Sociology

Sort by:
Letter from Masanjia

DVD

From $125.00
{"id":3543525851241,"title":"Letter from Masanjia","handle":"letters-from-masanjia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Leon Lee\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 76\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eHuman Rights, Asian Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bKRavgm-KPY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\u003c\/div\u003e\n\u003cp\u003eLetter from Masanjia begins when mom of two, Julie Keith, finds an SOS note in a box of \"Made in China\" Halloween decorations from an Oregon Kmart. The Desperate note was written by a political prisoner named Sun Yi, from inside China's notorious Masanjia labor camp. On the crumpled page that travelled over 5000 miles, he details being jailed for his spiritual beliefs and how he is being subjected to torture and brainwashing tactics. His message goes viral and miraculously leads to the closure of China's entire labor camp system. But their story is far from over.\u003c\/p\u003e\n\u003cp\u003ePeabody-winning Canadian filmmaker Leon Lee is not welcome in his native country because of his prior films about China's human rights abuses. So, in Letter from Masanjia, he teaches Sun Yi to use camera equipment via Skype. For over a year, he secretly captures harrowing footage of his daily life as a human rights defender, leading up to his tense run from the Chinese authorities. Meanwhile, just outside Portland, Julie Keith is struggling with her own dilemmas as a mother newly embroiled in this cause. Together, these unlikely heroes expose China's ongoing persecution against millions whose ideology differs from the Chinese government.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelect Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanadian Screen Award Nomination: Ted Rogers Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eNominated for 6 Leo Awards: Best Documentary Feature, Best Direction, Best Editing, Best Writing, Best Sound, and Best Music\u003c\/p\u003e\n\u003cp\u003eCambridge Film Festival: Silver Punt Audience Award for Best Documentary\u003c\/p\u003e\n\u003cp\u003eSt. Louis International Film Festival: Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eBudapest International Documentary Festival Winner\u003c\/p\u003e\n\u003cp\u003eHot Docs: Top 20 Audience Favorite\u003c\/p\u003e\n\u003cp\u003eAmerican Asian International Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDoqumenta: Grand Jury Prize for International Documentary\u003c\/p\u003e\n\u003cp\u003eAtlanta Docufest: Audience Award\u003c\/p\u003e\n\u003cp\u003ePortland Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDocsMX: Jury Award for Breaking Doc\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A potent documentary... It's an important story, made more intense by its tight focus... well-told\" - \u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Amazing film... A powerful tale of human suffering, compassion and perseverance\" - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"You have to see this incredible story to believe it\" - \u003cem\u003ePOV Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An astonishing sequence of events.\" - \u003cem\u003eBBC World Service, Outlook\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-12T10:44:05-07:00","created_at":"2019-05-08T09:17:12-07:00","vendor":"Leon Lee","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28172696584297,"title":"University \u0026 College DVD (with PPR*)","option1":"University \u0026 College DVD (with PPR*)","option2":null,"option3":null,"sku":"LFM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Letter from Masanjia - University \u0026 College DVD (with PPR*)","public_title":"University \u0026 College DVD (with PPR*)","options":["University \u0026 College DVD (with PPR*)"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-81,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28172696617065,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"LFM-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Letter from Masanjia - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28172696682601,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"LFM-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Letter from Masanjia - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":45000,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28172696715369,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"LFM-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Letter from Masanjia - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":49500,"weight":91,"compare_at_price":null,"inventory_quantity":-5,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/LetterFromMasanjia_VODKeyArt_06_small_ae59f82c-d6a1-4051-b704-6755dbce7d0b.jpg?v=1557333287","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Letter_from_Masanjia_4.jpg?v=1557334400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Letter_from_Masanjia_6.jpg?v=1557334418"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/LetterFromMasanjia_VODKeyArt_06_small_ae59f82c-d6a1-4051-b704-6755dbce7d0b.jpg?v=1557333287","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Leon Lee\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 76\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eHuman Rights, Asian Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bKRavgm-KPY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\u003c\/div\u003e\n\u003cp\u003eLetter from Masanjia begins when mom of two, Julie Keith, finds an SOS note in a box of \"Made in China\" Halloween decorations from an Oregon Kmart. The Desperate note was written by a political prisoner named Sun Yi, from inside China's notorious Masanjia labor camp. On the crumpled page that travelled over 5000 miles, he details being jailed for his spiritual beliefs and how he is being subjected to torture and brainwashing tactics. His message goes viral and miraculously leads to the closure of China's entire labor camp system. But their story is far from over.\u003c\/p\u003e\n\u003cp\u003ePeabody-winning Canadian filmmaker Leon Lee is not welcome in his native country because of his prior films about China's human rights abuses. So, in Letter from Masanjia, he teaches Sun Yi to use camera equipment via Skype. For over a year, he secretly captures harrowing footage of his daily life as a human rights defender, leading up to his tense run from the Chinese authorities. Meanwhile, just outside Portland, Julie Keith is struggling with her own dilemmas as a mother newly embroiled in this cause. Together, these unlikely heroes expose China's ongoing persecution against millions whose ideology differs from the Chinese government.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelect Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanadian Screen Award Nomination: Ted Rogers Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eNominated for 6 Leo Awards: Best Documentary Feature, Best Direction, Best Editing, Best Writing, Best Sound, and Best Music\u003c\/p\u003e\n\u003cp\u003eCambridge Film Festival: Silver Punt Audience Award for Best Documentary\u003c\/p\u003e\n\u003cp\u003eSt. Louis International Film Festival: Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eBudapest International Documentary Festival Winner\u003c\/p\u003e\n\u003cp\u003eHot Docs: Top 20 Audience Favorite\u003c\/p\u003e\n\u003cp\u003eAmerican Asian International Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDoqumenta: Grand Jury Prize for International Documentary\u003c\/p\u003e\n\u003cp\u003eAtlanta Docufest: Audience Award\u003c\/p\u003e\n\u003cp\u003ePortland Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDocsMX: Jury Award for Breaking Doc\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A potent documentary... It's an important story, made more intense by its tight focus... well-told\" - \u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Amazing film... A powerful tale of human suffering, compassion and perseverance\" - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"You have to see this incredible story to believe it\" - \u003cem\u003ePOV Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An astonishing sequence of events.\" - \u003cem\u003eBBC World Service, Outlook\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Letter from Masanjia

Letter from Masanjia

$350.00

Directed by: Leon Lee Released: 2019 (educational) Year of Production: 2018 Running Time: 76 min.  Language: English Includes English Closed Captioning Subjects: Human Rights, Asian Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees   Letter from Masanjia begins when mom of two, Ju...


More Info
{"id":3534280491113,"title":"Double Take: The Art of Elizabeth King","handle":"double-take","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Olympia Stone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 61\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eArt, Art History\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/232393945?color=666666\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eDouble Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eFestivals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e Jury Prize Best Documentary Feature \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eSF DocFest 2018\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2019 Festival International du Film sur l'Art\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 RiverRun International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Berkshires International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 DocUtah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Footcandle Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Filmmaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Olympia_Stone_large.jpg?v=1556646279\" style=\"float: left; margin: 10px 25px 25px 10px;\"\u003eOlympia Stone is a filmmaker whose documentaries have won numerous festival awards and have been showcased nationally on PBS. Olympia’s films probe the motivations and personal histories of extraordinary artists as a way of providing insight into their work. Olympia’s most recent film, Double Take: The Art of Elizabeth King, won the Jury prize at the 2018 San Francisco DocFest.  Her short film, The Original Richard McMahan, premiered at the Tally Shorts Film Festival in January 2017 and won the Florida Favorite Award. In 2015, her documentary, Curious Worlds: The Art \u0026amp; Imagination of David Beck, premiered at the prestigious Full Frame Documentary Film Festival and aired on PBS in the fall of 2016. Olympia’s film about artist James Grashow, The Cardboard Bernini, was broadcast nationwide on PBS and won Best Documentary at the Art of Brooklyn Film Festival 2013. Her first independent film, The Collector: Allan Stone’s Life in Art (2007), chronicles the obsessive collecting of her father, a New York art world gallerist whose habits and prescient scouting shaped his life and the lives of many in his artfully cluttered orbit. Olympia is currently working on a documentary about the photorealist painter Richard Estes.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-06T14:37:01-07:00","created_at":"2019-04-30T10:28:52-07:00","vendor":"Andy Trimlett","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28124456681577,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"DTA-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Double Take: The Art of Elizabeth King - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-81,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28124456714345,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"DTA-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Double Take: The Art of Elizabeth King - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28124456779881,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"DTA-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Double Take: The Art of Elizabeth King - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28124456812649,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"DTA-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Double Take: The Art of Elizabeth King - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-5,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Double_Take_Poster.png?v=1556646572"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Double_Take_Poster.png?v=1556646572","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Olympia Stone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 61\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eArt, Art History\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/232393945?color=666666\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eDouble Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eFestivals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e Jury Prize Best Documentary Feature \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eSF DocFest 2018\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2019 Festival International du Film sur l'Art\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 RiverRun International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Berkshires International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 DocUtah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Footcandle Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Filmmaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Olympia_Stone_large.jpg?v=1556646279\" style=\"float: left; margin: 10px 25px 25px 10px;\"\u003eOlympia Stone is a filmmaker whose documentaries have won numerous festival awards and have been showcased nationally on PBS. Olympia’s films probe the motivations and personal histories of extraordinary artists as a way of providing insight into their work. Olympia’s most recent film, Double Take: The Art of Elizabeth King, won the Jury prize at the 2018 San Francisco DocFest.  Her short film, The Original Richard McMahan, premiered at the Tally Shorts Film Festival in January 2017 and won the Florida Favorite Award. In 2015, her documentary, Curious Worlds: The Art \u0026amp; Imagination of David Beck, premiered at the prestigious Full Frame Documentary Film Festival and aired on PBS in the fall of 2016. Olympia’s film about artist James Grashow, The Cardboard Bernini, was broadcast nationwide on PBS and won Best Documentary at the Art of Brooklyn Film Festival 2013. Her first independent film, The Collector: Allan Stone’s Life in Art (2007), chronicles the obsessive collecting of her father, a New York art world gallerist whose habits and prescient scouting shaped his life and the lives of many in his artfully cluttered orbit. Olympia is currently working on a documentary about the photorealist painter Richard Estes.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Double Take: The Art of Elizabeth King

Double Take: The Art of Elizabeth King

$295.00

Directed by: Olympia Stone Released: 2018 (educational) Year of Production: 2017 Running Time: 61 min.  Language: English Includes English Closed Captioning Subtitle Options:  Subjects: Art, Art History     Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth Ki...


More Info
Healing the Healers

DVD

From $125.00
{"id":2448187490409,"title":"Healing the Healers","handle":"healing-the-healers","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Kirsten Kelly\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  102 min. each (5 segments, approx. 20 min. each.) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eReligion and Spirituality, Psychology, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"mailto:info@collectiveeye.org\"\u003e\u003cspan\u003e\u003cstrong\u003eClick here to inquire about the Educational Discussion Guide\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who Heals the Healers?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/329179815?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who heals the healers? \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHealing the Healers is a new resource intended to support clergy, laity, social workers, first responders and other spiritual care providers facing community-level trauma. The five-part film series is accompanied by written reflections and discussion guides written by scholars, clergy and other experts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the series, Reverend Matthew Crebbin, of Newtown Congregational Church, leads an important conversation with faith leaders who’ve experienced mass trauma, either suddenly, as at Newtown or during 9\/11, or through ministering to a community facing chronic violence, such as Hartford, CT, or St. Louis, MO. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE EPISODES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cstrong\u003eNewtown Faith Leaders Unite in Tragedy\u003c\/strong\u003e\u003cbr\u003eReverend Matthew Crebbin talks with fellow Newtown clergy Rabbi Shaul Praver and Reverend Mel Kawakami about their experiences as faith leaders during and after the Sandy Hook School Shooting. They talk about the steps they’ve taken toward healing, and how the trauma and its impact on their lives, faith, and work continues on.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLooking Ahead and Moving Forward\u003c\/strong\u003e\u003cbr\u003eExpanding on the conversation he began in the first episode,  Reverend Crebbin talks with another Newtown colleague, Reverend Kathie Adams-Shepherd, formerly of Newtown Episcopal Church, about her healing journey since the Sandy Hook School Shooting. Reverend Adams-Shepherd discusses maintaining faith in the face of tragedy, and talks about how her experience in Newtown prepared her to serve her new community.  Reverend Adams-Shepherd is currently Dean at Christ Church Cathedral in downtown St. Louis, where she ministers to communities (inner-city St. Louis and Ferguson) that face ongoing trauma in the form of chronic gun violence. \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePastoring in a Community That Faces Continual Trauma\u003cbr\u003e\u003c\/strong\u003eReverend Crebbin continues the conversation about chronic gun violence as he speaks with Pastor Samuel Saylor, Sr., Senior Pastor of Gardner Memorial AME Zion Church, and Pastor Henry Brown, of Hope Street Ministries and Mothers Against Violence of Hartford, CT. Pastors Saylor and Brown both have personal connections to trauma that they discuss with Reverend Crebbin. , and in this episode, they describe how they cope with the chronic stress, both mental and physical, that can result from ministering to a community re-traumatized continually by gun violence.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eHeartbreak\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eand Hope 20 Years After Tragedy\u003c\/strong\u003e\u003cbr\u003eFather Basil O’Sullivan is the parish priest in Dunblane, Scotland, which, in 1996, was the site of a shooting at a primary school that killed sixteen children and one teacher. It remains the deadliest mass shooting in Great Britain thus far.  Father O’Sullivan reached out to the Sandy Hook community after the shooting. Here, he talks with Reverend Crebbin about his experience as a faith leader, Dunblane’s journey of healing through the past twenty years, and what issues may arise for faith leaders as the acute grief of the initial trauma gives way to mourning over the long term.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFaith Leaders As First \u0026amp; Second Responders\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBefore Cantor Michael Shochet, a Senior Clergy at Temple Rodef Shalom in\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFalls Church,\u003c\/span\u003e\u003cspan\u003e VA, was ordained, he was a police officer in Baltimore who experienced the trauma of his partner being shot in front of him. Today, in addition to serving his congregation, he also leads the Police Chaplain unit for\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFairfax County, VA\u003c\/span\u003e\u003cspan\u003e. He has been on call during such traumas as the Pentagon terror attack on 9\/11, the Washington Sniper shootings, and many local traumas related to gun violence and terror attacks. Cantor Shochet and Reverend Crebbin discuss the similarities between Police and Faith Leaders as responders to tragedy, the importance of self-care for faith leaders in the aftermath of trauma, the possibility of being re-traumatized when similar events, like the Parkland shooting, occur, and the uses of sacred rituals and theology in the midst of such events.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWHAT PROFESSORS ARE SAYING\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e‘The ‘Healing the Healers’ series of documentaries on the interfaith response to the shootings in Newtown, CT, are an invaluable resource in theological education. They delve into the lived experience of clergy on the ground, in a respectful, compelling, and informative way, which enables the future clergy to learn from those who have walked this path before.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis window into the valley of the shadow of death is a sacred witness to both the pain and grace of being at the site of a disaster.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThank you, Odyssey, this is a resource I cannot recommend enough.’ \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e- \u003c\/span\u003eThe Reverend Dr. Willard Walden Christopher Ashley, Sr., MDiv., DMin., SCP,\u003cb\u003e \u003c\/b\u003eVice President for Strategic Institutional Initiatives, Associate Professor of Practical Theology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e“Healing the Healers looks at the ongoing experiences not just in the first year after collective loss - but in the subsequent years, the year two, year five, and so forth and also how the impacts of collective loss changes who you are as a person and who you are in your profession.” \u003cem\u003e- \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s2\"\u003eRev. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eDr. Kate Wiebe,\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eExecutive Director of Institute for Collective Trauma and Growth\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSTUDENT RESPONSES\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This series is phenomenal! Thank you for making it possible for us to hear these stories (and raw emotion) that we wouldn't otherwise have access to.” - \u003c\/span\u003eCalvin Theological Seminary Student \u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“It really hit me when the Pastor said, \"We have to be brave enough to show we break, too.\" - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“I really appreciated this resource in my training as a Pastor. And I appreciated the hope this series provided.” - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This project is an exceptional resource for caregivers, faith communities, and theological education, and is long overdue.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt provides deep insight into the pain incurred by pastors as they endeavor to care for the broken and wounded. This documentary gives pastors permission to hurt, cry, and seek healing for themselves.” - \u003c\/span\u003e\u003cem\u003eDr. Danjuma Gibson, \u003cspan class=\"s1\"\u003eAssociate Professor of Pastoral Care, \u003c\/span\u003e\u003cspan class=\"s1\"\u003eCalvin Theological Seminary\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE DIRECTOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKirsten Kelly \u003c\/span\u003e\u003cspan class=\"font9\"\u003eis an Emmy Award-winning documentary filmmaker and the Senior Producer for Transform Films and Odyssey Impact where she oversees development and production of long-and short-form documentaries. Currently, Kelly is directing\/producing two new documentary film projects: Salaam Shalom: Muslim and Jewish Women Unite Against Hate, and Healing the Healers media project, which supports faith leaders during moments of mass community trauma. Her Emmy-winning feature documentary, The Homestretch—about homeless high school students in Chicago Public Schools—was co-produced with Kartemquin Films and broadcast on PBS Independent Lens as part of the American Graduate Initiative. Other film projects include the award-winning Asparagus! Stalking the American Life and the upcoming The Girl With the Rivet Gun, an animated new media project about Rosie the Riveter.\u003cbr\u003e\u003cbr\u003eKelly’s work has been supported by ITVS, CPB, AmDoc, the MacArthur Foundation, the Sundance Institute, the Fledgling Fund, Chicken and Egg, Good Pitch, and Bertha Foundation\/Brit Docs. The National Runaway Safeline awarded her the 2015 Spirit of Youth Award for her advocacy work supporting homeless youth surrounding The Homestretch Impact Campaign. Kelly is also a theatre director and arts educator and was awarded the President’s 2014 Award for Youth Programs in the Arts \u0026amp; Humanities, is a Fellow at the Sundance Documentary Institute, and a graduate of the Master’s Directing program at The Juilliard School.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-04-08T12:52:50-07:00","created_at":"2019-03-27T13:21:59-07:00","vendor":"Kristen Kelly","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21857379614825,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"HTH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Healing the Healers - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-60,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21857379647593,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"HTH-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Healing the Healers - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21857379680361,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"HTH-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Healing the Healers - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21857379713129,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"HTH-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Healing the Healers - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HTH_Full_Resolution_Portrait.jpg?v=1554752922"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HTH_Full_Resolution_Portrait.jpg?v=1554752922","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Kirsten Kelly\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  102 min. each (5 segments, approx. 20 min. each.) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eReligion and Spirituality, Psychology, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"mailto:info@collectiveeye.org\"\u003e\u003cspan\u003e\u003cstrong\u003eClick here to inquire about the Educational Discussion Guide\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who Heals the Healers?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/329179815?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who heals the healers? \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHealing the Healers is a new resource intended to support clergy, laity, social workers, first responders and other spiritual care providers facing community-level trauma. The five-part film series is accompanied by written reflections and discussion guides written by scholars, clergy and other experts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the series, Reverend Matthew Crebbin, of Newtown Congregational Church, leads an important conversation with faith leaders who’ve experienced mass trauma, either suddenly, as at Newtown or during 9\/11, or through ministering to a community facing chronic violence, such as Hartford, CT, or St. Louis, MO. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE EPISODES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cstrong\u003eNewtown Faith Leaders Unite in Tragedy\u003c\/strong\u003e\u003cbr\u003eReverend Matthew Crebbin talks with fellow Newtown clergy Rabbi Shaul Praver and Reverend Mel Kawakami about their experiences as faith leaders during and after the Sandy Hook School Shooting. They talk about the steps they’ve taken toward healing, and how the trauma and its impact on their lives, faith, and work continues on.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLooking Ahead and Moving Forward\u003c\/strong\u003e\u003cbr\u003eExpanding on the conversation he began in the first episode,  Reverend Crebbin talks with another Newtown colleague, Reverend Kathie Adams-Shepherd, formerly of Newtown Episcopal Church, about her healing journey since the Sandy Hook School Shooting. Reverend Adams-Shepherd discusses maintaining faith in the face of tragedy, and talks about how her experience in Newtown prepared her to serve her new community.  Reverend Adams-Shepherd is currently Dean at Christ Church Cathedral in downtown St. Louis, where she ministers to communities (inner-city St. Louis and Ferguson) that face ongoing trauma in the form of chronic gun violence. \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePastoring in a Community That Faces Continual Trauma\u003cbr\u003e\u003c\/strong\u003eReverend Crebbin continues the conversation about chronic gun violence as he speaks with Pastor Samuel Saylor, Sr., Senior Pastor of Gardner Memorial AME Zion Church, and Pastor Henry Brown, of Hope Street Ministries and Mothers Against Violence of Hartford, CT. Pastors Saylor and Brown both have personal connections to trauma that they discuss with Reverend Crebbin. , and in this episode, they describe how they cope with the chronic stress, both mental and physical, that can result from ministering to a community re-traumatized continually by gun violence.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eHeartbreak\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eand Hope 20 Years After Tragedy\u003c\/strong\u003e\u003cbr\u003eFather Basil O’Sullivan is the parish priest in Dunblane, Scotland, which, in 1996, was the site of a shooting at a primary school that killed sixteen children and one teacher. It remains the deadliest mass shooting in Great Britain thus far.  Father O’Sullivan reached out to the Sandy Hook community after the shooting. Here, he talks with Reverend Crebbin about his experience as a faith leader, Dunblane’s journey of healing through the past twenty years, and what issues may arise for faith leaders as the acute grief of the initial trauma gives way to mourning over the long term.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFaith Leaders As First \u0026amp; Second Responders\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBefore Cantor Michael Shochet, a Senior Clergy at Temple Rodef Shalom in\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFalls Church,\u003c\/span\u003e\u003cspan\u003e VA, was ordained, he was a police officer in Baltimore who experienced the trauma of his partner being shot in front of him. Today, in addition to serving his congregation, he also leads the Police Chaplain unit for\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFairfax County, VA\u003c\/span\u003e\u003cspan\u003e. He has been on call during such traumas as the Pentagon terror attack on 9\/11, the Washington Sniper shootings, and many local traumas related to gun violence and terror attacks. Cantor Shochet and Reverend Crebbin discuss the similarities between Police and Faith Leaders as responders to tragedy, the importance of self-care for faith leaders in the aftermath of trauma, the possibility of being re-traumatized when similar events, like the Parkland shooting, occur, and the uses of sacred rituals and theology in the midst of such events.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWHAT PROFESSORS ARE SAYING\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e‘The ‘Healing the Healers’ series of documentaries on the interfaith response to the shootings in Newtown, CT, are an invaluable resource in theological education. They delve into the lived experience of clergy on the ground, in a respectful, compelling, and informative way, which enables the future clergy to learn from those who have walked this path before.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis window into the valley of the shadow of death is a sacred witness to both the pain and grace of being at the site of a disaster.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThank you, Odyssey, this is a resource I cannot recommend enough.’ \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e- \u003c\/span\u003eThe Reverend Dr. Willard Walden Christopher Ashley, Sr., MDiv., DMin., SCP,\u003cb\u003e \u003c\/b\u003eVice President for Strategic Institutional Initiatives, Associate Professor of Practical Theology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e“Healing the Healers looks at the ongoing experiences not just in the first year after collective loss - but in the subsequent years, the year two, year five, and so forth and also how the impacts of collective loss changes who you are as a person and who you are in your profession.” \u003cem\u003e- \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s2\"\u003eRev. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eDr. Kate Wiebe,\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eExecutive Director of Institute for Collective Trauma and Growth\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSTUDENT RESPONSES\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This series is phenomenal! Thank you for making it possible for us to hear these stories (and raw emotion) that we wouldn't otherwise have access to.” - \u003c\/span\u003eCalvin Theological Seminary Student \u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“It really hit me when the Pastor said, \"We have to be brave enough to show we break, too.\" - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“I really appreciated this resource in my training as a Pastor. And I appreciated the hope this series provided.” - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This project is an exceptional resource for caregivers, faith communities, and theological education, and is long overdue.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt provides deep insight into the pain incurred by pastors as they endeavor to care for the broken and wounded. This documentary gives pastors permission to hurt, cry, and seek healing for themselves.” - \u003c\/span\u003e\u003cem\u003eDr. Danjuma Gibson, \u003cspan class=\"s1\"\u003eAssociate Professor of Pastoral Care, \u003c\/span\u003e\u003cspan class=\"s1\"\u003eCalvin Theological Seminary\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE DIRECTOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKirsten Kelly \u003c\/span\u003e\u003cspan class=\"font9\"\u003eis an Emmy Award-winning documentary filmmaker and the Senior Producer for Transform Films and Odyssey Impact where she oversees development and production of long-and short-form documentaries. Currently, Kelly is directing\/producing two new documentary film projects: Salaam Shalom: Muslim and Jewish Women Unite Against Hate, and Healing the Healers media project, which supports faith leaders during moments of mass community trauma. Her Emmy-winning feature documentary, The Homestretch—about homeless high school students in Chicago Public Schools—was co-produced with Kartemquin Films and broadcast on PBS Independent Lens as part of the American Graduate Initiative. Other film projects include the award-winning Asparagus! Stalking the American Life and the upcoming The Girl With the Rivet Gun, an animated new media project about Rosie the Riveter.\u003cbr\u003e\u003cbr\u003eKelly’s work has been supported by ITVS, CPB, AmDoc, the MacArthur Foundation, the Sundance Institute, the Fledgling Fund, Chicken and Egg, Good Pitch, and Bertha Foundation\/Brit Docs. The National Runaway Safeline awarded her the 2015 Spirit of Youth Award for her advocacy work supporting homeless youth surrounding The Homestretch Impact Campaign. Kelly is also a theatre director and arts educator and was awarded the President’s 2014 Award for Youth Programs in the Arts \u0026amp; Humanities, is a Fellow at the Sundance Documentary Institute, and a graduate of the Master’s Directing program at The Juilliard School.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Healing the Healers

Healing the Healers

$295.00

Directed by: Kirsten Kelly Released: 2019 (educational) Running Time:  102 min. each (5 segments, approx. 20 min. each.)  Language: English Subtitle Options: English Closed Captions Subjects: Religion and Spirituality, Psychology, Physical and Mental Health Click here to inquire about the Educational Discussion Guide   When mass trau...


More Info
{"id":2438756204649,"title":"Women, War \u0026 Peace II (Pre-Order)","handle":"women-war-peace-ii","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Eimhear O'Neill, Gini Reticker, Geeta Gandbhir, Sharmeen Obaid-Chinoy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShip Date: \u003c\/strong\u003eJuly 1st, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  60 min. each (3 programs) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; Various\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eWomen's Studies,\u003cstrong\u003e \u003c\/strong\u003eWar \u0026amp; Conflict, International Politics, Human \u0026amp; Civil Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e This product does \u003cstrong\u003enot\u003c\/strong\u003e include the broadcast episode \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eNaila and the Uprising.\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAnnouncing the next installment in the award-winning, landmark series...\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"512\" height=\"376\" src=\"https:\/\/player.pbs.org\/viralplayer\/3018245421\/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" seamless=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs twenty-first-century women proudly declare in streets and political offices that the future is female, a PBS mini-series showcases four documentaries revealing that history, in fact, is too.\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eWith insight and intimacy, \u003cem\u003eWomen, War \u0026amp; Peace II\u003c\/em\u003e demonstrates how some of the biggest international stories of recent memory are shaped by women. An all-female cast of directors present four never-before-told stories about the women who risked their lives for peace, changing history in the process.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eSeven years after the original debut of the mini-series, \u003cem\u003eWomen, War \u0026amp; Peace II\u003c\/em\u003e premieres at a critical political moment where women are calling for a seat at the table. In uncovering untold histories of those who made that possible, the series reveals their transformative power and the long road ahead for contemporary peacebuilders around the world.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eIf today’s movements signal a future marked by gender equality, \u003cem\u003eWomen, War \u0026amp; Peace II\u003c\/em\u003e looks to the past to see exactly—and how effectively—women can make that happen.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe Fork Films\/THIRTEEN series is executive produced by Abigail Disney, Gini Reticker and Stephen Segaller. The original groundbreaking documentary series Women, War \u0026amp; Peace premiered on PBS in 2011.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE EPISODES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ElSChO8-asset-mezzanine-16x9-QPMWiX0_800x_105631a9-3a4f-4d79-be58-786ff53c14cb_large.jpg?v=1553114861\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWave Goodbye Dinosaurs\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirected by: Eimhear O’Neill\u003cbr\u003eDiscover the story of the Catholic and Protestant women who come together during Northern Ireland’s bloody conflict to form an all-female political party and fight to ensure that human rights, equality and inclusion shape the historic Good Friday Agreement peace deal.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TTOS-08-Still_Women-Chant_800x_e37f2b78-3625-4bd3-8cda-7bf64996d8fb_large.jpg?v=1553114876\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eThe Trials of Spring\u003c\/strong\u003e\u003cbr\u003eDirected by: Gini Reticker\u003cbr\u003eFollow three Egyptian women as they put their lives and bodies on the line fighting for justice and freedom. The film tells the story of Egypt’s Arab Spring, the human rights abuses that came to define it and the women willing to risk everything.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/JOTM-Image-3_Farida_Parveen_in_Line_300dpi_1_800x_737e1af8-d714-46fd-a481-ce763a6a56bc_large.jpg?v=1553114890\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eA Journey of a Thousand Miles: Peacekeepers\u003c\/strong\u003e\u003cbr\u003eDirected by: Geeta Gandbhir \u0026amp; Sharmeen Obaid-Chinoy\u003cbr\u003eEmbark on a risky year-long UN peacekeeping mission into earthquake-ravaged Haiti with an all-female Bangladeshi police unit. Leaving their families behind, these police officers shatter stereotypes as they rise in the name of building peace.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-03-20T14:31:00-07:00","created_at":"2019-03-20T08:53:13-07:00","vendor":"Fork Films","type":"DVD","tags":[],"price":42500,"price_min":42500,"price_max":84500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21803668734057,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"WWP-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Women, War \u0026 Peace II (Pre-Order) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":69500,"weight":91,"compare_at_price":null,"inventory_quantity":-85,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21803668766825,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"WWP-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Women, War \u0026 Peace II (Pre-Order) - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":42500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21803668799593,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"WWP-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Women, War \u0026 Peace II (Pre-Order) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":79500,"weight":408687,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21803668832361,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"WWP-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Women, War \u0026 Peace II (Pre-Order) - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":84500,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WWPII_Vertical.png?v=1553097922","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/JOTM-Image-3_Farida_Parveen_in_Line_300dpi_1.jpg?v=1553099451","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TTOS-08-Still_Women-Chant.jpg?v=1553099456","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ElSChO8-asset-mezzanine-16x9-QPMWiX0.jpg?v=1553112474"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WWPII_Vertical.png?v=1553097922","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Eimhear O'Neill, Gini Reticker, Geeta Gandbhir, Sharmeen Obaid-Chinoy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShip Date: \u003c\/strong\u003eJuly 1st, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  60 min. each (3 programs) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; Various\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eWomen's Studies,\u003cstrong\u003e \u003c\/strong\u003eWar \u0026amp; Conflict, International Politics, Human \u0026amp; Civil Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e This product does \u003cstrong\u003enot\u003c\/strong\u003e include the broadcast episode \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eNaila and the Uprising.\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eAnnouncing the next installment in the award-winning, landmark series...\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"512\" height=\"376\" src=\"https:\/\/player.pbs.org\/viralplayer\/3018245421\/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" seamless=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs twenty-first-century women proudly declare in streets and political offices that the future is female, a PBS mini-series showcases four documentaries revealing that history, in fact, is too.\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eWith insight and intimacy, \u003cem\u003eWomen, War \u0026amp; Peace II\u003c\/em\u003e demonstrates how some of the biggest international stories of recent memory are shaped by women. An all-female cast of directors present four never-before-told stories about the women who risked their lives for peace, changing history in the process.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eSeven years after the original debut of the mini-series, \u003cem\u003eWomen, War \u0026amp; Peace II\u003c\/em\u003e premieres at a critical political moment where women are calling for a seat at the table. In uncovering untold histories of those who made that possible, the series reveals their transformative power and the long road ahead for contemporary peacebuilders around the world.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eIf today’s movements signal a future marked by gender equality, \u003cem\u003eWomen, War \u0026amp; Peace II\u003c\/em\u003e looks to the past to see exactly—and how effectively—women can make that happen.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe Fork Films\/THIRTEEN series is executive produced by Abigail Disney, Gini Reticker and Stephen Segaller. The original groundbreaking documentary series Women, War \u0026amp; Peace premiered on PBS in 2011.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE EPISODES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/ElSChO8-asset-mezzanine-16x9-QPMWiX0_800x_105631a9-3a4f-4d79-be58-786ff53c14cb_large.jpg?v=1553114861\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWave Goodbye Dinosaurs\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirected by: Eimhear O’Neill\u003cbr\u003eDiscover the story of the Catholic and Protestant women who come together during Northern Ireland’s bloody conflict to form an all-female political party and fight to ensure that human rights, equality and inclusion shape the historic Good Friday Agreement peace deal.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/TTOS-08-Still_Women-Chant_800x_e37f2b78-3625-4bd3-8cda-7bf64996d8fb_large.jpg?v=1553114876\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eThe Trials of Spring\u003c\/strong\u003e\u003cbr\u003eDirected by: Gini Reticker\u003cbr\u003eFollow three Egyptian women as they put their lives and bodies on the line fighting for justice and freedom. The film tells the story of Egypt’s Arab Spring, the human rights abuses that came to define it and the women willing to risk everything.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/JOTM-Image-3_Farida_Parveen_in_Line_300dpi_1_800x_737e1af8-d714-46fd-a481-ce763a6a56bc_large.jpg?v=1553114890\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eA Journey of a Thousand Miles: Peacekeepers\u003c\/strong\u003e\u003cbr\u003eDirected by: Geeta Gandbhir \u0026amp; Sharmeen Obaid-Chinoy\u003cbr\u003eEmbark on a risky year-long UN peacekeeping mission into earthquake-ravaged Haiti with an all-female Bangladeshi police unit. Leaving their families behind, these police officers shatter stereotypes as they rise in the name of building peace.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Women, War & Peace II (Pre-Order)

Women, War & Peace II (Pre-Order)

$695.00

Directed by: Eimhear O'Neill, Gini Reticker, Geeta Gandbhir, Sharmeen Obaid-Chinoy Released: 2019 (educational) Ship Date: July 1st, 2019 Running Time:  60 min. each (3 programs)  Language: English & Various Subtitle Options: English Closed Captions Subjects: Women's Studies, War & Conflict, International Politics, Human & Civ...


More Info
Midian Farm

DVD

From $125.00
{"id":2422204104809,"title":"Midian Farm","handle":"midian-farm","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Liz Marshall\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 80 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAgriculture, Environmental Studies, Religion and Spirituality, Sociology,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/309741972?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIf it had happened in America, Midian Farm would be a Hollywood script. Instead, its legacy is memorialized through a compelling point-of-view historical Canadian documentary. From 1971 – 1977, Midian Farm was a back-to-the-land social experiment created by a community of urban baby boomers from Toronto. Part of the youth counterculture movement during a period of social and political re-imagining, its utopian vision eventually collapsed. More than four decades later, filmmaker Liz Marshall unearths a transformative piece of family and Canadian history.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWHAT THE EXPERTS ARE SAYING\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Liz Marshall's Midian Farm is a fascinating personal journey that gives us an\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eintimate look at the dreams and disappointments surrounding an idealistic life experiment.\"\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e- Chris Hegedus, Pennebaker Hegedus Films\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"A very personal act of excavation and reclamation that speaks to the ideals and disappointments of a generation.\" \u003c\/span\u003e\u003cem\u003e- Tom Charity, Vancouver International Film Festival\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Through beautiful footage Midian Farm\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ereveals the contours of a Christian rural utopian community in the late nineteen sixties and early seventies. Amidst the warmth of a southern Ontario summer the re-union of many of its members plumbs the depths of what it means to have hope and work hard for a vision, while revisiting the site to see the poignant kindled flame four decades later.\" \u003c\/span\u003e\u003cem\u003e- Dr. Christopher Ross, Clinical Psychologist, Emeritus Associate Professor in Psychology and Religion, Wilfrid Laurier University\u003c\/em\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAbout the Filmmaker - \u003c\/strong\u003e\u003cstrong\u003eLiz Marshall\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"code\" style=\"float: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/LizMarshall-960x960_medium.jpg?v=1551750234\" style=\"float: left; margin-right: 15px;\"\u003eLiz Marshall is an award-winning Canadian film and television director based in Toronto. Since the 1990s she has written, directed, filmed and produced independent documentaries and been part of film and television teams, creating broadcast, theatrical, and cross-platform productions shot around the globe. She is known for the critically acclaimed feature documentary The Ghosts In Our Machine (2013), Water On The Table (2010) and for Midian Farm (2018). She is currently completing Meat the Future, to be released in 2020. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2019-04-15T16:00:00-07:00","created_at":"2019-03-04T16:48:14-08:00","vendor":"Liz Marshall","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21671430160489,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"MID-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Midian Farm - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-80,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21671430193257,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"MID-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Midian Farm - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-123,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21671430226025,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"MID-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Midian Farm - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21671430258793,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"MID-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midian Farm - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MF_Main_Image_FINAL.png?v=1551747300"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MF_Main_Image_FINAL.png?v=1551747300","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Liz Marshall\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 80 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAgriculture, Environmental Studies, Religion and Spirituality, Sociology,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/309741972?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIf it had happened in America, Midian Farm would be a Hollywood script. Instead, its legacy is memorialized through a compelling point-of-view historical Canadian documentary. From 1971 – 1977, Midian Farm was a back-to-the-land social experiment created by a community of urban baby boomers from Toronto. Part of the youth counterculture movement during a period of social and political re-imagining, its utopian vision eventually collapsed. More than four decades later, filmmaker Liz Marshall unearths a transformative piece of family and Canadian history.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWHAT THE EXPERTS ARE SAYING\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Liz Marshall's Midian Farm is a fascinating personal journey that gives us an\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eintimate look at the dreams and disappointments surrounding an idealistic life experiment.\"\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e- Chris Hegedus, Pennebaker Hegedus Films\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"A very personal act of excavation and reclamation that speaks to the ideals and disappointments of a generation.\" \u003c\/span\u003e\u003cem\u003e- Tom Charity, Vancouver International Film Festival\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Through beautiful footage Midian Farm\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ereveals the contours of a Christian rural utopian community in the late nineteen sixties and early seventies. Amidst the warmth of a southern Ontario summer the re-union of many of its members plumbs the depths of what it means to have hope and work hard for a vision, while revisiting the site to see the poignant kindled flame four decades later.\" \u003c\/span\u003e\u003cem\u003e- Dr. Christopher Ross, Clinical Psychologist, Emeritus Associate Professor in Psychology and Religion, Wilfrid Laurier University\u003c\/em\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAbout the Filmmaker - \u003c\/strong\u003e\u003cstrong\u003eLiz Marshall\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"code\" style=\"float: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/LizMarshall-960x960_medium.jpg?v=1551750234\" style=\"float: left; margin-right: 15px;\"\u003eLiz Marshall is an award-winning Canadian film and television director based in Toronto. Since the 1990s she has written, directed, filmed and produced independent documentaries and been part of film and television teams, creating broadcast, theatrical, and cross-platform productions shot around the globe. She is known for the critically acclaimed feature documentary The Ghosts In Our Machine (2013), Water On The Table (2010) and for Midian Farm (2018). She is currently completing Meat the Future, to be released in 2020. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}
Midian Farm

Midian Farm

$295.00

Directed by: Liz Marshall Released: 2019 (educational) Year of Production: 2018 Running Time: 80 min Language: English Subtitle Options: English Closed Captions Subjects: Agriculture, Environmental Studies, Religion and Spirituality, Sociology,     If it had happened in America, Midian Farm would be a Hollywood script. Instead, it...


More Info
6 Weeks to Mother's Day

DVD

From $125.00
{"id":2384024174697,"title":"6 Weeks to Mother's Day","handle":"6-weeks-to-mothers-day","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marvin Blunte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eThai\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English SDH\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eChildren, Youth, and Family, Education, Southeast Asian Studies, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducation, love and empowerment at a remarkable school in the jungle of Thailand...\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 54.06% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/261154149?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThailand is perhaps one of today’s most culturally misrepresented countries by mainstream western media. Stories about Thailand range from depictions of stark poverty, human trafficking, child prostitution and Bangkok’s massive sex industry to tales of all-night full moon parties, pristine islands, and a utopian lifestyle for tourists and expats. Beneath these stereotypes, however, pulses the heartbeat of genuine and complex people, coping with the rapid development of their country.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA documentary feature film directed by Marvin Blunte\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e6\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e paints an intimate portrait of true Thai culture by exploring one of its most progressive schools, Moo Baan Dek, known in English as the Children’s Village School.  Home to some of Thailand’s most underprivileged children, the Children’s Village has become a pillar in the Thai education system and a promising symbol of the country’s future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLocated in a remote jungle village in Kanchanaburi province, this fascinating democratic school provides a strikingly unique form of education to approximately 150 students who reside at and attend the school.  In addition to being provided with free education, food, and living accommodations, the students of Children’s Village learn to love themselves, their culture, and their land. Children’s Village is a place where the students experience a world filled with acceptance, understanding, and freedom.  Although the \u003c\/span\u003e\u003cspan\u003echildren sleep twelve to a room, have no hot water, and limited electricity, \u003c\/span\u003e\u003cspan\u003elife at Children’s Village is not that of poverty, but rather of empowerment. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e6 Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e follows the students as they learn, work, create and play while preparing a special celebration to honor the school’s founder and the person they refer to as “Mother”, Rajani Dhongchai, on what will be her 35th Mother’s Day at the school. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrepare to witness a rare slice of Thai culture as seen through the eyes of some of its most forward-thinking children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFestival\u003cspan\u003e \u0026amp; Conference Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDOC NYC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMiami International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCleveland International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewport Beach Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBentonville Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeartland Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCinetopia Presents - Michigan Theater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Democratic Education Conference\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePress \u0026amp; Accolades \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Documentarian Marvin Blunte captures with a self assertive sense of admiration, the wonderful assistance and guidance given to the impoverished children residing at Children’s Village School... portraying Mother Aew and her heroic achievements as remarkable examples to be followed worldwide. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e has the ability to fill our hearts with optimism and gratitude. [A] beautiful film about a woman and the school she founded that will make rethink what education could be or should be. In the running for one of my favorite films of 2017.”\u003ci\u003e - Film Threat\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“The idea is that by allowing the kids to help steer things they will become more engaged with themselves, their studies and the world. Based on what we see in the film it seems to be working. Watching the film you can not help but become infected with hope for the future and a sadness that your own schooling wasn't in a place such as this. This is absolutely one of the very best films playing at DOC NYC.” \u003ci\u003e- Steve Kopian, Unseen Films\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“It is very skillfully filmed and has many insightful and dramatic scenes. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e is also collaborating with Google Expeditions to create a virtual reality (VR) field trip, where teachers and students can use Google Cardboard to be transported to Children’s Village Thailand. This will be the first ever Expedition available in both English and Thai, further solidifying Mother Aew as one of the most progressive minded teachers in the country.” \u003ci\u003e- Jerry Mintz, AERO (Alternative Education Resource Organization)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ci\u003e\"6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e tells the story… of tears of gratitude…I was astonished at the educational principles demonstrated in scenes showing how children are not required to learn, but are encouraged to want to learn by the teachers; how the children run their own council that delivers discipline to the only infringement a child can make—harming another person; and how they negotiate with Mother Aew to give themselves tougher discipline than she would. The school runs on the barest of resources but it's poverty is contrasted, in one section of the film, with the degradation, alcoholism, and lack of hope seen in a visit to the parents of twin boys. Suddenly we realize that the school is actually beautiful, serene, and filled with love in comparison to the extreme harshness of life outside. This film is a must see for any educator and for anyone who likes children (and mums for that matter!)” - \u003ci\u003eJoanne Butcher, CineSource Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Rajani Aew (Mother Aew) taught in public schools but didn’t really like it, and was inspired by A.S. Neill’s Summerhill School to do something more for students. Since its conception, their philosophy has been simple–raise children with values of freedom, empowerment, equality, and compassion, and they will become functioning members of a democracy and happier human beings. Happiness is emphasized most at Moo Baan Dek (The Children's). Though choosing their own path and having ownership of their education, children are able to be happy and fulfilled. Instead of trying to shape kids to be great doctors and lawyers, Rajani explained at morning meeting, teachers aim to shape kids to be powers for good in the world.” \u003ci\u003e- Sarah Faber, TOWER \u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-01-21T10:47:00-08:00","created_at":"2019-01-18T09:09:48-08:00","vendor":"Marvin Blunte","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21427593674857,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"6WM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-79,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21427593707625,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"6WM-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21427593740393,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"6WM-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21427593773161,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"6WM-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"6 Weeks to Mother's Day - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/6WM_V_Key_Art_FInal.png?v=1548096371"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/6WM_V_Key_Art_FInal.png?v=1548096371","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marvin Blunte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 93 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eThai\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English SDH\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eChildren, Youth, and Family, Education, Southeast Asian Studies, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEducation, love and empowerment at a remarkable school in the jungle of Thailand...\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 54.06% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/261154149?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThailand is perhaps one of today’s most culturally misrepresented countries by mainstream western media. Stories about Thailand range from depictions of stark poverty, human trafficking, child prostitution and Bangkok’s massive sex industry to tales of all-night full moon parties, pristine islands, and a utopian lifestyle for tourists and expats. Beneath these stereotypes, however, pulses the heartbeat of genuine and complex people, coping with the rapid development of their country.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA documentary feature film directed by Marvin Blunte\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e6\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e paints an intimate portrait of true Thai culture by exploring one of its most progressive schools, Moo Baan Dek, known in English as the Children’s Village School.  Home to some of Thailand’s most underprivileged children, the Children’s Village has become a pillar in the Thai education system and a promising symbol of the country’s future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLocated in a remote jungle village in Kanchanaburi province, this fascinating democratic school provides a strikingly unique form of education to approximately 150 students who reside at and attend the school.  In addition to being provided with free education, food, and living accommodations, the students of Children’s Village learn to love themselves, their culture, and their land. Children’s Village is a place where the students experience a world filled with acceptance, understanding, and freedom.  Although the \u003c\/span\u003e\u003cspan\u003echildren sleep twelve to a room, have no hot water, and limited electricity, \u003c\/span\u003e\u003cspan\u003elife at Children’s Village is not that of poverty, but rather of empowerment. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e6 Weeks to Mother’s Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e follows the students as they learn, work, create and play while preparing a special celebration to honor the school’s founder and the person they refer to as “Mother”, Rajani Dhongchai, on what will be her 35th Mother’s Day at the school. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrepare to witness a rare slice of Thai culture as seen through the eyes of some of its most forward-thinking children.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFestival\u003cspan\u003e \u0026amp; Conference Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDOC NYC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMiami International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCleveland International Film Festival \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewport Beach Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBentonville Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeartland Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCinetopia Presents - Michigan Theater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Democratic Education Conference\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePress \u0026amp; Accolades \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Documentarian Marvin Blunte captures with a self assertive sense of admiration, the wonderful assistance and guidance given to the impoverished children residing at Children’s Village School... portraying Mother Aew and her heroic achievements as remarkable examples to be followed worldwide. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e has the ability to fill our hearts with optimism and gratitude. [A] beautiful film about a woman and the school she founded that will make rethink what education could be or should be. In the running for one of my favorite films of 2017.”\u003ci\u003e - Film Threat\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“The idea is that by allowing the kids to help steer things they will become more engaged with themselves, their studies and the world. Based on what we see in the film it seems to be working. Watching the film you can not help but become infected with hope for the future and a sadness that your own schooling wasn't in a place such as this. This is absolutely one of the very best films playing at DOC NYC.” \u003ci\u003e- Steve Kopian, Unseen Films\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“It is very skillfully filmed and has many insightful and dramatic scenes. \u003ci\u003e6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e is also collaborating with Google Expeditions to create a virtual reality (VR) field trip, where teachers and students can use Google Cardboard to be transported to Children’s Village Thailand. This will be the first ever Expedition available in both English and Thai, further solidifying Mother Aew as one of the most progressive minded teachers in the country.” \u003ci\u003e- Jerry Mintz, AERO (Alternative Education Resource Organization)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ci\u003e\"6 WEEKS TO MOTHER’S DAY\u003c\/i\u003e tells the story… of tears of gratitude…I was astonished at the educational principles demonstrated in scenes showing how children are not required to learn, but are encouraged to want to learn by the teachers; how the children run their own council that delivers discipline to the only infringement a child can make—harming another person; and how they negotiate with Mother Aew to give themselves tougher discipline than she would. The school runs on the barest of resources but it's poverty is contrasted, in one section of the film, with the degradation, alcoholism, and lack of hope seen in a visit to the parents of twin boys. Suddenly we realize that the school is actually beautiful, serene, and filled with love in comparison to the extreme harshness of life outside. This film is a must see for any educator and for anyone who likes children (and mums for that matter!)” - \u003ci\u003eJoanne Butcher, CineSource Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e“Rajani Aew (Mother Aew) taught in public schools but didn’t really like it, and was inspired by A.S. Neill’s Summerhill School to do something more for students. Since its conception, their philosophy has been simple–raise children with values of freedom, empowerment, equality, and compassion, and they will become functioning members of a democracy and happier human beings. Happiness is emphasized most at Moo Baan Dek (The Children's). Though choosing their own path and having ownership of their education, children are able to be happy and fulfilled. Instead of trying to shape kids to be great doctors and lawyers, Rajani explained at morning meeting, teachers aim to shape kids to be powers for good in the world.” \u003ci\u003e- Sarah Faber, TOWER \u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
6 Weeks to Mother's Day

6 Weeks to Mother's Day

$295.00

Directed by: Marvin Blunte Released: 2018 (educational) Year of Production: 2017 Running Time: 93 min Language: Thai Subtitle Options: English SDH Subjects: Children, Youth, and Family, Education, Southeast Asian Studies, Physical and Mental Health   Education, love and empowerment at a remarkable school in the jungle of Thailand...  ...


More Info
The Most Dangerous Year

DVD

From $125.00
{"id":2358939123817,"title":"The Most Dangerous Year","handle":"the-most-dangerous-year-pre-order","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #0000ff;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/THE_MOST_DANGEROUS_YEAR_EDDiscussionGuide.pdf?3963336432094271921\" target=\"_blank\" style=\"color: #0000ff;\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eClick here to download the Educational Discussion Guide\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Vlada Knowlton\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eLGBTQ, Gender Studies, Feminist Studies, Civil Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/308937197?byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn early 2016, when a dark wave of anti-transgender “bathroom bills” began sweeping across the nation, The Human Rights Campaign published a report identifying 2016 as the most dangerous year for transgender Americans. In Washington State, six such “bathroom bills” were introduced in the State Legislature. Documentary filmmaker Vlada Knowlton captured the ensuing civil rights battle from the perspective of a small group of embattled parents as they banded together to fight a deluge of proposed laws that would strip away the rights of their young, transgender children. As one of the parents, Knowlton presents an intimate portrait of her own struggle to protect her 5-year-old transgender daughter from laws inspired by hate and fear. From tension-filled Senate hearings in Olympia to intimate household settings of the families involved; from thought-provoking conversations with key lawmakers to elucidating facts explained by leading scientists, \u003c\/span\u003eThe Most Dangerous Year explores the transgender civil rights battle in all its richness and complexity. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFESTIVALS \u0026amp; AWARDS\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSeattle International Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Best Documentary (3rd runner-up)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eTwist Seattle Queer Film Festival - Favorite Documentary Feature Runner-Up\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003eKansas International Film Festival \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e- Best Documentary Feature Nominee\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cspan\u003eRhode Island International FIlm Festival \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e- Official Selection\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAtlanta Docufest \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e- Best Social Issue Documentary Feature\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSt. Louis International Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eArlington International Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFriday Harbor Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003ePortland Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eNewburyport Documentary Film Festival - Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003ePRESS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\"One of the best docs at [the 2018 Seattle International Film Festival]...\u003cem\u003eThe Most Dangerous Year \u003c\/em\u003eexcels in doing what great politically-charged pieces of art often do. Knowlton centers us, grabs our focus, and makes us listen.\" \u003cem\u003e- Michael Ward, Seattle Film Critics Society\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eVlada Knowlton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VladaKnowlton_TheMostDangerousYear_medium.jpg?v=1546388234\" style=\"float: left; margin: 5px 10px 5px 0px;\"\u003eVlada is an award-winning filmmaker based in Seattle. Her debut documentary feature, Having It All, was selected by Washington's PBS station, KCTS9, as the anchor program for its “Women Who Inspire” series in August, 2015, and went on to also be broadcast by Oregon Public Broadcasting. Her current documentary, The Most Dangerous Year, was awarded the Professional Grant from Women in Film Seattle and an Open 4Culture Grant. Vlada holds a doctorate in Cognitive Science from Brown University and worked at Microsoft prior to her filmmaking career.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-12-11T16:40:12-08:00","created_at":"2018-12-11T15:52:42-08:00","vendor":"Vlada Knowlton","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21287077183593,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"MDY-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Most Dangerous Year - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-87,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21287077216361,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"MDY-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Most Dangerous Year - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21287077249129,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"MDY-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"The Most Dangerous Year - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21287077281897,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"MDY-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Most Dangerous Year - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/The-Most-Dangerous-Year_Web-Poster_Large_3300.jpg?v=1546388073"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/The-Most-Dangerous-Year_Web-Poster_Large_3300.jpg?v=1546388073","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #0000ff;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/THE_MOST_DANGEROUS_YEAR_EDDiscussionGuide.pdf?3963336432094271921\" target=\"_blank\" style=\"color: #0000ff;\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eClick here to download the Educational Discussion Guide\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Vlada Knowlton\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eLGBTQ, Gender Studies, Feminist Studies, Civil Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/308937197?byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn early 2016, when a dark wave of anti-transgender “bathroom bills” began sweeping across the nation, The Human Rights Campaign published a report identifying 2016 as the most dangerous year for transgender Americans. In Washington State, six such “bathroom bills” were introduced in the State Legislature. Documentary filmmaker Vlada Knowlton captured the ensuing civil rights battle from the perspective of a small group of embattled parents as they banded together to fight a deluge of proposed laws that would strip away the rights of their young, transgender children. As one of the parents, Knowlton presents an intimate portrait of her own struggle to protect her 5-year-old transgender daughter from laws inspired by hate and fear. From tension-filled Senate hearings in Olympia to intimate household settings of the families involved; from thought-provoking conversations with key lawmakers to elucidating facts explained by leading scientists, \u003c\/span\u003eThe Most Dangerous Year explores the transgender civil rights battle in all its richness and complexity. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFESTIVALS \u0026amp; AWARDS\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSeattle International Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Best Documentary (3rd runner-up)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eTwist Seattle Queer Film Festival - Favorite Documentary Feature Runner-Up\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan\u003eKansas International Film Festival \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e- Best Documentary Feature Nominee\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cspan\u003eRhode Island International FIlm Festival \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e- Official Selection\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eAtlanta Docufest \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e- Best Social Issue Documentary Feature\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSt. Louis International Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eArlington International Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eFriday Harbor Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003ePortland Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e- Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eNewburyport Documentary Film Festival - Official Selection\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003ePRESS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\"One of the best docs at [the 2018 Seattle International Film Festival]...\u003cem\u003eThe Most Dangerous Year \u003c\/em\u003eexcels in doing what great politically-charged pieces of art often do. Knowlton centers us, grabs our focus, and makes us listen.\" \u003cem\u003e- Michael Ward, Seattle Film Critics Society\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eVlada Knowlton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VladaKnowlton_TheMostDangerousYear_medium.jpg?v=1546388234\" style=\"float: left; margin: 5px 10px 5px 0px;\"\u003eVlada is an award-winning filmmaker based in Seattle. Her debut documentary feature, Having It All, was selected by Washington's PBS station, KCTS9, as the anchor program for its “Women Who Inspire” series in August, 2015, and went on to also be broadcast by Oregon Public Broadcasting. Her current documentary, The Most Dangerous Year, was awarded the Professional Grant from Women in Film Seattle and an Open 4Culture Grant. Vlada holds a doctorate in Cognitive Science from Brown University and worked at Microsoft prior to her filmmaking career.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
The Most Dangerous Year

The Most Dangerous Year

$295.00

  Click here to download the Educational Discussion Guide Directed by: Vlada Knowlton Released: 2018 (educational) Running Time: 90 min Language: English Subtitle Options: English Closed Captions Subjects: LGBTQ, Gender Studies, Feminist Studies, Civil Rights In early 2016, when a dark wave of anti-transgender “bathroom bills” began swee...


More Info
How We Grow

DVD

From $125.00
{"id":2358809985129,"title":"How We Grow","handle":"how-we-grow","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Haley Thompson \u0026amp; Tomas Zuccareno\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 64 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Agriculture, Sustainability\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/236346020?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cp\u003eHOW WE GROW seeks to tell the story that digs deeper- beyond the farmers' markets and local food access- into the ways in which communities rebuild themselves \u003cspan style=\"font-weight: 400;\"\u003earound agriculture. The film is a coming of age story of a community re-learning how to work together and growing stronger in the process. Inspired by the drive and dedication of the next generation of agricultural leaders in the \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRoaring Fork Valley, the community explores how to overcome pressing issues. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003eLand access, income inequality, and a short growing season turn from barriers into levers as these ambitious young farmers discover ways to get healthy, sustainability produced, locally grown, nutrient dense food onto the tables of everyone in the community\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHealthy soil depends on many organisms working together. A healthy community \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eneeds the same. HOW WE GROW looks at the characters and systems of farming, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eeducation, legislation, micro-finance, and food equity that are shifting the ways \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ewe think about food and our relationship to the land. Together we create a food \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esystem that works for everyone. The film offers a template to communities, a \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eguide to grow by, and a sense of hope that we have all the tools to reclaim our food. This is HOW WE GROW. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2016 Redford Grants Center\u003c\/p\u003e\n\u003cp\u003eWinner Best in Fest - Colorado Film Festival\u003c\/p\u003e\n\u003cp\u003eOfficial Selection - 5 Point 2017\u003c\/p\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHaley Thompson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/haley_thompson_headshot_medium.jpg?v=1544553834\" style=\"float: right; margin: 2px;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHaley was born and raised in the Rocky Mountains of Colorado. With a BFA in Film and Writing from Emerson College, she has built a career around her love of storytelling through film. From documentaries and independent\/foreign films to comedies of all genres, Haley has 12 years experience as a trailer editor and producer in film advertising, having worked for some of the top agencies in LA and NYC. The energy around the local food movement of the Roaring Fork Valley inspired her to move back home and make HOW WE GROW\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTomas Zuccareno\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/tomas_zuccareno_headshot_medium.jpg?v=1544553944\" style=\"float: left; margin: 2px 5px 2px 2px;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTomas was raised on a small family farm in New Hampshire and grew up with a deep respect for the land.  He has a B.A. in Photojournalism from Prescott College where he was awarded for his powerful storytelling style. He has traveled the world working for organizations like The National Geographic Society, Conde Naste and Forbes.  He has been a part of the Marketing team at Aspen Snowmass for 23 years and a Staff Photographer for ESPN Images for 17. A desire to tell the story of the community that has been his family for more than two decades inspired him to make HOW WE GROW.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-12-11T10:53:04-08:00","created_at":"2018-12-11T10:20:04-08:00","vendor":"Tomas Zuccareno","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21286498533481,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"HWG-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"How We Grow - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-81,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21286498566249,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"HWG-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"How We Grow - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-15,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21286498631785,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"HWG-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"How We Grow - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21286498664553,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"HWG-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"How We Grow - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HWG_02_27x40_b04fb196-f149-4445-9df4-b37381cd2f24.jpg?v=1544555711","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/5Greenhouse_10_copy.jpg?v=1544555711","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/2Casey_Tomato_10_copy.jpg?v=1544555711","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/4Carrot_20_copy.jpg?v=1544555711"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HWG_02_27x40_b04fb196-f149-4445-9df4-b37381cd2f24.jpg?v=1544555711","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Haley Thompson \u0026amp; Tomas Zuccareno\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 64 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Agriculture, Sustainability\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/236346020?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cp\u003eHOW WE GROW seeks to tell the story that digs deeper- beyond the farmers' markets and local food access- into the ways in which communities rebuild themselves \u003cspan style=\"font-weight: 400;\"\u003earound agriculture. The film is a coming of age story of a community re-learning how to work together and growing stronger in the process. Inspired by the drive and dedication of the next generation of agricultural leaders in the \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRoaring Fork Valley, the community explores how to overcome pressing issues. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003eLand access, income inequality, and a short growing season turn from barriers into levers as these ambitious young farmers discover ways to get healthy, sustainability produced, locally grown, nutrient dense food onto the tables of everyone in the community\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHealthy soil depends on many organisms working together. A healthy community \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eneeds the same. HOW WE GROW looks at the characters and systems of farming, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eeducation, legislation, micro-finance, and food equity that are shifting the ways \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ewe think about food and our relationship to the land. Together we create a food \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003esystem that works for everyone. The film offers a template to communities, a \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eguide to grow by, and a sense of hope that we have all the tools to reclaim our food. This is HOW WE GROW. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2016 Redford Grants Center\u003c\/p\u003e\n\u003cp\u003eWinner Best in Fest - Colorado Film Festival\u003c\/p\u003e\n\u003cp\u003eOfficial Selection - 5 Point 2017\u003c\/p\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHaley Thompson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/haley_thompson_headshot_medium.jpg?v=1544553834\" style=\"float: right; margin: 2px;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHaley was born and raised in the Rocky Mountains of Colorado. With a BFA in Film and Writing from Emerson College, she has built a career around her love of storytelling through film. From documentaries and independent\/foreign films to comedies of all genres, Haley has 12 years experience as a trailer editor and producer in film advertising, having worked for some of the top agencies in LA and NYC. The energy around the local food movement of the Roaring Fork Valley inspired her to move back home and make HOW WE GROW\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTomas Zuccareno\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/tomas_zuccareno_headshot_medium.jpg?v=1544553944\" style=\"float: left; margin: 2px 5px 2px 2px;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTomas was raised on a small family farm in New Hampshire and grew up with a deep respect for the land.  He has a B.A. in Photojournalism from Prescott College where he was awarded for his powerful storytelling style. He has traveled the world working for organizations like The National Geographic Society, Conde Naste and Forbes.  He has been a part of the Marketing team at Aspen Snowmass for 23 years and a Staff Photographer for ESPN Images for 17. A desire to tell the story of the community that has been his family for more than two decades inspired him to make HOW WE GROW.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
How We Grow

How We Grow

$295.00

Directed by: Haley Thompson & Tomas Zuccareno Released: 2018 (educational) Year of Production: 2017 Running Time: 64 min Language: English Subtitle Options: English Closed Captions Subjects: Environmental Studies, Agriculture, Sustainability       HOW WE GROW seeks to tell the story that digs deeper- beyond the farmers' markets...


More Info
Watched

DVD

From $75.00
{"id":2344913567849,"title":"Watched","handle":"watched","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Katie Mitchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e20 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD or Digital\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English SDH \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eHuman Rights, American Studies, Islamic Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/303223888?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis short 19-minute documentary is an intimate and moving exploration of the profound and far-reaching impact of surveillance on Muslim American individuals and communities. Premiering at the 2017 Tribeca Film Festival, WATCHED is told through the personal experience of two women, both coming of age in New York. The film charts the devastating toll of surveillance and reveals the scars it leaves behind.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAwards \u0026amp; Festivals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eTribeca Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eCitizen Jane Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eMilwaukee Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eBrooklyn Academy of Music (BAM)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eStudents Not Suspects \u003c\/span\u003e\u003cspan\u003e(Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eVi\u003c\/span\u003e\u003cspan\u003emeo \u003c\/span\u003e\u003cspan\u003ePresents: Ladies with Lens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eCalifornia State University “\u003c\/span\u003e\u003cspan\u003eWatched: Muslim American Women, Activism, and State Surveillance\u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan\u003eCognitive dissociation has been just one of the devastating effects on victims of an elaborate police sting operation that took place in New York City between 2011 and 2015. A secret division of the New York Police Department, intent on rooting out material support by local Muslims for terrorist groups or individuals, sent an undercover cop to Brooklyn College, where she infiltrated an on-campus association of Muslim students. Filmmaker Katie Mitchell’s \u003c\/span\u003e\u003cem\u003eWatched\u003c\/em\u003e\u003cspan\u003e is a startling documentary about that secret investigation and its ramifications for the now-traumatized students who befriended and supported their faux cohort for four years. Going by the name of \"Mel,\" the spy not only attended events, but socialized at the students’ homes, and even served as a bridesmaid for one of the women. Suspicions about Mel did grow as she sometimes aggressively pushed people for information about their beliefs and politics. Now well past graduation, some of those students still feel vulnerable and targeted by authorities. The former students interviewed here generally agree that Mel’s infiltration, which was eventually exposed, caused them to lose personal motivation toward career and life goals that might have made them more open members of society. An unsettling film about brazen and unwarranted religion-based profiling and invasion of privacy, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Watched is a rare portrayal of the devastating impacts of policing on young Muslim lives. While Muslim Americans are constantly talked about in the public sphere, we seldom hear their unmediated voices. Watched is a rare journalistic endeavor, one in which we are able to listen to American Muslim women speak about their experiences coming of age in post 9\/11 America - without any other voices cutting in\" \u003cem\u003e- Broadly\/Vice \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-11-26T13:28:55-08:00","created_at":"2018-11-20T10:40:14-08:00","vendor":"Katie Mitchell","type":"DVD","tags":[],"price":7500,"price_min":7500,"price_max":27500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21152824164457,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"WCH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Watched - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":17500,"weight":91,"compare_at_price":null,"inventory_quantity":-69,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21152824197225,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"WCH-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Watched - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":7500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21152824229993,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"WCH-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Watched - DVD + DSL (W\/ PPR)","public_title":"DVD + DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":27500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21152824262761,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"WCH-D","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Watched - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":23500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Watched_Clean.png?v=1542838953"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Watched_Clean.png?v=1542838953","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Katie Mitchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e20 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD or Digital\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English SDH \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eHuman Rights, American Studies, Islamic Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/303223888?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis short 19-minute documentary is an intimate and moving exploration of the profound and far-reaching impact of surveillance on Muslim American individuals and communities. Premiering at the 2017 Tribeca Film Festival, WATCHED is told through the personal experience of two women, both coming of age in New York. The film charts the devastating toll of surveillance and reveals the scars it leaves behind.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAwards \u0026amp; Festivals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eTribeca Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eCitizen Jane Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eMilwaukee Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eBrooklyn Academy of Music (BAM)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eStudents Not Suspects \u003c\/span\u003e\u003cspan\u003e(Chicago)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eVi\u003c\/span\u003e\u003cspan\u003emeo \u003c\/span\u003e\u003cspan\u003ePresents: Ladies with Lens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eCalifornia State University “\u003c\/span\u003e\u003cspan\u003eWatched: Muslim American Women, Activism, and State Surveillance\u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan\u003eCognitive dissociation has been just one of the devastating effects on victims of an elaborate police sting operation that took place in New York City between 2011 and 2015. A secret division of the New York Police Department, intent on rooting out material support by local Muslims for terrorist groups or individuals, sent an undercover cop to Brooklyn College, where she infiltrated an on-campus association of Muslim students. Filmmaker Katie Mitchell’s \u003c\/span\u003e\u003cem\u003eWatched\u003c\/em\u003e\u003cspan\u003e is a startling documentary about that secret investigation and its ramifications for the now-traumatized students who befriended and supported their faux cohort for four years. Going by the name of \"Mel,\" the spy not only attended events, but socialized at the students’ homes, and even served as a bridesmaid for one of the women. Suspicions about Mel did grow as she sometimes aggressively pushed people for information about their beliefs and politics. Now well past graduation, some of those students still feel vulnerable and targeted by authorities. The former students interviewed here generally agree that Mel’s infiltration, which was eventually exposed, caused them to lose personal motivation toward career and life goals that might have made them more open members of society. An unsettling film about brazen and unwarranted religion-based profiling and invasion of privacy, this is recommended.\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Watched is a rare portrayal of the devastating impacts of policing on young Muslim lives. While Muslim Americans are constantly talked about in the public sphere, we seldom hear their unmediated voices. Watched is a rare journalistic endeavor, one in which we are able to listen to American Muslim women speak about their experiences coming of age in post 9\/11 America - without any other voices cutting in\" \u003cem\u003e- Broadly\/Vice \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Watched

Watched

$175.00

Directed by: Katie Mitchell Released: 2018 (educational) Year of Production: 2017 Running Time: 20 min Format: NTSC DVD or Digital Language: English Includes English SDH  Subjects: Human Rights, American Studies, Islamic Studies        Synopsis This short 19-minute documentary is an intimate and moving exploration of the profound ...


More Info
Purdah

DVD

From $125.00
{"id":1491152732265,"title":"Purdah","handle":"purdah","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Jeremy Guy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e71 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eHindi, English\u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003e with English subtitles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English CC\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eAsian\u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003e Studies, Women's Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"It's like a real-life Bend It Like Beckham\" \u003cem\u003e- NPR (KQED)\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/298648593?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eKaikasha Mirza, a young Indian woman, is allowed to remove her burka for the first time in order to pursue her dreams of playing on the Mumbai Senior Women's Cricket Team. In the days leading up to the tryouts, Kaikasha's parents give her the ultimatum that she will have two years to become a professional cricketer or they will arrange her marriage. Once married, her husband would likely not allow her to play, thus pinning all of Kaikash's hopes on the upcoming tryouts for the Mumbai team. Kaikasha's eldest sister, Saba, also has her own dreams of her career and yearns to become a model, but she endures harsh criticism for wearing a niqab to interviews. Heena, the youngest sister, desires to become a fashion designer or a singer, but poverty may impede her pursuits. All three girls must contend with the wishes of their father who does not believe women should work, in addition to the whispered judgment of those within their community.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eFestival Selection:\u003c\/strong\u003e\u003cem\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eCinequest Film Festival\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eSheffield Doc\/Fest Film Market\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eDances With Films\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eIndian Film Festival Stuttgart\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eIndian Film Festival of Melbourne\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eFive Lakes Film Festival (Germany)\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eChicago South Asian Film Festival\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eIndian Film Festival of Houston\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eSouth Asian Film Festival of Montreal\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eRecommended by Video Librarian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\"In the beginning of this documentary directed by Jeremy Guy, viewers are told that \u003c\/span\u003e\u003cem\u003epurdah\u003c\/em\u003e\u003cspan\u003e is a veil or screen and can also refer to something that Muslim women wear to keep hidden. The film focuses on the Mirza family in India, particularly Kaikasha, who loves playing cricket and hopes to make it on a Mumbai women’s cricket team. Filmed in \u003c\/span\u003e\u003cem\u003ecinema verité\u003c\/em\u003e\u003cspan\u003e style, the film follows Kaikasha as she rides the train to cricket practice before coming home to interact with her parents and siblings, the latter including two sisters whose dreams and aspirations don’t always mesh with parental or religious viewpoints. Just as Kaikasha is about to learn if she makes the team, the screen goes black, the footage speeds up, the background piano music intensifies, and the documentary fast forwards three years, bringing viewers up to speed on surprising family developments, including abandonment, abuse, arranged marriage, relocation, and childbirth. Ultimately, the Mirza siblings, including a younger brother who was forced to drop out of school in eighth grade, persevere through hurdles and against obstacles in this engaging portrait of a family and their future. Recommended.\" - \u003c\/span\u003e\u003cem\u003eS. Beauregard for Video Librarian\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"An insightful story of female empowerment through sport\"\u003cem\u003e - KSCO Radio\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"It's like a real-life Bend It Like Beckham\" \u003cem\u003e- NPR (KQED)\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\"Uplifting and Empowering\" \u003cem\u003e- Film Threat\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\"Purdah is a beautiful narration of women's fight for identity and ambition in modern India.\"\u003cem\u003e - Media Entertainment Arts Worldwide\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"This inspirational film about the sisters' candid journey of self-discovery is a must see with family and friends.\" \u003cem\u003e- Modern Latina\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e“Purdah is a film that shows well how a belief system and the guidance of \u003cbr\u003eone’s religion can impact children’s dreams and adults’ lives.”\u003cem\u003e - Cinema Crazed\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Director\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eJeremy Guy is an award winning director and cinematographer based in Los Angeles. His work spans a wide variety of formats including narrative feature films, major television shows, and independent documentaries.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDocumentary filmmaking is of particular interest for Jeremy because he feels that real life stories can be much more powerful and relatable than fiction. Jeremy had a great connection with the Mirza family and was honored to tell their story in Purdah.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJeremy graduated from the University of California, Santa Barbara Film Studies Program with Highest Honors and Departmental Honors before earning his Master of Fine Arts degree from the University of Southern California in Film Production.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003eBOOK THIS FILMMAKER AT YOUR SCREENING OF PURDAH\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-11-02T10:22:16-07:00","created_at":"2018-11-02T09:48:53-07:00","vendor":"Jeremy Guy","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13662644699241,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"PUR-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Purdah - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-64,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":13662644732009,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"PUR-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Purdah - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":13662644764777,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"PUR-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Purdah - DVD + DSL (W\/ PPR)","public_title":"DVD + DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":13662644797545,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"PUR-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Purdah - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Purdah_Poster.png?v=1541177467","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Purdah_2.jpg?v=1541185414","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Purdah_3.jpg?v=1541185417","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Purdah_9.jpg?v=1541185421","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Purdah_0041.jpg?v=1541185424"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Purdah_Poster.png?v=1541177467","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Jeremy Guy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e71 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eHindi, English\u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003e with English subtitles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English CC\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eAsian\u003c\/span\u003e\u003cspan style=\"color: #444444;\"\u003e Studies, Women's Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"It's like a real-life Bend It Like Beckham\" \u003cem\u003e- NPR (KQED)\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/298648593?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eKaikasha Mirza, a young Indian woman, is allowed to remove her burka for the first time in order to pursue her dreams of playing on the Mumbai Senior Women's Cricket Team. In the days leading up to the tryouts, Kaikasha's parents give her the ultimatum that she will have two years to become a professional cricketer or they will arrange her marriage. Once married, her husband would likely not allow her to play, thus pinning all of Kaikash's hopes on the upcoming tryouts for the Mumbai team. Kaikasha's eldest sister, Saba, also has her own dreams of her career and yearns to become a model, but she endures harsh criticism for wearing a niqab to interviews. Heena, the youngest sister, desires to become a fashion designer or a singer, but poverty may impede her pursuits. All three girls must contend with the wishes of their father who does not believe women should work, in addition to the whispered judgment of those within their community.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eFestival Selection:\u003c\/strong\u003e\u003cem\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eCinequest Film Festival\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eSheffield Doc\/Fest Film Market\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eDances With Films\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eIndian Film Festival Stuttgart\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eIndian Film Festival of Melbourne\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eFive Lakes Film Festival (Germany)\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eChicago South Asian Film Festival\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eIndian Film Festival of Houston\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003eSouth Asian Film Festival of Montreal\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eRecommended by Video Librarian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\"In the beginning of this documentary directed by Jeremy Guy, viewers are told that \u003c\/span\u003e\u003cem\u003epurdah\u003c\/em\u003e\u003cspan\u003e is a veil or screen and can also refer to something that Muslim women wear to keep hidden. The film focuses on the Mirza family in India, particularly Kaikasha, who loves playing cricket and hopes to make it on a Mumbai women’s cricket team. Filmed in \u003c\/span\u003e\u003cem\u003ecinema verité\u003c\/em\u003e\u003cspan\u003e style, the film follows Kaikasha as she rides the train to cricket practice before coming home to interact with her parents and siblings, the latter including two sisters whose dreams and aspirations don’t always mesh with parental or religious viewpoints. Just as Kaikasha is about to learn if she makes the team, the screen goes black, the footage speeds up, the background piano music intensifies, and the documentary fast forwards three years, bringing viewers up to speed on surprising family developments, including abandonment, abuse, arranged marriage, relocation, and childbirth. Ultimately, the Mirza siblings, including a younger brother who was forced to drop out of school in eighth grade, persevere through hurdles and against obstacles in this engaging portrait of a family and their future. Recommended.\" - \u003c\/span\u003e\u003cem\u003eS. Beauregard for Video Librarian\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"An insightful story of female empowerment through sport\"\u003cem\u003e - KSCO Radio\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"It's like a real-life Bend It Like Beckham\" \u003cem\u003e- NPR (KQED)\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\"Uplifting and Empowering\" \u003cem\u003e- Film Threat\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\"Purdah is a beautiful narration of women's fight for identity and ambition in modern India.\"\u003cem\u003e - Media Entertainment Arts Worldwide\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"This inspirational film about the sisters' candid journey of self-discovery is a must see with family and friends.\" \u003cem\u003e- Modern Latina\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e“Purdah is a film that shows well how a belief system and the guidance of \u003cbr\u003eone’s religion can impact children’s dreams and adults’ lives.”\u003cem\u003e - Cinema Crazed\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Director\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eJeremy Guy is an award winning director and cinematographer based in Los Angeles. His work spans a wide variety of formats including narrative feature films, major television shows, and independent documentaries.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDocumentary filmmaking is of particular interest for Jeremy because he feels that real life stories can be much more powerful and relatable than fiction. Jeremy had a great connection with the Mirza family and was honored to tell their story in Purdah.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJeremy graduated from the University of California, Santa Barbara Film Studies Program with Highest Honors and Departmental Honors before earning his Master of Fine Arts degree from the University of Southern California in Film Production.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003eBOOK THIS FILMMAKER AT YOUR SCREENING OF PURDAH\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Purdah

Purdah

$295.00

Directed by: Jeremy Guy Released: 2018 (educational) Year of Production: 2017 Running Time: 71 min Format: NTSC DVD Language: Hindi, English with English subtitles Includes English CC Subjects: Asian Studies, Women's Studies   "It's like a real-life Bend It Like Beckham" - NPR (KQED) Synopsis Kaikasha Mirza, a young Indian wom...


More Info
Nowhere to Hide

DVD

From $150.00
{"id":1338494091369,"title":"Nowhere to Hide","handle":"nowhere-to-hide","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Zaradasht Ahmed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min + 58 min classroom version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eArabic with English subtitles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English SDH \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eMiddle Eastern Studies, Immigrant and Refugee Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/190076830\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThis is a story of a man struggling for survival in Iraq...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e...where war has become the norm. The enemy is invisible, and neither women nor children have a safe hideout. 36-year-old Iraqi Nori Sharif, is husband, father of four children, and a nurse. He becomes a videographer, documenting life over several years in one of Iraq’s most dangerous provinces: Diyala.\u003c\/p\u003e\n\u003cp\u003eBy following Nori we take part in his daily life. We are with him as another war erupts after the American retreat in 2011; a new war without fronts, uniforms or common rules. Without choosing sides, Nori records destruction as well as hope from this war zone. But it is the beginning of the end. The film stretches over a period of five years, beginning with the hope of a better future, to witnessing the growth of ISIS (the Islamic State), and eventually the fall of Nori’s home town. As Nori keeps filming throughout this period of time, he begins to turn the camera on himself.\u003c\/p\u003e\n\u003cp\u003eNori’s narrative represents persistence, hope and faith. But, in this new reality of being squeezed between two giant forces – ISIS on one side and the Iraqi militias on the other, is it possible to remain impartial and keep his family intact? Will he and his family survive, and be able to rebuild the country and the oasis that lies hidden behind the smoke and rubble?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBackground on the Issue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"av-special-heading av-special-heading-h1 custom-color-heading blockquote modern-quote avia-builder-el-39 el_before_av_one_half avia-builder-el-first \"\u003e\n\u003cdiv class=\"av-subheading av-subheading_below av_custom_color \"\u003e\n\u003cp\u003eFifteen years after the US-led invasion of Iraq the country continues to dominate the headlines with stories of sectarian violence, bombings, kidnappings, corruption and dire poverty, human displacement and a massive refugee crisis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding first avia-builder-el-40 el_after_av_heading el_before_av_one_half \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eInstitutions and infrastructures are breaking down, and the de-stabilization of the region continues to reach new areas. The country has become a breeding ground for new and diverging religious, ethnic and political conflicts that also spreads far beyond the Arabian Peninsula. A lot of land is now in the Islamic state’s (IS) hands; a seemingly undefined army of international jihadist, mercenaries, ex-military and clans that don’t seem to have any greater common long-term strategy than power and influence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eDuring the first years after the US invasion a war pattern was obvious: that being between the occupier and the opposition forces. But in 2006-8 there was a change in character; ethnic sectarianism flared up and the violence became increasingly unpredictable and random. Families, tribes and communities were divided, and it became difficult to distinguish friend from foe. How can one give a truthful picture of this state of war when the areas are forbidden “no-go”-zones, and the survivors are without a voice? By training and directing Nori Sharif to film his surrounding, this has become a possibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAwards \u0026amp; Festivals - \u003c\/strong\u003e\u003cem\u003e\u003cb\u003e17 prestigious awards to date\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eBest Feature Length Documentary – IDFA \u003cem\u003e(top prize)\u003c\/em\u003e\u003cbr\u003eAudience Award, International Selection - Thessaloniki International Film Festival 2017\u003cbr\u003eBest Film Award, International Competition - One World Film Festival 2017\u003cem\u003e (largest human rights film festival in the world)\u003c\/em\u003e\u003cbr\u003eBest Feature Length Documentary - Dokfilm, Norway 2017\u003cbr\u003eBest Film Main Competition - Dok.international, DokFest Münich 2017\u003cbr\u003eSpecial Jury Award - Nordic\/Docs 2017\u003cbr\u003eBest Documentary - Berkshire International Film Festival 2017\u003cbr\u003eNestor Almendros Award for courage in filmmaking + Opening Night Film - Human Rights Watch Film Festival 2017\u003cbr\u003eSpecial Founders Prize For Citizen Journalism - Traverse City Film Festival\u003cbr\u003eAmanda Award – Best Documentary \u003cem\u003e(equivalent to Oscar in Norway)\u003c\/em\u003e\u003cbr\u003eEurope Orient Documentary Film Festival 2017 – Best Director Zaradasht Ahmed\u003cbr\u003eAudience Award - Twin Cities Arab Film Festival 2017\u003cbr\u003eBest Documentary – Bergen International Film Festival 2017\u003cbr\u003eSMart Award - Festival des Libertés, Belgium 2017 \u003cbr\u003eAudience Award - 44th Internationales Filmwochenende in Würzburg, Germany 2018\u003cbr\u003eBest Feature Documentary - 2018 Social Impact Media Awards\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJury Award - 2018 Bellingham Human Rights Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eHighly Recommended by Video Librarian\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan\u003eMuch of Zaradasht Ahmed’s devastating PBS-aired documentary was filmed by its subject: Nori Sharif, an engaging Iraqi medic, who viewers first see in 2011 working in the emergency section at Jalawla Central Hospital in Diyala. On the director’s suggestion, Sharif takes a camera with him wherever he goes ... [Sharif's] first-hand documentation of a country destabilized by destructive forces from within and without deserves a wide audience. Including both the full-length version and an abridged classroom edition, this is highly recommended.\" - \u003c\/span\u003e\u003cem\u003eK. Fennessy for Video Librarian\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\"★★★★ - “Nowhere to Hide’ gives a gift: Making Iraq under the Islamic State no longer a faraway crisis.” \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe Washington Post, Chief Film Critic Ann Hornaday\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Nowhere to Hide is the most essential documentary of the year.\" \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eChicago Reader\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“\u003cmeta charset=\"utf-8\"\u003e★★★★ - Nowhere to Hide” makes it not just impossible, but unconscionable, to turn away.” \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eChicago Tribune \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Bracing doc ‘Nowhere to Hide’ puts you on the ground and on the run in war-torn Iraq... potently immersive… a deeply personal perspective of the volatility in Iraq over the years following the 2011 pullout of American troops. Rather than taking a more traditional documentary-filmmaking \u003cwbr\u003e\u003c\/wbr\u003eapproach, Kurdish Norwegian director Zaradasht Ahmed shrewdly chose to hand his camera over to Sharif, a soulful, eloquent father of four whose firsthand interactions provide an affecting portrait of ordinary civilians caught in an endless crossfire between Islamic State and Shiite and Kurdish factions… offers an uneasy prognosis that is at once graphically gut-wrenching and doggedly life-affirming.”\u003cem\u003e - \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Raw immediacy that’s both appropriate and involving…gripping portrait…buoyed by Mr. Sharif’s cheery personality” \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe New York Times - CRITICS' PICK!  \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Some great documentaries cut through the inessentials and help you make sense of an apparently senseless world. Others have the opposite effect: They shock you into an even greater confoundment, demonstrating, moment by moment, how irrational the world really is. Nowhere to Hide is in the latter camp. It’s an “experiential” doc, a first-person view of the disintegration of Iraq as it happens…very beautiful guitar soundtrack… No one can make sense of what is happening to this and other families. But they must film it.” \u003cem\u003e– David Edelstein, \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eNew York Magazine \/ Vulture \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Director\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003eDirector and Photographer Zaradasht Ahmed is a Kurdish\/Norwegian Filmmaker. He was born and raised in Northern Iraq. His previous work includes the award-winning “Road to Diyarbakir” and “Fata Morgana”. His latest film “Nowhere to Hide” has won several prestigious international prizes including Best Feature Length Documentary at IDFA (2016), Best Documentary at the One World Human Rights Festival (2017), the Audience Award at Thessaloniki Film Festival (2017), the Nestor Almendros Prize for courage in filmmaking at the Human Rights Watch FF (New York 2017), the Citizen Journalists prize from Traverse City FF (2017), and the Norwegian AMANDA for Best Documentary (2017). Zaradasht has many years of experience working with documentary filmmaking in the Middle East, North-Africa, and Asian regions, as well as experience training locals in documentation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-13T12:27:36-07:00","created_at":"2018-09-12T14:36:44-07:00","vendor":"East Village Entertainment","type":"DVD","tags":[],"price":15000,"price_min":15000,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12626527879273,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"NTH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Nowhere to Hide - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-67,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12626527912041,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"NTH-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Nowhere to Hide - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":15000,"weight":91,"compare_at_price":null,"inventory_quantity":-12,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12626527977577,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"NTH-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nowhere to Hide - DVD + DSL (W\/ PPR)","public_title":"DVD + DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":49500,"weight":91,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12626528010345,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"NTH-D","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Nowhere to Hide - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-09-13_at_12.34.27_PM.png?v=1536867297"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-09-13_at_12.34.27_PM.png?v=1536867297","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Zaradasht Ahmed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e86 min + 58 min classroom version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eArabic with English subtitles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English SDH \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eMiddle Eastern Studies, Immigrant and Refugee Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #444444;\"\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/190076830\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/190076830\"\u003e\u003c\/a\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eThis is a story of a man struggling for survival in Iraq...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e...where war has become the norm. The enemy is invisible, and neither women nor children have a safe hideout. 36-year-old Iraqi Nori Sharif, is husband, father of four children, and a nurse. He becomes a videographer, documenting life over several years in one of Iraq’s most dangerous provinces: Diyala.\u003c\/p\u003e\n\u003cp\u003eBy following Nori we take part in his daily life. We are with him as another war erupts after the American retreat in 2011; a new war without fronts, uniforms or common rules. Without choosing sides, Nori records destruction as well as hope from this war zone. But it is the beginning of the end. The film stretches over a period of five years, beginning with the hope of a better future, to witnessing the growth of ISIS (the Islamic State), and eventually the fall of Nori’s home town. As Nori keeps filming throughout this period of time, he begins to turn the camera on himself.\u003c\/p\u003e\n\u003cp\u003eNori’s narrative represents persistence, hope and faith. But, in this new reality of being squeezed between two giant forces – ISIS on one side and the Iraqi militias on the other, is it possible to remain impartial and keep his family intact? Will he and his family survive, and be able to rebuild the country and the oasis that lies hidden behind the smoke and rubble?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBackground on the Issue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"av-special-heading av-special-heading-h1 custom-color-heading blockquote modern-quote avia-builder-el-39 el_before_av_one_half avia-builder-el-first \"\u003e\n\u003cdiv class=\"av-subheading av-subheading_below av_custom_color \"\u003e\n\u003cp\u003eFifteen years after the US-led invasion of Iraq the country continues to dominate the headlines with stories of sectarian violence, bombings, kidnappings, corruption and dire poverty, human displacement and a massive refugee crisis.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding first avia-builder-el-40 el_after_av_heading el_before_av_one_half \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eInstitutions and infrastructures are breaking down, and the de-stabilization of the region continues to reach new areas. The country has become a breeding ground for new and diverging religious, ethnic and political conflicts that also spreads far beyond the Arabian Peninsula. A lot of land is now in the Islamic state’s (IS) hands; a seemingly undefined army of international jihadist, mercenaries, ex-military and clans that don’t seem to have any greater common long-term strategy than power and influence.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex_column av_one_half flex_column_div av-zero-column-padding avia-builder-el-42 el_after_av_one_half avia-builder-el-last \"\u003e\n\u003csection class=\"av_textblock_section \" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\"\u003e\n\u003cdiv class=\"avia_textblock av_inherit_color \" itemprop=\"text\"\u003e\n\u003cp\u003eDuring the first years after the US invasion a war pattern was obvious: that being between the occupier and the opposition forces. But in 2006-8 there was a change in character; ethnic sectarianism flared up and the violence became increasingly unpredictable and random. Families, tribes and communities were divided, and it became difficult to distinguish friend from foe. How can one give a truthful picture of this state of war when the areas are forbidden “no-go”-zones, and the survivors are without a voice? By training and directing Nori Sharif to film his surrounding, this has become a possibility.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAwards \u0026amp; Festivals - \u003c\/strong\u003e\u003cem\u003e\u003cb\u003e17 prestigious awards to date\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eBest Feature Length Documentary – IDFA \u003cem\u003e(top prize)\u003c\/em\u003e\u003cbr\u003eAudience Award, International Selection - Thessaloniki International Film Festival 2017\u003cbr\u003eBest Film Award, International Competition - One World Film Festival 2017\u003cem\u003e (largest human rights film festival in the world)\u003c\/em\u003e\u003cbr\u003eBest Feature Length Documentary - Dokfilm, Norway 2017\u003cbr\u003eBest Film Main Competition - Dok.international, DokFest Münich 2017\u003cbr\u003eSpecial Jury Award - Nordic\/Docs 2017\u003cbr\u003eBest Documentary - Berkshire International Film Festival 2017\u003cbr\u003eNestor Almendros Award for courage in filmmaking + Opening Night Film - Human Rights Watch Film Festival 2017\u003cbr\u003eSpecial Founders Prize For Citizen Journalism - Traverse City Film Festival\u003cbr\u003eAmanda Award – Best Documentary \u003cem\u003e(equivalent to Oscar in Norway)\u003c\/em\u003e\u003cbr\u003eEurope Orient Documentary Film Festival 2017 – Best Director Zaradasht Ahmed\u003cbr\u003eAudience Award - Twin Cities Arab Film Festival 2017\u003cbr\u003eBest Documentary – Bergen International Film Festival 2017\u003cbr\u003eSMart Award - Festival des Libertés, Belgium 2017 \u003cbr\u003eAudience Award - 44th Internationales Filmwochenende in Würzburg, Germany 2018\u003cbr\u003eBest Feature Documentary - 2018 Social Impact Media Awards\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJury Award - 2018 Bellingham Human Rights Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eHighly Recommended by Video Librarian\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan\u003eMuch of Zaradasht Ahmed’s devastating PBS-aired documentary was filmed by its subject: Nori Sharif, an engaging Iraqi medic, who viewers first see in 2011 working in the emergency section at Jalawla Central Hospital in Diyala. On the director’s suggestion, Sharif takes a camera with him wherever he goes ... [Sharif's] first-hand documentation of a country destabilized by destructive forces from within and without deserves a wide audience. Including both the full-length version and an abridged classroom edition, this is highly recommended.\" - \u003c\/span\u003e\u003cem\u003eK. Fennessy for Video Librarian\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\"★★★★ - “Nowhere to Hide’ gives a gift: Making Iraq under the Islamic State no longer a faraway crisis.” \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe Washington Post, Chief Film Critic Ann Hornaday\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Nowhere to Hide is the most essential documentary of the year.\" \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eChicago Reader\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“\u003cmeta charset=\"utf-8\"\u003e★★★★ - Nowhere to Hide” makes it not just impossible, but unconscionable, to turn away.” \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eChicago Tribune \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Bracing doc ‘Nowhere to Hide’ puts you on the ground and on the run in war-torn Iraq... potently immersive… a deeply personal perspective of the volatility in Iraq over the years following the 2011 pullout of American troops. Rather than taking a more traditional documentary-filmmaking \u003cwbr\u003e\u003c\/wbr\u003eapproach, Kurdish Norwegian director Zaradasht Ahmed shrewdly chose to hand his camera over to Sharif, a soulful, eloquent father of four whose firsthand interactions provide an affecting portrait of ordinary civilians caught in an endless crossfire between Islamic State and Shiite and Kurdish factions… offers an uneasy prognosis that is at once graphically gut-wrenching and doggedly life-affirming.”\u003cem\u003e - \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Raw immediacy that’s both appropriate and involving…gripping portrait…buoyed by Mr. Sharif’s cheery personality” \u003cem\u003e- \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eThe New York Times - CRITICS' PICK!  \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Some great documentaries cut through the inessentials and help you make sense of an apparently senseless world. Others have the opposite effect: They shock you into an even greater confoundment, demonstrating, moment by moment, how irrational the world really is. Nowhere to Hide is in the latter camp. It’s an “experiential” doc, a first-person view of the disintegration of Iraq as it happens…very beautiful guitar soundtrack… No one can make sense of what is happening to this and other families. But they must film it.” \u003cem\u003e– David Edelstein, \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eNew York Magazine \/ Vulture \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Director\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003eDirector and Photographer Zaradasht Ahmed is a Kurdish\/Norwegian Filmmaker. He was born and raised in Northern Iraq. His previous work includes the award-winning “Road to Diyarbakir” and “Fata Morgana”. His latest film “Nowhere to Hide” has won several prestigious international prizes including Best Feature Length Documentary at IDFA (2016), Best Documentary at the One World Human Rights Festival (2017), the Audience Award at Thessaloniki Film Festival (2017), the Nestor Almendros Prize for courage in filmmaking at the Human Rights Watch FF (New York 2017), the Citizen Journalists prize from Traverse City FF (2017), and the Norwegian AMANDA for Best Documentary (2017). Zaradasht has many years of experience working with documentary filmmaking in the Middle East, North-Africa, and Asian regions, as well as experience training locals in documentation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Nowhere to Hide

Nowhere to Hide

$350.00

Directed by: Zaradasht Ahmed Released: 2018 (educational) Year of Production: 2016 Running Time: 86 min + 58 min classroom version Format: NTSC DVD Language: Arabic with English subtitles Includes English SDH  Subjects: Middle Eastern Studies, Immigrant and Refugee Studies      Synopsis This is a story of a man struggling for surviv...


More Info
Killing For Love

DVD

From $95.00
{"id":1325239173225,"title":"Killing For Love","handle":"killing-for-love","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marcus Vetter \u0026amp; Karin Steinberger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e120 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eCriminal Justice, Law, American Studies, International Studies, Sociology, Media Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation...\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/244775312\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/244775312?color=d50808\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the film\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eObsessed young lovers, obscene murders, a sensational trial, and a shocking miscarriage of justice. KILLING FOR LOVE is a riveting dissection of the \u003c\/span\u003e\u003cspan\u003eprosecution’s case, the courtroom battle played out on television, and the disturbing aftermath. Convicted of brutally murdering his girlfriend’s parents, \u003c\/span\u003e\u003cspan\u003eserving two life sentences, Jens Soering has been in prison for 32 years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThe film reveals for the first time the mounting evidence of his innocence: the \u003c\/span\u003e\u003cspan\u003eFBI profile of the killer withheld from the jury, the bloody footprint and unidentified fingerprints pointing to other perpetrators, and the new exculpatory \u003c\/span\u003e\u003cspan\u003eDNA analysis. Highly cinematic in the way of The Staircase, as suspenseful as Serial, and as confounding as Making of a Murderer, KILLING FOR LOVE \u003c\/span\u003e\u003cspan\u003edelivers a powerful story that is indeed, stranger than fiction. \u003c\/span\u003e\u003cspan\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation. The Haysoms were wealthy, respected members \u003c\/span\u003e\u003cspan\u003eof Virginia society, and the murder conviction of their daughter Elizabeth and her German boyfriend Jens Soering sent shock-waves through the rural \u003c\/span\u003e\u003cspan\u003ecommunity of Bedford County. Elizabeth and Jens had met in a university program for high achieving students. She was a product of European boarding \u003c\/span\u003e\u003cspan\u003eschools, he was the son of a diplomat. After being arrested in London, England, for passing bad checks in 1986, they were both extradited to the United \u003c\/span\u003e\u003cspan\u003eStates. This beautifully crafted film reveals a mismanaged judicial process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThis was the first criminal trial of its kind held in front of TV cameras — and was the first such high profile, international case tried in a small town. \u003c\/span\u003e\u003cspan\u003ePhotgraphic evidence that points to sexual abuse, the presiding judge’s friendship with the victims, a missing FBI profile, a bloody car with a knife under \u003c\/span\u003e\u003cspan\u003ethe seat — all point to a very different story, one that is revealed in the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eInvestigations over the past several years have turned up stunning evidence that was previously suppressed or deemed inadmissible. New forensic \u003c\/span\u003e\u003cspan\u003etechniques have disproven evidence that was key to Jens Soering’s original conviction. Soering was previously denied parole 12 times, his 13th hearing \u003c\/span\u003e\u003cspan\u003etook place in October 2017. That hearing was attended by former German president Christian Wulff and German ambassador Peter Wittig who spoke of \u003c\/span\u003e\u003cspan\u003etheir belief in Soering’s innocence and commitment to his repatriation. The parole board’s decision has not yet been announced.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAwards \u0026amp; Selected Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e100% rating on Rotten Tomatoes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eU.S. Theatrical Release \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eIDFA (International Documentary Film Festival of Amsterdam) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDoc NYC\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDenver Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eVirginia Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDocAviv\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAcademic Reviews\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\"This must-see film depicts the complexity of love, treachery, and the justice system in a small Virginia town; highly recommended.\" \u003cem\u003e- Library Journal\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003eFans of true crime documentaries—and there are plenty—will be drawn into this fascinating study.\" — \u003cem\u003eBooklist\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Gruesome, but utterly gripping... masterful documentary\" \u003cem\u003e- The Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A gripping murder mystery about the fated coupling of a pair of calculating romantics too smart for their own good, and the limits of the American justice system.\"\u003cem\u003e - The Los Angeles Times\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"An important movie that should lead to justice\"\u003cem\u003e\u003ci\u003e - Munich Merkur\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003ci\u003e\"A compelling documentary reveals that the story of the 1985 murder of Derek and Nancy Haysom is as perplexing as ever. ...Anyone who has binged on Making a Murderer, Serial or even Truman Capote’s In Cold Blood (the original true-crime “non-fiction novel”) will know the cocktail of emotions this increasingly popular and morally dubious genre induces: obsessive fascination, horror, cynicism and loss of faith in the justice system. I, for one, am getting sick of the bitter aftertaste.\" - The Guardian\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A shocking story of love and betrayal\"\u003ci\u003e \u003cem\u003e- taz\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"At the end of it all – and watching it and the old trial footage was like being a juror at some kind of retrial – the best conclusion was the pragmatic one reached by the Governor of Virginia Tim Kaine in 2010, which was that Soering had already served a conventionally long sentence and was no danger to the public and could be safely packed off to Germany.\"\u003ci\u003e - \u003c\/i\u003e\u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Featuring compelling real-life figures who practically invite casting guesses for the inevitable Hollywood dramatization, Killing for Love should easily satisfy viewers...\" \u003cem\u003e\u003ci\u003e- \u003c\/i\u003e\u003ci\u003eThe Hollywood Reporter\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"An extraordinary filmic work\"\u003cem\u003e\u003ci\u003e - SWR Kunscht\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-09-18T10:22:43-07:00","created_at":"2018-08-09T13:59:01-07:00","vendor":"Marcus Vetter","type":"DVD","tags":[],"price":9500,"price_min":9500,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12542683742313,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"KFL-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Killing For Love - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-62,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12542683775081,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"KFL-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Killing For Love - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":15000,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12542683840617,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"KFL-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Killing For Love - DVD + DSL (W\/ PPR)","public_title":"DVD + DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":49500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":12542683873385,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"KFL-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Killing For Love - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21251300524137,"title":"Public Library without PPR","option1":"Public Library without PPR","option2":null,"option3":null,"sku":"KFL-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Killing For Love - Public Library without PPR","public_title":"Public Library without PPR","options":["Public Library without PPR"],"price":9500,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/KFL_Key_Art_for_Peter-UM.jpg?v=1537290395"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/KFL_Key_Art_for_Peter-UM.jpg?v=1537290395","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Marcus Vetter \u0026amp; Karin Steinberger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan color=\"#444444\" style=\"color: #444444;\"\u003e\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time: \u003c\/strong\u003e120 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eNTSC DVD\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eLanguage: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eAccessibility: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #444444;\"\u003eIncludes English closed captions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eSubjects: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #444444;\"\u003eCriminal Justice, Law, American Studies, International Studies, Sociology, Media Studies\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation...\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/244775312\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/244775312?color=d50808\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAbout the film\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eObsessed young lovers, obscene murders, a sensational trial, and a shocking miscarriage of justice. KILLING FOR LOVE is a riveting dissection of the \u003c\/span\u003e\u003cspan\u003eprosecution’s case, the courtroom battle played out on television, and the disturbing aftermath. Convicted of brutally murdering his girlfriend’s parents, \u003c\/span\u003e\u003cspan\u003eserving two life sentences, Jens Soering has been in prison for 32 years. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThe film reveals for the first time the mounting evidence of his innocence: the \u003c\/span\u003e\u003cspan\u003eFBI profile of the killer withheld from the jury, the bloody footprint and unidentified fingerprints pointing to other perpetrators, and the new exculpatory \u003c\/span\u003e\u003cspan\u003eDNA analysis. Highly cinematic in the way of The Staircase, as suspenseful as Serial, and as confounding as Making of a Murderer, KILLING FOR LOVE \u003c\/span\u003e\u003cspan\u003edelivers a powerful story that is indeed, stranger than fiction. \u003c\/span\u003e\u003cspan\u003eThe gruesome murders of Nancy and Derek Haysom in 1985 were an international media sensation. The Haysoms were wealthy, respected members \u003c\/span\u003e\u003cspan\u003eof Virginia society, and the murder conviction of their daughter Elizabeth and her German boyfriend Jens Soering sent shock-waves through the rural \u003c\/span\u003e\u003cspan\u003ecommunity of Bedford County. Elizabeth and Jens had met in a university program for high achieving students. She was a product of European boarding \u003c\/span\u003e\u003cspan\u003eschools, he was the son of a diplomat. After being arrested in London, England, for passing bad checks in 1986, they were both extradited to the United \u003c\/span\u003e\u003cspan\u003eStates. This beautifully crafted film reveals a mismanaged judicial process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThis was the first criminal trial of its kind held in front of TV cameras — and was the first such high profile, international case tried in a small town. \u003c\/span\u003e\u003cspan\u003ePhotgraphic evidence that points to sexual abuse, the presiding judge’s friendship with the victims, a missing FBI profile, a bloody car with a knife under \u003c\/span\u003e\u003cspan\u003ethe seat — all point to a very different story, one that is revealed in the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eInvestigations over the past several years have turned up stunning evidence that was previously suppressed or deemed inadmissible. New forensic \u003c\/span\u003e\u003cspan\u003etechniques have disproven evidence that was key to Jens Soering’s original conviction. Soering was previously denied parole 12 times, his 13th hearing \u003c\/span\u003e\u003cspan\u003etook place in October 2017. That hearing was attended by former German president Christian Wulff and German ambassador Peter Wittig who spoke of \u003c\/span\u003e\u003cspan\u003etheir belief in Soering’s innocence and commitment to his repatriation. The parole board’s decision has not yet been announced.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAwards \u0026amp; Selected Screenings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e100% rating on Rotten Tomatoes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eU.S. Theatrical Release \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eIDFA (International Documentary Film Festival of Amsterdam) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDoc NYC\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDenver Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eVirginia Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eDocAviv\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAcademic Reviews\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\"This must-see film depicts the complexity of love, treachery, and the justice system in a small Virginia town; highly recommended.\" \u003cem\u003e- Library Journal\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eIn The Press\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003c\/span\u003e\u003c\/span\u003eFans of true crime documentaries—and there are plenty—will be drawn into this fascinating study.\" — \u003cem\u003eBooklist\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Gruesome, but utterly gripping... masterful documentary\" \u003cem\u003e- The Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A gripping murder mystery about the fated coupling of a pair of calculating romantics too smart for their own good, and the limits of the American justice system.\"\u003cem\u003e - The Los Angeles Times\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"An important movie that should lead to justice\"\u003cem\u003e\u003ci\u003e - Munich Merkur\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003e\u003ci\u003e\"A compelling documentary reveals that the story of the 1985 murder of Derek and Nancy Haysom is as perplexing as ever. ...Anyone who has binged on Making a Murderer, Serial or even Truman Capote’s In Cold Blood (the original true-crime “non-fiction novel”) will know the cocktail of emotions this increasingly popular and morally dubious genre induces: obsessive fascination, horror, cynicism and loss of faith in the justice system. I, for one, am getting sick of the bitter aftertaste.\" - The Guardian\u003c\/i\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"A shocking story of love and betrayal\"\u003ci\u003e \u003cem\u003e- taz\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\"At the end of it all – and watching it and the old trial footage was like being a juror at some kind of retrial – the best conclusion was the pragmatic one reached by the Governor of Virginia Tim Kaine in 2010, which was that Soering had already served a conventionally long sentence and was no danger to the public and could be safely packed off to Germany.\"\u003ci\u003e - \u003c\/i\u003e\u003ci\u003eHuffington Post\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"Featuring compelling real-life figures who practically invite casting guesses for the inevitable Hollywood dramatization, Killing for Love should easily satisfy viewers...\" \u003cem\u003e\u003ci\u003e- \u003c\/i\u003e\u003ci\u003eThe Hollywood Reporter\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cem\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\"An extraordinary filmic work\"\u003cem\u003e\u003ci\u003e - SWR Kunscht\u003c\/i\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Killing For Love

Killing For Love

$350.00

Directed by: Marcus Vetter & Karin Steinberger Released: 2018 (educational) Year of Production: 2016  Running Time: 120 min Format: NTSC DVD Language: English Accessibility: Includes English closed captions Subjects:  Criminal Justice, Law, American Studies, International Studies, Sociology, Media Studies    The gruesome murd...


More Info