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Watershed (educational)

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{"id":104212439,"title":"Watershed (educational)","handle":"watershed-educational","description":"\u003cul\u003e\n\u003cli\u003eDirected by: Mark Decena\u003c\/li\u003e\n\u003cli\u003eExecutive Produced by: \u003cspan\u003eRobert Redford, Teri Heyman, Lee Bycel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProduced by: \u003cspan\u003eJames Redford, Jill Tidman, Renata Foucre\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/watershed-exploring-a-new-water-ethic-for-the-new-west-home-use\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2038\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/watershed-community-screening\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2038\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003eReleased: 2012\u003c\/div\u003e\n\u003cdiv\u003eRunning Time: 57 min\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSubtitles: English and Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIncludes: Discussion and Action Guide\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\"\u003eAgriculture Studies\u003c\/a\u003e, \u003cspan\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\"\u003eEnvironmental Studies\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eExecutive Produced and Narrated by Robert Redford and Directed by award-winning filmmaker Mark Decena, WATERSHED tells the story of the threats to the once-mighty Colorado River and offers solutions for the future of the American West. Can we find harmony amongst the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the water? As the most dammed, dibbed, and diverted river in the world, the Colorado River is a lifeline to expanding populations and booming urban centers that demand water for drinking, sanitation and energy generation, struggling to support thirty million people. WATERSHED introduces a hope that illuminates how letting go of the ways of old can lead to a path of coexisting with enough for all.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51160694\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAwards:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGolden Sun Award, *Barcelona International Environmental Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eBest Conservation Film Award, *Bend Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eFeaturette doc Audience Choice Award*, Red Rock Film Festival2012*\u003c\/li\u003e\n\u003cli\u003eBest Feature Award, *Colorado Environmental Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Environmental Film Festival in the Nation’s Capital 2012, 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Whole Foods Market DO SOMETHING REEL Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Banff Mountain Film Festival**2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sausalito Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Nevada City International Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Voices from the Waters International Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Santa Rosa International Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *San Diego Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Chicago International Social Change Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Social Change Film Festival in New Orleans 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *St. Louis International Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *American Conservation Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sustainable Living Film Festival, Istanbul 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection,*Reel Water Film Fest 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Wild \u0026amp; Scenic Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Southern Utah International Documentary Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Oneota Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Festival International du Film d’Environment, Paris 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Water Docs, An Ecologos Film Festival, Toronto*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Newport Beach Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Siskiyou Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Lake Fork Valley Conservancy**Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Chagrin Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Annapolis Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Tiburon International Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sustainable Film Festival, Ankara 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sun Valley Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sonoma International Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Montreal Environmental Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *International Environmental Film Festival, Rio de Janeiro 2013*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eQuotes:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e“If we see the Colorado River as just a river, we are overlooking a natural engine that powers both our economy and our environment. We created \u003ci\u003eWATERSHED\u003c\/i\u003e to raise awareness to the idea that this river is the canary in the coalmine. If business, government and citizens come together and make some changes, the mighty Colorado can continue to serve us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eRobert Redford\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003ci\u003eWATERSHED\u003c\/i\u003e offers a great opportunity for people throughout the Southwest U.S. to learn more and get involved. Each of us can make a difference to create a more sustainable future for the river and for our region – we can achieve Watershed success for the Colorado River.”\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eGary Wockner, Director of the Save The Colorado River campaign\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003e\u003cspan\u003eWATERSHED\u003c\/span\u003e\u003c\/i\u003eengages us with the human aspects of the Colorado River and inspires action to safeguard the Mother of Rivers.”\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKarin Sheldon, President of Western Resource Advocates\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The content and timing of this film are of critical importance. Our work in the Colorado River Delta over the past decade has demonstrated that the Delta is very resilient and that even a little additional water can make a dramatic difference.\u003cspan\u003e  \u003c\/span\u003eThe Delta will not continue to come back to life, though, without the kind of community awareness and support \u003ci\u003eWATERSHED\u003c\/i\u003e will engender.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eFrancisco Zamora, Director of the Sonoran Institute’s Colorado River Delta Legacy Project\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003e  \u003cbr\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/docuseek2.com\/ce-bfb-es\"\u003e\u003cb\u003e\u003cspan\u003eStream\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2012-09-12T19:57:00-07:00","created_at":"2012-09-12T17:05:31-07:00","vendor":"Redford Center","type":"DVD ","tags":["new","Public Library License"],"price":4999,"price_min":4999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":239927455,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"WTS-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Watershed (educational) - 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Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":4999,"weight":100,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":239927461,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"WTS-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Watershed (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Watershed_386x657_FINAL_1_1024x1024_2dbccf6d-4b5e-4174-bc26-b1cbe63cd5ff.png?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WS_bendFestival.png?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/SLIDER_bf8481b3-ceac-4b61-ad0c-c28295b9c75b.jpg?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WS_KarenSheldon.png?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/081_3603_d035a0ab-cea2-4a82-af4b-33a415838b99.JPG?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GlojeanTodacheene_web.png?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Steve_1_5fb9debb-7943-436b-a230-b7a09e61aff8.png?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WS_GaryW.png?v=1462564540","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Watershed_Spread_2e2fb5a5-4da1-475c-b0ef-a5d49930b048.jpg?v=1462564540"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Watershed_386x657_FINAL_1_1024x1024_2dbccf6d-4b5e-4174-bc26-b1cbe63cd5ff.png?v=1462564540","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003eDirected by: Mark Decena\u003c\/li\u003e\n\u003cli\u003eExecutive Produced by: \u003cspan\u003eRobert Redford, Teri Heyman, Lee Bycel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProduced by: \u003cspan\u003eJames Redford, Jill Tidman, Renata Foucre\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/watershed-exploring-a-new-water-ethic-for-the-new-west-home-use\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2038\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/watershed-community-screening\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2038\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003eReleased: 2012\u003c\/div\u003e\n\u003cdiv\u003eRunning Time: 57 min\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSubtitles: English and Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIncludes: Discussion and Action Guide\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\"\u003eAgriculture Studies\u003c\/a\u003e, \u003cspan\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\"\u003eEnvironmental Studies\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eExecutive Produced and Narrated by Robert Redford and Directed by award-winning filmmaker Mark Decena, WATERSHED tells the story of the threats to the once-mighty Colorado River and offers solutions for the future of the American West. Can we find harmony amongst the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the water? As the most dammed, dibbed, and diverted river in the world, the Colorado River is a lifeline to expanding populations and booming urban centers that demand water for drinking, sanitation and energy generation, struggling to support thirty million people. WATERSHED introduces a hope that illuminates how letting go of the ways of old can lead to a path of coexisting with enough for all.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51160694\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAwards:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGolden Sun Award, *Barcelona International Environmental Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eBest Conservation Film Award, *Bend Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eFeaturette doc Audience Choice Award*, Red Rock Film Festival2012*\u003c\/li\u003e\n\u003cli\u003eBest Feature Award, *Colorado Environmental Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Environmental Film Festival in the Nation’s Capital 2012, 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Whole Foods Market DO SOMETHING REEL Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Banff Mountain Film Festival**2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sausalito Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Nevada City International Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Voices from the Waters International Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Santa Rosa International Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *San Diego Film Festival 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Chicago International Social Change Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Social Change Film Festival in New Orleans 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *St. Louis International Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *American Conservation Film Festival 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sustainable Living Film Festival, Istanbul 2012*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection,*Reel Water Film Fest 2012 *\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Wild \u0026amp; Scenic Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Southern Utah International Documentary Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Oneota Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Festival International du Film d’Environment, Paris 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Water Docs, An Ecologos Film Festival, Toronto*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Newport Beach Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Siskiyou Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Lake Fork Valley Conservancy**Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Chagrin Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Annapolis Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Tiburon International Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sustainable Film Festival, Ankara 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sun Valley Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Sonoma International Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *Montreal Environmental Film Festival 2013*\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, *International Environmental Film Festival, Rio de Janeiro 2013*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eQuotes:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e“If we see the Colorado River as just a river, we are overlooking a natural engine that powers both our economy and our environment. We created \u003ci\u003eWATERSHED\u003c\/i\u003e to raise awareness to the idea that this river is the canary in the coalmine. If business, government and citizens come together and make some changes, the mighty Colorado can continue to serve us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eRobert Redford\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003ci\u003eWATERSHED\u003c\/i\u003e offers a great opportunity for people throughout the Southwest U.S. to learn more and get involved. Each of us can make a difference to create a more sustainable future for the river and for our region – we can achieve Watershed success for the Colorado River.”\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eGary Wockner, Director of the Save The Colorado River campaign\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003e\u003cspan\u003eWATERSHED\u003c\/span\u003e\u003c\/i\u003eengages us with the human aspects of the Colorado River and inspires action to safeguard the Mother of Rivers.”\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKarin Sheldon, President of Western Resource Advocates\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“The content and timing of this film are of critical importance. Our work in the Colorado River Delta over the past decade has demonstrated that the Delta is very resilient and that even a little additional water can make a dramatic difference.\u003cspan\u003e  \u003c\/span\u003eThe Delta will not continue to come back to life, though, without the kind of community awareness and support \u003ci\u003eWATERSHED\u003c\/i\u003e will engender.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eFrancisco Zamora, Director of the Sonoran Institute’s Colorado River Delta Legacy Project\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003e  \u003cbr\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/docuseek2.com\/ce-bfb-es\"\u003e\u003cb\u003e\u003cspan\u003eStream\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e"}
Watershed (educational)

Watershed (educational)

$295.00

Directed by: Mark Decena Executive Produced by: Robert Redford, Teri Heyman, Lee Bycel Produced by: James Redford, Jill Tidman, Renata Foucre   Released: 2012 Running Time: 57 min Subtitles: English and Spanish Includes: Discussion and Action Guide Subjects: Agriculture Studies, Environmental Studies Executive Produced and Narrated by Rob...


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{"id":91574380,"title":"This Way of Life (educational)","handle":"this-way-of-life","description":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eThomas Burstyn\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eBarbara Sumner-Burstyn\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2010\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e84\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003eAgainst the stunning beauty of New Zealand's rugged Ruahine Mountains, Peter Karena and his wife Colleen raise their six children on the thin edge between freedom and disaster. As Peter hunts, trains wild horses, and struggles to instill in his kids the values of independence, courage and happiness (not to mention good hair), his escalating struggle with his own father has profound consequences on the entire Karena clan. Filmed over the course of four years, THIS WAY OF LIFE captures the Karena's precipitous existence with equal parts glorious abandon and painful suspense. Trying to carve out a different type of life for himself, Peter often seems like a man out of step with this century—he can tame a wild horse, or field dress a deer, but he can't find a home for his family—but ultimately, this complete immersion in another way of life reveals that the price of freedom is something that is well worth paying.\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36308240\" height=\"283\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eShortlist 2010 Academy Awards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner, Best Feature Film,Big Sky Documentary Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Jury Prize Berlin International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Qantas Best Documentary, 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Special Jury Award FIFO\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Youth Jury prize Ânûû-rû âboro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Audience Award, Wairoa Maori Film Festival 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e “A collision of realities—earthly nature vs. human nature—lies at the very big heart of \u003cem\u003eThis Way of Life\u003c\/em\u003e, catapulting this Kiwi-made story of a Maori family beyond mere portraiture and into a realm of metaphysics, melancholia and cosmic doubt: At the ends of the Earth, in a virtual Eden, is it possible for a family to live without petty grudges, anger, violence and authoritarian rule?”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — John Anderson, Variety Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Will stun you with its subtlety, honesty and heart”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — Darren Bevan, TVNZ\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Quietly profond, deeply poetic”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — Sunday Star Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Hotly tipped for an Oscar nomination”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — Raindance Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Resonant and stunningly shot”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e— John Hopewell, Variety Magazine \u003c\/span\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:35-07:00","vendor":"Thomas Burstyn","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":213867406,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"TWL-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"This Way of Life (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":12,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":213867408,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"TWL-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"This Way of Life (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":15000,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1022774996,"title":"Public Library License","option1":"Public Library License","option2":null,"option3":null,"sku":"TWL-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"This Way of Life (educational) - Public Library License","public_title":"Public Library License","options":["Public Library License"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/This_Way_of_Life_388X657_1024x1024_02735044-41d1-48a1-bbce-d22d0f48c3cf.png?v=1462564398","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/This_Way_of_Life_Quote-_1.png?v=1462564398"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/This_Way_of_Life_388X657_1024x1024_02735044-41d1-48a1-bbce-d22d0f48c3cf.png?v=1462564398","options":["License"],"content":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eThomas Burstyn\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eBarbara Sumner-Burstyn\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2010\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e84\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003eAgainst the stunning beauty of New Zealand's rugged Ruahine Mountains, Peter Karena and his wife Colleen raise their six children on the thin edge between freedom and disaster. As Peter hunts, trains wild horses, and struggles to instill in his kids the values of independence, courage and happiness (not to mention good hair), his escalating struggle with his own father has profound consequences on the entire Karena clan. Filmed over the course of four years, THIS WAY OF LIFE captures the Karena's precipitous existence with equal parts glorious abandon and painful suspense. Trying to carve out a different type of life for himself, Peter often seems like a man out of step with this century—he can tame a wild horse, or field dress a deer, but he can't find a home for his family—but ultimately, this complete immersion in another way of life reveals that the price of freedom is something that is well worth paying.\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36308240\" height=\"283\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eShortlist 2010 Academy Awards\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner, Best Feature Film,Big Sky Documentary Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Jury Prize Berlin International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Qantas Best Documentary, 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Special Jury Award FIFO\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Youth Jury prize Ânûû-rû âboro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWinner Audience Award, Wairoa Maori Film Festival 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e “A collision of realities—earthly nature vs. human nature—lies at the very big heart of \u003cem\u003eThis Way of Life\u003c\/em\u003e, catapulting this Kiwi-made story of a Maori family beyond mere portraiture and into a realm of metaphysics, melancholia and cosmic doubt: At the ends of the Earth, in a virtual Eden, is it possible for a family to live without petty grudges, anger, violence and authoritarian rule?”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — John Anderson, Variety Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Will stun you with its subtlety, honesty and heart”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — Darren Bevan, TVNZ\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Quietly profond, deeply poetic”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — Sunday Star Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Hotly tipped for an Oscar nomination”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e — Raindance Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Resonant and stunningly shot”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e— John Hopewell, Variety Magazine \u003c\/span\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e"}
This Way of Life (educational)

This Way of Life (educational)

$295.00

Directed by: Thomas Burstyn Produced by: Barbara Sumner-Burstyn Released: 2010 Running Time: 84 min Against the stunning beauty of New Zealand's rugged Ruahine Mountains, Peter Karena and his wife Colleen raise their six children on the thin edge between freedom and disaster. As Peter hunts, trains wild horses, and struggles to instill in his ...


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{"id":351597377,"title":"How To Die In Oregon (educational)","handle":"how-to-die-in-oregon-educational","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDirected and Produced by: Peter D. Richardson\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/copy-of-how-to-die-in-oregon-community-screening\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2011\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 107 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/health\" title=\"Health Collection\" style=\"color: #000000;\"\u003eHealth\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" title=\"Human Rights Collection \" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/religious-studies\" title=\"Religious Studies Collection\" style=\"color: #000000;\"\u003eReligious Studies\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eIn 1994, Oregon became the first state to legalize physician-assisted suicide. As a result, any individual whom \u003cspan id=\"465f7267-d28d-4002-9fd8-36310ab36bb5\" ginger_software_uiphraseguid=\"6ca85b3f-f7d1-4f6c-8ca1-ce0ef6be04fc\" class=\"GINGER_SOFTWARE_mark\"\u003etwo\u003c\/span\u003e physicians diagnose as having less than six months to live can lawfully request a fatal dose of barbiturate to end his or her life. In HOW TO DIE IN OREGON, filmmaker Peter Richardson gently enters the lives of the terminally ill as they consider whether – and when – to end their lives by lethal overdose. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eWith profound intimacy and unprecedented access to patients, doctors, social workers and historical figures, HOW TO DIE IN OREGON examines one of the foremost medical, ethical, and legal issues of our time. The film offers educators, students and academics invaluable insight into this unique law.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/103454038\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eSundance - 2011 - Best Documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eFull Frame Documentary Film Festival - 2011 - Center for Documentary Studies Filmmaker Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eFull Frame - 2011 - Kathleen Bryan Edwards Award for Human Rights\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eAshland Independent Film Festival - 2011 - Best Documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003ePortland Intl Film Festival - 2011 - Audience Award\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 style=\"display: inline !important;\"\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\/ Testimonials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cspan style=\"line-height: 1.2;\"\u003e“'HOW TO DIE IN OREGON will likely be viewed\u003c\/span\u003e\u003cspan id=\"30d85be7-adc4-43b8-8efc-23218b2a9af7\" ginger_software_uiphraseguid=\"97a02f1c-d0e4-4867-af45-a7ce0b0d45ef\" class=\"GINGER_SOFTWARE_mark\"\u003e\u003cspan id=\"7fe3a232-179a-4ba4-9008-5c357bb508c7\" ginger_software_uiphraseguid=\"1deeb340-14d0-49bc-b2fd-c763eb69603c\" class=\"GINGER_SOFTWARE_mark\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2;\"\u003eas one of the most historically significant documentaries of this decade.\" – Jeff Shannon, Chicago Sun Times\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\"Two Thumbs Up\" - Ebert Presents at the Movies\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\"This film is extraordinarily authentic. It very much captures the difficult and personal decision of terminally ill individuals who pursue physician assisted death. My students were very moved by this presentation.\" – Linda Ganzini, MD, MPH Professor of Psychiatry and Medicine OHSU \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\"Whatever your position on physician-assisted suicide, you should see the movie HOW TO DIE IN OREGON\u003cspan id=\"f96b3f76-ef4a-46c1-912d-a8a2d66e9b37\" ginger_software_uiphraseguid=\"b69cb8eb-daea-402d-aa88-0419d5ba9c2e\" class=\"GINGER_SOFTWARE_mark\"\u003e ...\u003c\/span\u003ethe movie raises important questions about end-of-life care, physician-assisted suicide, and the way in which we as a society deal with (or refuse to deal with) the inevitability of death and dying.\" – Sean Philpott, PhD, MSBioethics The Bioethics Program Union Graduate College (Mt. Sinai School of Medicine)\u003cbr\u003e\u003cbr\u003e\"Whether one supports or opposes the Oregon and Washington assisted suicide law, this film is an excellent springboard for discussing and critiquing the values that support them in this particular culture.\" – Rev. Dr. Bernard Teo C.Ss.R., S.T.D. Yarra Theological Union Melbourne, Australia\u003cbr\u003e\u003cbr\u003e\"HOW TO DIE IN OREGON is highly recommended for all public, academic, and high school audiences.\" – Charles J. Greenberg, Cushing Whitney Medical Library, Yale University\u003cbr\u003e\u003cbr\u003e\"The film is very powerful and does a great job of sparking class discussion.\" – Dena S. Davis, J.D., PhD. \u003cspan id=\"980f8ac3-acbe-45b6-b51b-1585582287b2\" ginger_software_uiphraseguid=\"4f872443-737b-4f62-97f5-4f0f7badd6bb\" class=\"GINGER_SOFTWARE_mark\"\u003eBioethicist\u003c\/span\u003e - Presidential Chair in Health -- Humanities\/Social Sciences Lehigh University\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e","published_at":"2014-08-20T13:28:00-07:00","created_at":"2014-07-30T15:41:21-07:00","vendor":"Peter D. Richardson","type":"DVD ","tags":["new","Public Library License"],"price":0,"price_min":0,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":872660357,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"HDO-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"How To Die In Oregon (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":25000,"weight":100,"compare_at_price":null,"inventory_quantity":23,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":872660361,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"HDO-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"How To Die In Oregon (educational) - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":872660365,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"HDO-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"How To Die In Oregon (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":872660369,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"HDO-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"How To Die In Oregon (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":25000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":872660373,"title":"Streaming License (through Docuseek)","option1":"Streaming License (through Docuseek)","option2":null,"option3":null,"sku":"HDO-S","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"How To Die In Oregon (educational) - Streaming License (through Docuseek)","public_title":"Streaming License (through Docuseek)","options":["Streaming License (through Docuseek)"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/How-To-Die-in-Oregon--388-X-657_1024x1024_69c78828-47a8-4189-98e4-bacf344513ba.png?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Oregon-Coastline1-300x170.jpg?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GreenbergQuote.png?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/How_to_Die_in_Oregon_FilmStill2_CodyCurtis_byPeterDRichardson.jpg?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GanziniQuote.png?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/008678c7807b2bc0eac02496ee15d98d.jpg?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/How_to_Die_in_Oregon_FilmStill4_DrJasonBauer_CodyCurtis_byPeterDRichardson.jpg?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TeoQuote.png?v=1462560016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1330311632_1.png?v=1462560016"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/How-To-Die-in-Oregon--388-X-657_1024x1024_69c78828-47a8-4189-98e4-bacf344513ba.png?v=1462560016","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDirected and Produced by: Peter D. Richardson\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/copy-of-how-to-die-in-oregon-community-screening\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2011\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 107 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/health\" title=\"Health Collection\" style=\"color: #000000;\"\u003eHealth\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" title=\"Human Rights Collection \" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/religious-studies\" title=\"Religious Studies Collection\" style=\"color: #000000;\"\u003eReligious Studies\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eIn 1994, Oregon became the first state to legalize physician-assisted suicide. As a result, any individual whom \u003cspan id=\"465f7267-d28d-4002-9fd8-36310ab36bb5\" ginger_software_uiphraseguid=\"6ca85b3f-f7d1-4f6c-8ca1-ce0ef6be04fc\" class=\"GINGER_SOFTWARE_mark\"\u003etwo\u003c\/span\u003e physicians diagnose as having less than six months to live can lawfully request a fatal dose of barbiturate to end his or her life. In HOW TO DIE IN OREGON, filmmaker Peter Richardson gently enters the lives of the terminally ill as they consider whether – and when – to end their lives by lethal overdose. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eWith profound intimacy and unprecedented access to patients, doctors, social workers and historical figures, HOW TO DIE IN OREGON examines one of the foremost medical, ethical, and legal issues of our time. The film offers educators, students and academics invaluable insight into this unique law.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/103454038\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eSundance - 2011 - Best Documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eFull Frame Documentary Film Festival - 2011 - Center for Documentary Studies Filmmaker Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eFull Frame - 2011 - Kathleen Bryan Edwards Award for Human Rights\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003eAshland Independent Film Festival - 2011 - Best Documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003ePortland Intl Film Festival - 2011 - Audience Award\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 style=\"display: inline !important;\"\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\/ Testimonials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cspan style=\"line-height: 1.2;\"\u003e“'HOW TO DIE IN OREGON will likely be viewed\u003c\/span\u003e\u003cspan id=\"30d85be7-adc4-43b8-8efc-23218b2a9af7\" ginger_software_uiphraseguid=\"97a02f1c-d0e4-4867-af45-a7ce0b0d45ef\" class=\"GINGER_SOFTWARE_mark\"\u003e\u003cspan id=\"7fe3a232-179a-4ba4-9008-5c357bb508c7\" ginger_software_uiphraseguid=\"1deeb340-14d0-49bc-b2fd-c763eb69603c\" class=\"GINGER_SOFTWARE_mark\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2;\"\u003eas one of the most historically significant documentaries of this decade.\" – Jeff Shannon, Chicago Sun Times\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\"Two Thumbs Up\" - Ebert Presents at the Movies\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cspan style=\"line-height: 1.2;\"\u003e\"This film is extraordinarily authentic. It very much captures the difficult and personal decision of terminally ill individuals who pursue physician assisted death. My students were very moved by this presentation.\" – Linda Ganzini, MD, MPH Professor of Psychiatry and Medicine OHSU \u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\"Whatever your position on physician-assisted suicide, you should see the movie HOW TO DIE IN OREGON\u003cspan id=\"f96b3f76-ef4a-46c1-912d-a8a2d66e9b37\" ginger_software_uiphraseguid=\"b69cb8eb-daea-402d-aa88-0419d5ba9c2e\" class=\"GINGER_SOFTWARE_mark\"\u003e ...\u003c\/span\u003ethe movie raises important questions about end-of-life care, physician-assisted suicide, and the way in which we as a society deal with (or refuse to deal with) the inevitability of death and dying.\" – Sean Philpott, PhD, MSBioethics The Bioethics Program Union Graduate College (Mt. Sinai School of Medicine)\u003cbr\u003e\u003cbr\u003e\"Whether one supports or opposes the Oregon and Washington assisted suicide law, this film is an excellent springboard for discussing and critiquing the values that support them in this particular culture.\" – Rev. Dr. Bernard Teo C.Ss.R., S.T.D. Yarra Theological Union Melbourne, Australia\u003cbr\u003e\u003cbr\u003e\"HOW TO DIE IN OREGON is highly recommended for all public, academic, and high school audiences.\" – Charles J. Greenberg, Cushing Whitney Medical Library, Yale University\u003cbr\u003e\u003cbr\u003e\"The film is very powerful and does a great job of sparking class discussion.\" – Dena S. Davis, J.D., PhD. \u003cspan id=\"980f8ac3-acbe-45b6-b51b-1585582287b2\" ginger_software_uiphraseguid=\"4f872443-737b-4f62-97f5-4f0f7badd6bb\" class=\"GINGER_SOFTWARE_mark\"\u003eBioethicist\u003c\/span\u003e - Presidential Chair in Health -- Humanities\/Social Sciences Lehigh University\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e"}
How To Die In Oregon (educational)

How To Die In Oregon (educational)

$250.00

Directed and Produced by: Peter D. Richardson Released: 2011 Running Time: 107 min Subtitles: English Subjects: Health, Human Rights, Religious Studies In 1994, Oregon became the first state to legalize physician-assisted suicide. As a result, any individual whom two physicians diagnose as having less than six months to live can lawfully ...


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{"id":91574270,"title":"The Real Dirt On Farmer John (educational)","handle":"real-dirt-on-farmer-john","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Taggart Siegel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: Teri Lang and Taggart Siegel\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-real-dirt-on-farmer-john-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2038\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/b\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-real-dirt-on-farmer-john-community-screening\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2038\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-real-dirt-on-farmer-john-educational-pal\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/PAL_large.png?2048\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 83 min\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English, \u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon.png?694\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\" style=\"color: #000000;\"\u003eAgriculture Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\" style=\"color: #000000;\"\u003eEnvironmental Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTHE REAL DIRT ON FARMER JOHN is an epic tale of a maverick Midwestern farmer. An outcast in his community, Farmer John bravely stands amidst a failing economy, vicious rumors, and violence. By melding the traditions of family farming with the power of art and free expression, this powerful story of transformation and renewal heralds a resurrection of farming in America. Through highly personal interviews and 50 years of beautifully textured footage, filmmaker Taggart Siegel shares Farmer John’s haunting and humorous odyssey, capturing what it means to be wildly different in a rural community.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/37552581\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSlamdance Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMendocino Film Festival\u003c\/b\u003e – Special Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMountainfilm in Telluride\u003c\/b\u003e – Sustainable Planet Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMountainfilm in Telluride\u003c\/b\u003e – Viewers’ Choice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSan Francisco International Film Festival\u003c\/b\u003e – Golden Gate Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eNewport International Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eChicago Int'l Documentary Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eNashville Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eNashville Film Festival\u003c\/b\u003e – Reel Current Award (selected by Al Gore)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSanta Cruz Film Festival\u003c\/b\u003e – Festival Director’s Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWisconsin Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWisconsin Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBend Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBend Film Festival\u003c\/b\u003e – Audience Award (Best of Fest – all categories)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMilwaukee International Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eJackson Hole IDA DocuWeek\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBeloit International Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBeloit International Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWild and Scenic Environmental Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003ePine Film Festival\u003c\/b\u003e – Grand Jury Award, Best Storytelling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eInspiration Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eInspiration Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReno Tahoe Int’l Film Festival\u003c\/b\u003e - Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWine Country Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\" … one man's extraordinary life as a gateway to a larger history of tragedy and transition. It's an unflinching account of what farming takes — and, more important, what it gives back...\" ~ Jeannette Catsoulis, The New York Times\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “…the agrarian fantasy is so compelling here that the revitalization of the American family farm begins to seem not just possible, but probable… \" ~ Julia Wallace, The Village Voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\" Compelling contemporary and vintage film footage. The story… is amazing about a farm that falls apart and then is revived. \" ~ USA Today\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\" The Real Dirt On Farmer John is a surprisingly broad documentary, encompassing themes of universal importance, like filial guilt, intellectual curiosity and cultural debasement, within a tight tale of a lone farmer, the titular John Peterson. It fully deserves an exuberant, cultish fan base to match Farmer John himself. \" ~ Brian Duff, filmink.com.au, Australia\u003c\/span\u003e\u003c\/p\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:24-07:00","vendor":"Taggart Siegel","type":"DVD ","tags":["ecofeminism","Kanopy","Public Library License"],"price":3995,"price_min":3995,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":213867372,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"RDF-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Real Dirt On Farmer John (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":182,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":213867374,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"RDF-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Real Dirt On Farmer John (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":9900,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":213867376,"title":"Public Libraries and Waldorf Schools (without PPR*)","option1":"Public Libraries and Waldorf Schools (without PPR*)","option2":null,"option3":null,"sku":"RDF-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Real Dirt On Farmer John (educational) - Public Libraries and Waldorf Schools (without PPR*)","public_title":"Public Libraries and Waldorf Schools (without PPR*)","options":["Public Libraries and Waldorf Schools (without PPR*)"],"price":3995,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":213852192,"title":"Digital Site","option1":"Digital Site","option2":null,"option3":null,"sku":"RDF-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Real Dirt On Farmer John (educational) - Digital Site","public_title":"Digital Site","options":["Digital Site"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Real_Dirt388X657_1024x1024_4a74e6fd-ef78-4ef4-a0ea-b8000210ffca.png?v=1462564079","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Wfilmfest05_Real_Dirt.jpg?v=1462564079","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Real_Dirt_Quote_2.png?v=1462564079","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/pressPhoto_bug_video.jpg?v=1462564079","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/pressPhoto_baby_john_thumb.jpg?v=1462564079","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Real_Dirt_Quote_1.png?v=1462564079","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/realdirtonfarmerjohn.jpg?v=1462564079"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Real_Dirt388X657_1024x1024_4a74e6fd-ef78-4ef4-a0ea-b8000210ffca.png?v=1462564079","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Taggart Siegel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: Teri Lang and Taggart Siegel\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-real-dirt-on-farmer-john-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2038\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/b\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-real-dirt-on-farmer-john-community-screening\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2038\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-real-dirt-on-farmer-john-educational-pal\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/PAL_large.png?2048\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 83 min\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English, \u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon.png?694\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\" style=\"color: #000000;\"\u003eAgriculture Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\" style=\"color: #000000;\"\u003eEnvironmental Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTHE REAL DIRT ON FARMER JOHN is an epic tale of a maverick Midwestern farmer. An outcast in his community, Farmer John bravely stands amidst a failing economy, vicious rumors, and violence. By melding the traditions of family farming with the power of art and free expression, this powerful story of transformation and renewal heralds a resurrection of farming in America. Through highly personal interviews and 50 years of beautifully textured footage, filmmaker Taggart Siegel shares Farmer John’s haunting and humorous odyssey, capturing what it means to be wildly different in a rural community.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/37552581\" height=\"375\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSlamdance Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMendocino Film Festival\u003c\/b\u003e – Special Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMountainfilm in Telluride\u003c\/b\u003e – Sustainable Planet Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMountainfilm in Telluride\u003c\/b\u003e – Viewers’ Choice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSan Francisco International Film Festival\u003c\/b\u003e – Golden Gate Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eNewport International Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eChicago Int'l Documentary Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eNashville Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eNashville Film Festival\u003c\/b\u003e – Reel Current Award (selected by Al Gore)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSanta Cruz Film Festival\u003c\/b\u003e – Festival Director’s Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWisconsin Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWisconsin Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBend Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBend Film Festival\u003c\/b\u003e – Audience Award (Best of Fest – all categories)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eMilwaukee International Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eJackson Hole IDA DocuWeek\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBeloit International Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBeloit International Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWild and Scenic Environmental Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003ePine Film Festival\u003c\/b\u003e – Grand Jury Award, Best Storytelling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eInspiration Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eInspiration Film Festival\u003c\/b\u003e – Audience Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReno Tahoe Int’l Film Festival\u003c\/b\u003e - Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWine Country Film Festival\u003c\/b\u003e – Grand Jury Award\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\" … one man's extraordinary life as a gateway to a larger history of tragedy and transition. It's an unflinching account of what farming takes — and, more important, what it gives back...\" ~ Jeannette Catsoulis, The New York Times\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “…the agrarian fantasy is so compelling here that the revitalization of the American family farm begins to seem not just possible, but probable… \" ~ Julia Wallace, The Village Voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\" Compelling contemporary and vintage film footage. The story… is amazing about a farm that falls apart and then is revived. \" ~ USA Today\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\" The Real Dirt On Farmer John is a surprisingly broad documentary, encompassing themes of universal importance, like filial guilt, intellectual curiosity and cultural debasement, within a tight tale of a lone farmer, the titular John Peterson. It fully deserves an exuberant, cultish fan base to match Farmer John himself. \" ~ Brian Duff, filmink.com.au, Australia\u003c\/span\u003e\u003c\/p\u003e"}
The Real Dirt On Farmer John (educational)

The Real Dirt On Farmer John (educational)

$295.00

Directed by: Taggart Siegel Produced by: Teri Lang and Taggart Siegel Released: 2005Running Time: 83 minSubtitles: English, Subjects: Agriculture Studies, Environmental Studies, Sociology THE REAL DIRT ON FARMER JOHN is an epic tale of a maverick Midwestern farmer. An outcast in his community, Farmer John bravely stands amidst a failing eco...


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Angel Azul (educational)

DVD

From $39.99
{"id":439127512,"title":"Angel Azul (educational)","handle":"angel-azul-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Marcelina Cravat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Marcelina Cravat. Exec Producer: Curt Overway, Assoc Producer: Anna Scout Wise\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2014 a\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 72 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles:\u003c\/strong\u003e English \u0026amp; Spanish \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e aSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\" title=\"Environmental Studies\" style=\"color: #000000;\"\u003eEnvironmental Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003eArt, Music, \u0026amp; Design\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eANGEL AZUL tells the story of one artist’s inspiring attempt to draw attention to the perilous situation coral reefs currently face worldwide. Jason DeCaires Taylor is an eco-sculptor who casts cement statues from live human models and installs them on the ocean floor to create an artificial coral reef. The story follows the making of an angel, a symbol of hope, with wings made from live fan coral. She will reside in an underwater museum alongside 400 of Jason’s statues located off the coast of Cancún in the National Marine Park, El Museo Subacuatico De Arte (MUSA). Over time the statues grow coral, provide habitat for marine life and a diversion for tourists, offering the natural reefs a reprieve from heavy usage. But when the coral that has been growing on the statues starts to die, issues related to waste water pollution and rising sea temperatures become evident. Through local experts and scientists in the field, the full scope of the problem is revealed. Jason faces his own problems in keeping his workshop afloat, but never tires from his efforts to spread the message about this valuable ecosystem that is in grave danger of disappearing completely if steps are not taken to prevent its demise. Through the hauntingly beautiful underwater world created by this incredible eco-sculptor, we are reminded that everything connects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/107735725?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" style=\"line-height: 1.4;\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/107735725\" style=\"color: #000000;\"\u003eAngel Azul (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary\u003cem\u003e, \u003cem\u003eJulien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eGrand Jury Prize\u003cem\u003e\u003cem\u003e, Julien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Director\u003cem\u003e, \u003cem\u003eMoscow EcoCup Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWild and Scenic 2015\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003ePremiere, \u003cem\u003eEnvironmental DC Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography, \u003cem\u003eBel-Air Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography,\u003cem\u003eUNAFF\u003c\/em\u003e \u003cem\u003eUnited Nations Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBoston International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eRaindance Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHonorable Mention, \u003cem\u003eAlamos Mexico International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eSan Francisco Green Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection,\u003cem\u003e EcoFest Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFinalist, \u003ci\u003eBlue Ocean Film Festival 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003ci\u003eEcocinema 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBelize International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eHawaii Green Screen Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eAmerican's Latin EcoFest 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWine Country Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary Film, \u003cem\u003eBreckenridge Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWoodstock Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental International Film Festival (FICMA) 2014\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental Film Festival in the Nation's Capital 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003eSilver Winner, \u003cem\u003eFilmmakers of the Year Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cstrong\u003eHighly Recommend!\u003c\/strong\u003e Visually appealing and thought-provoking, ANGEL AZUL is an outstanding choice for libraries supporting studies in art, oceanography and environmental science; armchair travelers and scuba enthusiasts, those planning a trip to Mecixo's Yucatan Peninsula, and anyone concerned about the health of earth's coral reefs will find much to enjoy and ponder here.\" \u003cem\u003e—Educational Media Reviews Online \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"Peter Coyote provides narration for Marcelina Cravat's beautifully shot documentary on art in the service of science. English-born sculptor Jason deCaires Taylor lives in West Indies with his wife and child. After Hurricane Ivan devastates Grenada, Taylor decides to build a series of underwater sculptures to double as an artificial reef. Over time, coral, algae, and other biological entities begin to cover the cement figures, transforming them into creatures that simultaneously appear both elegant and eerie. Eventually, they will no longer be recognizable as human. Taylor's pieces also carry messages about global warming and water pollution, such as the heads-in-the-ground-figures of \"The Politicians,\" and \"The Last Supper\", which depicts a repast of fish and hand grenades. \"The Listener,\" a body covered in ears, actually records the sounds of the reef. As word of his work spreads, Taylor receives invitations from other territories concerned with reef protection (grants and sponsorships pay for his work). In Mexico, the artist creates \"The Silent Evolution,\" a congregation of 400 figures that look quite realistic because Taylor used people in Cancun as models. In Angel Azul, Taylor and his team cover a woman from head to toe (only her nostrils remain visible) in goopy white silicone, a scene sure to incite claustrophobia in many viewers. Cravat follows the making of this piece, called \"The Angel\", from start to finish. After installation, Taylor leaves Mexico with his family for the Canary Islands, where he plans to create more underwater communities. An interesting portrait of a nontraditional artist, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e","published_at":"2015-03-04T13:56:00-08:00","created_at":"2015-03-04T13:24:15-08:00","vendor":"Marcy Cravat","type":"DVD","tags":[],"price":3999,"price_min":3999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1207451748,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"AGA-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":29500,"weight":0,"compare_at_price":null,"inventory_quantity":17,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":1207451756,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"AGA-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul (educational) - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":19500,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1207451760,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"AGA-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":91,"compare_at_price":null,"inventory_quantity":-8,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1207451764,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AGA-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Angel Azul (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Angel-Azul_388x408_1024x1024_8c76b331-19c8-4bc3-ba09-601c81fa44d9.png?v=1462227184","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/grenada18_grande_ba62530a-3230-466a-8def-ac8f69591242.jpg?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/es2_grande_cad353ff-78da-47a7-bc17-1556066e70ac.jpg?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AA_SylviaEarie.png?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Man_0n_Fire09_grande_6b69422e-a56a-468b-9993-7fdffcf7e95e.jpg?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AA_TerryTWilliams.png?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Man_on_Docks.jpg?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AA_DrSamuelHancock.png?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Underwater_Heads.jpg?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AA_PeterCoyote.png?v=1462227168","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Angel_Azul.jpg?v=1462227168"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Angel-Azul_388x408_1024x1024_8c76b331-19c8-4bc3-ba09-601c81fa44d9.png?v=1462227184","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Marcelina Cravat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Marcelina Cravat. Exec Producer: Curt Overway, Assoc Producer: Anna Scout Wise\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2014 a\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 72 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles:\u003c\/strong\u003e English \u0026amp; Spanish \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e aSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\" title=\"Environmental Studies\" style=\"color: #000000;\"\u003eEnvironmental Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003eArt, Music, \u0026amp; Design\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eANGEL AZUL tells the story of one artist’s inspiring attempt to draw attention to the perilous situation coral reefs currently face worldwide. Jason DeCaires Taylor is an eco-sculptor who casts cement statues from live human models and installs them on the ocean floor to create an artificial coral reef. The story follows the making of an angel, a symbol of hope, with wings made from live fan coral. She will reside in an underwater museum alongside 400 of Jason’s statues located off the coast of Cancún in the National Marine Park, El Museo Subacuatico De Arte (MUSA). Over time the statues grow coral, provide habitat for marine life and a diversion for tourists, offering the natural reefs a reprieve from heavy usage. But when the coral that has been growing on the statues starts to die, issues related to waste water pollution and rising sea temperatures become evident. Through local experts and scientists in the field, the full scope of the problem is revealed. Jason faces his own problems in keeping his workshop afloat, but never tires from his efforts to spread the message about this valuable ecosystem that is in grave danger of disappearing completely if steps are not taken to prevent its demise. Through the hauntingly beautiful underwater world created by this incredible eco-sculptor, we are reminded that everything connects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/107735725?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" style=\"line-height: 1.4;\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/107735725\" style=\"color: #000000;\"\u003eAngel Azul (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary\u003cem\u003e, \u003cem\u003eJulien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eGrand Jury Prize\u003cem\u003e\u003cem\u003e, Julien Dubuque International Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Director\u003cem\u003e, \u003cem\u003eMoscow EcoCup Film Festival 2015\u003c\/em\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWild and Scenic 2015\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003ePremiere, \u003cem\u003eEnvironmental DC Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography, \u003cem\u003eBel-Air Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Cinematography,\u003cem\u003eUNAFF\u003c\/em\u003e \u003cem\u003eUnited Nations Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBoston International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eRaindance Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eHonorable Mention, \u003cem\u003eAlamos Mexico International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eSan Francisco Green Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection,\u003cem\u003e EcoFest Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFinalist, \u003ci\u003eBlue Ocean Film Festival 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003ci\u003eEcocinema 2014\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eBelize International Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eHawaii Green Screen Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eAmerican's Latin EcoFest 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWine Country Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary Film, \u003cem\u003eBreckenridge Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eWoodstock Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental International Film Festival (FICMA) 2014\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, \u003cem\u003eEnvironmental Film Festival in the Nation's Capital 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003eSilver Winner, \u003cem\u003eFilmmakers of the Year Film Festival 2014\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews: \u003c\/span\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cstrong\u003eHighly Recommend!\u003c\/strong\u003e Visually appealing and thought-provoking, ANGEL AZUL is an outstanding choice for libraries supporting studies in art, oceanography and environmental science; armchair travelers and scuba enthusiasts, those planning a trip to Mecixo's Yucatan Peninsula, and anyone concerned about the health of earth's coral reefs will find much to enjoy and ponder here.\" \u003cem\u003e—Educational Media Reviews Online \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"Peter Coyote provides narration for Marcelina Cravat's beautifully shot documentary on art in the service of science. English-born sculptor Jason deCaires Taylor lives in West Indies with his wife and child. After Hurricane Ivan devastates Grenada, Taylor decides to build a series of underwater sculptures to double as an artificial reef. Over time, coral, algae, and other biological entities begin to cover the cement figures, transforming them into creatures that simultaneously appear both elegant and eerie. Eventually, they will no longer be recognizable as human. Taylor's pieces also carry messages about global warming and water pollution, such as the heads-in-the-ground-figures of \"The Politicians,\" and \"The Last Supper\", which depicts a repast of fish and hand grenades. \"The Listener,\" a body covered in ears, actually records the sounds of the reef. As word of his work spreads, Taylor receives invitations from other territories concerned with reef protection (grants and sponsorships pay for his work). In Mexico, the artist creates \"The Silent Evolution,\" a congregation of 400 figures that look quite realistic because Taylor used people in Cancun as models. In Angel Azul, Taylor and his team cover a woman from head to toe (only her nostrils remain visible) in goopy white silicone, a scene sure to incite claustrophobia in many viewers. Cravat follows the making of this piece, called \"The Angel\", from start to finish. After installation, Taylor leaves Mexico with his family for the Canary Islands, where he plans to create more underwater communities. An interesting portrait of a nontraditional artist, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003caddress\u003e\u003c\/address\u003e\n\u003cdiv\u003e\u003c\/div\u003e"}
Angel Azul DVD case

Angel Azul (educational)

$295.00

Directed by: Marcelina Cravat Produced by: Marcelina Cravat. Exec Producer: Curt Overway, Assoc Producer: Anna Scout Wise Released: 2014 a Running Time: 72 mins Subtitles: English & Spanish   aSubjects: Environmental Studies, Art, Music, & Design ANGEL AZUL tells the story of one artist’s inspiring attempt to draw attention to the...


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{"id":4559817476,"title":"Circle of Poison (educational)","handle":"circle-of-poison-educational","description":"\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/circle-of-poison-screening\" target=\"_blank\" title=\"Circle of Poison Community and Campus Screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?14641162338345221999\" alt=\"Click here for Screening License\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Evan Mascagni, Shannon Post\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Evan Mascagni, Shannon Post, Nick Capezzera\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_large.png?4933293512989908117\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/environmental-studies\" title=\"Link to Collective Eye Films Environmental Studies educational documentary collection \" style=\"color: #000000;\"\u003eEnvironmental Studies \u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\" style=\"color: #000000;\"\u003eAgricultural Studies \u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducational Package includes: \u003c\/strong\u003eExtended interview with President Jimmy Carter\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOnce a pesticide is banned in the United States for its dangerous health and environmental effects, companies are still permitted to manufacture it for export only. This policy sends a message to the world that American lives are more valuable, yet ironically these toxic pesticides circulate the globe and come back to the US as residues on imported food in the circle of poison.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eNarrated by Elizabeth Kucinich and featuring interviews with President Jimmy Carter, Dr. Vandana Shiva, Professor Noam Chomsky, Senator Patrick Leahy, and His Holiness the Dalai Lama, the film exposes the shocking practice of corporate profit in the toxic pesticide trade. It takes viewers across the globe, to India, Mexico, Argentina, Bhutan, and the United States, to document the emotional stories of victims and the inspiring ways communities are fighting back.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/158370314?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Circle-of-poison-LAURELS2_9d1b3319-c7d6-41af-96af-89934a668fbe_large.png?7541098628108591350\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Hollywood_Reporter_Quote_large.png?18300878381320095285\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Positive_Review_NewYorkled_COP_large.png?4161177072565582240\" alt=\"\"\u003e\u003cstrong\u003eVideo Librarian Review\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Co-Directors Evan Mascagni and Shannon Post took inspiration from journalist David Weir\\u2019s 1981 book The Circle of Poison for this documentary, which explores how substances banned from the United States find their way into foreign markets through companies more concerned with profits than environmental effects. Twenty-three states currently produce pesticides intended for export only. The filmmakers start with endosulfan, which is illegal in the U.S., but has been used on Indian cashew farms for 30 years. At first, farmers were happy, because it killed the snakes, but then usage led to the disappearance of bees, the death of livestock, and severe birth defects (many of the children in Kasaragod have cerebral palsy, hydrocephalus, and other conditions that developed after spraying their area). Similar scenarios crop up in farming communities in Mexico and Argentina. Aside from the local harm that substances such as DDT can cause, they also seep into the groundwater and spread out into the wider world, even returning to the U.S. as residue on imported produce, which the FDA poorly regulates. Former President Jimmy Carter signed an executive order prohibiting the sale of contaminated substances abroad, but Ronald Reagan revoked it, and while Senator Patrick Leahy introduced bills in the 1990s to curtail the practice, it was to no avail. Carter believes that these companies and their lobbyists have only grown more powerful since then (the value of the pesticide market has also nearly doubled since 2011). Fortunately, the filmmakers find signs of hope in the rise of organic produce, and in communities like Paro, Bhutan, which has eliminated pesticides from their farming practices. An eye-opening documentary, this is recommended. - C, P. (K. Fennessy)\"}' data-sheets-userformat='{\"2\":897,\"3\":{\"1\":0},\"10\":0,\"11\":4,\"12\":0}' style=\"color: #000000;\"\u003eCo-Directors Evan Mascagni and Shannon Post took inspiration from journalist David Weir’s 1981 book The Circle of Poison for this documentary, which explores how substances banned from the United States find their way into foreign markets through companies more concerned with profits than environmental effects. Twenty-three states currently produce pesticides intended for export only. The filmmakers start with endosulfan, which is illegal in the U.S., but has been used on Indian cashew farms for 30 years. At first, farmers were happy, because it killed the snakes, but then usage led to the disappearance of bees, the death of livestock, and severe birth defects (many of the children in Kasaragod have cerebral palsy, hydrocephalus, and other conditions that developed after spraying their area). Similar scenarios crop up in farming communities in Mexico and Argentina. Aside from the local harm that substances such as DDT can cause, they also seep into the groundwater and spread out into the wider world, even returning to the U.S. as residue on imported produce, which the FDA poorly regulates. Former President Jimmy Carter signed an executive order prohibiting the sale of contaminated substances abroad, but Ronald Reagan revoked it, and while Senator Patrick Leahy introduced bills in the 1990s to curtail the practice, it was to no avail. Carter believes that these companies and their lobbyists have only grown more powerful since then (the value of the pesticide market has also nearly doubled since 2011). Fortunately, the filmmakers find signs of hope in the rise of organic produce, and in communities like Paro, Bhutan, which has eliminated pesticides from their farming practices. An eye-opening documentary, this is recommended. - C, P. (K. Fennessy)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2016-03-28T13:48:00-07:00","created_at":"2016-03-10T11:55:43-08:00","vendor":"Evan Mascagni","type":"DVD","tags":[],"price":5995,"price_min":5995,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":16598418308,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"COP-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Circle of Poison (educational) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-51,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":16598418372,"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"COP-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Circle of Poison (educational) - K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":16598418436,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"COP-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Circle of Poison (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5995,"weight":100,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":16598418500,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"COP-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Circle of Poison (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle-of-Poison_3dcase_385x651_1024x1024_9bb60ff2-03f8-4845-b9a7-d4c79858dd23.png?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-57_1.jpg?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-28.jpg?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-91.jpg?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-70.jpg?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-92.jpg?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-6.jpg?v=1462557460","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle_of_Poison-52.jpg?v=1462557460"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Circle-of-Poison_3dcase_385x651_1024x1024_9bb60ff2-03f8-4845-b9a7-d4c79858dd23.png?v=1462557460","options":["Size"],"content":"\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/circle-of-poison-screening\" target=\"_blank\" title=\"Circle of Poison Community and Campus Screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?14641162338345221999\" alt=\"Click here for Screening License\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Evan Mascagni, Shannon Post\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Evan Mascagni, Shannon Post, Nick Capezzera\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 71 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_large.png?4933293512989908117\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/environmental-studies\" title=\"Link to Collective Eye Films Environmental Studies educational documentary collection \" style=\"color: #000000;\"\u003eEnvironmental Studies \u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/agriculture\" style=\"color: #000000;\"\u003eAgricultural Studies \u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducational Package includes: \u003c\/strong\u003eExtended interview with President Jimmy Carter\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOnce a pesticide is banned in the United States for its dangerous health and environmental effects, companies are still permitted to manufacture it for export only. This policy sends a message to the world that American lives are more valuable, yet ironically these toxic pesticides circulate the globe and come back to the US as residues on imported food in the circle of poison.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eNarrated by Elizabeth Kucinich and featuring interviews with President Jimmy Carter, Dr. Vandana Shiva, Professor Noam Chomsky, Senator Patrick Leahy, and His Holiness the Dalai Lama, the film exposes the shocking practice of corporate profit in the toxic pesticide trade. It takes viewers across the globe, to India, Mexico, Argentina, Bhutan, and the United States, to document the emotional stories of victims and the inspiring ways communities are fighting back.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/158370314?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Circle-of-poison-LAURELS2_9d1b3319-c7d6-41af-96af-89934a668fbe_large.png?7541098628108591350\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Hollywood_Reporter_Quote_large.png?18300878381320095285\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Positive_Review_NewYorkled_COP_large.png?4161177072565582240\" alt=\"\"\u003e\u003cstrong\u003eVideo Librarian Review\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Co-Directors Evan Mascagni and Shannon Post took inspiration from journalist David Weir\\u2019s 1981 book The Circle of Poison for this documentary, which explores how substances banned from the United States find their way into foreign markets through companies more concerned with profits than environmental effects. Twenty-three states currently produce pesticides intended for export only. The filmmakers start with endosulfan, which is illegal in the U.S., but has been used on Indian cashew farms for 30 years. At first, farmers were happy, because it killed the snakes, but then usage led to the disappearance of bees, the death of livestock, and severe birth defects (many of the children in Kasaragod have cerebral palsy, hydrocephalus, and other conditions that developed after spraying their area). Similar scenarios crop up in farming communities in Mexico and Argentina. Aside from the local harm that substances such as DDT can cause, they also seep into the groundwater and spread out into the wider world, even returning to the U.S. as residue on imported produce, which the FDA poorly regulates. Former President Jimmy Carter signed an executive order prohibiting the sale of contaminated substances abroad, but Ronald Reagan revoked it, and while Senator Patrick Leahy introduced bills in the 1990s to curtail the practice, it was to no avail. Carter believes that these companies and their lobbyists have only grown more powerful since then (the value of the pesticide market has also nearly doubled since 2011). Fortunately, the filmmakers find signs of hope in the rise of organic produce, and in communities like Paro, Bhutan, which has eliminated pesticides from their farming practices. An eye-opening documentary, this is recommended. - C, P. (K. Fennessy)\"}' data-sheets-userformat='{\"2\":897,\"3\":{\"1\":0},\"10\":0,\"11\":4,\"12\":0}' style=\"color: #000000;\"\u003eCo-Directors Evan Mascagni and Shannon Post took inspiration from journalist David Weir’s 1981 book The Circle of Poison for this documentary, which explores how substances banned from the United States find their way into foreign markets through companies more concerned with profits than environmental effects. Twenty-three states currently produce pesticides intended for export only. The filmmakers start with endosulfan, which is illegal in the U.S., but has been used on Indian cashew farms for 30 years. At first, farmers were happy, because it killed the snakes, but then usage led to the disappearance of bees, the death of livestock, and severe birth defects (many of the children in Kasaragod have cerebral palsy, hydrocephalus, and other conditions that developed after spraying their area). Similar scenarios crop up in farming communities in Mexico and Argentina. Aside from the local harm that substances such as DDT can cause, they also seep into the groundwater and spread out into the wider world, even returning to the U.S. as residue on imported produce, which the FDA poorly regulates. Former President Jimmy Carter signed an executive order prohibiting the sale of contaminated substances abroad, but Ronald Reagan revoked it, and while Senator Patrick Leahy introduced bills in the 1990s to curtail the practice, it was to no avail. Carter believes that these companies and their lobbyists have only grown more powerful since then (the value of the pesticide market has also nearly doubled since 2011). Fortunately, the filmmakers find signs of hope in the rise of organic produce, and in communities like Paro, Bhutan, which has eliminated pesticides from their farming practices. An eye-opening documentary, this is recommended. - C, P. (K. Fennessy)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}
Circle of Poison (educational)

Circle of Poison (educational)

$295.00

Directed by: Evan Mascagni, Shannon Post Produced by: Evan Mascagni, Shannon Post, Nick Capezzera Released: 2016 Running Time: 71 minutes Language:  English  Subjects: Environmental Studies , Agricultural Studies  Educational Package includes: Extended interview with President Jimmy Carter Once a pesticide is banned in th...


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{"id":514777156,"title":"GTFO: Get The F\u0026#% Out (educational)","handle":"gtfo-educational","description":"\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSpecial pricing available for small gaming groups and associations. Contact us for inquiry \u003ca href=\"mailto:screenings@collectiveeye.org%20\" style=\"color: #000000;\"\u003escreenings@collectiveeye.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.4;\"\u003e\u003cstrong\u003eDirected by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eProduced by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased: 2015\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: 76 mins\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles: None\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" style=\"color: #000000;\"\u003eWomen's Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt, Music and Design\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology \u003c\/a\u003e\u003c\/strong\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry that is riddled with discrimination and misogyny. Although half of all gamers are women, females are disproportionately subject to harassment and abuse from other gamers, and are massively under-represented in the video game design world. Through interviews with video game developers, journalists, and academics, GTFO examines the female experience in gaming and begins a larger conversation that will shape the future of the video game world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/127661215?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/127661215\" target=\"_blank\" style=\"color: #000000;\"\u003eGTFO (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" target=\"_blank\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eAwards:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePremiere, SXSW 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Independent Film Festival of Boston, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Doxa Film Festival, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes \u0026amp; Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e\"Shannon Sun-Higginson's documentary is an entertaining, accessible survey of misogyny in the videogaming world\".  - Dennis Harvey, Variety\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"byline\"\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"The tone of “GTFO” is educational. It’s broken up as chapters. Topics of discussion include the history of game marketing, the portrayal of female characters and the perception of female gamers.\"  - Todd Martens, Los Angeles Times \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"...GTFO would be a good resource in secondary schools, particularly to prompt discussion of issues of gender and educational\/employment opportunities. (School librarians should be aware that profanity is widely used throughout the film.) GTFO would also be highly relevant in undergraduate computer science, sociology, or gender studies courses.\" - Educational Media Review \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e “For a documentary so intent on humanizing women who have been dehumanized by their own industry, these in-­home interviews and cameos from the subjects’ children and male allies are key.” - Joanna Robinson, Vanity Fair \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cbr\u003e“GTFO is brutally effective — intelligent, thought-­provoking, and thorough.” - Jason Bailey, Flavorwire\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003csmall\u003e\"Is your computer in the kitchen?\" This question is one of the mildest forms of online harassment faced by women who play video games such as CALL OF DUTY, the multiplayer first - person shooter that pits teams against on another. A stronger comment might be something like, \"I'm going to stick an egg in your vaginal canal and punch it.\" As viewers will learn Shannon Sun-Higginson's eye - opening documentary GTFO (the popular acronym for \"get the fuck out\")... GTFO convincingly argues that women gamers are often faced with the choice of staying quiet and preserving the misogynist cycle or speaking out and becoming a target.\u003c\/small\u003e\" - Video Librarian\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2016-02-24T11:03:00-08:00","created_at":"2015-05-06T15:07:10-07:00","vendor":"Shannon Sun-Higginson","type":"DVD","tags":["ecofeminism","Kanopy","new","Public Library License"],"price":4999,"price_min":4999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1602968900,"title":"University and College (with PPR)","option1":"University and College (with PPR)","option2":null,"option3":null,"sku":"GTF-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - University and College (with PPR)","public_title":"University and College (with PPR)","options":["University and College (with PPR)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-31,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1602968964,"title":"K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","option1":"K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","option2":null,"option3":null,"sku":"GTF-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","public_title":"K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","options":["K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1602969028,"title":"Public Library (without PPR)","option1":"Public Library (without PPR)","option2":null,"option3":null,"sku":"GTF-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - Public Library (without PPR)","public_title":"Public Library (without PPR)","options":["Public Library (without PPR)"],"price":4999,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1602969092,"title":"Digital Site License (University\/College)","option1":"Digital Site License (University\/College)","option2":null,"option3":null,"sku":"GTF-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - Digital Site License (University\/College)","public_title":"Digital Site License (University\/College)","options":["Digital Site License (University\/College)"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_3dcase_388X657_1024x1024_b58cde6d-ef6c-4151-a630-9ba6366cb2bb.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_03.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gtfoquote.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_11.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_06.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_13.png?v=1462559777"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_3dcase_388X657_1024x1024_b58cde6d-ef6c-4151-a630-9ba6366cb2bb.png?v=1462559777","options":["License"],"content":"\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSpecial pricing available for small gaming groups and associations. Contact us for inquiry \u003ca href=\"mailto:screenings@collectiveeye.org%20\" style=\"color: #000000;\"\u003escreenings@collectiveeye.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.4;\"\u003e\u003cstrong\u003eDirected by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eProduced by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased: 2015\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: 76 mins\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles: None\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" style=\"color: #000000;\"\u003eWomen's Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt, Music and Design\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology \u003c\/a\u003e\u003c\/strong\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry that is riddled with discrimination and misogyny. Although half of all gamers are women, females are disproportionately subject to harassment and abuse from other gamers, and are massively under-represented in the video game design world. Through interviews with video game developers, journalists, and academics, GTFO examines the female experience in gaming and begins a larger conversation that will shape the future of the video game world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/127661215?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/127661215\" target=\"_blank\" style=\"color: #000000;\"\u003eGTFO (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" target=\"_blank\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eAwards:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePremiere, SXSW 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Independent Film Festival of Boston, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Doxa Film Festival, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes \u0026amp; Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e\"Shannon Sun-Higginson's documentary is an entertaining, accessible survey of misogyny in the videogaming world\".  - Dennis Harvey, Variety\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"byline\"\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"The tone of “GTFO” is educational. It’s broken up as chapters. Topics of discussion include the history of game marketing, the portrayal of female characters and the perception of female gamers.\"  - Todd Martens, Los Angeles Times \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"...GTFO would be a good resource in secondary schools, particularly to prompt discussion of issues of gender and educational\/employment opportunities. (School librarians should be aware that profanity is widely used throughout the film.) GTFO would also be highly relevant in undergraduate computer science, sociology, or gender studies courses.\" - Educational Media Review \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e “For a documentary so intent on humanizing women who have been dehumanized by their own industry, these in-­home interviews and cameos from the subjects’ children and male allies are key.” - Joanna Robinson, Vanity Fair \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cbr\u003e“GTFO is brutally effective — intelligent, thought-­provoking, and thorough.” - Jason Bailey, Flavorwire\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003csmall\u003e\"Is your computer in the kitchen?\" This question is one of the mildest forms of online harassment faced by women who play video games such as CALL OF DUTY, the multiplayer first - person shooter that pits teams against on another. A stronger comment might be something like, \"I'm going to stick an egg in your vaginal canal and punch it.\" As viewers will learn Shannon Sun-Higginson's eye - opening documentary GTFO (the popular acronym for \"get the fuck out\")... GTFO convincingly argues that women gamers are often faced with the choice of staying quiet and preserving the misogynist cycle or speaking out and becoming a target.\u003c\/small\u003e\" - Video Librarian\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}
GTFO: Get The F&#% Out (educational)

GTFO: Get The F&#% Out (educational)

$295.00

Special pricing available for small gaming groups and associations. Contact us for inquiry screenings@collectiveeye.org Directed by: Shannon Sun-Higginson Produced by: Shannon Sun-Higginson Released: 2015 Running Time: 76 mins Subtitles: None Subjects: Women's Studies, Art, Music and Design, Sociology  Sparked by a public display of sexu...


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Overburden (educational)

DVD

From $50.00
{"id":1056368196,"title":"Overburden (educational)","handle":"overburden-educational","description":"\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Chad A. Stevens \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: \u003c\/span\u003e\u003c\/span\u003eCatherine Orr and Elena Rue\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeye.org\/products\/overburden-screening\" style=\"color: #000000;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?10384625402143917297\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 65 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\" style=\"color: #000000;\"\u003eEnvironmental Studies \u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/parks-recreation\" style=\"color: #000000;\"\u003eConservation \u0026amp; Recreation,\u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\" style=\"color: #000000;\"\u003eWorker's Rights \u003cbr\u003e\u003cbr\u003e\u003c\/a\u003eThe gas that caused the explosion was completely invisible. On April 5, 2010 the men working at the Upper Big Branch mine were doing what they always do, mining coal. But when a spark ignited the methane, a fireball ripped through miles of underground tunnels killing everything it touched, including 29 men. After the explosion, ambulances raced by Betty Harrah’s home. An hour later Betty, a fierce supporter of the coal industry, answered the phone, and as the voice revealed that her brother, Stevie, had died with 28 other men in the largest mining disaster in 40 years, her life changed forever. Yes, as Betty says, “coal is life here,” but, she continues, “Massey Energy murdered my brother.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIt’s not easy to take sides when the only option for a decent wage means putting your life, your home and your community at risk. Lorelei Scarbro knows this better than anyone. Her husband died of Black Lung, and Massey, the fourth largest coal company in the U.S., just announced plans to begin a 6000-acre mining project that would threaten her home. In 2007 Lorelei spoke out for the first time at a public hearing. “This isn’t coal mining,” she yelled. “This is the rape of Appalachia!”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOVERBURDEN is the story of a fiery, pro-coal right-winger and a tenacious, environmentalist grandmother as they take on the most dangerous coal company in America. These two lives intertwine as Betty and Lorelei unite to rebuild their fractured community. Decades after Barbara Kopple filmed HARLAN COUNTY, USA, the coal industry is now facing extinction, and with an increase in alternative energy and the work of these two courageous women, the epicenter of change may just come from the most unexpected place, the ridges of the Appalachian Mountains.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/135612504?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurels-Image_large.png?13058296199541352727\"\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cem\u003e\u003cstrong\u003eOverburden\u003c\/strong\u003e\u003c\/em\u003e should be required viewing for President Obama, the Congress, and anyone who has ever depended on coal-fired electricity.\" - Jeff Biggers, Huffington Post                                                    \u003c\/span\u003e\u003c\/div\u003e\n\u003cspace\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Scarbro, whose husband died from black lung after a career as a coal miner, said that filmmaker Stevens followed her around for so long, she began to forget he was there.\u003ci\u003e\u003cstrong\u003e“Overburden\u003c\/strong\u003e\u003c\/i\u003e shows the personal stories of Scarbro’s and Harrah’s lives and the impact of coal.” - The Herald-Sun \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/space\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“highly recommended!”... \u003ci\u003e\u003cstrong\u003e“Overburden\u003c\/strong\u003e\u003c\/i\u003e (U.S., 66 min.) — A team of three local filmmakers examines the perils of mountaintop coal removal in West Virginia. But unlike other, similarly themed documentaries, this is not a ranting polemic. It makes its point about a complex issue through emotional intimacy, character and nuance. –LS” - Indyweek\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Chad A. Stevens has authored a documentary about a problem that needs to be more widely known, about a people who need to be better understood, and about courageous heroism that needs to be seen to be believed.” - AE (Audience Everywhere) \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“What distinguishes Overburden, which is set in West Virginia, from a dozen other documentaries about mountaintop removal is its highly nuanced depiction of a complex issue. The film, which took nearly a decade to finish, is not a polemic. Nonetheless, it projects a clear point of view, one that relies on strong characters to steer through us through the thorny emotional terrain of Appalachian stereotypes, the conflict between insiders vs. outsiders and the diverging opinions about coal’s environmental and economic toll.” - FullFrame \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003cstrong\u003e3 1\/2 stars! \u003c\/strong\u003e\"Telling a powerful story that will remind some viewers of Barabara Kopple's Oscar-winning 1976 documentary HARLAN COUNTY U.S.A., this fine film mixes gripping personal stories with a look at larger socioeconomic issue. Highly recommend\" - Video Librarian \u003ctt\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/tt\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ctt\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003e\u003c\/tt\u003e\u003c\/span\u003e","published_at":"2015-08-18T12:46:00-07:00","created_at":"2015-08-05T16:06:18-07:00","vendor":"Chad A. Stevens","type":"DVD","tags":["ecofeminism","new","Public Library License"],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":4050101380,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"OVB-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Overburden (educational) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-32,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":4050101444,"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"OVB-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Overburden (educational) - K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":4050101508,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"OVB-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Overburden (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":100,"compare_at_price":null,"inventory_quantity":-8,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":4050101572,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"OVB-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Overburden (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_3dcase_389X657_1024x1024_4a497985-0683-4f11-8446-6f9d2199317b.png?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_VideoLibrarian.png?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_highres_02.JPG?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_03.JPG?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_The_Harald_Sun_80ba9dcd-6279-4e7e-82a1-a75b0e23908e.png?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_07_grande_193a8a75-1ca3-4382-9da6-96202c20ef88.jpg?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_highres_11.JPG?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_quote_909f5159-5a66-442c-b27a-f624c1067a22.png?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_08.jpg?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_01.JPG?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_FullFrame_7347fba3-5753-4eba-85f2-fc7ce692360b.png?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_highres_13.JPG?v=1462561400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_06.JPG?v=1462561400"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Overburden_3dcase_389X657_1024x1024_4a497985-0683-4f11-8446-6f9d2199317b.png?v=1462561400","options":["Size"],"content":"\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Chad A. Stevens \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: \u003c\/span\u003e\u003c\/span\u003eCatherine Orr and Elena Rue\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeye.org\/products\/overburden-screening\" style=\"color: #000000;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?10384625402143917297\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 65 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/ecology\" style=\"color: #000000;\"\u003eEnvironmental Studies \u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/parks-recreation\" style=\"color: #000000;\"\u003eConservation \u0026amp; Recreation,\u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\" style=\"color: #000000;\"\u003eWorker's Rights \u003cbr\u003e\u003cbr\u003e\u003c\/a\u003eThe gas that caused the explosion was completely invisible. On April 5, 2010 the men working at the Upper Big Branch mine were doing what they always do, mining coal. But when a spark ignited the methane, a fireball ripped through miles of underground tunnels killing everything it touched, including 29 men. After the explosion, ambulances raced by Betty Harrah’s home. An hour later Betty, a fierce supporter of the coal industry, answered the phone, and as the voice revealed that her brother, Stevie, had died with 28 other men in the largest mining disaster in 40 years, her life changed forever. Yes, as Betty says, “coal is life here,” but, she continues, “Massey Energy murdered my brother.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIt’s not easy to take sides when the only option for a decent wage means putting your life, your home and your community at risk. Lorelei Scarbro knows this better than anyone. Her husband died of Black Lung, and Massey, the fourth largest coal company in the U.S., just announced plans to begin a 6000-acre mining project that would threaten her home. In 2007 Lorelei spoke out for the first time at a public hearing. “This isn’t coal mining,” she yelled. “This is the rape of Appalachia!”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOVERBURDEN is the story of a fiery, pro-coal right-winger and a tenacious, environmentalist grandmother as they take on the most dangerous coal company in America. These two lives intertwine as Betty and Lorelei unite to rebuild their fractured community. Decades after Barbara Kopple filmed HARLAN COUNTY, USA, the coal industry is now facing extinction, and with an increase in alternative energy and the work of these two courageous women, the epicenter of change may just come from the most unexpected place, the ridges of the Appalachian Mountains.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/135612504?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurels-Image_large.png?13058296199541352727\"\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cem\u003e\u003cstrong\u003eOverburden\u003c\/strong\u003e\u003c\/em\u003e should be required viewing for President Obama, the Congress, and anyone who has ever depended on coal-fired electricity.\" - Jeff Biggers, Huffington Post                                                    \u003c\/span\u003e\u003c\/div\u003e\n\u003cspace\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Scarbro, whose husband died from black lung after a career as a coal miner, said that filmmaker Stevens followed her around for so long, she began to forget he was there.\u003ci\u003e\u003cstrong\u003e“Overburden\u003c\/strong\u003e\u003c\/i\u003e shows the personal stories of Scarbro’s and Harrah’s lives and the impact of coal.” - The Herald-Sun \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/space\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“highly recommended!”... \u003ci\u003e\u003cstrong\u003e“Overburden\u003c\/strong\u003e\u003c\/i\u003e (U.S., 66 min.) — A team of three local filmmakers examines the perils of mountaintop coal removal in West Virginia. But unlike other, similarly themed documentaries, this is not a ranting polemic. It makes its point about a complex issue through emotional intimacy, character and nuance. –LS” - Indyweek\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“Chad A. Stevens has authored a documentary about a problem that needs to be more widely known, about a people who need to be better understood, and about courageous heroism that needs to be seen to be believed.” - AE (Audience Everywhere) \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“What distinguishes Overburden, which is set in West Virginia, from a dozen other documentaries about mountaintop removal is its highly nuanced depiction of a complex issue. The film, which took nearly a decade to finish, is not a polemic. Nonetheless, it projects a clear point of view, one that relies on strong characters to steer through us through the thorny emotional terrain of Appalachian stereotypes, the conflict between insiders vs. outsiders and the diverging opinions about coal’s environmental and economic toll.” - FullFrame \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003cstrong\u003e3 1\/2 stars! \u003c\/strong\u003e\"Telling a powerful story that will remind some viewers of Barabara Kopple's Oscar-winning 1976 documentary HARLAN COUNTY U.S.A., this fine film mixes gripping personal stories with a look at larger socioeconomic issue. Highly recommend\" - Video Librarian \u003ctt\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/tt\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ctt\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003e\u003c\/tt\u003e\u003c\/span\u003e"}
Overburden (educational)

Overburden (educational)

$295.00

Directed by: Chad A. Stevens  Produced by: Catherine Orr and Elena Rue Released: 2015 Running Time: 65 min Language:  English Subjects: Environmental Studies , Conservation & Recreation, Worker's Rights The gas that caused the explosion was completely invisible. On April 5, 2010 the men working at the Upper Big Branch mine were doing...


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{"id":127769410,"title":"A Lot Like You (educational)","handle":"a-lot-like-you-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/african-american\" style=\"color: #000000;\"\u003eAfrican American Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/anthropology\" style=\"color: #000000;\"\u003eAnthropology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/lgbt-gender-studies\" style=\"color: #000000;\"\u003eGender Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/multicultural\" style=\"color: #000000;\"\u003eMulticultural Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/southeast-asian\" style=\"color: #000000;\"\u003eSouth Asian Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" style=\"color: #000000;\"\u003eWomen's Studies\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSecondary Subjects: \u003c\/b\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\" style=\"color: #000000;\"\u003eChildren Youth \u0026amp; Families,\u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/immigration-workers-rights\" style=\"color: #000000;\"\u003eImmigration and Refugee Studies\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"MS 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" href=\"http:\/\/www.docuseek2.com\/ce-aly-es\" style=\"color: #000000;\"\u003e\u003cstrong\u003eStream\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2013-03-27T14:19:00-07:00","created_at":"2013-03-20T15:06:52-07:00","vendor":"Eliaichi Kimaro","type":"DVD ","tags":[],"price":0,"price_min":0,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":289001382,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"ALY-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Lot Like You (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":25000,"weight":100,"compare_at_price":null,"inventory_quantity":38,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":289001384,"title":"K-­‐12, Public 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style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New 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includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/african-american\" style=\"color: #000000;\"\u003eAfrican American Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/anthropology\" style=\"color: #000000;\"\u003eAnthropology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/lgbt-gender-studies\" style=\"color: #000000;\"\u003eGender Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/multicultural\" style=\"color: #000000;\"\u003eMulticultural Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/southeast-asian\" style=\"color: #000000;\"\u003eSouth Asian Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" style=\"color: #000000;\"\u003eWomen's Studies\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSecondary Subjects: \u003c\/b\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\" style=\"color: #000000;\"\u003eChildren Youth \u0026amp; Families,\u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/immigration-workers-rights\" style=\"color: #000000;\"\u003eImmigration and Refugee Studies\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New 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When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions 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div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" href=\"http:\/\/www.docuseek2.com\/ce-aly-es\" style=\"color: #000000;\"\u003e\u003cstrong\u003eStream\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
A Lot Like You (educational)

A Lot Like You (educational)

$250.00

Directed by: Eliaichi Kimaro Produced by: Eric Frith, Thomas Kenney, Pete Droge Educational Version includes:      -Disk 1: 80:10 min (Feature Length Version)     -Disk 2: 52:45min (Educational version)      -Audio commentary with Director, Editor, Composer, and Cinematographer     -Deleted scenes     -Music Video for the title track "A Lo...


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{"id":4063100676,"title":"Matt Shepard is a Friend of Mine (educational)","handle":"matthew-shepard-is-a-friend-of-mine-educational","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ALA-logo-color-correct-400-150COPY_large.png?v=1490648657\" alt=\"\" width=\"131\" height=\"31\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWINNER American Library Association’s 2017 Notable Videos for Adults\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Michele Josue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Liam McNiff \u0026amp; Michele Josue\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 89 min Theatrical Version \u0026amp; 40 min Classroom Version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish with Spanish \u0026amp; Mandarin Subtitles \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_large.png?14110932601607983248\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/biographical\" style=\"color: #000000;\"\u003eBiographical\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/lgbt-gender-studies\" style=\"color: #000000;\"\u003eLGBTQ \u0026amp; Gender Studies \u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducational Package includes: \u003c\/strong\u003eTheatrical Trailer, Shepard’s Statement To The Court, \u003cspan style=\"line-height: 1.4;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003eMatthew Shepard Foundation Video: Combating Hate And Bullying In Lexington, Kentucky, Classroom Mini Unit By Big Picture Instructional Design (PDF \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAvailable For Computer Download On This Disc), and Special Message from Judy and Dennis Shepard. \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/copy-of-matthew-shepard-is-a-friend-of-mine-screening\" title=\"Matt Shepard is a Friend of Mine - screening license link \" style=\"color: #000000;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?8594487957961774092\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eOn October 7, 1998, University of Wyoming student Matthew Shepard was brutally beaten and tied to a fence and left to die because he was gay. Years later, Michele Josue, a close friend of Matt's, revisits the shocking case with never-before-seen photos, rare video footage, as Shepard's all-too-brief life is remembered through the vivid testimonies of those who knew him best. New revelations emerge in one of the most notorious hate crimes in US history, leading to a searing, poignant, and multi-layered biographical and sociological portrait. In the end, the notion of forgiveness--embodied in the moving and courageous final act of Shepard's parents--takes on truly heroic proportions.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/152214198?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/152214198\" style=\"color: #000000;\"\u003eMatthew Shepard Is a Friend of Mine (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurels_Image_large.png?8594487957961774092\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“'Matt Shepard Is A Friend Of Mine' is a great documentary...This film doesn't just revisit an atrocity, it moves through it, and finds meaning in it.\" -RogerEbert.com\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“A tender reconstruction of personal loss.\" -The New York Times\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Matt Shepard Is a Friend of Mine' seeks to restore Shepard's humanity to his name, to tell the story of the person who was murdered for being who he was.\" -Slate\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"The film is enough to prompt soul-searching among parents, educators and the LGBT community on how to provide adequate guidance and support for LGBT youths.\" -Los Angeles Times\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Long-in-coming doc offers an intensely personal look behind the headlines.\"- Hollywood Reporter\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"This remarkable film is a tearjerker in a good way, with director Josue assembling a collage of key moments in Matt's all-too-brief life that carries the emotional punch of a great novel.\" -Bay Area Reporter\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Josue's film is sensitive and personal...Her journey to and discovery of Wyoming - a place she had never been before Shepard's funeral in Casper - is as compelling a component in the film as details of the killing and trial.\" -San Francisco Chronicle\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e \u003cspace\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/space\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2016-01-20T10:34:00-08:00","created_at":"2015-12-29T12:35:14-08:00","vendor":"Michele Josue","type":"DVD","tags":["Matthew Shepard","new","Public Library License"],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12914809348,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"MTS-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Matt Shepard is a Friend of Mine (educational) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-38,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":12914809412,"title":"K‐12, Public Libraries, Non-­Profits (with PPR*)","option1":"K‐12, Public Libraries, Non-­Profits (with PPR*)","option2":null,"option3":null,"sku":"MTS-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Matt Shepard is a Friend of Mine (educational) - K‐12, Public Libraries, Non-­Profits (with PPR*)","public_title":"K‐12, Public Libraries, Non-­Profits (with PPR*)","options":["K‐12, Public Libraries, Non-­Profits (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":12914809476,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"MTS-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Matt Shepard is a Friend of Mine (educational) - 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Government (with PPR*)","public_title":"Government (with PPR*)","options":["Government (with PPR*)"],"price":25000,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Matthew-Shepard_3dcase_Raw_1024x1024_d6ca3cde-56a5-4954-8b20-48a9519ff19f.png?v=1462561121","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MSIAFOM_KEYIMAGE.jpg?v=1462561121","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/New_Yorker.png?v=1462561121","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MSIAFOM5.jpg?v=1462561121","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Indiewire2.png?v=1462561121","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MSIAFOM4.jpg?v=1462561121","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/The_Plain_Dealer.png?v=1462561121"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Matthew-Shepard_3dcase_Raw_1024x1024_d6ca3cde-56a5-4954-8b20-48a9519ff19f.png?v=1462561121","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ALA-logo-color-correct-400-150COPY_large.png?v=1490648657\" alt=\"\" width=\"131\" height=\"31\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWINNER American Library Association’s 2017 Notable Videos for Adults\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Michele Josue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Liam McNiff \u0026amp; Michele Josue\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2015\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 89 min Theatrical Version \u0026amp; 40 min Classroom Version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish with Spanish \u0026amp; Mandarin Subtitles \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_large.png?14110932601607983248\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/biographical\" style=\"color: #000000;\"\u003eBiographical\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/lgbt-gender-studies\" style=\"color: #000000;\"\u003eLGBTQ \u0026amp; Gender Studies \u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducational Package includes: \u003c\/strong\u003eTheatrical Trailer, Shepard’s Statement To The Court, \u003cspan style=\"line-height: 1.4;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003eMatthew Shepard Foundation Video: Combating Hate And Bullying In Lexington, Kentucky, Classroom Mini Unit By Big Picture Instructional Design (PDF \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAvailable For Computer Download On This Disc), and Special Message from Judy and Dennis Shepard. \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/copy-of-matthew-shepard-is-a-friend-of-mine-screening\" title=\"Matt Shepard is a Friend of Mine - screening license link \" style=\"color: #000000;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?8594487957961774092\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eOn October 7, 1998, University of Wyoming student Matthew Shepard was brutally beaten and tied to a fence and left to die because he was gay. Years later, Michele Josue, a close friend of Matt's, revisits the shocking case with never-before-seen photos, rare video footage, as Shepard's all-too-brief life is remembered through the vivid testimonies of those who knew him best. New revelations emerge in one of the most notorious hate crimes in US history, leading to a searing, poignant, and multi-layered biographical and sociological portrait. In the end, the notion of forgiveness--embodied in the moving and courageous final act of Shepard's parents--takes on truly heroic proportions.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/152214198?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/152214198\" style=\"color: #000000;\"\u003eMatthew Shepard Is a Friend of Mine (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurels_Image_large.png?8594487957961774092\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“'Matt Shepard Is A Friend Of Mine' is a great documentary...This film doesn't just revisit an atrocity, it moves through it, and finds meaning in it.\" -RogerEbert.com\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“A tender reconstruction of personal loss.\" -The New York Times\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Matt Shepard Is a Friend of Mine' seeks to restore Shepard's humanity to his name, to tell the story of the person who was murdered for being who he was.\" -Slate\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"The film is enough to prompt soul-searching among parents, educators and the LGBT community on how to provide adequate guidance and support for LGBT youths.\" -Los Angeles Times\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Long-in-coming doc offers an intensely personal look behind the headlines.\"- Hollywood Reporter\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"This remarkable film is a tearjerker in a good way, with director Josue assembling a collage of key moments in Matt's all-too-brief life that carries the emotional punch of a great novel.\" -Bay Area Reporter\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Josue's film is sensitive and personal...Her journey to and discovery of Wyoming - a place she had never been before Shepard's funeral in Casper - is as compelling a component in the film as details of the killing and trial.\" -San Francisco Chronicle\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e \u003cspace\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/space\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e"}
Matt Shepard is a Friend of Mine (educational)

Matt Shepard is a Friend of Mine (educational)

$295.00

WINNER American Library Association’s 2017 Notable Videos for Adults Directed by: Michele Josue Produced by: Liam McNiff & Michele Josue Released: 2015 Running Time: 89 min Theatrical Version & 40 min Classroom Version Language:  English with Spanish & Mandarin Subtitles  Subjects: Biographical, Human Rights, LGBTQ & G...


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{"id":223281421,"title":"Tall as the Baobab Tree (educational)","handle":"tall-as-the-baobab-tree-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e Directed By: Jeremy Teicher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced By: CyberSmart Learning Institute\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2034\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003eReleased: 2013\u003cbr\u003eRunning Time: 83 min\u003cbr\u003eEnglish \u0026amp; French Captions\/ NTSC\u003cbr\u003eSubjects: \u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\" target=\"_blank\" style=\"color: #000000;\"\u003eChildren, Youth, and Family\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e, \u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" target=\"_blank\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e, \u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" target=\"_blank\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e,\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" target=\"_blank\" style=\"color: #000000;\"\u003e Women's Studies\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Baobab_Studyguide.pdf?2079\" target=\"_blank\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TABT_SpecialStudyGuide_2_a3cbd6c8-f3dd-4a3d-8e03-157450e4b31e.png?2088\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eA powerful voice from Africa's young generation, TALL AS THE BAOBAB TREE poignantly depicts a family struggling to find its footing at the outer edge of the modern world, where questions of right and wrong are not always black and white. Coumba and her little sister Debo are the first to leave their family’s remote African village, where meals are prepared over open fires and water is drawn from wells, to attend school in the bustling city. But when an accident suddenly threatens their family’s survival, their father decides to sell 11-year-old Debo into an arranged marriage. Torn between loyalty to her elders and her dreams for the future, Coumba hatches a secret plan to rescue her young sister from a fate she did not choose. TALL AS THE BAOBAB TREE gives a voice to the countless young girls in the developing world who are still being denied an education by forced early marriage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"\/\/player.vimeo.com\/video\/41024518?title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eInspired by true stories from director Jeremy Teicher's 2011 Student Academy Award-nominated documentary, and selected as a finalist in the Academy of Motion Picture Arts and Sciences' 38th Annual Academy Awards competition, TALL AS THE BAOBAB TREE is an absorbing blend of fiction and reality featuring a cast of local villagers in roles that mirror their actual lives. They have never acted in a film before. The film was shot on location in the village of Sinthiou Mbadane, Senegal with no electricity or running water. It is also the first international feature film in the colloquial Pulaar language.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eChildren's Rights Award - FilmFest Osnabrück 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Screenplay - Hell's Half Mile Film \u0026amp; Music Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Feature Film - Rural Route Film Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Feature Film - Doha-Giffoni Jury Award 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e “TALL AS THE BAOBAB TREE effectively unpicks the complexity of cultural change… In this moving and original film, we are gently guided to move the conversation past indignation towards constructive understanding, and to give a thought not only to human rights but to what change and economic progress feels like to those subject to development.”\u003cem\u003e \u003cbr\u003e— Holly Young, Development In Action.\u003cbr\u003e\u003c\/em\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2014-01-26T23:30:00-08:00","created_at":"2014-01-23T12:23:12-08:00","vendor":"Jeremy Teicher","type":"DVD ","tags":["ecofeminism","Public Library License"],"price":3999,"price_min":3999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":499560561,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"TBT-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Tall as the Baobab Tree (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":499614465,"title":"K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","option1":"K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","option2":null,"option3":null,"sku":"TBT-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Tall as the Baobab Tree (educational) - K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","public_title":"K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)","options":["K-12, Public Libraries, Non-Profits \u0026 Government (with PPR)"],"price":15000,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":499615777,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"TBT-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Tall as the Baobab Tree (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":499617457,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"TBT-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Tall as the Baobab Tree (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TallAsTheBaobabTree-3DBoxArt387X657_1024x1024_d25ba261-44ef-4bde-b7e6-a3830f504394.png?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TABT_BrandonHarris.png?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TallastheBaobab_Coumba_thinking.JPG?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TallastheBaobabTree_Debo_little_sister.jpg?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TABT_JohnSharp.png?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TallastheBaobab_village.jpg?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Tallasthebaobabtree_mom.jpg?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TABT_MariaCaspani.png?v=1462563306","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TallastheBoababTree_Amady_and_Coumba.jpg?v=1462563306"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TallAsTheBaobabTree-3DBoxArt387X657_1024x1024_d25ba261-44ef-4bde-b7e6-a3830f504394.png?v=1462563306","options":["Title"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e Directed By: Jeremy Teicher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced By: CyberSmart Learning Institute\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2034\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003eReleased: 2013\u003cbr\u003eRunning Time: 83 min\u003cbr\u003eEnglish \u0026amp; French Captions\/ NTSC\u003cbr\u003eSubjects: \u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\" target=\"_blank\" style=\"color: #000000;\"\u003eChildren, Youth, and Family\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e, \u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" target=\"_blank\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e, \u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" target=\"_blank\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/tall-as-the-baobab-tree-home-use\" style=\"color: #000000;\"\u003e,\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" target=\"_blank\" style=\"color: #000000;\"\u003e Women's Studies\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Baobab_Studyguide.pdf?2079\" target=\"_blank\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TABT_SpecialStudyGuide_2_a3cbd6c8-f3dd-4a3d-8e03-157450e4b31e.png?2088\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eA powerful voice from Africa's young generation, TALL AS THE BAOBAB TREE poignantly depicts a family struggling to find its footing at the outer edge of the modern world, where questions of right and wrong are not always black and white. Coumba and her little sister Debo are the first to leave their family’s remote African village, where meals are prepared over open fires and water is drawn from wells, to attend school in the bustling city. But when an accident suddenly threatens their family’s survival, their father decides to sell 11-year-old Debo into an arranged marriage. Torn between loyalty to her elders and her dreams for the future, Coumba hatches a secret plan to rescue her young sister from a fate she did not choose. TALL AS THE BAOBAB TREE gives a voice to the countless young girls in the developing world who are still being denied an education by forced early marriage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"\/\/player.vimeo.com\/video\/41024518?title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eInspired by true stories from director Jeremy Teicher's 2011 Student Academy Award-nominated documentary, and selected as a finalist in the Academy of Motion Picture Arts and Sciences' 38th Annual Academy Awards competition, TALL AS THE BAOBAB TREE is an absorbing blend of fiction and reality featuring a cast of local villagers in roles that mirror their actual lives. They have never acted in a film before. The film was shot on location in the village of Sinthiou Mbadane, Senegal with no electricity or running water. It is also the first international feature film in the colloquial Pulaar language.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eChildren's Rights Award - FilmFest Osnabrück 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Screenplay - Hell's Half Mile Film \u0026amp; Music Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Feature Film - Rural Route Film Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Feature Film - Doha-Giffoni Jury Award 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e “TALL AS THE BAOBAB TREE effectively unpicks the complexity of cultural change… In this moving and original film, we are gently guided to move the conversation past indignation towards constructive understanding, and to give a thought not only to human rights but to what change and economic progress feels like to those subject to development.”\u003cem\u003e \u003cbr\u003e— Holly Young, Development In Action.\u003cbr\u003e\u003c\/em\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e"}
Tall as the Baobab Tree (educational)

Tall as the Baobab Tree (educational)

$295.00

 Directed By: Jeremy Teicher Produced By: CyberSmart Learning Institute Released: 2013Running Time: 83 minEnglish & French Captions/ NTSCSubjects:  Children, Youth, and Family, Human Rights, Sociology, Women's Studies A powerful voice from Africa's young generation, TALL AS THE BAOBAB TREE poignantly depicts a family struggling to find ...


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{"id":4424862340,"title":"The Way We Talk (educational)","handle":"the-way-we-talk-educational","description":"\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Michael Turner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Michael Turner, Alyssa Burgé\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 80 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_large.png?2191097911553532719\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/disability\" title=\"Link to Collective Eye Films Disability collection \" style=\"color: #000000;\"\u003eDisability \/ Specia\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/disability\" style=\"color: #000000;\"\u003el Needs,\u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\" title=\"Collective Eye Films - Children Youth and Family collection\" style=\"color: #000000;\"\u003eChildren Youth and Family\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/psychology\" title=\"Link to Collective Eye Films psychology collection \" style=\"color: #000000;\"\u003ePsychology \u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBonus features include: \u003c\/strong\u003e\u003cspan style=\"line-height: 1.4;\"\u003e The St. Rose Interviews, Deleted Scenes, Theatrical Trailer \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003c\/span\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-way-we-talk-screening\" style=\"color: #000000;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?9448548627209664429\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eMichael Turner struggles with one of medical science’s most baffling and enduring disabilities—he stutters. On the surface, stuttering is syllable repetitions, prolongations, blocks, and various physical tics. But as he illustrates in THE WAY WE TALK, stuttering is like an iceberg, with the major symptoms below the surface. Emotions caused by the disorder— anxiety, depression, denial, and a negative self-image—are rarely confronted in speech therapy or even by people who stutter. Turner explores his own experiences with stuttering and presents the stories of others who are part of the self-help movement within the stuttering community—stories that are relatable to anyone who has experienced feelings of separateness, isolation, or inadequacy in any area their life, and are trying to make the most of who they are.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/153298309?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/153298309\" style=\"color: #000000;\"\u003eThe Way We Talk (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurel_Spread_large.png?9448548627209664429\" alt=\"The Way We Talk laurels \"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \"Director Michael Turner decided to make a documentary about stuttering after a friend asked him to explain what it was like. In his voiceover, Turner explains that he kind of grew up with the disorder since several relatives all stuttered at various times. Turner starts by asking his brother Ryan about stuttering, but the latter prefers not to dwell on it (their mother wishes the family had talked about it more). Interestingly, home movies show Turner's grandfather stuttering, while young Michael doesn't appear to have developed the disorder yet. Turner next meets with Dr. Dennis Drayna, a researcher at the National Institutes of Health, who confirms that stuttering is an inherited condition. \"This mutation is about 12,000 years old,\" he states. Turner also observes a support group in Japan and a summer camp for youth in North Carolina. The campers worry about their prospects in terms of job interviews and professions that involve verbal communication, but the camaraderie with other stutterers gives them confidence. Turner follows up by joining a group in Portland, OR, where he meets Ian, who becomes a friend, and Glenn, a speech therapist, who describes stuttering as \"brain-based\" rather than psychological. ...  [P]eople who stutter- as well as family and friends- will find much to relate to here. Recommended.\" - Video Librarian\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-02-22T13:46:00-08:00","created_at":"2016-02-18T16:49:16-08:00","vendor":"Michael Turner","type":"DVD","tags":["Kanopy","new","Public Library License"],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14966095044,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"TWT-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Way We Talk (educational) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-43,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":14966095108,"title":"K-­12, Public Libraries, Non-­Profits\/Gov't (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits\/Gov't (with PPR*)","option2":null,"option3":null,"sku":"TWT-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Way We Talk (educational) - K-­12, Public Libraries, Non-­Profits\/Gov't (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits\/Gov't (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits\/Gov't (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":14966095172,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"TWT-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Way We Talk (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":100,"compare_at_price":null,"inventory_quantity":-12,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":14966095236,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"TWT-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Way We Talk (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/The-Way-We-Talk_3dcase_388x657_1024x1024_5c2998d3-5a51-42e6-89d7-5cc0f90d1933.png?v=1462564322","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Talk_still1.jpg?v=1462564322","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Tim_Williams.png?v=1462564322","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/EditedStill_1.jpg?v=1462564322","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/EditedStill_3.jpg?v=1462564322","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/NWFC.png?v=1462564322","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Talk_still4.jpg?v=1462564322"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/The-Way-We-Talk_3dcase_388x657_1024x1024_5c2998d3-5a51-42e6-89d7-5cc0f90d1933.png?v=1462564322","options":["Size"],"content":"\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Michael Turner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Michael Turner, Alyssa Burgé\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 80 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003eEnglish \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/220px-Closed_captioning_symbol.svg_icon_large.png?2191097911553532719\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/disability\" title=\"Link to Collective Eye Films Disability collection \" style=\"color: #000000;\"\u003eDisability \/ Specia\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/disability\" style=\"color: #000000;\"\u003el Needs,\u003c\/a\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\" title=\"Collective Eye Films - Children Youth and Family collection\" style=\"color: #000000;\"\u003eChildren Youth and Family\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/psychology\" title=\"Link to Collective Eye Films psychology collection \" style=\"color: #000000;\"\u003ePsychology \u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBonus features include: \u003c\/strong\u003e\u003cspan style=\"line-height: 1.4;\"\u003e The St. Rose Interviews, Deleted Scenes, Theatrical Trailer \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003c\/span\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/the-way-we-talk-screening\" style=\"color: #000000;\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?9448548627209664429\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"line-height: 1.4; color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003eMichael Turner struggles with one of medical science’s most baffling and enduring disabilities—he stutters. On the surface, stuttering is syllable repetitions, prolongations, blocks, and various physical tics. But as he illustrates in THE WAY WE TALK, stuttering is like an iceberg, with the major symptoms below the surface. Emotions caused by the disorder— anxiety, depression, denial, and a negative self-image—are rarely confronted in speech therapy or even by people who stutter. Turner explores his own experiences with stuttering and presents the stories of others who are part of the self-help movement within the stuttering community—stories that are relatable to anyone who has experienced feelings of separateness, isolation, or inadequacy in any area their life, and are trying to make the most of who they are.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/153298309?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/153298309\" style=\"color: #000000;\"\u003eThe Way We Talk (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurel_Spread_large.png?9448548627209664429\" alt=\"The Way We Talk laurels \"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \"Director Michael Turner decided to make a documentary about stuttering after a friend asked him to explain what it was like. In his voiceover, Turner explains that he kind of grew up with the disorder since several relatives all stuttered at various times. Turner starts by asking his brother Ryan about stuttering, but the latter prefers not to dwell on it (their mother wishes the family had talked about it more). Interestingly, home movies show Turner's grandfather stuttering, while young Michael doesn't appear to have developed the disorder yet. Turner next meets with Dr. Dennis Drayna, a researcher at the National Institutes of Health, who confirms that stuttering is an inherited condition. \"This mutation is about 12,000 years old,\" he states. Turner also observes a support group in Japan and a summer camp for youth in North Carolina. The campers worry about their prospects in terms of job interviews and professions that involve verbal communication, but the camaraderie with other stutterers gives them confidence. Turner follows up by joining a group in Portland, OR, where he meets Ian, who becomes a friend, and Glenn, a speech therapist, who describes stuttering as \"brain-based\" rather than psychological. ...  [P]eople who stutter- as well as family and friends- will find much to relate to here. Recommended.\" - Video Librarian\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
The Way We Talk (educational)

The Way We Talk (educational)

$295.00

Directed by: Michael Turner Produced by: Michael Turner, Alyssa Burgé Released: 2016 Running Time: 80 minutes Language:  English  Subjects: Disability / Special Needs, Children Youth and Family, Psychology  Bonus features include:  The St. Rose Interviews, Deleted Scenes, Theatrical Trailer  Michael Turner struggles with one of m...


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