,"sku":"SPACK-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48935733395764,"sku":"SPACK-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48935733428532,"sku":"SPACK-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/spackposter.jpg?v=1762210750"},{"product_id":"will-your-heart-beat-faster","title":"Will Your Heart Beat Faster?","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMike De Leon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1980\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e106 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VGOfF2MTgCY?si=Ehj50ZBvLKVFCd5q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eConcerned that the audience might mistake the film’s nuns for real ones, \u003c\/span\u003e\u003cem\u003eWill Your Heart Beat Faster?\u003c\/em\u003e\u003cspan\u003e begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (\u003c\/span\u003e\u003cem\u003eKisapmata\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eBatch ’81\u003c\/em\u003e\u003cspan\u003e) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMike De Leon, the producer and cinematographer of Lino Brocka’s haunting masterpiece \u003c\/span\u003e\u003cem\u003eManila in the Claws of Light\u003c\/em\u003e\u003cspan\u003e (1975), is one of Filipino cinema’s most fiercely political and dramatic storytellers in his own right. This complete retrospective, the first ever presented in North America, brings together all of De Leon’s feature films and shorts as a writer and director. De Leon’s films are presented alongside some of the few surviving classic melodramas, musicals, costume dramas, and noir films of the 1930s–’60s to come out of the greatest of all Filipino studios, LVN Pictures, which was founded in 1938 by De Leon’s grandmother Doña Sisang. Inspired by this storied history of popular moviemaking in the Philippines—one he experienced firsthand as a child on the LVN studio lot—as well as by Hollywood and European cinema, De Leon’s own films mix the genres of melodrama, crime, supernatural horror, slapstick comedy, and the musical with blisteringly critical stances toward his country’s history of corruption and cronyism, state-sponsored violence, feudalist exploitation, and populist machismo: the festering legacies of the nation’s colonial past made even more purulent by the dictatorships of Ferdinand Marcos and Rodrigo Duterte. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike De Leon","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48938256171316,"sku":"WYHBF-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48938256204084,"sku":"WYHBF-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48938256236852,"sku":"WYHBF-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/will-your-heart-beat-fasterposter.jpg?v=1762383979"},{"product_id":"beijing-watermelon","title":"Beijing Watermelon","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eNobuhiko Obayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1989\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e135 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IQwcp6mMeGI?si=S05wNPQKHX6ao74U\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eShunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShot between May-July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (\u003c\/span\u003e\u003cem\u003eHouse\u003c\/em\u003e\u003cspan\u003e) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, \u003c\/span\u003e\u003cem\u003eBeijing Watermelon\u003c\/em\u003e\u003cspan\u003e finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNobuhiko Obayashi (January 9, 1938 – April 10, 2020) was a Japanese director, screenwriter and editor of films and television advertisements who is well known for his surreal visual style. He began his career as a pioneering figure in Japanese experimental film during the 1960s before transitioning to directing more mainstream works such as television and feature films. Though he remains mostly unknown outside of Japan, he has made a prolific number of films in his 50 years of working with the medium.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nobuhiko Obayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48938284679476,"sku":"BEIJING-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48938284712244,"sku":"BEIJING-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48938284745012,"sku":"BEIJING-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/beijingposter.jpg?v=1762385353"},{"product_id":"my-heart-is-that-eternal-rose","title":"My Heart is That Eternal Rose","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003ePatrick Tam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1989\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e91 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Chinese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JvU9Nt67zko?si=i_GNfJvWNCA7jPDY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe idyllic, beach-side life of a retired Triad boss, his daughter Lap (Joey Wong) and her boyfriend Rick (Kenny Bee), shatters when a mob favor turns into a bloody shootout. Trading her freedom for her father’s, Lap becomes mistress to Godfather Shen, while Rick goes into exile. Years later, as Shen unknowingly hires Rick as a hitman, Lap sees her chance at escape, while doe-eyed Triad gofer (Tony Leung) completes the doomed quadrangle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDirected by the foremost stylist of the Hong Kong New Wave (and a mentor to Wong Kar-Wai), \u003c\/span\u003e\u003cem\u003eMy Heart Is That Eternal Rose\u003c\/em\u003e\u003cspan\u003e is the apotheosis of Patrick Tam’s time within the strictures of the Hong Kong mainstream. Fulfilling commercial requirements while elevating formula with a lush sense of style, it sings with the painterly cinematography of Christopher Doyle and David Chung as Tam’s dream-like direction bridges the distance between the bullet ballets of a John Woo and the festering darkness of a David Lynch. It is the blue jewel in the crown of the Hong Kong heroic bloodshed sub-genre, shining bright to this day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA native of Guangdong, in 1967 he joined TVB as a cinematographer. In 1975, he became a director and a scriptwriter, and made the well-known artistic dramas such as ''CID'' and ''Seven Women''. One of the episodes titles ''The Star Map'' in his TV work ''Wonderfun'' even won the Silver Medal in International Film and TV Festival of New York. In the same year, Tan was sent by TVB to San Francisco, the United States, to further study the techniques of film-making and editing. In 1977, he left TVB to become a film director. His works ''The Sword'', ''Love Massacre'' and ''Nomad'' were characterized by an innovative usage of the film language, and assured Tan's position as one of the representatives of Hong Kong New Wave Directors. Tan has been concentrating on film editing most recently. He won the Best Editing Awards in the 28th and 31st Golden Horse Awards with ''Days of Being Wild'' and ''Ashes of Time'' respectively, both directed by Wong Kar-Wai. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Patrick Tam","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48938668294452,"sku":"MHITER-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48938668327220,"sku":"MHITER-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48938668359988,"sku":"MHITER-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/mhiterposter.jpg?v=1762399522"},{"product_id":"bona","title":"Bona","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLino Brocka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1980\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Hz7hUWjXfdk?si=huRZimiQuEXh8l2i\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eBona (Nora Aunor), a middle-class girl from the Philippines, is obsessed with Gardo (Philip Salvador), a bit actor in low-budget films. When she decides to drop out of school to follow the object of her infatuation, her furious father casts her out and Bona moves in with the actor in the Manila slums. At first delighted to play house, the young woman soon finds herself not the wife, but rather the maid — at the mercy of Gardo’s every whim and desire, yet intent on enduring his unending parade of conquests, in the hopes of finally being seen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by its iconic superstar Nora Aunor as a subversion of her own fame at the time, and brought to life through Lino Brocka’s (\u003c\/span\u003e\u003cem\u003eCain and Abel\u003c\/em\u003e\u003cspan\u003e) trademark blend of high stakes melodrama and keenly observed social realism, \u003c\/span\u003e\u003cem\u003eBona\u003c\/em\u003e\u003cspan\u003e is a masterpiece of Filipino cinema. It unfolds as a troubling character study at the intersection of fandom, sexuality and martyrdom, in a country where fanaticism, both political, pop cultural and religious, remain driving societal forces. After premiering at the 1981 Directors’ Fortnight at the Cannes Film Festival and long thought lost thereafter, \u003c\/span\u003e\u003cem\u003eBona\u003c\/em\u003e\u003cspan\u003e makes its triumphant return in a new 4K restoration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A well-known opponent of the dictatorship of Ferdinand and Imelda Marcos, Brocka had his own agenda. A film about a star-struck naïf in thrall to a tawdry strongman had another meaning for those who chose to see it.\" - \u003c\/span\u003e\u003cem\u003eJ. Hoberman, New York Times\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Grabs and shakes with both hands patriarchal power high and low and the (im)moral order that goes with it\" - \u003c\/span\u003e\u003cem\u003eRichard Brody\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIntense, searing visions of life, death, sex, and struggle on the mean streets of Manila, the films of preeminent Filipino auteur Lino Brocka fuse feverish melodrama with hard-hitting social and political commentary. His films—including defining works of Filipino cinema like the gritty urban nightmare MANILA IN THE CLAWS OF LIGHT, the shattering revenge drama INSIANG, and the blistering action thriller CAIN AND ABEL—scorch the screen with raw emotion and righteous anger at class inequality, sexual violence, and the pervasive corruption of the Marcos era.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lino Brocka","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940605735220,"sku":"BONA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940605767988,"sku":"BONA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940605800756,"sku":"BONA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/bonaposter.jpg?v=1762546952"},{"product_id":"carnival-in-the-night","title":"Carnival in the Night","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003e\u003cspan\u003eMasashi Yamamoto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1981\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e101 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eJapanese, Chinese\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/f42pR5FzZJ4?si=t8nlh4jRcYxnkQUZ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOf a pair with his 8mm debut \u003c\/span\u003e\u003cem\u003eSaint Terrorism\u003c\/em\u003e\u003cspan\u003e, Masashi Yamamoto’s \u003c\/span\u003e\u003cem\u003ejishu-eiga\u003c\/em\u003e\u003cspan\u003e (self-produced) breakthrough \u003c\/span\u003e\u003cem\u003eCarnival in the Night\u003c\/em\u003e\u003cspan\u003e unfurls with a palpable sense of rage and abandon, capturing images of Shinjuku’s underground and transforming its DIY scene into a purgatorial and claustrophobic realm. Aspiring punk rocker and single mother Kumi (Kumiko Ohta) drops off her child with her ex-husband and the world is bled of colour as she hits town for one last bender. This begins a phantasmagorical journey of self-discovery and self-destruction; a pitch black look at the margins of society contrasted by a backhanded, yet no less poignant, reflection on responsibility and motherhood. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYamamoto’s film — shot in an hypnotizing vérité style — propels Kumi forward as she crosses path with a variety of addicts, sex workers, squatters and bomb-makers, her march ‘till dawn marked by senseless acts of violence. Anticipating the squatter’s eden depicted in \u003c\/span\u003e\u003cem\u003eRobinson’s Garden\u003c\/em\u003e\u003cspan\u003e (where Kumiko Ota returns as another version of herself) as well as the anti-capitalist global antics of \u003c\/span\u003e\u003cem\u003eWhat’s Up Connection\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eCarnival in the Night\u003c\/em\u003e\u003cspan\u003e also prefigures Japanese punk cinema classics such as Sogo Ishii’s \u003c\/span\u003e\u003cem\u003eBurst City\u003c\/em\u003e\u003cspan\u003e(1982) and Shinya Tsukamoto’s \u003c\/span\u003e\u003cem\u003eBullet Ballet\u003c\/em\u003e\u003cspan\u003e (1998). Restored from its original 16mm negatives, it is Masashi Yamamoto at his most anarchic and transgressive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"These are Yamamoto’s politics: to squat, to squander, and to soil reality. Whether anyone takes notice is beyond him; his unceasing state of resistance exists beyond society and blooms by virtue of its separation from its norms.\" — Nicolas Pedrero-Setzer, Screen Slate\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMasashi Yamamoto was born on 24 January 1956 in Oita, Japan. He is a director and writer, known for \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt0095999\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eRobinson's Garden (1987)\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt13403572\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eWonderful Paradise (2020)\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/www.imdb.com\/title\/tt1236242\/?ref_=nm_ov_bio_lk\" class=\"ipc-md-link ipc-md-link--entity\"\u003eMan, Woman and the Wall (2006)\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masashi Yamamoto","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48940606292276,"sku":"CARNI-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48940606325044,"sku":"CARNI-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48940606357812,"sku":"CARNI-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/carniposter.jpg?v=1762547408"},{"product_id":"karnal","title":"Karnal","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMarilou Diaz-Abaya\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1982\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e123 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nG9X-SN6Gfk?si=4DLPHYaGweEDqN6y\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA fork in the road brings Narcing (Phillip Salvador) back to his hometown of Mulawin, rumored to be located not so far from Hell. Freshly married, he arrives from Manila in the hopes of introducing his wife Puring (Cecille Castillo) to his relatives. Gusting (Vic Silayan), the family’s domineering patriarch, does not welcome the couple kindly. Still scarred by the suicide of wife, Gusting immediately resents his son for what he perceives as a betrayal: the loss of land-owning heritage to the vulgarity of city women. Spite mingles with jealousy, turning to something altogether more sinister when Narcing’s behavior begins mirroring that of his father who, in turn, begins noticing Puring’s uncanny resemblance to his wife.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing Brutal (1980) and Moral (1982), Marilou Diaz-Abaya closes her informal feminist trilogy with Karnal, a striking example of Filipino Gothic set in the 1930s. Inspired by a sordid true crime story, what begins as archetypal Filipino melodrama soon turns to horror: a Village of the Damned-inspired study of the places that turn people into monsters and of the cruel, feudalistic patriarchy that continues to have deadly repercussions for Philippines politics today. The latter is embodied brilliantly by Vic Silayan, on the heels of a similar, monstrous turn as a tyrannical father in Kisapmata (1981).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMarilou Diaz-Abaya was a film and television director and screenwriter. She  began her career in the 1980s and was  part of the generation that defined what  is today remembered as the “Second  Golden Age of Philippine Cinema.” Her first collaboration with screenwriter Ricky Lee was \u003ci\u003eBrutal \u003c\/i\u003e(1980).  They would go on to collaborate on half of her filmography. \u003ci\u003eBrutal \u003c\/i\u003ewas a box-office success and a  critically acclaimed work, for which she received her first Best Director award from the Metro Manila Film Festival  (MMFF).  \u003ci\u003eS\u003c\/i\u003ehe emerged as a bold experimenter of storytelling structure and a fierce creative protester of the harrowing plight of women in a male-dominated society. \u003ci\u003eMoral \u003c\/i\u003e(1982), was named  Outstanding Film of the Year by the British Film Institute.  \u003ci\u003eKarnal \u003c\/i\u003e(1983), received the Best Picture prizes at the MMFF and the Filipino Academy of Movie Arts and Sciences (FAMAS). It was also named one of the Ten Best Films of the Decade by the  Manunuri ng Pelikulang Pilipino. She directed television and gave the public a variety of shows. In 1997, she directed Rolando Tinio’s \u003ci\u003eMilagros\u003c\/i\u003e, which won ten awards at the  Gawad Urian, and the Manunuri ng Pelikulang Pilipino named it one of the best films of the decade. \u003ci\u003eSa Pusod ng Dagat \u003c\/i\u003e(1998), received the International Federation of  Film Critics\/Network for the Promotion of Asian Cinema Award at Singapore International  Film Festival. Her \u003ci\u003eJose Rizal \u003c\/i\u003eBest  Picture and Best Director, at the MMFF and FAMAS, and was named one of the best films of the decade by the Manunuri ng Pelikulang Pilipino.  \u003ci\u003eMuro-Ami \u003c\/i\u003e(1999), also won Best Picture and Best Director at the MMFF and FAMAS. \u003ci\u003eBagong Buwan \u003c\/i\u003e(2001) likewise won the Best Picture and Best Director prizes at FAMAS. She established the Asia Pacific Film Institute in 2005 and \u003c\/span\u003e\u003cspan\u003ethen the Marilou Diaz-Abaya Film Institute and Arts Center in 2007. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marilou Diaz-Abaya","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949086519604,"sku":"KARN-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949086552372,"sku":"KARN-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949086585140,"sku":"KARN-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/karnposter.jpg?v=1763520547"},{"product_id":"moral","title":"Moral","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMarilou Diaz-Abaya\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1983\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e157 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFour best friends are graduating from the University of the Philippines Diliman, their paths diverging in significant, if inevitable ways. Joey (Lorna Tolentino) bounces from lover to lover, couch to couch. Kathy (Gina Alajar), a mediocre singer, is intent on making it at all costs. Sylvia (Sandy Andolong) separates from her husband, while he sets up house with another man. Maritess (Anna Marin) gets married and sees her life reduced to the role of mother and housewife. Over the course of three years, the life of four friends intersects at the vanguard of wider societal changes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnhurried, rich with character development, and unlike any ensemble in international cinema, Moral, the midpoint film in Marilou Diaz-Abaya’s landmark feminist trilogy, is often considered one of the best Filipino films ever made. Miraculously restored from near-unsalvageable elements in 2017, it remains an essential film for its bold structure and epic portrait of womanhood in the time of Martial Law. From anti-Marcos resistance to American culture creeping to new values being put in practice, Moral is a novelistic examination of an evolving Philippines society heading into the 80s with updated definitions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMarilou Diaz-Abaya was a film and television director and screenwriter. She  began her career in the 1980s and was  part of the generation that defined what  is today remembered as the “Second  Golden Age of Philippine Cinema.” Her first collaboration with screenwriter Ricky Lee was \u003ci\u003eBrutal \u003c\/i\u003e(1980).  They would go on to collaborate on half of her filmography. \u003ci\u003eBrutal \u003c\/i\u003ewas a box-office success and a  critically acclaimed work, for which she received her first Best Director award from the Metro Manila Film Festival  (MMFF).  \u003ci\u003eS\u003c\/i\u003ehe emerged as a bold experimenter of storytelling structure and a fierce creative protester of the harrowing plight of women in a male-dominated society. \u003ci\u003eMoral \u003c\/i\u003e(1982), was named  Outstanding Film of the Year by the British Film Institute.  \u003ci\u003eKarnal \u003c\/i\u003e(1983), received the Best Picture prizes at the MMFF and the Filipino Academy of Movie Arts and Sciences (FAMAS). It was also named one of the Ten Best Films of the Decade by the  Manunuri ng Pelikulang Pilipino. She directed television and gave the public a variety of shows. In 1997, she directed Rolando Tinio’s \u003ci\u003eMilagros\u003c\/i\u003e, which won ten awards at the  Gawad Urian, and the Manunuri ng Pelikulang Pilipino named it one of the best films of the decade. \u003ci\u003eSa Pusod ng Dagat \u003c\/i\u003e(1998), received the International Federation of  Film Critics\/Network for the Promotion of Asian Cinema Award at Singapore International  Film Festival. Her \u003ci\u003eJose Rizal \u003c\/i\u003eBest  Picture and Best Director, at the MMFF and FAMAS, and was named one of the best films of the decade by the Manunuri ng Pelikulang Pilipino.  \u003ci\u003eMuro-Ami \u003c\/i\u003e(1999), also won Best Picture and Best Director at the MMFF and FAMAS. \u003ci\u003eBagong Buwan \u003c\/i\u003e(2001) likewise won the Best Picture and Best Director prizes at FAMAS. She established the Asia Pacific Film Institute in 2005 and \u003c\/span\u003e\u003cspan\u003ethen the Marilou Diaz-Abaya Film Institute and Arts Center in 2007. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marilou Diaz-Abaya","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949094154548,"sku":"MORAL-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949094187316,"sku":"MORAL-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949094220084,"sku":"MORAL-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/moralposter.jpg?v=1763522169"},{"product_id":"kisapmata","title":"Kisapmata","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eMike De Leon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1981\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e99 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L1kUR_s76-c?si=TXkLYF8yb1vq8I6k\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOne Sunday in November, Mila (Charo Santos) announces to her father Dadang (Vic Silayan), a retired police officer, that she is pregnant, asking for permission to marry her co-worker Noel (Jay Ilangan). The noose further tightens as Dadong's unreasonable expectations for a dowry are not met and he exhibits an increasingly authoritarian streak. The couple marries and soon, Mila's father begins a game of exclusion and manipulation in the hopes of reasserting control over his kin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBased on the true crime reportage \"The House on Zapote Street\" penned by Nick Joaquin, Mike De Leon's \u003c\/span\u003e\u003cem\u003eKisapmata\u003c\/em\u003e\u003cspan\u003e, beautifully restored in 4K by L'Immagine Ritrovata, is a stunning example of psychological horror; a film that meticulously tighten the noose around its characters' neck until the outcome feels inevitable — culminating in a brutal, unflinching portrait of the horrors of patriarchy at its most pathological. Voted the 3rd Best Filipino Film Of All Time by the Pinoy Rebyu (SFFR), it stands as one of Mike De Leon's most unsettling and politically resonant films.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMike De Leon, the producer and cinematographer of Lino Brocka’s haunting masterpiece \u003c\/span\u003e\u003cem\u003eManila in the Claws of Light\u003c\/em\u003e\u003cspan\u003e (1975), is one of Filipino cinema’s most fiercely political and dramatic storytellers in his own right. Inspired by this storied history of popular moviemaking in the Philippines—one he experienced firsthand as a child on the LVN studio lot—as well as by Hollywood and European cinema, De Leon’s own films mix the genres of melodrama, crime, supernatural horror, slapstick comedy, and the musical with blisteringly critical stances toward his country’s history of corruption and cronyism, state-sponsored violence, feudalist exploitation, and populist machismo: the festering legacies of the nation’s colonial past made even more purulent by the dictatorships of Ferdinand Marcos and Rodrigo Duterte.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike De Leon","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949550121268,"sku":"KISA-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949550154036,"sku":"KISA-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949550186804,"sku":"KISA-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/kisaposter.jpg?v=1763581846"},{"product_id":"batang-west-side","title":"Batang West Side","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eLav Diaz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2001\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e301 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eFilipino\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e     \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zyCYFUvU-k8?si=vwBOHqLUhvdh-V_Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eInvestigating the murder of the young Hanzel (Yul Servo), shot dead one winter night on West Side Ave, police detective Juan Mijares (Joel Torres) plumbs the depths of the Filipino youth gangs of Jersey city who trade in \u003c\/span\u003e\u003cem\u003eshabu\u003c\/em\u003e\u003cspan\u003e – crystal meth. Talking to the boy’s mother, remarried to an American, to his grandfather, an ex-soldier as well as to his American-born girlfriend, bigger questions emerge: what dark history has pushed so many Filipinos to migrate this wintry land? Why are these the conditions of their children? What past does this detective emerge from? \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShot at the freezing turn of the millennium by a young and fearless Lav Diaz (\u003c\/span\u003e\u003cem\u003eNorte, The End of History\u003c\/em\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cem\u003eBatang West Side\u003c\/em\u003e\u003cspan\u003e is a timeless epic about Filipino immigration over generations. Diaz’s sole film shot in the United States, and the longest film to be made by a Southeast Asia director at the time, Diaz does not shy away from the power of cumulative answers, revealed intricately over the course of the kind epic runtime and Dostoyevskian themes that would become hallmarks in the oeuvre of the Filipino master.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLav Diaz (born Lavrente Indico Diaz on 30 December 1958) is a Filipino filmmaker. He is known as one of the key members of the slow cinema movement, having made several of the longest narrative films on record. Although he had been making films since the late 90s Diaz didn't attract much public attention outside of the Philippines and the festival circuit until the release of his 2013 film Norte, the End of History, which was entered into Un Certain Regard section of the 2013 Cannes Film Festival. His three subsequent films have received much critical attention and many awards with 2014's From What Is Before earning him the Golden Leopard at the 2014 Locarno International Film Festival as well as a nomination for the Asian Film Award for Best Director, 2016's A Lullaby to the Sorrowful Mystery competing for the Golden Bear at the 66th Berlin International Film Festival and winning the Alfred Bauer Prize, and 2016's The Woman Who Left competing at the 73rd Venice International Film Festival and winning the Golden Lion.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lav Diaz","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48949735293236,"sku":"BATANG-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48949735326004,"sku":"BATANG-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48949735358772,"sku":"BATANG-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/batangposter.jpg?v=1763596757"},{"product_id":"the-stairway-to-the-distant-past","title":"The Stairway to the Distant Past","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eKaizo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1995\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e101 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XoWO68gMPoQ?si=prPD2T83wrSNUx5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLaunched to stardom by Jim Jarmusch’s \u003c\/span\u003e\u003cem\u003eMystery Train \u003c\/em\u003e\u003cspan\u003e(1989), enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e (1993), \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e (1995) and \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, presented here from its new 4K restoration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e, now in vibrant colour, Maiku Hama returns in a dashing convertible that is promptly repo’d. Taking on odd jobs like looking for lost dogs, Hama’s search leads him to a past he thought he’d left him behind as the port city’s most legendary stripper returns and gangs vie for the control of the waterfront.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with To Sleep so as to Dream. He is best known for his neo-noir Maiku Hama trilogy, The Most Terrible Time in My Life, Stairway to the Distant Past and The Trap.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaizo Hayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957248602420,"sku":"TSTDP-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957248635188,"sku":"TSTDP-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957248667956,"sku":"TSTDP-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TSTDPposter.jpg?v=1764735203"},{"product_id":"the-most-terrible-time-in-my-life","title":"The Most Terrible Time in My Life","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca title=\"Community Screenings Form\" href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\" style=\"margin-bottom: 6px; float: start;\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eKaizo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1995\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e101 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_kOkKqsViuc?si=Nmw1hOdzAS9nszfZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLaunched to stardom by Jim Jarmusch’s \u003c\/span\u003e\u003cem\u003eMystery Train\u003c\/em\u003e\u003cspan\u003e (1989), enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e (1993), \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e (1995) and \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, presented here from its new 4K restoration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe trilogy kicks things off in \u003c\/span\u003e\u003cem\u003eakushon\u003c\/em\u003e\u003cspan\u003e black-and-white with \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e, set among the immigrant communities of a multi-cultural Yokohama. When Maiku accidentally saves a Taiwanese immigrant named Yang during a mahjong parlour brawl, he becomes embroiled in a tale of two brothers at the heart of an underground pan-Asian mafia on the brink of war.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with To Sleep so as to Dream. He is best known for his neo-noir Maiku Hama trilogy, The Most Terrible Time in My Life, Stairway to the Distant Past and The Trap.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-loaded=\"true\" data-page-number=\"1\" id=\"pageContainer1\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaizo Hayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957251060020,"sku":"TMTTML-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957251092788,"sku":"TMTTML-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957251125556,"sku":"TMTTML-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TMTTMLposter.jpg?v=1764735623"},{"product_id":"the-trap","title":"The Trap","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eKaizo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1996\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e106 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N-CY9BUVF_s?si=70b0-wH-g-ZZpXdC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLaunched to stardom by Jim Jarmusch’s \u003c\/span\u003e\u003cem\u003eMystery Train\u003c\/em\u003e\u003cspan\u003e (1989), enigmatic actor Masatoshi Nagase thrives as the hardboiled detective wannabe Maiku Hama in Kaizo Hayashi’s trilogy of the same name, encompassing \u003c\/span\u003e\u003cem\u003eThe Most Terrible Time in My Life\u003c\/em\u003e\u003cspan\u003e (1993), \u003c\/span\u003e\u003cem\u003eThe Stairway to the Distant Past\u003c\/em\u003e\u003cspan\u003e (1995) and \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e (1996). Stomping through the bustling-and-hustling port city of Yokohama, Hama operates out of a run-down movie theatre and his office sees every kind of customer: from rich ladies looking for runaway pups to serial murderers who look suspiciously like himself… Equal part American hardboiled detective pastiche, Seijun Suzuki-style Nikkatsu akushon send-up, and Masatoshi Nagase’s own new school comedic charmer, the Maiku Hama Trilogy is a cult phenomena of 90s Japanese cinema, presented here from its new 4K restoration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClosing out the trilogy is \u003c\/span\u003e\u003cem\u003eThe Trap\u003c\/em\u003e\u003cspan\u003e in which Nagase stars in a memorable double role. When a string of young women in floral dresses are found dead, alarms are sounded throughout Yokohama about the possibility of a serial killer on the loose. But when all evidence points to Hama, he has to fight against the clock and former allies, putting his trust in a rookie cop and his trusted sidekick Hoshino. Will Hama escape the trap?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKaizo Hayashi is a Japanese film director and screenwriter. He made his directorial debut with To Sleep so as to Dream. He is best known for his neo-noir Maiku Hama trilogy, The Most Terrible Time in My Life, Stairway to the Distant Past and The Trap.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaizo Hayashi","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957254369588,"sku":"TTRAP-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957254402356,"sku":"TTRAP-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957254435124,"sku":"TTRAP-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TTRAPposter.jpg?v=1764736580"},{"product_id":"looking-for-an-angel","title":"Looking for an Angel","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Kani_logo.jpg_copy.jpg?v=1762206433\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" title=\"Community Screenings Form\" target=\"_blank\"\u003e\u003cimg style=\"margin-bottom: 6px; float: start;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/WebsiteButton_3bb924f4-b7af-47a7-98d9-8c2765d50eb0_480x480.jpg?v=1718641924\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by: \u003c\/strong\u003eAkihiro Suzuki\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2025 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 1999\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e61 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eNarrative Feature, Drama, Restoration, Asian Cinema, Queer Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e      \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMostly seen on the gay pink circuit and recently restored by its director to its rightful place in the Japanese arthouse canon, Akihiro Suzuki's debut takes the death of a young gay porn performer named Takachi as its starting point. \u003c\/span\u003e\u003cem\u003eLooking for an Angel \u003c\/em\u003e\u003cspan\u003efollows Shinpei and Reiko as they process their friend’s disappearance, their memories coalescing into a bold exploration of grief set against the backdrop of a nostalgic, blue-hued city shot in a variety of filmic formats. As the viewer begins to piece together Takachi’s story, laden with desire for another boy named Sorao, between the cities of Tokyo and Kochi (“where the boys look like angels”), a powerful free-associative beauty emerges from a unique work described by Suzuki himself as “neither straight, gay, queer, bisexual, asexual or pornographic, but [rather] anti-heterosexist” — a film completely free of dogma and convention.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“At the time, I felt a sense of rebellion against the heterosexual-dominated world, and wanted to portray sexuality and identity through an ambiguity that cannot be categorized,” says director Akihiro Suzuki. \"I wanted to make a 35mm film like an 8mm film, mix various visual media, and include people of diverse sexualities around me in it.” — Akihiro Suzuki\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"container mx-auto my-8\"\u003e\n\u003cdiv class=\"mt-4 md:w-7\/12 mx-auto text-center font-body text-base\"\u003e\n\u003cp\u003e                                   \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e        \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the filmmakers\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"C9DxTc\"\u003e\u003cb\u003e            \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAkihiro Suzuki (b. 1961) is a \u003c\/span\u003e\u003cb\u003eJapanese director, producer, and film distributor\u003c\/b\u003e\u003cspan\u003e largely known for his contributions to the history of Japanese experimental, underground, and queer cinema.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Akihiro Suzuki","offers":[{"title":"University \u0026 College DVD (with PPR*)","offer_id":48957260103988,"sku":"LOOK-U","price":375.0,"currency_code":"USD","in_stock":true},{"title":"Digital Site License","offer_id":48957260136756,"sku":"LOOK-D","price":550.0,"currency_code":"USD","in_stock":true},{"title":"DVD + DSL (w\/ PPR)","offer_id":48957260169524,"sku":"LOOK-DD","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/LOOKposter.png?v=1772493630"}],"url":"https:\/\/www.collectiveeye.org\/collections\/restoration.oembed?page=2","provider":"Collective Eye Films","version":"1.0","type":"link"}