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{"id":6122407364,"title":"Between Allah and Me (and Everyone Else) (educational)","handle":"between-allah-and-me-and-everyone-else-educational","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/between-allah-and-me-and-everyone-else-screening\" target=\"_blank\" title=\"Link to screening page BETWEEN ALLAH AND ME (AND EVERYONE ELSE)\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Kyoko Yokoma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 60 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003eEnglish with English and French Subtitles, Closed Captioned \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Multicultural Studies, Religion and Spirituality Studies, Feminism\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eNo dress code inspires more debate than that of Muslim women. In North America, the way a Muslim woman dresses is her personal choice, but that choice, which includes whether or not to wear hijab to cover her hair, is often met with both approval and criticism. The film Between Allah \u0026amp; Me (and Everyone Else) explores the challenges of Farida, Shaila, Naima, and Sarah, four Torontonian Muslim women making decisions about their personal dress codes. When these women decide to start or stop wearing hijab, they cannot foresee the range of reactions other people will have to their choices. The film follows the women’s personal journeys and their interactions with different members of society, and in doing so reveals that the piece of fabric called hijab carries many diverse meanings and messages. As these women try to follow their faith and their hearts at the same time, the film unveils the intricate and complex effects of hijab on Muslim women, their families and communities, and the larger multicultural society in which they live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/173013808?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurelstogether_medium.png?15456611009104511590\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e“[Kyoko] truly crafted a documentary… We saw fascinating character arcs and felt quite close to your characters…  film that should travel to festivals and beyond.” \u003ci\u003e– \u003c\/i\u003eMarc Glassman, Film critic, publisher and professor, Ryerson University, MFA in Documentary Media program\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “Between Allah and Me not only deals with a timely topic, but one that has great personal relevance to me. I applaud those courageous women that agreed to be in the film and share their stories. Their honesty was touching, their words were insightful, and their struggle resonated with me and others, I’m sure. It certainly offers a great springboard for conversation about hijab and Muslim women.” \u003ci\u003e– \u003c\/i\u003eSaira Rahman, Filmmaker, “Arctic Mosque”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Toronto filmmaker Kyoko Yokoma interviews four women who wear the hijab in this nonjudgmental documentary. Farida, who is of Turkish decent, grew up in Russia at a time when the state discouraged religious expression, so she’s been trying to make up for lost time. She studies the Qur’an and prays five times a day, although her mother doesn’t see the point of the hijab. Farida also trades in her short-sleeved tops and above-the-knee skirts for more modest apparel. When she attended Islamic school as child, Shaila felt like a sinner until her mother bought her a hijab. After wearing it for 20 years, she has now entered politics, and decides that it doesn’t feel right anymore, so she only wears the hijab for special occasions. As she puts it, “I feel that Allah can read my heart, and that's what Islam is to me”. At the beginning of the film, Naima, a student, believes that wearing the Hijab is the right thing to do — although she isn’t sure the it’s mandatory, since religious scholars disagree on the point —but she comes to the same conclusion as Shaila, and stops wearing it. Since she wore the hijab for four years, those when know her express surprise, but she assures them that her beliefs haven’t changed. Her friend, Sarah, has her mother’s support for wearing the hijab, but her secular father criticizes the practice, calling it a relic from an earlier era. By allowing her subjects to speak for themselves, Yokoma offers viewers who are interested in religion and gender studies much food for thought in this documentary that is sure to provoke discussion. Recommended.\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2016-07-01T00:00:00-07:00","created_at":"2016-06-15T15:46:12-07:00","vendor":"Kyoko Yokoma","type":"DVD","tags":["ecofeminism","new","Public Library License"],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20465683204,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"BAM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Between Allah and Me (and Everyone Else) (educational) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-58,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":20465683332,"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"BAM-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Between Allah and Me (and Everyone Else) (educational) - K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-4,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":20465683460,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"BAM-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Between Allah and Me (and Everyone Else) (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-10,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":20465683524,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"BAM-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Between Allah and Me (and Everyone Else) (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Between_Allah_and_Me_-_BoxDesignTemplate4_3dcase_Raw.png?v=1468303815","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Still_Farida_CU_aa22b59f-ea41-4cd2-94f9-94ea73705d43.png?v=1468300484","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Still_FaridaRoundMirror_1f456f13-a3c1-4bd6-807c-09b5ee32d7ea.png?v=1468303747","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/STILL_FaridaShopping_da0b9fe8-7a05-49d2-a585-1c45e84af1e2.jpg?v=1468303759","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/STILL_NaimaDouble_fbbed45d-0284-460f-8dea-316e62bef9a1.jpg?v=1468303770","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Still_Shaila_Double_e0f289e7-66bf-46d9-a8c9-5a78b957ad3f.png?v=1468303788","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/STILL_ShailaInCar_d2f77be8-a8c2-4170-86b3-e10cb96d7d5b.jpg?v=1468303796"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Between_Allah_and_Me_-_BoxDesignTemplate4_3dcase_Raw.png?v=1468303815","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/between-allah-and-me-and-everyone-else-screening\" target=\"_blank\" title=\"Link to screening page BETWEEN ALLAH AND ME (AND EVERYONE ELSE)\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Kyoko Yokoma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 60 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003eEnglish with English and French Subtitles, Closed Captioned \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Multicultural Studies, Religion and Spirituality Studies, Feminism\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eNo dress code inspires more debate than that of Muslim women. In North America, the way a Muslim woman dresses is her personal choice, but that choice, which includes whether or not to wear hijab to cover her hair, is often met with both approval and criticism. The film Between Allah \u0026amp; Me (and Everyone Else) explores the challenges of Farida, Shaila, Naima, and Sarah, four Torontonian Muslim women making decisions about their personal dress codes. When these women decide to start or stop wearing hijab, they cannot foresee the range of reactions other people will have to their choices. The film follows the women’s personal journeys and their interactions with different members of society, and in doing so reveals that the piece of fabric called hijab carries many diverse meanings and messages. As these women try to follow their faith and their hearts at the same time, the film unveils the intricate and complex effects of hijab on Muslim women, their families and communities, and the larger multicultural society in which they live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/173013808?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Laurelstogether_medium.png?15456611009104511590\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e“[Kyoko] truly crafted a documentary… We saw fascinating character arcs and felt quite close to your characters…  film that should travel to festivals and beyond.” \u003ci\u003e– \u003c\/i\u003eMarc Glassman, Film critic, publisher and professor, Ryerson University, MFA in Documentary Media program\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “Between Allah and Me not only deals with a timely topic, but one that has great personal relevance to me. I applaud those courageous women that agreed to be in the film and share their stories. Their honesty was touching, their words were insightful, and their struggle resonated with me and others, I’m sure. It certainly offers a great springboard for conversation about hijab and Muslim women.” \u003ci\u003e– \u003c\/i\u003eSaira Rahman, Filmmaker, “Arctic Mosque”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Toronto filmmaker Kyoko Yokoma interviews four women who wear the hijab in this nonjudgmental documentary. Farida, who is of Turkish decent, grew up in Russia at a time when the state discouraged religious expression, so she’s been trying to make up for lost time. She studies the Qur’an and prays five times a day, although her mother doesn’t see the point of the hijab. Farida also trades in her short-sleeved tops and above-the-knee skirts for more modest apparel. When she attended Islamic school as child, Shaila felt like a sinner until her mother bought her a hijab. After wearing it for 20 years, she has now entered politics, and decides that it doesn’t feel right anymore, so she only wears the hijab for special occasions. As she puts it, “I feel that Allah can read my heart, and that's what Islam is to me”. At the beginning of the film, Naima, a student, believes that wearing the Hijab is the right thing to do — although she isn’t sure the it’s mandatory, since religious scholars disagree on the point —but she comes to the same conclusion as Shaila, and stops wearing it. Since she wore the hijab for four years, those when know her express surprise, but she assures them that her beliefs haven’t changed. Her friend, Sarah, has her mother’s support for wearing the hijab, but her secular father criticizes the practice, calling it a relic from an earlier era. By allowing her subjects to speak for themselves, Yokoma offers viewers who are interested in religion and gender studies much food for thought in this documentary that is sure to provoke discussion. Recommended.\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}
Between Allah and Me DVD COVER

Between Allah and Me (and Everyone Else) (educational)

$295.00

Directed and Produced by: Kyoko Yokoma Released: 2016  Running Time: 60 min  Language:  English with English and French Subtitles, Closed Captioned  Subjects: Sociology, Multicultural Studies, Religion and Spirituality Studies, Feminism No dress code inspires more debate than that of Muslim women. In North America, the way a Muslim woman ...


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{"id":132924385,"title":"A Girl \u0026 A Gun (educational)","handle":"a-girl-a-gun-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Cathryne Czubek\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduction by: Cathryne Czubek, Jessica Wolfson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes:\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-EXPERTS on Gender, Power, Violence \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e -EXPERTS on the Debate\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/a-girl-a-gun-community-screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e76 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLanguage\u003c\/b\u003e\u003cb style=\"color: #000000;\"\u003e: \u003c\/b\u003eEnglish  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects:\u003c\/b\u003e Gender \u0026amp; Sexuality Studies, Feminism, Sociology \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e presents a female perspective on an object whose history is deeply bound up with men and masculinity. Filmed throughout the US, this documentary delves into the psyche of the American gun world to investigate how women relate to guns and gun culture. Reaching far beyond Hollywood’s hypersexualized femme fatales, the film candidly explores the modern American woman through intimate portraits encompassing issues of protection, power, feminism, and violence. \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e is a complex and thoughtful meditation on a deadly serious issue. The film’s intimate and detailed portrayals of women who’ve carved themselves a home in the gun community reveal personal journeys that reflect, in one way or another, the same issues every woman faces in today’s America.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51539120?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 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0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"MS 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/51099546051\/interview-with-cathryne-czubek\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director Cathryne Czubek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eFestivals: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDOC NYC World Premiere, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOneata Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSarasota Film Festival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUN Women Through Women's Eyes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMontclair International Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes\/ Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“Rarely have any 75 minutes in a cinema felt so much like a several course meal….If you want a film that will do more than wash over you see this film. If you want to be forced to think about things see this film. If you just want to see a damn good film see A GIRL \u0026amp; A GUN.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - UNSEEN FILMS\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Documentaries on hot-button political issues can often be plodding and preachy, but A GIRL \u0026amp; A GUN is a fast-paced, nuanced, and anything-but-soapbox-y exploration of why women lock and load.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - BUST Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan st=\"\" style=\"color: #000000;\"\u003e\"A GIRL \u0026amp; A GUN doesn’t force an easy conclusion, but instead lays out evidence for the multiple sexual, political, and personal dynamics at play at the intersection of femininity and firearms.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        — Bitch Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eA GIRL \u0026amp; A GUN \"put[s] forth interview content that is revealing and powerful and… presents a variety of viewpoints. The film is particularly apt for undergraduates and would support curriculum in sociology, criminology, victimology, women’s studies, psychology, and cultural studies. It would be especially effective as discussion starter.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         —Educational Media Reviews Online \u003cbr\u003e       \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2013-05-01T16:46:00-07:00","created_at":"2013-04-23T13:50:02-07:00","vendor":"Cathryne Czubek","type":"DVD ","tags":[],"price":6999,"price_min":6999,"price_max":35000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":301792213,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"GAG-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":35000,"weight":100,"compare_at_price":null,"inventory_quantity":39,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":301792215,"title":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","option1":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","option2":null,"option3":null,"sku":"GAG-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun (educational) - K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","public_title":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","options":["K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)"],"price":20000,"weight":100,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":301792217,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GAG-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":6999,"weight":null,"compare_at_price":null,"inventory_quantity":-4,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":301792219,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"GAG-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":35000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/agirlandagun.png?v=1495671326","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Samantha-shoots-biggun-crop_1_grande_9b44b80e-4bc4-4123-84ea-076541601a63.jpg?v=1495671326","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Robin-man-target_94_grande_4d960fa3-78eb-4410-9835-8fd9a2113476.jpg?v=1495671326","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne_Czubek_cherobi_with_gun_grande_8f21daaa-7ed7-4f76-84c1-69784cf697a6.jpg?v=1495671326","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Violet-in-Bedroom-9_grande_14e7e69b-6fd6-4b5c-b6a7-1a463589ea2c.jpg?v=1495671326","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Simon-Luethi-Red-Heels-and-Bbullets_1_grande_91b5cba7-2bbc-4e38-a0f5-cf0fa956a455.jpg?v=1495671326"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/agirlandagun.png?v=1495671326","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Cathryne Czubek\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduction by: Cathryne Czubek, Jessica Wolfson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes:\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-EXPERTS on Gender, Power, Violence \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e -EXPERTS on the Debate\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/a-girl-a-gun-community-screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e76 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLanguage\u003c\/b\u003e\u003cb style=\"color: #000000;\"\u003e: \u003c\/b\u003eEnglish  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects:\u003c\/b\u003e Gender \u0026amp; Sexuality Studies, Feminism, Sociology \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e presents a female perspective on an object whose history is deeply bound up with men and masculinity. Filmed throughout the US, this documentary delves into the psyche of the American gun world to investigate how women relate to guns and gun culture. Reaching far beyond Hollywood’s hypersexualized femme fatales, the film candidly explores the modern American woman through intimate portraits encompassing issues of protection, power, feminism, and violence. \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e is a complex and thoughtful meditation on a deadly serious issue. The film’s intimate and detailed portrayals of women who’ve carved themselves a home in the gun community reveal personal journeys that reflect, in one way or another, the same issues every woman faces in today’s America.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51539120?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tmso-bidi-font-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Times;\n\tmso-fareast-font-family:Times;\n\tmso-hansi-font-family:Times;\n\tmso-bidi-font-family:\"Times New Roman\";}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"MS 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/51099546051\/interview-with-cathryne-czubek\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director Cathryne Czubek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eFestivals: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDOC NYC World Premiere, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOneata Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSarasota Film Festival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUN Women Through Women's Eyes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMontclair International Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes\/ Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“Rarely have any 75 minutes in a cinema felt so much like a several course meal….If you want a film that will do more than wash over you see this film. If you want to be forced to think about things see this film. If you just want to see a damn good film see A GIRL \u0026amp; A GUN.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - UNSEEN FILMS\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Documentaries on hot-button political issues can often be plodding and preachy, but A GIRL \u0026amp; A GUN is a fast-paced, nuanced, and anything-but-soapbox-y exploration of why women lock and load.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - BUST Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan st=\"\" style=\"color: #000000;\"\u003e\"A GIRL \u0026amp; A GUN doesn’t force an easy conclusion, but instead lays out evidence for the multiple sexual, political, and personal dynamics at play at the intersection of femininity and firearms.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        — Bitch Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eA GIRL \u0026amp; A GUN \"put[s] forth interview content that is revealing and powerful and… presents a variety of viewpoints. The film is particularly apt for undergraduates and would support curriculum in sociology, criminology, victimology, women’s studies, psychology, and cultural studies. It would be especially effective as discussion starter.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         —Educational Media Reviews Online \u003cbr\u003e       \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e"}
A Girl & A Gun (educational)

A Girl & A Gun (educational)

$350.00

Directed by: Cathryne Czubek Production by: Cathryne Czubek, Jessica Wolfson Educational Version includes:  -EXPERTS on Gender, Power, Violence -EXPERTS on the Debate Released: 2013  Running Time: 76 minutes Language: English   Educational Subjects: Gender & Sexuality Studies, Feminism, Sociology    A GIRL & A GUN presents a fema...


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{"id":127769410,"title":"A Lot Like You (educational)","handle":"a-lot-like-you-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003eA\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003enthropology, African Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSoutheast Asian Studies, Multicultural Studies, Children, Youth and Family Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"MS 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions 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div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2013-03-27T14:19:00-07:00","created_at":"2013-03-20T15:06:52-07:00","vendor":"Eliaichi Kimaro","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":289001382,"title":"University and College (With PPR)","option1":"University and College (With 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style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New 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includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003eA\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003enthropology, African Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSoutheast Asian Studies, Multicultural Studies, Children, Youth and Family Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"MS 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 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div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
A Lot Like You (educational)

A Lot Like You (educational)

$250.00

Directed by: Eliaichi Kimaro Produced by: Eric Frith, Thomas Kenney, Pete Droge Educational Version includes:      -Disk 1: 80:10 min (Feature Length Version)     -Disk 2: 52:45min (Educational version)      -Audio commentary with Director, Editor, Composer, and Cinematographer     -Deleted scenes     -Music Video for the title track "A Lo...


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{"id":152348731,"title":"Age of Champions (educational)","handle":"age-of-champions-educational","description":"\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Christopher Rufo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Keith Ochwat\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2013\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 72 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Children, Youth and Family, Sociology, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAGE OF CHAMPIONS\u003c\/strong\u003e is an award-winning documentary following five competitors who spring, leap, and swim for the gold at the National Senior Olympics. Meet 100-year-old tennis champion Roger Gentilhomme, 86-year-old pole vaulter Adolf Hoffman, and The Tigerettes-- a group of rough-and-tumble basketball-playing Grandmas—as they triumph over the limitations of age and inspire others to do the same. Called “infectiously inspiring” by the \u003cem\u003eWashington Post\u003c\/em\u003e, AGE OF CHAMPIONS is a light-hearted take on growing older, and a powerful story worth sharing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/73413567?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/vimeo.com\/73413567\" style=\"color: #000000;\"\u003eAge of Champions - New Trailer\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Silverdocs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Austin Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Doc Edge Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Doc Miami Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\/ Testimonials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"As a profile of perseverance and discipline, Age of Champions is infectiously inspiring!\" -Washington Post\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Infinitely inspirational ... funny and sweet and sure to poke a tear from even the most hard-hearted.\" -Austin Chronicle\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Makes you feel that, no, you’re not too tired to go for a run ... it's who I want to be when I grow up!\" -The Express\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Prepare yourself for a major dose of inspiration … a must-see for anyone who has ever uttered the phrase, “I can’t do it.”\" -Fitness\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"I could not help but laugh and cry and empathize on so many levels with the remarkable older adults depicted in Age of Champions. This film captures the human spirit in all its frailties and strengths.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Dr. Tamara Wolske, University of Indianapolis\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Fun, inspiring, and instructive ... Age of Champions ask all of us to consider what motivates us. Whether we are working too much, facing an empty nest, semi-retired, or signing up for Social Security, we can turn our love of competition into pursuing Gold.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Dr. Caroline Cicero, Pepperdine University\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Very fun and very inspiring... the true value for staff is that they can see the abilities and possibilities rather than the disabilities and liabilities of older adults. It opened their thinking to what older adults can do!\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Ruth Weispfenning, Mayo Clinic\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","published_at":"2013-09-03T14:42:00-07:00","created_at":"2013-08-19T13:20:53-07:00","vendor":"Christopher Rufo","type":"DVD ","tags":[],"price":0,"price_min":0,"price_max":24900,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":348590873,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"AOC-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Age of Champions (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":24900,"weight":100,"compare_at_price":null,"inventory_quantity":29,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":348590875,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"AOC-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Age of Champions (educational) - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":14900,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":348590877,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"AOC-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Age of Champions (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5999,"weight":100,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":348590881,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"AOC-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Age of Champions (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":24900,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":357061173,"title":"Streaming License (Through Docuseek)","option1":"Streaming License (Through Docuseek)","option2":null,"option3":null,"sku":"AOC-S","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Age of Champions (educational) - Streaming License (Through Docuseek)","public_title":"Streaming License (Through Docuseek)","options":["Streaming License (Through Docuseek)"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ageofchamp_1024x1024_ae563018-e268-450f-8b6f-e10d58d2d55b.png?v=1496048126","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BRAD-AND-JOHN_grande_a66bede2-e610-4334-b145-2428f65a89ea.jpg?v=1496048126","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ADOLPH-ACTION_grande_ae99a204-064d-4e42-bb1d-d4f6e1197741.jpg?v=1496048126","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TIGER_grande_93a22972-3601-42f4-9cb9-042874e97359.jpg?v=1496048126"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ageofchamp_1024x1024_ae563018-e268-450f-8b6f-e10d58d2d55b.png?v=1496048126","options":["License"],"content":"\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Christopher Rufo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Keith Ochwat\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2013\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 72 mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Children, Youth and Family, Sociology, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAGE OF CHAMPIONS\u003c\/strong\u003e is an award-winning documentary following five competitors who spring, leap, and swim for the gold at the National Senior Olympics. Meet 100-year-old tennis champion Roger Gentilhomme, 86-year-old pole vaulter Adolf Hoffman, and The Tigerettes-- a group of rough-and-tumble basketball-playing Grandmas—as they triumph over the limitations of age and inspire others to do the same. Called “infectiously inspiring” by the \u003cem\u003eWashington Post\u003c\/em\u003e, AGE OF CHAMPIONS is a light-hearted take on growing older, and a powerful story worth sharing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/73413567?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/vimeo.com\/73413567\" style=\"color: #000000;\"\u003eAge of Champions - New Trailer\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Silverdocs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Austin Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Doc Edge Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Doc Miami Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\/ Testimonials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"As a profile of perseverance and discipline, Age of Champions is infectiously inspiring!\" -Washington Post\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Infinitely inspirational ... funny and sweet and sure to poke a tear from even the most hard-hearted.\" -Austin Chronicle\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Makes you feel that, no, you’re not too tired to go for a run ... it's who I want to be when I grow up!\" -The Express\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Prepare yourself for a major dose of inspiration … a must-see for anyone who has ever uttered the phrase, “I can’t do it.”\" -Fitness\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"I could not help but laugh and cry and empathize on so many levels with the remarkable older adults depicted in Age of Champions. This film captures the human spirit in all its frailties and strengths.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Dr. Tamara Wolske, University of Indianapolis\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Fun, inspiring, and instructive ... Age of Champions ask all of us to consider what motivates us. Whether we are working too much, facing an empty nest, semi-retired, or signing up for Social Security, we can turn our love of competition into pursuing Gold.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Dr. Caroline Cicero, Pepperdine University\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"Very fun and very inspiring... the true value for staff is that they can see the abilities and possibilities rather than the disabilities and liabilities of older adults. It opened their thinking to what older adults can do!\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Ruth Weispfenning, Mayo Clinic\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e"}
Age of Champions (educational)

Age of Champions (educational)

$249.00

Directed by: Christopher Rufo Produced by: Keith Ochwat Released: 2013 Running Time: 72 mins Subtitles: English Subjects: Children, Youth and Family, Sociology, Physical and Mental Health   AGE OF CHAMPIONS is an award-winning documentary following five competitors who spring, leap, and swim for the gold at the National Senior Olympics. M...


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{"id":91574290,"title":"Breaking Ties (educational)","handle":"breaking-ties","description":"\u003cul id=\"credits\"\u003e\n\u003cli\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eTod Lending\u003c!-- InstanceEndEditable --\u003e\n\u003c\/li\u003e\n\u003cli\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eTod Lending\u003c!-- InstanceEndEditable --\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e1997\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003eRunning Time: 56 min\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\"\u003eChildren, Youth \u0026amp; Family\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\"\u003eSociology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\"\u003eWomen's Studies\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003e\u003cspan\u003eProduced, directed, written and edited by Tod Lending, \u003cb\u003eBREAKING TIES\u003c\/b\u003e is a one-hour national PBS documentary focusing on three kids who are breaking their families' ties to poverty in the US. Nicole, 16 years old, lives in a poor section of Chicago. Her family has depended on welfare for 4 generations. She wants to be the first in her family to end that legacy. Demetrio, 17 years old, has worked the crops between Florida and Michigan since he was a young child. He's a second generation migrant farmworker who is struggling to stay in school while working the fields. His dream is to one day become an architect. Chris, 14 years old, was once middle class and living in a small town in the Sierra Mountains of California. He's now homeless, living on the outskirts of Los Angeles, and searching for a place he can call home. \u003cb\u003eBREAKING TIES\u003c\/b\u003e takes us inside the lives of these three kids, telling the story from their unique point of view while showing how poverty has molded their sense of the world and their future in it.\u003c\/span\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\n\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e\n\u003cdiv align=\"center\"\u003e\u003c\/div\u003e\n\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:26-07:00","vendor":"Tod Lending","type":"DVD ","tags":[],"price":19500,"price_min":19500,"price_max":19500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":213867138,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"BRT-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Breaking Ties (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":19500,"weight":100,"compare_at_price":null,"inventory_quantity":3,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":213867140,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"BRT-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Breaking Ties (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":19500,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/breaking_ties_387X657_1024x1024_7817b98e-df41-4c3b-a6d5-f3af5009b675.png?v=1462229123","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BT_CineGold.png?v=1462229123","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BT_2_grande_d72a667f-1517-4ef6-9f68-3b63ec9a8bf6.jpg?v=1462229123","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BT_1_grande_3c60e1c0-722d-4b69-bbf8-84220af9f83c.jpg?v=1462229123","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BT_3_grande_fcb44586-8c7a-4dcc-9b60-1d3098ae33f5.jpg?v=1462229123"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/breaking_ties_387X657_1024x1024_7817b98e-df41-4c3b-a6d5-f3af5009b675.png?v=1462229123","options":["License"],"content":"\u003cul id=\"credits\"\u003e\n\u003cli\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eTod Lending\u003c!-- InstanceEndEditable --\u003e\n\u003c\/li\u003e\n\u003cli\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eTod Lending\u003c!-- InstanceEndEditable --\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e1997\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003eRunning Time: 56 min\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/children-youth-family\"\u003eChildren, Youth \u0026amp; Family\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\"\u003eSociology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\"\u003eWomen's Studies\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003e\u003cspan\u003eProduced, directed, written and edited by Tod Lending, \u003cb\u003eBREAKING TIES\u003c\/b\u003e is a one-hour national PBS documentary focusing on three kids who are breaking their families' ties to poverty in the US. Nicole, 16 years old, lives in a poor section of Chicago. Her family has depended on welfare for 4 generations. She wants to be the first in her family to end that legacy. Demetrio, 17 years old, has worked the crops between Florida and Michigan since he was a young child. He's a second generation migrant farmworker who is struggling to stay in school while working the fields. His dream is to one day become an architect. Chris, 14 years old, was once middle class and living in a small town in the Sierra Mountains of California. He's now homeless, living on the outskirts of Los Angeles, and searching for a place he can call home. \u003cb\u003eBREAKING TIES\u003c\/b\u003e takes us inside the lives of these three kids, telling the story from their unique point of view while showing how poverty has molded their sense of the world and their future in it.\u003c\/span\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\n\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e\n\u003cdiv align=\"center\"\u003e\u003c\/div\u003e\n\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e"}
Breaking Ties (educational)

Breaking Ties (educational)

$195.00

Directed by: Tod Lending Produced by: Tod Lending Released: 1997 Running Time: 56 min Subjects: Children, Youth & Family, Sociology, Women's Studies Produced, directed, written and edited by Tod Lending, BREAKING TIES is a one-hour national PBS documentary focusing on three kids who are breaking their families' ties to poverty in the U...


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{"id":92964068,"title":"Broken On All Sides (educational)","handle":"broken-on-all-sides-race-mass-incarceration-new-visions-for-criminal-justice-in-the-u-s","description":"\u003cul\u003e\n\u003cli\u003eDirected by: Matthew Pillischer\u003c\/li\u003e\n\u003cli\u003eProduced by: Matthew Pillischer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/broken-on-all-sides-race-mass-incarceration-new-visions-for-criminal-justice-in-the-u-s-home-use\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2043\"\u003e\u003cbr\u003e \u003c\/a\u003e\u003c\/b\u003e\u003cbr\u003e Released: 2012\u003c\/div\u003e\n\u003cdiv\u003eRunning Time: 68 min\u003c\/div\u003e\n\u003cdiv\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/african-american\"\u003eAfrican American Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/criminal-justice\"\u003eCriminal Justice\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/featured\"\u003eFeatured Films\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\"\u003eHuman Rights\u003c\/a\u003e, \u003cspan\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\"\u003eSociology\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eToday, there are more African Americans in prison or jail, on probation or parole, than were enslaved in 1850, a decade before the Civil War began. The prison population has exploded by 500% since the end of the Civil Rights and Black Power movements. America locks up more of its racial and ethnic minorities than any other country (including South Africa at the height of apartheid). Mass incarceration has emerged as America's new caste system. How could this happen? With Philadelphia as an entry point, \u003cb\u003eBROKEN ON ALL SIDES \u003c\/b\u003eexplores the intersection of race and poverty within the criminal justice system. Presenting a historical narrative not often heard about prisons and crime, this documentary investigates the complex issues of discretion within the system, racial targeting, and the largest spike in the number of people incarcerated in our nation’s history. Through interviews with people caught up in or involved with the system, this documentary answers and provokes questions on an issue walled-off from the public’s scrutiny. \u003cb\u003eBROKEN ON ALL SIDES\u003c\/b\u003e dissects the War on Drugs and \"tough on crime\" movement, illustrating how the emerging Occupy movement offers hope for change, and explores possible reforms and solutions to ending mass incarceration.\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003cbr\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/59940539\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAwards \u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBest Social Issue Documentary Feature, \u003cb\u003eBare Bones International Film \u0026amp; Music Festival 2012\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003eAward of Merit for Liberation\/Social Justice\/Protest, \u003cb\u003eAccolade Awards 2012\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003eNominated for Best Feature Documentary, \u003cb\u003eCape Fear Independent Film Festival 2012\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eQuotes\/ Reviews:\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\"Broken On All Sides is a compelling documentary addressing racial inequities within our criminal justice system and its devastating collateral consequences. It is an excellent resource to use in educating, motivating, and empowering your group, organization, or community on this critical issue.\"  \u003cbr\u003e - James E. Williams, Jr., Public Defender \u0026amp; Chair of the North Carolina Advocates for Justice Task Force on Racial and Ethnic Bias in the Criminal Justice System\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Those among us who might think the struggle for 'Civil Rights' is essentially a done deal face a rude awakening.  Of several urgent moral mountains still to climb, U.S. criminal law \u0026amp; incarceration reform is a major one.  Matt Pillischer's film Broken On All Sides joins Michelle Alexander's The New Jim Crow and Douglas Blackmon's Slavery By Another Name as poignant present-tense calls-to-arms.  A subject no honest feeling citizen dare avoid.\" \u003cbr\u003e - Gladden Schrock, Pulitzer-nominated Writer\/Cultural Analyst\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Broken On All Sides is an invaluable teaching resource. The American penal system has to be at the center of any discussion of racial inequality, and this documentary powerfully demonstrates the human toll of this inhumane system. While clear-eyed in its assessment of the many obstacles to change, it is a compelling call to action.\"  \u003cbr\u003e - Greta Snyder, Instructor of Racial Politics, University of Virginia\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2012-05-23T13:39:00-07:00","created_at":"2012-05-23T13:39:47-07:00","vendor":"Matthew Pillischer","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":218766042,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"BOS-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Broken On All Sides (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":25000,"weight":100,"compare_at_price":null,"inventory_quantity":47,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":218766570,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"BOS-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Broken On All Sides (educational) - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":218767140,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"BOS-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Broken On All Sides (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":219393468,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"BOS-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Broken On All Sides (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":25000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Broken_On_All_Sides_3dcase_388X657_1024x1024_c136cb50-766b-4050-a5a9-f877c88eeea6.png?v=1495670616","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/hallofcells_grande_aa015a81-1454-4f77-81ea-aaef62595705.jpg?v=1495670616","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Protest_4_grande_f76c8d3e-fe58-44ba-98ca-b25c1f81ff0c.jpg?v=1495670616","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/black-men-jail_500x437_grande_311aadc2-b9a8-4ed2-9632-f7b5d3219d4a.jpg?v=1495670616"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Broken_On_All_Sides_3dcase_388X657_1024x1024_c136cb50-766b-4050-a5a9-f877c88eeea6.png?v=1495670616","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003eDirected by: Matthew Pillischer\u003c\/li\u003e\n\u003cli\u003eProduced by: Matthew Pillischer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/broken-on-all-sides-race-mass-incarceration-new-visions-for-criminal-justice-in-the-u-s-home-use\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2043\"\u003e\u003cbr\u003e \u003c\/a\u003e\u003c\/b\u003e\u003cbr\u003e Released: 2012\u003c\/div\u003e\n\u003cdiv\u003eRunning Time: 68 min\u003c\/div\u003e\n\u003cdiv\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/african-american\"\u003eAfrican American Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/criminal-justice\"\u003eCriminal Justice\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/featured\"\u003eFeatured Films\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\"\u003eHuman Rights\u003c\/a\u003e, \u003cspan\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\"\u003eSociology\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eToday, there are more African Americans in prison or jail, on probation or parole, than were enslaved in 1850, a decade before the Civil War began. The prison population has exploded by 500% since the end of the Civil Rights and Black Power movements. America locks up more of its racial and ethnic minorities than any other country (including South Africa at the height of apartheid). Mass incarceration has emerged as America's new caste system. How could this happen? With Philadelphia as an entry point, \u003cb\u003eBROKEN ON ALL SIDES \u003c\/b\u003eexplores the intersection of race and poverty within the criminal justice system. Presenting a historical narrative not often heard about prisons and crime, this documentary investigates the complex issues of discretion within the system, racial targeting, and the largest spike in the number of people incarcerated in our nation’s history. Through interviews with people caught up in or involved with the system, this documentary answers and provokes questions on an issue walled-off from the public’s scrutiny. \u003cb\u003eBROKEN ON ALL SIDES\u003c\/b\u003e dissects the War on Drugs and \"tough on crime\" movement, illustrating how the emerging Occupy movement offers hope for change, and explores possible reforms and solutions to ending mass incarceration.\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003cbr\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/59940539\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAwards \u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBest Social Issue Documentary Feature, \u003cb\u003eBare Bones International Film \u0026amp; Music Festival 2012\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003eAward of Merit for Liberation\/Social Justice\/Protest, \u003cb\u003eAccolade Awards 2012\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003eNominated for Best Feature Documentary, \u003cb\u003eCape Fear Independent Film Festival 2012\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eQuotes\/ Reviews:\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\"Broken On All Sides is a compelling documentary addressing racial inequities within our criminal justice system and its devastating collateral consequences. It is an excellent resource to use in educating, motivating, and empowering your group, organization, or community on this critical issue.\"  \u003cbr\u003e - James E. Williams, Jr., Public Defender \u0026amp; Chair of the North Carolina Advocates for Justice Task Force on Racial and Ethnic Bias in the Criminal Justice System\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Those among us who might think the struggle for 'Civil Rights' is essentially a done deal face a rude awakening.  Of several urgent moral mountains still to climb, U.S. criminal law \u0026amp; incarceration reform is a major one.  Matt Pillischer's film Broken On All Sides joins Michelle Alexander's The New Jim Crow and Douglas Blackmon's Slavery By Another Name as poignant present-tense calls-to-arms.  A subject no honest feeling citizen dare avoid.\" \u003cbr\u003e - Gladden Schrock, Pulitzer-nominated Writer\/Cultural Analyst\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"Broken On All Sides is an invaluable teaching resource. The American penal system has to be at the center of any discussion of racial inequality, and this documentary powerfully demonstrates the human toll of this inhumane system. While clear-eyed in its assessment of the many obstacles to change, it is a compelling call to action.\"  \u003cbr\u003e - Greta Snyder, Instructor of Racial Politics, University of Virginia\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Broken On All Sides (educational)

Broken On All Sides (educational)

$250.00

Directed by: Matthew Pillischer Produced by: Matthew Pillischer Released: 2012 Running Time: 68 min Subjects: African American Studies, Criminal Justice, Featured Films, Human Rights, Sociology   Today, there are more African Americans in prison or jail, on probation or parole, than were enslaved in 1850, a decade before the Civil War bega...


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{"id":91574296,"title":"Children of Haiti (educational)","handle":"children-of-haiti","description":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eAlexandria Hammond\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eAlexandria Hammond\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2011\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e52\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eIn the midst of Haiti's lush mountains and historical relics, hundreds of thousands of orphaned and abandoned children wander the streets day and night. Known as the \u003ci\u003eSanguine\u003c\/i\u003e (\"Soulless\") and forgotten by their own people, they struggled for survival even before the devastating 2010 earthquake. \u003cb\u003eCHILDREN OF HAITI\u003c\/b\u003e follows three teenage street boys, who reflect on their country and their lives, sharing a common dream of education, government assistance, and social acceptance. Following the evolution and transformation of these boys into young men, this film provides insight into Haiti's ongoing abandoned youth problem. In the voices of the street boys themselves, the film examines a complicated issue that has plagued the country for decades and grows more severe by the day. Shot in the historic northern city of Cap-Haitien over a period of three years, \u003cb\u003eCHILDREN OF HAITI\u003c\/b\u003e reveals the country's strange contrasts; a land of breathtaking landscapes and remarkable heritage, but also great human tragedy, all seen through the eyes of these prolific, poetic boys. Despite the nearly insurmountable obstacles, they show that a few can still manage to find hope, and even a little joy, in this harsh reality.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36172209\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"283\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv align=\"center\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/40795367574\/interview-with-alexandria-hammond\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director \u0026amp; Producer Alexandria Hammond\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:27-07:00","vendor":"Alexandria Hammond","type":"DVD ","tags":[],"price":9900,"price_min":9900,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":213867150,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"COH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Children of Haiti (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":25000,"weight":100,"compare_at_price":null,"inventory_quantity":10,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":213867152,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"COH-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Children of Haiti (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":9900,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/children_haiti_387X657_1024x1024_4eb953a2-15ee-4d98-907a-84656292c965.png?v=1462557101","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/denick_portrait.jpg?v=1462557066","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/nickenson_truck.jpg?v=1462557066","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/labadiebeach.jpg?v=1462557066","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/group_boys.jpg?v=1462557066","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Citadel.jpg?v=1462557066"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/children_haiti_387X657_1024x1024_4eb953a2-15ee-4d98-907a-84656292c965.png?v=1462557101","options":["License"],"content":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eAlexandria Hammond\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eAlexandria Hammond\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2011\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e52\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eIn the midst of Haiti's lush mountains and historical relics, hundreds of thousands of orphaned and abandoned children wander the streets day and night. Known as the \u003ci\u003eSanguine\u003c\/i\u003e (\"Soulless\") and forgotten by their own people, they struggled for survival even before the devastating 2010 earthquake. \u003cb\u003eCHILDREN OF HAITI\u003c\/b\u003e follows three teenage street boys, who reflect on their country and their lives, sharing a common dream of education, government assistance, and social acceptance. Following the evolution and transformation of these boys into young men, this film provides insight into Haiti's ongoing abandoned youth problem. In the voices of the street boys themselves, the film examines a complicated issue that has plagued the country for decades and grows more severe by the day. Shot in the historic northern city of Cap-Haitien over a period of three years, \u003cb\u003eCHILDREN OF HAITI\u003c\/b\u003e reveals the country's strange contrasts; a land of breathtaking landscapes and remarkable heritage, but also great human tragedy, all seen through the eyes of these prolific, poetic boys. Despite the nearly insurmountable obstacles, they show that a few can still manage to find hope, and even a little joy, in this harsh reality.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36172209\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"283\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv align=\"center\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/40795367574\/interview-with-alexandria-hammond\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director \u0026amp; Producer Alexandria Hammond\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e"}
Children of Haiti DVD case

Children of Haiti (educational)

$250.00

Directed by: Alexandria Hammond Produced by: Alexandria Hammond Released: 2011 Running Time: 52 min In the midst of Haiti's lush mountains and historical relics, hundreds of thousands of orphaned and abandoned children wander the streets day and night. Known as the Sanguine ("Soulless") and forgotten by their own people, they struggled for s...


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{"id":91574306,"title":"Cultures of Resistance (educational)","handle":"cultures-of-resistance","description":"\u003cul id=\"credits\"\u003e\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003e \u003c\/b\u003e \u003c\/span\u003e\n\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eIara Lee\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eGeorge Gund\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/cultures-of-resistance-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2043\"\u003e\u003cbr\u003e \u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Released: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2011\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e73\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003eCan music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change. This is their story; from Iran, where graffiti and rap became tools in fighting government repression, to Burma, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to Brazil, where musicians reach out to slum kids and transform guns into guitars, and ending in Palestinian refugee camps in Lebanon, where photography, music, and film have given a voice to those rarely heard. Featuring Medellín poets for peace, Capoeira masters from Brazil, Niger Delta militants, Iranian graffiti artists, women’s movement leaders in Rwanda, Lebanon’s refugee filmmakers, U.S. political pranksters, indigenous Kayapó activists from the Xingu River, Israeli dissidents, hip-hop artists from Palestine, and many more, \u003cb\u003eCULTURES OF RESISTANCE\u003c\/b\u003e explores how art and creativity can be ammunition in the battle for peace and justice.\u003cbr\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36854406\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"awards\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eETHIOPIA \/ ADDIS ABABA, Audience Award, Addis International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ CA, Best Documentary, Tiburon International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eINDIA \/ JAIPUR, Green Rose Award, Jaipur International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBENIN \/ OUIDAH, Python Audience Prize, Jury Special Mentions, Ouidah International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUKRAINE \/ KIEV, Best Documentary on Human Rights, Steps International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ NY, Best Documentary, 2nd Place, Buffalo International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ NV, Golden Reel Award Winner, Nevada Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ GA, Best Documentary Feature, Atlanta Underground Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ UT, Best Documentary Feature, Red Rock Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ CA, Love \u0026amp; Encouragement Award, SURGE Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"In Palestine, we see so many films made about us—it get's exhausting. We start to think that our struggle exists in a vacuum and that we are working in the most difficult situation known to man! But your film really helped us escape for a moment. It helped put a perspective on our lives in Palestine and give us hope that we are a part of a global movement to end occupation everywhere.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - Alison R., Palestine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Humanity is at a critical juncture. Rapid advancements in technology—including ever-more-menacing weapons of war and tools of hyper-consumption—have lured us toward self-destruction. At the same time, advances in global media and telecommunications have made us more conscious than ever of our connections to people around the world. Today, we can act and react in ways never before imagined. Now more than ever each individual, making his or her own creative contribution, can make a difference. Cultures of Resistance seeks to show that—to paraphrase activist Marian Wright Edelman—democracy is not a spectator sport. It is our responsibility to realize our potential and create positive change.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e- Arthur Philips, migratingmedianet.org\u003c\/span\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:28-07:00","vendor":"Iara Lee","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":213867336,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"CUL-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Cultures of Resistance (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":25000,"weight":100,"compare_at_price":null,"inventory_quantity":4,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":213867338,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"CUL-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Cultures of Resistance (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":15000,"weight":100,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":213867340,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"CUL-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Cultures of Resistance (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/cultures_of_resistance_387X657_1024x1024_441af8f9-d2b4-40dc-93cd-35e1b426c08e.png?v=1495672304","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/cultures-of-resistance-hondurans1-preview_grande_f697bd02-f986-410a-afac-58e305dc38d0.jpg?v=1495672304","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Sahrawi_with_flag-border_grande_0a3d3cf4-0056-410e-a598-42731ac4eb0a.jpg?v=1495672304","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/YoungBoyAndMonDeath_2c1561ec-91fb-4adc-a78f-8abecfe7a00a.jpg?v=1495672304","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/CoR_ReEdit_083110_LOCK_10.preview_grande_c521148e-3ba9-4fa0-9620-daddd232ee29.jpg?v=1495672304","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WomenDancing_COR_36bf03bc-ba09-4791-bc64-1f4b51bdddea.jpg?v=1495672304","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/village_fire_grande_bda0f754-3c22-40ee-aeff-d8659b705452.jpg?v=1495672304"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/cultures_of_resistance_387X657_1024x1024_441af8f9-d2b4-40dc-93cd-35e1b426c08e.png?v=1495672304","options":["License"],"content":"\u003cul id=\"credits\"\u003e\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003e \u003c\/b\u003e \u003c\/span\u003e\n\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eIara Lee\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eGeorge Gund\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/cultures-of-resistance-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2043\"\u003e\u003cbr\u003e \u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Released: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2011\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e73\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003eCan music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change. This is their story; from Iran, where graffiti and rap became tools in fighting government repression, to Burma, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to Brazil, where musicians reach out to slum kids and transform guns into guitars, and ending in Palestinian refugee camps in Lebanon, where photography, music, and film have given a voice to those rarely heard. Featuring Medellín poets for peace, Capoeira masters from Brazil, Niger Delta militants, Iranian graffiti artists, women’s movement leaders in Rwanda, Lebanon’s refugee filmmakers, U.S. political pranksters, indigenous Kayapó activists from the Xingu River, Israeli dissidents, hip-hop artists from Palestine, and many more, \u003cb\u003eCULTURES OF RESISTANCE\u003c\/b\u003e explores how art and creativity can be ammunition in the battle for peace and justice.\u003cbr\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Trailer Button\" --\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36854406\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"awards\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eETHIOPIA \/ ADDIS ABABA, Audience Award, Addis International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ CA, Best Documentary, Tiburon International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eINDIA \/ JAIPUR, Green Rose Award, Jaipur International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBENIN \/ OUIDAH, Python Audience Prize, Jury Special Mentions, Ouidah International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUKRAINE \/ KIEV, Best Documentary on Human Rights, Steps International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ NY, Best Documentary, 2nd Place, Buffalo International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ NV, Golden Reel Award Winner, Nevada Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ GA, Best Documentary Feature, Atlanta Underground Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ UT, Best Documentary Feature, Red Rock Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSA \/ CA, Love \u0026amp; Encouragement Award, SURGE Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"In Palestine, we see so many films made about us—it get's exhausting. We start to think that our struggle exists in a vacuum and that we are working in the most difficult situation known to man! But your film really helped us escape for a moment. It helped put a perspective on our lives in Palestine and give us hope that we are a part of a global movement to end occupation everywhere.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - Alison R., Palestine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Humanity is at a critical juncture. Rapid advancements in technology—including ever-more-menacing weapons of war and tools of hyper-consumption—have lured us toward self-destruction. At the same time, advances in global media and telecommunications have made us more conscious than ever of our connections to people around the world. Today, we can act and react in ways never before imagined. Now more than ever each individual, making his or her own creative contribution, can make a difference. Cultures of Resistance seeks to show that—to paraphrase activist Marian Wright Edelman—democracy is not a spectator sport. It is our responsibility to realize our potential and create positive change.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e- Arthur Philips, migratingmedianet.org\u003c\/span\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e"}
Cultures of Resistance (educational)

Cultures of Resistance (educational)

$250.00

Directed by: Iara Lee Produced by: George Gund Released: 2011 Running Time: 73 min Can music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, ...


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Finding Face (educational)
Finding Face (educational)

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From $39.99 $99.00
{"id":91574318,"title":"Finding Face (educational)","handle":"finding_face","description":"\u003cul id=\"credits\"\u003e\u003c\/ul\u003e\n\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eSkye Fitzgerald\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eSkye Fitzgerald\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/finding-face-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2043\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2009\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e68\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003e\u003cb\u003eFINDING FACE\u003c\/b\u003e details the controversial case of Tat Marina, who was attacked with acid in Cambodia in 1999. At 16, Marina was a rising star in Phnom Penh's karaoke music scene. She was coerced into an abusive relationship with Cambodia's Undersecretary of State, Svay Sitha, and subsequently attacked with acid. The film contextualizes acid violence as both a human rights violation and a gendered form of violence. Marina, who was granted asylum to enter the U.S., struggles to emerge from a shattered self-image and escape a constant state of fear. She breaks her long silence with the hope that she can gain some form of justice, if not in the judicial system then at least in the court of public opinion.\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36317090\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e \u003c\/span\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSpecial Jury Prize\/Human Rights\u003c\/strong\u003e, Los Angeles Asian Pacific Film Festival,\u003cstrong\u003e\u003c\/strong\u003e 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCourage Award\u003c\/strong\u003e presented to Tat Marina \u0026amp; \u003cem\u003eFinding Face, \u003c\/em\u003eDisOrient International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e Best Documentary Feature\u003c\/strong\u003e, San Diego Asian Film Festival, 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWinner Best Film\u003c\/b\u003e, Astoria International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection,\u003c\/b\u003e San Francisco DocFest\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, Festival Int. De Cine De Los Derechos Humanos, Bolivia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, Hot Springs Documentary Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, Festival Du Film Int. Sur Les Droits Humans, Geneva\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, POW Fest\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"…emotional and artful treatment… deserves considerable exposure for the impact of its story and an acute sense of injustice that goes beyond the usual document of human-rights violations.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Variety \u003ca href=\"http:\/\/www.variety.com\/review\/VE1117945588\/\" style=\"color: #000000;\"\u003e[read review]\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"An infuriating study in the ways that power greases the wheels of justice...\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —LA Weekly\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"…a startling portrait of a young woman's life forever altered by an inhuman crime. While difficult to witness, this film's harrowing story is deeply important to acknowledge.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e—World Pulse Magazine\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"…[A]cid attacks raise the larger issues of impunity, corruption, and human rights. The government official who forced a 15-year-old into a relationship remains untouched, as does his wife.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Kristi Turnquist, The Oregonian\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"For their film Finding Face… Skye Fitzgerald and Patti Duncan weren't just committed to telling a story. They quite possibly held the lives of their subjects in their hands.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Kristi Turnquist, The Oregonian\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Finding Face does not play soft with its audience… Documentaries like this are vitally important to see, even if hard to watch… The film accomplishes everything it set out to do and more—getting people talking about an issue largely ignored before, telling a powerful story of injustice, human rights violations and gender-based violence.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e—Kelcie Moseley, The Argonaut (University of Idaho)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Finding Face is a film the viewer will never forget.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e—Kelcie Moseley, The Argonaut (University of Idaho)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"This documentary, Finding Face, confronts us with injustice, despair, and sympathy for Tat Marina, who is now just beginning to pick up the broken pieces, while trying to leave her history behind…\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Voice of America (Khmer)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"For ten years, Marina has been silenced and justice has not been given to her… [The filmmakers] aimed at giving back a human face and dignity to the young woman…\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Ka-Set (an independent news website about Cambodia and Cambodians abroad)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/www.docuseek2.com\/ce-ffa-es\" style=\"color: #000000;\"\u003eStream\u003c\/a\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/www.docuseek2.com\/ce-ffa-es\" style=\"color: #000000;\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c!-- InstanceEndEditable --\u003e\u003c\/div\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:30-07:00","vendor":"Skye Fitzgerald","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":24900,"available":true,"price_varies":true,"compare_at_price":9900,"compare_at_price_min":9900,"compare_at_price_max":24900,"compare_at_price_varies":true,"variants":[{"id":213867202,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"FFA-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Finding Face (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":24900,"weight":100,"compare_at_price":24900,"inventory_quantity":11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":213867204,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"FFA-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Finding Face (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":9900,"weight":100,"compare_at_price":9900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":1031176796,"title":"Public Library","option1":"Public Library","option2":null,"option3":null,"sku":"FFA-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Finding Face (educational) - Public Library","public_title":"Public Library","options":["Public Library"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/finding_face_387X657_grande_23c11c9d-76aa-49c0-825a-30efde4ee8d2.png?v=1462558696","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FF_Marina.jpg?v=1462558696","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Finding_Face_Quote-_1.png?v=1462558696","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Sreya_3.jpg?v=1462558696","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Finding_Face_Quote-_2.png?v=1462558696","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Finding_Face_Dany_3_grande_22ebf2e1-5a4d-4569-8f65-5a44434aba42.jpg?v=1462558696"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/finding_face_387X657_grande_23c11c9d-76aa-49c0-825a-30efde4ee8d2.png?v=1462558696","options":["License"],"content":"\u003cul id=\"credits\"\u003e\u003c\/ul\u003e\n\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eSkye Fitzgerald\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eSkye Fitzgerald\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/finding-face-home-use\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/HOME-USE_large.png?2043\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2009\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e68\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003e\u003cb\u003eFINDING FACE\u003c\/b\u003e details the controversial case of Tat Marina, who was attacked with acid in Cambodia in 1999. At 16, Marina was a rising star in Phnom Penh's karaoke music scene. She was coerced into an abusive relationship with Cambodia's Undersecretary of State, Svay Sitha, and subsequently attacked with acid. The film contextualizes acid violence as both a human rights violation and a gendered form of violence. Marina, who was granted asylum to enter the U.S., struggles to emerge from a shattered self-image and escape a constant state of fear. She breaks her long silence with the hope that she can gain some form of justice, if not in the judicial system then at least in the court of public opinion.\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/36317090\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e \u003c!-- InstanceEndEditable --\u003e \u003c\/span\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Awards\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSpecial Jury Prize\/Human Rights\u003c\/strong\u003e, Los Angeles Asian Pacific Film Festival,\u003cstrong\u003e\u003c\/strong\u003e 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCourage Award\u003c\/strong\u003e presented to Tat Marina \u0026amp; \u003cem\u003eFinding Face, \u003c\/em\u003eDisOrient International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e Best Documentary Feature\u003c\/strong\u003e, San Diego Asian Film Festival, 2010\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eWinner Best Film\u003c\/b\u003e, Astoria International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection,\u003c\/b\u003e San Francisco DocFest\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, Festival Int. De Cine De Los Derechos Humanos, Bolivia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, Hot Springs Documentary Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, Festival Du Film Int. Sur Les Droits Humans, Geneva\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOfficial Selection\u003c\/b\u003e, POW Fest\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"quotes\" --\u003e \u003c\/span\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"…emotional and artful treatment… deserves considerable exposure for the impact of its story and an acute sense of injustice that goes beyond the usual document of human-rights violations.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Variety \u003ca href=\"http:\/\/www.variety.com\/review\/VE1117945588\/\" style=\"color: #000000;\"\u003e[read review]\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"An infuriating study in the ways that power greases the wheels of justice...\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —LA Weekly\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"…a startling portrait of a young woman's life forever altered by an inhuman crime. While difficult to witness, this film's harrowing story is deeply important to acknowledge.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e—World Pulse Magazine\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"…[A]cid attacks raise the larger issues of impunity, corruption, and human rights. The government official who forced a 15-year-old into a relationship remains untouched, as does his wife.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Kristi Turnquist, The Oregonian\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"For their film Finding Face… Skye Fitzgerald and Patti Duncan weren't just committed to telling a story. They quite possibly held the lives of their subjects in their hands.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Kristi Turnquist, The Oregonian\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Finding Face does not play soft with its audience… Documentaries like this are vitally important to see, even if hard to watch… The film accomplishes everything it set out to do and more—getting people talking about an issue largely ignored before, telling a powerful story of injustice, human rights violations and gender-based violence.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e—Kelcie Moseley, The Argonaut (University of Idaho)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Finding Face is a film the viewer will never forget.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e—Kelcie Moseley, The Argonaut (University of Idaho)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"This documentary, Finding Face, confronts us with injustice, despair, and sympathy for Tat Marina, who is now just beginning to pick up the broken pieces, while trying to leave her history behind…\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Voice of America (Khmer)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"For ten years, Marina has been silenced and justice has not been given to her… [The filmmakers] aimed at giving back a human face and dignity to the young woman…\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e —Ka-Set (an independent news website about Cambodia and Cambodians abroad)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/www.docuseek2.com\/ce-ffa-es\" style=\"color: #000000;\"\u003eStream\u003c\/a\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/www.docuseek2.com\/ce-ffa-es\" style=\"color: #000000;\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c!-- InstanceEndEditable --\u003e\u003c\/div\u003e"}
Finding Face (educational)

Finding Face (educational)

$249.00

Directed by: Skye Fitzgerald Produced by: Skye Fitzgerald Released: 2009 Running Time: 68 min FINDING FACE details the controversial case of Tat Marina, who was attacked with acid in Cambodia in 1999. At 16, Marina was a rising star in Phnom Penh's karaoke music scene. She was coerced into an abusive relationship with Cambodia's Undersecre...


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Girls on the Wall: The True Story of a Lockdown Musical (educational)
{"id":91574328,"title":"Girls on the Wall: The True Story of a Lockdown Musical (educational)","handle":"girls-on-the-wall","description":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eHeather Ross\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eHeather Ross\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2011\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e62\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt, Music \u0026amp; Design\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/criminal-justice\" style=\"color: #000000;\"\u003eCriminal Justice\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003eThe teenage girls of Warrenville Prison get a shot at redemption in a most unlikely form: a musical based on their lives. As three fascinating girls write and stage their play, they're compelled to re-live their crimes, reclaim their humanity and take a first step toward breaking free of the prison system. Meet Whitney (17), intimidating, self-loathing, and infamous for a crime she won't talk about. Rosa (17) who was released from Warrenville, only to return weeks later after getting nearly killed in a knife fight. Christina (18) was drawn into street life by her mother's crack habit; she's spent most of her life in jails and foster placements. When she gets a chance for adoption by a wealthy Christian family, she jumps at it-- but can't reconcile her new upper-middle class life with her loyalty to her mother's world. When the girls hit the stage in front of their families, prison staff and utter strangers, hitting the notes isn't important: it's their chance to seize their stories and tell them to the world. For some, the musical will be a first step in a back-and-forth struggle to stay out of the system. Given unprecedented access to this juvenile correctional facility by the State of Illinois, the powerful characters of GIRLS ON THE WALL will surprise you with their candor, intimacy, and unexpected sense of humor. Together, they illustrate the power of storytelling to illuminate the darkest secrets, and to understand the most tangled lives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/36375358\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/40791368541\/interview-with-heather-ross\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director \u0026amp; Producer Heather Ross\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Girls_on_the_Wall_-_Educational_Content_large.png?8645803044899829966\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2010 Emmy, Best Documentary of Current Significance, NATAS Midwest \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary, Bermuda Int'l Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSilver Chicago Award, Chicago Int'l Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2012 Fledgling Fund Award Recipient, Audience Engagement Grant\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"Nothing short of powerful.\" LA Times • \"It's strong stuff.\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e- Philadelphia Inquirer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"You become a witness to inner change, and that change is initiated by the act of storytelling. An excellent film.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e- Huffington Post\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"An amazing documentary.\" Time Out Chicago • \"How can you not be inspired?\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e- Philadelphia City Paper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Paints an unforgettable portrait detailing the empowerment to be found in self-expression... One of the more stirring works you will see all year.\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e-Anchorage Press\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Outstanding\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e– WBEZ Chicago Public Radio\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Highly recommended\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e– Video Librarian VOL27\u003c\/span\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:30-07:00","vendor":"Heather Ross","type":"DVD ","tags":[],"price":3900,"price_min":3900,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":12500,"compare_at_price_min":12500,"compare_at_price_max":12500,"compare_at_price_varies":false,"variants":[{"id":213867224,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"GOW-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Girls on the Wall: The True Story of a Lockdown Musical (educational) - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":16,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":213867226,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"GOW-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Girls on the Wall: The True Story of a Lockdown Musical (educational) - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":9900,"weight":100,"compare_at_price":12500,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":213867228,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GOW-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Girls on the Wall: The True Story of a Lockdown Musical (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3900,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/girls_on_the_wall_388X657_1024x1024_acbc48cd-9885-412a-b84f-f3875ef64512.png?v=1462559263","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GOTW_dancing.jpg?v=1462559263","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Girls_on_the_Wall_Quote-_1.png?v=1462559263","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GOTW_HoldingHands.jpg?v=1462559263","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Girls_on_the_Wall_Quote-_2.png?v=1462559263","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/ITVSImage_grande_5e6e042b-9e3d-4c17-a376-1a3c9d0e2bd7.jpg?v=1462559263","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/SupplementalText.png?v=1462559263"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/girls_on_the_wall_388X657_1024x1024_acbc48cd-9885-412a-b84f-f3875ef64512.png?v=1462559263","options":["License"],"content":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eHeather Ross\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eHeather Ross\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2011\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e62\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt, Music \u0026amp; Design\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/criminal-justice\" style=\"color: #000000;\"\u003eCriminal Justice\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003eThe teenage girls of Warrenville Prison get a shot at redemption in a most unlikely form: a musical based on their lives. As three fascinating girls write and stage their play, they're compelled to re-live their crimes, reclaim their humanity and take a first step toward breaking free of the prison system. Meet Whitney (17), intimidating, self-loathing, and infamous for a crime she won't talk about. Rosa (17) who was released from Warrenville, only to return weeks later after getting nearly killed in a knife fight. Christina (18) was drawn into street life by her mother's crack habit; she's spent most of her life in jails and foster placements. When she gets a chance for adoption by a wealthy Christian family, she jumps at it-- but can't reconcile her new upper-middle class life with her loyalty to her mother's world. When the girls hit the stage in front of their families, prison staff and utter strangers, hitting the notes isn't important: it's their chance to seize their stories and tell them to the world. For some, the musical will be a first step in a back-and-forth struggle to stay out of the system. Given unprecedented access to this juvenile correctional facility by the State of Illinois, the powerful characters of GIRLS ON THE WALL will surprise you with their candor, intimacy, and unexpected sense of humor. Together, they illustrate the power of storytelling to illuminate the darkest secrets, and to understand the most tangled lives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/36375358\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/40791368541\/interview-with-heather-ross\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director \u0026amp; Producer Heather Ross\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Girls_on_the_Wall_-_Educational_Content_large.png?8645803044899829966\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2010 Emmy, Best Documentary of Current Significance, NATAS Midwest \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary, Bermuda Int'l Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSilver Chicago Award, Chicago Int'l Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2012 Fledgling Fund Award Recipient, Audience Engagement Grant\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"quotes\"\u003e\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"Nothing short of powerful.\" LA Times • \"It's strong stuff.\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e- Philadelphia Inquirer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"You become a witness to inner change, and that change is initiated by the act of storytelling. An excellent film.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e- Huffington Post\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"An amazing documentary.\" Time Out Chicago • \"How can you not be inspired?\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e- Philadelphia City Paper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Paints an unforgettable portrait detailing the empowerment to be found in self-expression... One of the more stirring works you will see all year.\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e-Anchorage Press\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Outstanding\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003cspan style=\"color: #000000;\"\u003e– WBEZ Chicago Public Radio\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Highly recommended\" \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e– Video Librarian VOL27\u003c\/span\u003e\u003c!-- InstanceEndEditable --\u003e\n\u003c\/div\u003e"}
Girls on the Wall: The True Story of a Lockdown Musical (educational)

Girls on the Wall: The True Story of a Lockdown Musical (educational)

$295.00

Directed by: Heather Ross Produced by: Heather Ross Released: 2011 Running Time: 62 min Subjects: Art, Music & Design, Criminal Justice, Sociology The teenage girls of Warrenville Prison get a shot at redemption in a most unlikely form: a musical based on their lives. As three fascinating girls write and stage their play, they're compelled...


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{"id":152586445,"title":"Good People Go To Hell, Saved People Go To Heaven (educational)","handle":"good-people-go-to-hell-saved-people-go-to-heaven-educational","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDirected and Produced by: Holly Hardman\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/copy-of-good-people-go-to-hell-saved-people-go-to-heaven-community-screening\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2012\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 87mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Religious Studies  Anthropology  Sociology\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSet against a backdrop of hurricane devastation and apocalyptic fear, \u003cstrong\u003eGOOD PEOPLE GO TO HELL, SAVED PEOPLE GO TO HEAVEN\u003c\/strong\u003e penetrates the complex world of evangelical Christianity along America’s Gulf Coast. The film follows a cross-carrying fundamentalist preacher, an impassioned youth choir leader and her family, as well as a compelling array of their born-again brethren. Unnervingly authentic, the film explores the deep, and often desperate, reasons evangelical believers have for embracing their religion. The result is a film of stunning candor and vital insight into the paradoxical world of evangelical compassion, fear, love and intolerance.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003eReleased in other markets as...\"Left Behind in Louisiana\".\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/73408705?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGOOD PEOPLE GO TO HELL, SAVED PEOPLE GO TO HEAVEN from \u003ca href=\"http:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- IDFA 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Louisiana International Film Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary (2nd place) - Knoxville Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003caddress\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\/ Testimonials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"Evangelical Christians rarely get to speak for themselves in a mainstream media setting (and when their presence is noted, the context is usually a shrill political dialogue rather than a serious consideration of theological principles). In contrast, Holly Hardman's documentary—set primarily in the Gulf Coast region—offers a relatively objective view of this demographic, exploring how self-identified fundamentalists preserve and maintain their faith in an increasingly secular society. For many of the men and women interviewed here, religion is the anchor that keeps them moored—especially in the aftermath of the 2005 Hurricanes Katrina and Rita, which devastated communities and left many homeless. Most tap into their belief system for the strength and emotional clarity to move ahead with their lives. Admittedly, some behavior can be considered excessive, most notably the journey of a bearded gent who walks along the highways toting an oversized cross. And there are critics: one young man compares his fundamentalist upbringing to life in a Communist country; leaving home to join the Marines, he knew nothing of contemporary music and popular culture. But aside from a brief lapse into a negative consideration of the gay lifestyle, the outlook presented here is overwhelmingly positive and life-affirming...\u003cstrong\u003eHighly recommended.\" —Video Librarian\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“Hardman has bravely taken on one of the great American themes, religious ‘enthusiasm’ or fanaticism…Whether we can accept their world picture or not, Holly Hardman scrupulously avoids undercutting their best qualities…See this film, see it twice and more. It is a fascinating and disquieting picture of an aspect of American life few of us will see in any other way.”  \u003ci\u003e-Michael Miller, New York Arts\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/address\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“While there have been other documentaries about evangelicals and apocalypticism, Hardman does her project a great favor by localizing it in often disaster-stricken Louisiana, where religious fervor seems strangely out of place against the backdrop of drunken Mardi Gras revelry in New Orleans.”  \u003ci\u003e-Basil Tsiokis, What(NOT)toDoc\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"...An intimate look into the evangelical subculture. Beyond its intrinsic merits, this film has the potential to trigger much broader conversations about the nature of the relationship between politics and religion, about the contours of compassionate activism, and about the importance of tolerance in a multi-cultural setting...A superb documentary.”  \u003ci\u003e-Randall Balmer, Dartmouth College, Author, Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture in America\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“Producer\/director Holly Hardman takes us into a world as bizarre as it is authentically realized, close at hand and yet entirely surreal…The fundamentalist subculture she penetrates so seamlessly was waiting for the Rapture and got Katrina instead. It makes for a fascinating conjunction of mythic forces.” \u003ci\u003e-Jed Horne \u003cbr\u003e\u003ci\u003e Author, Breach of Faith: Hurricane Katrina and the Near Death of a Great American City\u003c\/i\u003e\u003c\/i\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“A phenomenal film…A seamless mélange of studies [following] several believers, showing both the human side of conservative evangelical culture, [and] educating audiences about this vast and often misunderstood subculture. [Hardman's] hands-off approach also implicitly alerts the viewer to deeper problems of intolerance and destructive political agendas—as stories of real people unfold through [her] empathetic, artistic, and even-handed lens.”\u003cem\u003e \u003ci\u003e-Glenn William Shuck, Asst. Professor of Religion, Williams Colleg, Author, Marks of the Beast: The Left Behind Novels and the Struggle for Evangelical Identity\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"A probing but remarkably even-handed exploration of the world of fundamentalist Evangelical faith...\" \u003ci\u003e-Martin Griffin, Knoxville Film Festival\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/docuseek2.com\/ce-lbl-es\" style=\"color: #000000;\"\u003e\u003ci\u003eStream\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e","published_at":"2013-09-03T16:46:00-07:00","created_at":"2013-08-20T14:46:40-07:00","vendor":"Holly Hardman","type":"DVD ","tags":[],"price":5999,"price_min":5999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":349108749,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"GGH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Good People Go To Hell, Saved People Go To Heaven (educational) - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":26,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":349108751,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"GGH-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Good People Go To Hell, Saved People Go To Heaven (educational) - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":349108753,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GGH-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Good People Go To Hell, Saved People Go To Heaven (educational) - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5999,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":349108755,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"GGH-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Good People Go To Hell, Saved People Go To Heaven (educational) - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GPGTH_3dcase_Raw_1024x1024_ecad828d-de74-4b41-8ce3-d5bc898941f3.png?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gf_lbilstills_v01_grande_e25401e7-dbe4-472b-b993-749afe87b609.jpg?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/VideoLibrarian_red_grande_c9c65417-94e9-4a92-bfe7-4ca1ab0e4e00.png?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gf_lbilstills_v50_grande_e04b767e-9259-4498-bbe2-a02f318b0435.jpg?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gf_lbilstills_v06_grande_74de648c-4547-4219-8e54-59e23389802b.jpg?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gf_lbilstills_v42_grande_6be09497-9cac-4bd6-ab31-084c103f7d1a.jpg?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Glenn-Shuck_grande_dd69e563-1567-4a37-9bf5-c894ed99ea79.png?v=1462559330","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gf_lbilstills_v58_grande_f905b415-cfc9-4c93-9ea3-e9c143c86523.jpg?v=1462559330"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GPGTH_3dcase_Raw_1024x1024_ecad828d-de74-4b41-8ce3-d5bc898941f3.png?v=1462559330","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDirected and Produced by: Holly Hardman\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/products\/copy-of-good-people-go-to-hell-saved-people-go-to-heaven-community-screening\" style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2012\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 87mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Religious Studies  Anthropology  Sociology\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSet against a backdrop of hurricane devastation and apocalyptic fear, \u003cstrong\u003eGOOD PEOPLE GO TO HELL, SAVED PEOPLE GO TO HEAVEN\u003c\/strong\u003e penetrates the complex world of evangelical Christianity along America’s Gulf Coast. The film follows a cross-carrying fundamentalist preacher, an impassioned youth choir leader and her family, as well as a compelling array of their born-again brethren. Unnervingly authentic, the film explores the deep, and often desperate, reasons evangelical believers have for embracing their religion. The result is a film of stunning candor and vital insight into the paradoxical world of evangelical compassion, fear, love and intolerance.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003eReleased in other markets as...\"Left Behind in Louisiana\".\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"\/\/player.vimeo.com\/video\/73408705?title=0\u0026amp;byline=0\u0026amp;portrait=0\u0026amp;color=ffffff\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eGOOD PEOPLE GO TO HELL, SAVED PEOPLE GO TO HEAVEN from \u003ca href=\"http:\/\/vimeo.com\/collectiveeyefilms\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\" style=\"color: #000000;\"\u003eVimeo\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- IDFA 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Louisiana International Film Festival 2013\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBest Documentary (2nd place) - Knoxville Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003caddress\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\/ Testimonials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"Evangelical Christians rarely get to speak for themselves in a mainstream media setting (and when their presence is noted, the context is usually a shrill political dialogue rather than a serious consideration of theological principles). In contrast, Holly Hardman's documentary—set primarily in the Gulf Coast region—offers a relatively objective view of this demographic, exploring how self-identified fundamentalists preserve and maintain their faith in an increasingly secular society. For many of the men and women interviewed here, religion is the anchor that keeps them moored—especially in the aftermath of the 2005 Hurricanes Katrina and Rita, which devastated communities and left many homeless. Most tap into their belief system for the strength and emotional clarity to move ahead with their lives. Admittedly, some behavior can be considered excessive, most notably the journey of a bearded gent who walks along the highways toting an oversized cross. And there are critics: one young man compares his fundamentalist upbringing to life in a Communist country; leaving home to join the Marines, he knew nothing of contemporary music and popular culture. But aside from a brief lapse into a negative consideration of the gay lifestyle, the outlook presented here is overwhelmingly positive and life-affirming...\u003cstrong\u003eHighly recommended.\" —Video Librarian\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“Hardman has bravely taken on one of the great American themes, religious ‘enthusiasm’ or fanaticism…Whether we can accept their world picture or not, Holly Hardman scrupulously avoids undercutting their best qualities…See this film, see it twice and more. It is a fascinating and disquieting picture of an aspect of American life few of us will see in any other way.”  \u003ci\u003e-Michael Miller, New York Arts\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/address\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“While there have been other documentaries about evangelicals and apocalypticism, Hardman does her project a great favor by localizing it in often disaster-stricken Louisiana, where religious fervor seems strangely out of place against the backdrop of drunken Mardi Gras revelry in New Orleans.”  \u003ci\u003e-Basil Tsiokis, What(NOT)toDoc\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\"...An intimate look into the evangelical subculture. Beyond its intrinsic merits, this film has the potential to trigger much broader conversations about the nature of the relationship between politics and religion, about the contours of compassionate activism, and about the importance of tolerance in a multi-cultural setting...A superb documentary.”  \u003ci\u003e-Randall Balmer, Dartmouth College, Author, Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture in America\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e“Producer\/director Holly Hardman takes us into a world as bizarre as it is authentically realized, close at hand and yet entirely surreal…The fundamentalist subculture she penetrates so seamlessly was waiting for the Rapture and got Katrina instead. It makes for a fascinating conjunction of mythic forces.” \u003ci\u003e-Jed Horne \u003cbr\u003e\u003ci\u003e Author, Breach of Faith: Hurricane Katrina and the Near Death of a Great American City\u003c\/i\u003e\u003c\/i\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“A phenomenal film…A seamless mélange of studies [following] several believers, showing both the human side of conservative evangelical culture, [and] educating audiences about this vast and often misunderstood subculture. [Hardman's] hands-off approach also implicitly alerts the viewer to deeper problems of intolerance and destructive political agendas—as stories of real people unfold through [her] empathetic, artistic, and even-handed lens.”\u003cem\u003e \u003ci\u003e-Glenn William Shuck, Asst. Professor of Religion, Williams Colleg, Author, Marks of the Beast: The Left Behind Novels and the Struggle for Evangelical Identity\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\"A probing but remarkably even-handed exploration of the world of fundamentalist Evangelical faith...\" \u003ci\u003e-Martin Griffin, Knoxville Film Festival\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/docuseek2.com\/ce-lbl-es\" style=\"color: #000000;\"\u003e\u003ci\u003eStream\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e"}
Good People Go To Hell, Saved People Go To Heaven (educational)

Good People Go To Hell, Saved People Go To Heaven (educational)

$295.00

Directed and Produced by: Holly Hardman Released: 2012 Running Time: 87mins Subtitles: English Subjects: Religious Studies  Anthropology  Sociology Set against a backdrop of hurricane devastation and apocalyptic fear, GOOD PEOPLE GO TO HELL, SAVED PEOPLE GO TO HEAVEN penetrates the complex world of evangelical Christianity along America’s G...


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{"id":514777156,"title":"GTFO: Get The F\u0026#% Out (educational)","handle":"gtfo-educational","description":"\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSpecial pricing available for small gaming groups and associations. Contact us for inquiry \u003ca href=\"mailto:screenings@collectiveeye.org%20\" style=\"color: #000000;\"\u003escreenings@collectiveeye.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.4;\"\u003e\u003cstrong\u003eDirected by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eProduced by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased: 2015\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: 76 mins\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles: None\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" style=\"color: #000000;\"\u003eWomen's Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt, Music and Design\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology \u003c\/a\u003e\u003c\/strong\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry that is riddled with discrimination and misogyny. Although half of all gamers are women, females are disproportionately subject to harassment and abuse from other gamers, and are massively under-represented in the video game design world. Through interviews with video game developers, journalists, and academics, GTFO examines the female experience in gaming and begins a larger conversation that will shape the future of the video game world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/127661215?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/127661215\" target=\"_blank\" style=\"color: #000000;\"\u003eGTFO (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" target=\"_blank\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eAwards:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePremiere, SXSW 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Independent Film Festival of Boston, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Doxa Film Festival, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes \u0026amp; Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e\"Shannon Sun-Higginson's documentary is an entertaining, accessible survey of misogyny in the videogaming world\".  - Dennis Harvey, Variety\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"byline\"\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"The tone of “GTFO” is educational. It’s broken up as chapters. Topics of discussion include the history of game marketing, the portrayal of female characters and the perception of female gamers.\"  - Todd Martens, Los Angeles Times \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"...GTFO would be a good resource in secondary schools, particularly to prompt discussion of issues of gender and educational\/employment opportunities. (School librarians should be aware that profanity is widely used throughout the film.) GTFO would also be highly relevant in undergraduate computer science, sociology, or gender studies courses.\" - Educational Media Review \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e “For a documentary so intent on humanizing women who have been dehumanized by their own industry, these in-­home interviews and cameos from the subjects’ children and male allies are key.” - Joanna Robinson, Vanity Fair \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cbr\u003e“GTFO is brutally effective — intelligent, thought-­provoking, and thorough.” - Jason Bailey, Flavorwire\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003csmall\u003e\"Is your computer in the kitchen?\" This question is one of the mildest forms of online harassment faced by women who play video games such as CALL OF DUTY, the multiplayer first - person shooter that pits teams against on another. A stronger comment might be something like, \"I'm going to stick an egg in your vaginal canal and punch it.\" As viewers will learn Shannon Sun-Higginson's eye - opening documentary GTFO (the popular acronym for \"get the fuck out\")... GTFO convincingly argues that women gamers are often faced with the choice of staying quiet and preserving the misogynist cycle or speaking out and becoming a target.\u003c\/small\u003e\" - Video Librarian\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2016-02-24T11:03:00-08:00","created_at":"2015-05-06T15:07:10-07:00","vendor":"Shannon Sun-Higginson","type":"DVD","tags":[],"price":4999,"price_min":4999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1602968900,"title":"University and College (with PPR)","option1":"University and College (with PPR)","option2":null,"option3":null,"sku":"GTF-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - University and College (with PPR)","public_title":"University and College (with PPR)","options":["University and College (with PPR)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":-31,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1602968964,"title":"K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","option1":"K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","option2":null,"option3":null,"sku":"GTF-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","public_title":"K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)","options":["K-12, Public Libraries, Non-Profits, \u0026 Government (with PPR)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1602969028,"title":"Public Library (without PPR)","option1":"Public Library (without PPR)","option2":null,"option3":null,"sku":"GTF-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - Public Library (without PPR)","public_title":"Public Library (without PPR)","options":["Public Library (without PPR)"],"price":4999,"weight":100,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1602969092,"title":"Digital Site License (University\/College)","option1":"Digital Site License (University\/College)","option2":null,"option3":null,"sku":"GTF-D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GTFO: Get The F\u0026#% Out (educational) - Digital Site License (University\/College)","public_title":"Digital Site License (University\/College)","options":["Digital Site License (University\/College)"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_3dcase_388X657_1024x1024_b58cde6d-ef6c-4151-a630-9ba6366cb2bb.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_03.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/gtfoquote.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_11.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_06.png?v=1462559777","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_Still_13.png?v=1462559777"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GTFO_3dcase_388X657_1024x1024_b58cde6d-ef6c-4151-a630-9ba6366cb2bb.png?v=1462559777","options":["License"],"content":"\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSpecial pricing available for small gaming groups and associations. Contact us for inquiry \u003ca href=\"mailto:screenings@collectiveeye.org%20\" style=\"color: #000000;\"\u003escreenings@collectiveeye.org\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong style=\"line-height: 1.4;\"\u003e\u003cstrong\u003eDirected by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eProduced by: \u003c\/strong\u003eShannon Sun-Higginson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased: 2015\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time: 76 mins\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitles: None\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/womens-studies\" style=\"color: #000000;\"\u003eWomen's Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt, Music and Design\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\" style=\"color: #000000;\"\u003eSociology \u003c\/a\u003e\u003c\/strong\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" title=\"Art Music \u0026amp; Design Collection \" style=\"color: #000000;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry that is riddled with discrimination and misogyny. Although half of all gamers are women, females are disproportionately subject to harassment and abuse from other gamers, and are massively under-represented in the video game design world. Through interviews with video game developers, journalists, and academics, GTFO examines the female experience in gaming and begins a larger conversation that will shape the future of the video game world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/127661215?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/vimeo.com\/127661215\" target=\"_blank\" style=\"color: #000000;\"\u003eGTFO (Trailer)\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/collectiveeyefilms\" target=\"_blank\" style=\"color: #000000;\"\u003eCollective Eye Films\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eAwards:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePremiere, SXSW 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Independent Film Festival of Boston, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection, Doxa Film Festival, 2015\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes \u0026amp; Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.5; color: #000000;\"\u003e\"Shannon Sun-Higginson's documentary is an entertaining, accessible survey of misogyny in the videogaming world\".  - Dennis Harvey, Variety\u003c\/span\u003e\u003c\/p\u003e\n\u003csection class=\"byline\"\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"The tone of “GTFO” is educational. It’s broken up as chapters. Topics of discussion include the history of game marketing, the portrayal of female characters and the perception of female gamers.\"  - Todd Martens, Los Angeles Times \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \"...GTFO would be a good resource in secondary schools, particularly to prompt discussion of issues of gender and educational\/employment opportunities. (School librarians should be aware that profanity is widely used throughout the film.) GTFO would also be highly relevant in undergraduate computer science, sociology, or gender studies courses.\" - Educational Media Review \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e “For a documentary so intent on humanizing women who have been dehumanized by their own industry, these in-­home interviews and cameos from the subjects’ children and male allies are key.” - Joanna Robinson, Vanity Fair \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cbr\u003e“GTFO is brutally effective — intelligent, thought-­provoking, and thorough.” - Jason Bailey, Flavorwire\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"author\"\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003csmall\u003e\"Is your computer in the kitchen?\" This question is one of the mildest forms of online harassment faced by women who play video games such as CALL OF DUTY, the multiplayer first - person shooter that pits teams against on another. A stronger comment might be something like, \"I'm going to stick an egg in your vaginal canal and punch it.\" As viewers will learn Shannon Sun-Higginson's eye - opening documentary GTFO (the popular acronym for \"get the fuck out\")... GTFO convincingly argues that women gamers are often faced with the choice of staying quiet and preserving the misogynist cycle or speaking out and becoming a target.\u003c\/small\u003e\" - Video Librarian\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}
GTFO: Get The F&#% Out (educational)

GTFO: Get The F&#% Out (educational)

$295.00

Special pricing available for small gaming groups and associations. Contact us for inquiry screenings@collectiveeye.org Directed by: Shannon Sun-Higginson Produced by: Shannon Sun-Higginson Released: 2015 Running Time: 76 mins Subtitles: None Subjects: Women's Studies, Art, Music and Design, Sociology  Sparked by a public display of sexu...


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