Collective Eye Films

{"id":693763604507,"title":"1948: Creation \u0026 Catastrophe","handle":"1948","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Andy Trimlett \u0026amp; Ahlam Muhtaseb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Arabic and Hebrew with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e Arabic, English, French, Hebrew \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eMiddle Eastern Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\"1948 makes the Nakba uncannily \u003ci\u003ereal\u003c\/i\u003e for the doubting spectator\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThrough riveting and moving personal recollections of both Palestinians and Israelis, \u003ci\u003e1948: Creation \u0026amp; Catastrophe\u003c\/i\u003e reveals the shocking events of the most pivotal year in the most controversial conflict in the world.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt tells the story of the establishment of Israel as seen through the eyes of the people who lived it. It is simply not possible to make sense of what is happening in the Israeli-Palestinian conflict today without an understanding of 1948.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis documentary was the last chance for many of its Israeli and Palestinian characters to narrate their first-hand accounts of the creation of a state and the expulsion of a nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eAn estimated 700,000 Palestinians fled or were expelled and hundreds of towns and villages were depopulated and destroyed in Israel.\u003c\/strong\u003e Because of this, on May 15, Nakba Day or \"Day of the Catastrophe\" is commemorated, the day after the Israeli Independence Day. For Palestinians, this is a day of commemoration of the displacement during the Israeli Declaration of Independence in 1948.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/262312507?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e1948 is a powerful record of this important time. The film crew conducted over 90 interviews, poured over 20,000 pages of history, collected more than 2,000 photographs from three dozen sources, combed through hours of archival film and gathered dozens of documents from Israeli military archives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e1948 Features:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-hand accounts of 1948 from Israelis and Palestinians\u003c\/li\u003e\n\u003cli\u003eRenowned historians Charles D. Smith, Rashid Khalidi, Benny Morris, Han Pappe, Avi Salami, Nur Masala and Sharif Kanada\u003c\/li\u003e\n\u003cli\u003eMilitary orders and intelligence documents\u003c\/li\u003e\n\u003cli\u003eOver 200 archival photographs and film clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Middle East Studies Association Film Festival, DC \u003c\/li\u003e\n\u003cli\u003ePalestine Solidarity Week, Memphis, TN\u003c\/li\u003e\n\u003cli\u003eThe American University in Cairo, Egypt\u003c\/li\u003e\n\u003cli\u003eReel Palestine Festival, Dubai, UAE  \u003c\/li\u003e\n\u003cli\u003eAMP Conference, Chicago, IL \u003c\/li\u003e\n\u003cli\u003eUniversity of Oxford, UK\u003c\/li\u003e\n\u003cli\u003eGeorgetown University, DC\u003c\/li\u003e\n\u003cli\u003eBoston Palestine Film Festival, Cambridge, MA\u003c\/li\u003e\n\u003cli\u003eSan Diego Arab Film Festival, San Diego, CA\u003c\/li\u003e\n\u003cli\u003eUniversity of Maryland\u003c\/li\u003e\n\u003cli\u003eUniversity of Illinois, Champaign-Urbana, IL\u003c\/li\u003e\n\u003cli\u003eUC Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eSan Francisco State University, CA\u003c\/li\u003e\n\u003cli\u003eSan Diego State University, CA\u003c\/li\u003e\n\u003cli\u003eCarnegie Library East Liberty, Pittsburgh, PA\u003c\/li\u003e\n\u003cli\u003eJewish Voice for Peace, New York at CUNY\u003c\/li\u003e\n\u003cli\u003eKuwait Engineering Association, Kuwait\u003c\/li\u003e\n\u003cli\u003eCalifornia State University - San Bernardino, CA \u003c\/li\u003e\n\u003cli\u003eEastern Michigan University, Ypsilanti, MI\u003c\/li\u003e\n\u003cli\u003eIslamic Association of Greater Hartford, CT\u003c\/li\u003e\n\u003cli\u003eNorth Carolina State University, Raleigh, NC\u003c\/li\u003e\n\u003cli\u003eCalifornia State University, Fresno, CA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eACADEMIC AND EXPERT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Despite these issues, \u003cem\u003e1948 \u003c\/em\u003emakes its undeniable intervention into the contemporary media scape as an \u003cem\u003easymmetrical balancing \u003c\/em\u003eof Zionism’s \u003cem\u003eunbalanced symmetry \u003c\/em\u003ebetween Palestinian and Jewish suffering, and on this basis the film represents a landmark in the cinematic treatment of the topic.\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"[1948] is \u003cu\u003ethe\u003c\/u\u003e best film I've ever seen on Palestine.  I think it's truly excellent, has an amazing collection of archival photos and film clips, and interviews quite a number of Palestinians who remember 1948 and Israelis who participated in the war\/ethnic cleansing.  It's a real masterpiece.\" - \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eKathleen Christison, Former Political Analyst for the CIA, Author and Political Analyst on Israeli-Palestinian Conflict \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAndy Trimlett, Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"Co-producer Andy Trimlett\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-andytrimlett.jpg?1499141165\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"230\" height=\"202\"\u003eAndy Trimlett has a Master’s degree in Middle East Studies from the University of Washington and a Bachelor’s degree in International Security and Conflict Resolution from San Diego State University. He has a decade of experience in public television, having served as senior producer, associate producer, editor and camera operator on a wide range of productions.  He has worked on PBS programs in the United States, Hungary and Austria, winning a regional Emmy for a 30-minute documentary he co-produced about property tax law in California.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"wsite-content-title\"\u003e  \u003c\/p\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAhlam Muhtaseb, Co-Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"Co-Producer Ahlam Muhtaseb\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-ahlammuhtaseb.jpg?1499141189\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"236\" height=\"204\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003eAhlam Muhtaseb is a professor of media studies at California State University, San Bernardino. Her research interests include digital communication, social media, and diasporic communities. She has published her scholarship on digital communication and other communication sub-topics, and has presented her scholarship to national and international conventions and scholarly meetings. Her most recent project is the documentary \u003cem\u003e1948: Creation \u0026amp; Catastrophe\u003c\/em\u003e, a film on the year 1948 and its catastrophic consequences which has originated from her field work in the Palestinian refugee camps in the Lebanon, Syria, and Palestine. In addition, most of her recent research focuses on digital media and social movements online (cyber activism), and Arab and Muslim images in the media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-03-28T20:40:53-07:00","created_at":"2018-03-12T14:21:42-07:00","vendor":"Andy Trimlett","type":"DVD","tags":["Arab","Israel","Israeli","Israeli-Palestinian Conflict","Middle East","Palestine","Palestinian","Refugees"],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6470377766939,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"194-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-73,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377799707,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"194-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377832475,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"194-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - 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DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_Poster.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_-_Refugees.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_-_Operational_Order_40.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-03-28_at_8.45.05_PM.png?v=1522793359","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-04-03_at_2.16.25_PM.png?v=1522793360"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_Poster.jpg?v=1522286301","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Andy Trimlett \u0026amp; Ahlam Muhtaseb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Arabic and Hebrew with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e Arabic, English, French, Hebrew \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eMiddle Eastern Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\"1948 makes the Nakba uncannily \u003ci\u003ereal\u003c\/i\u003e for the doubting spectator\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThrough riveting and moving personal recollections of both Palestinians and Israelis, \u003ci\u003e1948: Creation \u0026amp; Catastrophe\u003c\/i\u003e reveals the shocking events of the most pivotal year in the most controversial conflict in the world.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt tells the story of the establishment of Israel as seen through the eyes of the people who lived it. It is simply not possible to make sense of what is happening in the Israeli-Palestinian conflict today without an understanding of 1948.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis documentary was the last chance for many of its Israeli and Palestinian characters to narrate their first-hand accounts of the creation of a state and the expulsion of a nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eAn estimated 700,000 Palestinians fled or were expelled and hundreds of towns and villages were depopulated and destroyed in Israel.\u003c\/strong\u003e Because of this, on May 15, Nakba Day or \"Day of the Catastrophe\" is commemorated, the day after the Israeli Independence Day. For Palestinians, this is a day of commemoration of the displacement during the Israeli Declaration of Independence in 1948.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/262312507?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e1948 is a powerful record of this important time. The film crew conducted over 90 interviews, poured over 20,000 pages of history, collected more than 2,000 photographs from three dozen sources, combed through hours of archival film and gathered dozens of documents from Israeli military archives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e1948 Features:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-hand accounts of 1948 from Israelis and Palestinians\u003c\/li\u003e\n\u003cli\u003eRenowned historians Charles D. Smith, Rashid Khalidi, Benny Morris, Han Pappe, Avi Salami, Nur Masala and Sharif Kanada\u003c\/li\u003e\n\u003cli\u003eMilitary orders and intelligence documents\u003c\/li\u003e\n\u003cli\u003eOver 200 archival photographs and film clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Middle East Studies Association Film Festival, DC \u003c\/li\u003e\n\u003cli\u003ePalestine Solidarity Week, Memphis, TN\u003c\/li\u003e\n\u003cli\u003eThe American University in Cairo, Egypt\u003c\/li\u003e\n\u003cli\u003eReel Palestine Festival, Dubai, UAE  \u003c\/li\u003e\n\u003cli\u003eAMP Conference, Chicago, IL \u003c\/li\u003e\n\u003cli\u003eUniversity of Oxford, UK\u003c\/li\u003e\n\u003cli\u003eGeorgetown University, DC\u003c\/li\u003e\n\u003cli\u003eBoston Palestine Film Festival, Cambridge, MA\u003c\/li\u003e\n\u003cli\u003eSan Diego Arab Film Festival, San Diego, CA\u003c\/li\u003e\n\u003cli\u003eUniversity of Maryland\u003c\/li\u003e\n\u003cli\u003eUniversity of Illinois, Champaign-Urbana, IL\u003c\/li\u003e\n\u003cli\u003eUC Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eSan Francisco State University, CA\u003c\/li\u003e\n\u003cli\u003eSan Diego State University, CA\u003c\/li\u003e\n\u003cli\u003eCarnegie Library East Liberty, Pittsburgh, PA\u003c\/li\u003e\n\u003cli\u003eJewish Voice for Peace, New York at CUNY\u003c\/li\u003e\n\u003cli\u003eKuwait Engineering Association, Kuwait\u003c\/li\u003e\n\u003cli\u003eCalifornia State University - San Bernardino, CA \u003c\/li\u003e\n\u003cli\u003eEastern Michigan University, Ypsilanti, MI\u003c\/li\u003e\n\u003cli\u003eIslamic Association of Greater Hartford, CT\u003c\/li\u003e\n\u003cli\u003eNorth Carolina State University, Raleigh, NC\u003c\/li\u003e\n\u003cli\u003eCalifornia State University, Fresno, CA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eACADEMIC AND EXPERT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Despite these issues, \u003cem\u003e1948 \u003c\/em\u003emakes its undeniable intervention into the contemporary media scape as an \u003cem\u003easymmetrical balancing \u003c\/em\u003eof Zionism’s \u003cem\u003eunbalanced symmetry \u003c\/em\u003ebetween Palestinian and Jewish suffering, and on this basis the film represents a landmark in the cinematic treatment of the topic.\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"[1948] is \u003cu\u003ethe\u003c\/u\u003e best film I've ever seen on Palestine.  I think it's truly excellent, has an amazing collection of archival photos and film clips, and interviews quite a number of Palestinians who remember 1948 and Israelis who participated in the war\/ethnic cleansing.  It's a real masterpiece.\" - \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eKathleen Christison, Former Political Analyst for the CIA, Author and Political Analyst on Israeli-Palestinian Conflict \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAndy Trimlett, Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"Co-producer Andy Trimlett\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-andytrimlett.jpg?1499141165\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"230\" height=\"202\"\u003eAndy Trimlett has a Master’s degree in Middle East Studies from the University of Washington and a Bachelor’s degree in International Security and Conflict Resolution from San Diego State University. He has a decade of experience in public television, having served as senior producer, associate producer, editor and camera operator on a wide range of productions.  He has worked on PBS programs in the United States, Hungary and Austria, winning a regional Emmy for a 30-minute documentary he co-produced about property tax law in California.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"wsite-content-title\"\u003e  \u003c\/p\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAhlam Muhtaseb, Co-Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"Co-Producer Ahlam Muhtaseb\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-ahlammuhtaseb.jpg?1499141189\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"236\" height=\"204\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003eAhlam Muhtaseb is a professor of media studies at California State University, San Bernardino. Her research interests include digital communication, social media, and diasporic communities. She has published her scholarship on digital communication and other communication sub-topics, and has presented her scholarship to national and international conventions and scholarly meetings. Her most recent project is the documentary \u003cem\u003e1948: Creation \u0026amp; Catastrophe\u003c\/em\u003e, a film on the year 1948 and its catastrophic consequences which has originated from her field work in the Palestinian refugee camps in the Lebanon, Syria, and Palestine. In addition, most of her recent research focuses on digital media and social movements online (cyber activism), and Arab and Muslim images in the media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":91574264,"title":"A Dream in Doubt","handle":"a-dream-in-doubt","description":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eTami R. Yeager\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eTami R. Yeager\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003e Released: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2007\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e56\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Sociology, Multicultural Studies, Immigration and Refugeeism, Criminal Justice\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRana Singh Sodhi and his family fled ethnic violence in India to pursue their version of the American dream, but Rana’s life is forever altered by the 9\/11 terror attacks—not because he knew someone who died in the rubble, but because Rana’s turban and beard, articles of his Sikh faith, now symbolize America’s new enemy. Suddenly, the Sodhis find themselves in the midst of a wave of deadly hate crimes terrorizing the Sikh American community in Phoenix, Arizona. When Rana’s brother Balbir is killed in America’s first post-911 revenge murder, Rana begins a journey to reclaim his American dream and fight the hate that continues to threaten his community. \u003cb\u003eA DREAM IN DOUBT\u003c\/b\u003e explores the complexities of race, religion, immigration, and the American Dream, demonstrating that hope and courage have the power to overcome hate.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cul class=\"awards\"\u003eAwards\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBest Feature Documentary\u003c\/b\u003e, Arizona International Film Festival, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eGrand Jury’s Honorable Mention Award\u003c\/b\u003e, Slamdance Film Festival, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSpecial Jury Award\u003c\/b\u003e, San Francisco Int’l Asian American Film Festival, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eIFP selection\u003c\/b\u003e, screened in “Independent’s Night” at Lincoln Center, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Rana's refusal to change his beliefs or alter his lifestyle out of fear, along with his persistent belief in this adopted new country are the true sources of A DREAM IN DOUBT's uncommon power.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e — Miami Herald\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"A must-see for anyone who think racists are a thing of the past.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e— Dr. Collen Fong, Professor of Ethnic Studies, California State University East Bay\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"'A Dream in Doubt' is a wrenching story about the ambiguities in the American dream. It follows an extraordinary man who struggles to maintain his faith in the dream, even as his family and community come under attack. This wonderful film is guaranteed to generate conversations rather than complacency and should be seen by all thoughtful Americans.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e— Dr. Philippa Strum, Senior Scholar, Woodrow Wilson International Center for Scholars; Former Chair, Wilson Center's US Studies Division\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“'A Dream in Doubt' is masterful because it uses one family's extraordinary story to shed light on so many issues I regularly discuss with my students, including religious freedom, immigrants' rights, and the criminal justice system. I encourage my students and colleagues to watch 'Dream' and engage in the rich dialogue the film inevitably inspires. I applaud Tami Yeager and Preetmohan Singh for producing this remarkable documentary film.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e— Nadine Strossen, Professor, New York Law School; Former President, ACLU\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c\/div\u003e\n\u003cstrong style=\"font-weight: normal;\"\u003e \u003c\/strong\u003e","published_at":"2012-04-26T13:21:00-07:00","created_at":"2012-04-26T13:21:23-07:00","vendor":"Tami R. Yeager","type":"DVD ","tags":["Home-Use"],"price":2495,"price_min":2495,"price_max":26500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":213867060,"title":"University and College (with PPR*)","option1":"University and College (with PPR*)","option2":null,"option3":null,"sku":"DRE-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Dream in Doubt - University and College (with PPR*)","public_title":"University and College (with PPR*)","options":["University and College (with PPR*)"],"price":26500,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"continue","barcode":""},{"id":213867062,"title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option1":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"DRE-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Dream in Doubt - K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","public_title":"K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)","options":["K-12, Public Libraries, Non-profits \u0026 Government (with PPR*)"],"price":9900,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":399150743579,"title":"Home-Use","option1":"Home-Use","option2":null,"option3":null,"sku":"DRE-H","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Dream in Doubt - Home-Use","public_title":"Home-Use","options":["Home-Use"],"price":2495,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"continue","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/A_Dream_in_Doubt.png?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/a_dream_in_doubt_386X657_1024x1024_bbb47966-844b-4926-94bb-d42f79f74116.png?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/YoungBoyHoldingFlag_58e1f14c-22b9-4664-8295-a51791924c93.jpg?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BushSpeaking_4cccde9a-b039-42a8-a56f-a2e815b8bc6d.jpg?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FamilyCrying_d92c0e1e-344d-4f52-85ef-debab401815a.jpg?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Praying_53c3e692-286c-4c86-9566-8b15c93c104e.jpg?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Interviewee_fb0828bb-be71-44f6-9b4a-a7aef759d4e8.jpg?v=1520890792","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/WomanPraying_1fad11cb-7d0b-47e5-b366-42d27f430555.jpg?v=1520890792"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/A_Dream_in_Doubt.png?v=1520890792","options":["License"],"content":"\u003cul id=\"credits\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: \u003c!-- InstanceBeginEditable name=\"Directed By\" --\u003eTami R. Yeager\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: \u003c!-- InstanceBeginEditable name=\"Produced By\" --\u003eTami R. Yeager\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"release-year\"\u003e\u003cspan style=\"color: #000000;\"\u003e Released: \u003c!-- InstanceBeginEditable name=\"year\" --\u003e2007\u003c!-- InstanceEndEditable --\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: \u003c!-- InstanceBeginEditable name=\"Time\" --\u003e56\u003c!-- InstanceEndEditable --\u003e min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"runningtime\"\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: Sociology, Multicultural Studies, Immigration and Refugeeism, Criminal Justice\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c!-- InstanceBeginEditable name=\"Description\" --\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRana Singh Sodhi and his family fled ethnic violence in India to pursue their version of the American dream, but Rana’s life is forever altered by the 9\/11 terror attacks—not because he knew someone who died in the rubble, but because Rana’s turban and beard, articles of his Sikh faith, now symbolize America’s new enemy. Suddenly, the Sodhis find themselves in the midst of a wave of deadly hate crimes terrorizing the Sikh American community in Phoenix, Arizona. When Rana’s brother Balbir is killed in America’s first post-911 revenge murder, Rana begins a journey to reclaim his American dream and fight the hate that continues to threaten his community. \u003cb\u003eA DREAM IN DOUBT\u003c\/b\u003e explores the complexities of race, religion, immigration, and the American Dream, demonstrating that hope and courage have the power to overcome hate.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cul class=\"awards\"\u003eAwards\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBest Feature Documentary\u003c\/b\u003e, Arizona International Film Festival, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eGrand Jury’s Honorable Mention Award\u003c\/b\u003e, Slamdance Film Festival, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eSpecial Jury Award\u003c\/b\u003e, San Francisco Int’l Asian American Film Festival, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eIFP selection\u003c\/b\u003e, screened in “Independent’s Night” at Lincoln Center, 2007\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Rana's refusal to change his beliefs or alter his lifestyle out of fear, along with his persistent belief in this adopted new country are the true sources of A DREAM IN DOUBT's uncommon power.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e — Miami Herald\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"A must-see for anyone who think racists are a thing of the past.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e— Dr. Collen Fong, Professor of Ethnic Studies, California State University East Bay\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"'A Dream in Doubt' is a wrenching story about the ambiguities in the American dream. It follows an extraordinary man who struggles to maintain his faith in the dream, even as his family and community come under attack. This wonderful film is guaranteed to generate conversations rather than complacency and should be seen by all thoughtful Americans.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e— Dr. Philippa Strum, Senior Scholar, Woodrow Wilson International Center for Scholars; Former Chair, Wilson Center's US Studies Division\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e“'A Dream in Doubt' is masterful because it uses one family's extraordinary story to shed light on so many issues I regularly discuss with my students, including religious freedom, immigrants' rights, and the criminal justice system. I encourage my students and colleagues to watch 'Dream' and engage in the rich dialogue the film inevitably inspires. I applaud Tami Yeager and Preetmohan Singh for producing this remarkable documentary film.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e— Nadine Strossen, Professor, New York Law School; Former President, ACLU\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bodytxt\"\u003e\u003c\/div\u003e\n\u003cstrong style=\"font-weight: normal;\"\u003e \u003c\/strong\u003e"}

{"id":132924385,"title":"A Girl \u0026 A Gun","handle":"a-girl-a-gun-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Cathryne Czubek\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduction by: Cathryne Czubek, Jessica Wolfson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes:\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-EXPERTS on Gender, Power, Violence \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e -EXPERTS on the Debate\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e76 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLanguage\u003c\/b\u003e\u003cb style=\"color: #000000;\"\u003e: \u003c\/b\u003eEnglish  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects:\u003c\/b\u003e Gender \u0026amp; Sexuality Studies, Feminism, Sociology \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e presents a female perspective on an object whose history is deeply bound up with men and masculinity. Filmed throughout the US, this documentary delves into the psyche of the American gun world to investigate how women relate to guns and gun culture. Reaching far beyond Hollywood’s hypersexualized femme fatales, the film candidly explores the modern American woman through intimate portraits encompassing issues of protection, power, feminism, and violence. \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e is a complex and thoughtful meditation on a deadly serious issue. The film’s intimate and detailed portrayals of women who’ve carved themselves a home in the gun community reveal personal journeys that reflect, in one way or another, the same issues every woman faces in today’s America.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51539120?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 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0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/51099546051\/interview-with-cathryne-czubek\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director Cathryne Czubek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eFestivals: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDOC NYC World Premiere, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOneata Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSarasota Film Festival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUN Women Through Women's Eyes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMontclair International Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes\/ Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“Rarely have any 75 minutes in a cinema felt so much like a several course meal….If you want a film that will do more than wash over you see this film. If you want to be forced to think about things see this film. If you just want to see a damn good film see A GIRL \u0026amp; A GUN.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - UNSEEN FILMS\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Documentaries on hot-button political issues can often be plodding and preachy, but A GIRL \u0026amp; A GUN is a fast-paced, nuanced, and anything-but-soapbox-y exploration of why women lock and load.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - BUST Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan st=\"\" style=\"color: #000000;\"\u003e\"A GIRL \u0026amp; A GUN doesn’t force an easy conclusion, but instead lays out evidence for the multiple sexual, political, and personal dynamics at play at the intersection of femininity and firearms.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        — Bitch Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eA GIRL \u0026amp; A GUN \"put[s] forth interview content that is revealing and powerful and… presents a variety of viewpoints. The film is particularly apt for undergraduates and would support curriculum in sociology, criminology, victimology, women’s studies, psychology, and cultural studies. It would be especially effective as discussion starter.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         —Educational Media Reviews Online \u003cbr\u003e       \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2013-05-01T16:46:00-07:00","created_at":"2013-04-23T13:50:02-07:00","vendor":"Cathryne Czubek","type":"DVD ","tags":[],"price":6999,"price_min":6999,"price_max":35000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":301792213,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"GAG-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":35000,"weight":100,"compare_at_price":null,"inventory_quantity":39,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":301792215,"title":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","option1":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","option2":null,"option3":null,"sku":"GAG-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","public_title":"K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)","options":["K-12, Public Libraries, Non-Profite \u0026 Gov’t (w\/PPR*)"],"price":20000,"weight":100,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":301792217,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GAG-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":6999,"weight":0,"compare_at_price":null,"inventory_quantity":-4,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":301792219,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"GAG-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Girl \u0026 A Gun - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":35000,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/A_Girl_and_a_Gun_poster_art_-_JPEG_copy.JPG?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Samantha-shoots-biggun-crop_1_grande_9b44b80e-4bc4-4123-84ea-076541601a63.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Robin-man-target_94_grande_4d960fa3-78eb-4410-9835-8fd9a2113476.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne_Czubek_cherobi_with_gun_grande_8f21daaa-7ed7-4f76-84c1-69784cf697a6.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Cathryne-Czubek-Violet-in-Bedroom-9_grande_14e7e69b-6fd6-4b5c-b6a7-1a463589ea2c.jpg?v=1519765961","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Simon-Luethi-Red-Heels-and-Bbullets_1_grande_91b5cba7-2bbc-4e38-a0f5-cf0fa956a455.jpg?v=1519765961"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/A_Girl_and_a_Gun_poster_art_-_JPEG_copy.JPG?v=1519765961","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Cathryne Czubek\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduction by: Cathryne Czubek, Jessica Wolfson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes:\u003c\/b\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-EXPERTS on Gender, Power, Violence \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e -EXPERTS on the Debate\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" style=\"color: #000000;\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/SCREENING_138132ca-5ed5-4ba4-9733-9af88a54e06c_large.png?2043\"\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e76 minutes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eLanguage\u003c\/b\u003e\u003cb style=\"color: #000000;\"\u003e: \u003c\/b\u003eEnglish  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects:\u003c\/b\u003e Gender \u0026amp; Sexuality Studies, Feminism, Sociology \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e presents a female perspective on an object whose history is deeply bound up with men and masculinity. Filmed throughout the US, this documentary delves into the psyche of the American gun world to investigate how women relate to guns and gun culture. Reaching far beyond Hollywood’s hypersexualized femme fatales, the film candidly explores the modern American woman through intimate portraits encompassing issues of protection, power, feminism, and violence. \u003cb\u003eA GIRL \u0026amp; A GUN\u003c\/b\u003e is a complex and thoughtful meditation on a deadly serious issue. The film’s intimate and detailed portrayals of women who’ve carved themselves a home in the gun community reveal personal journeys that reflect, in one way or another, the same issues every woman faces in today’s America.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/51539120?title=0\u0026amp;byline=0\u0026amp;portrait=0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tmso-bidi-font-size:10.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Times;\n\tmso-fareast-font-family:Times;\n\tmso-hansi-font-family:Times;\n\tmso-bidi-font-family:\"Times New Roman\";}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"http:\/\/collectiveeyeblog.tumblr.com\/post\/51099546051\/interview-with-cathryne-czubek\" style=\"color: #000000;\"\u003eCLICK HERE\u003c\/a\u003e to read Collective Eye's interview with Director Cathryne Czubek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eFestivals: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDOC NYC World Premiere, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOneata Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSarasota Film Festival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUN Women Through Women's Eyes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMontclair International Film Festival\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eQuotes\/ Reviews: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e“Rarely have any 75 minutes in a cinema felt so much like a several course meal….If you want a film that will do more than wash over you see this film. If you want to be forced to think about things see this film. If you just want to see a damn good film see A GIRL \u0026amp; A GUN.”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - UNSEEN FILMS\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Documentaries on hot-button political issues can often be plodding and preachy, but A GIRL \u0026amp; A GUN is a fast-paced, nuanced, and anything-but-soapbox-y exploration of why women lock and load.”\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e         - BUST Magazine\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan st=\"\" style=\"color: #000000;\"\u003e\"A GIRL \u0026amp; A GUN doesn’t force an easy conclusion, but instead lays out evidence for the multiple sexual, political, and personal dynamics at play at the intersection of femininity and firearms.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e        — Bitch Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eA GIRL \u0026amp; A GUN \"put[s] forth interview content that is revealing and powerful and… presents a variety of viewpoints. The film is particularly apt for undergraduates and would support curriculum in sociology, criminology, victimology, women’s studies, psychology, and cultural studies. It would be especially effective as discussion starter.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         —Educational Media Reviews Online \u003cbr\u003e       \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":666429128731,"title":"A Good American","handle":"a-good-american-1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Friedrich Moser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e March 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 100 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Site License includes English Closed Captions\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eTechnology, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003eFROM EXECUTIVE PRODUCER OLIVER STONE \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"A Good American\" is a gripping docu-thriller about a groundbreaking surveillance program, the brilliant mastermind behind it and how a perfect alternative to mass surveillance was killed by NSA-management for money – three weeks prior to 9\/11.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kbVfub-L5Rs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBefore Edward Snowden, there was Bill Binney...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBill Binney was a brilliant cryptologist, long-time National Security Agency (NSA) analyst, and Technical Director. He developed a sophisticated program named ThinThread for gathering data capable of providing clues, in real-time, of potential terrorist threats.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBuilt-in safeguards would have prevented the massive surveillance methods later exposed by Edward Snowden. Why was this program killed off? And who was behind it?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFriedrich Moser’s eye-opening and deeply disturbing documentary tells the complete story of Bill Binney and those, both inside the NSA and out, who backed ThinThread. A program that gathered data, lawfully, effectively, and more inexpensively, than the now discredited programs pursued by the US and EU governments. \u003c\/span\u003eIt’s also a chilling account of those willing to go on the record and what happened to them when they tried to expose the truth. Could ThinThread have prevented 9\/11?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - Amnesty International Award Special Mention, Millenium Docs Against Gravity (Poland)\u003c\/li\u003e\n\u003cli\u003eNominated - CPH:DOX, Politiken Audience Award\u003c\/li\u003e\n\u003cli\u003eNominated - Austrian Film Award (Best Score)\u003c\/li\u003e\n\u003cli\u003eNominated - Audience Award, Palm Springs International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOC NYC (Co-presented by Columbia Journalism Review)\u003c\/li\u003e\n\u003cli\u003eMovies that Matter @ The Hague\u003c\/li\u003e\n\u003cli\u003eRotterdam (IFFR)\u003c\/li\u003e\n\u003cli\u003ePortland International Film Festival\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOXA\u003c\/li\u003e\n\u003cli\u003eBiografilm\u003c\/li\u003e\n\u003cli\u003eNashville Film Festival\u003c\/li\u003e\n\u003cli\u003eSpecial Screening at the Brussels European Parliament\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Stunning and Deeply Disturbing\" \u003cem\u003e- Newsweek\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Infuriating!\" \u003cem\u003e- Daphne Howland, The Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Another example of the toxic fallout from corruption and power...\"\u003cem\u003e - Spirituality \u0026amp; Practice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“The film is a fascinating, sometimes jaw-dropping account of gifted individuals thwarted by self-serving superiors, with tragic results“\u003cem\u003e - IndieWIRE\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"[The film's] subjects have an urgent narrative to tell.\" - The New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Convincing! … fascinating… certainly packs a punch!”\u003cem\u003e - The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"A Good American is as exciting as a well-made thriller....extremely cinematic“ - \u003cem\u003eFilmmagasinet Ekko (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An insanely compelling, well-orchestrated and explosive documentary.\" - \u003cem\u003eSoundVenue (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Enraging, terrifying and eye-opening!\" \u003cem\u003e- Avi Offer, NYC Movie Guru\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Riveting, enraging and beautifully crafted!\" \u003cem\u003e- Cory Doctorow, BoingBoing\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/MV5BMzYyMDc5NjY4NV5BMl5BanBnXkFtZTgwMjIxNTU2OTE_._V1_UY317_CR17_0_214_317_AL_large.jpg?v=1521695959\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003eFriedrich holds a university degree (MA) in history and german studies from the University of Salzburg \/ Austria. Friedrich started his professional career as a TV journalist and editor in Bolzano-Bozen \/ Italy. In 2001 he founded blue+green communication. He has made over 20 documentaries in the past years, most of them as producer \/ director \/ DoP. Friedrich’s professional career also includes lecturing on history and documentaries at the University of Vienna \/ Department of Economic and Social History, as well as teaching video production at the Secondary School for Commercial Graphics in Bressanone-Brixen \/ Italy. Friedrich lives in Vienna\/Austria and in Bressanone-Brixen \/ Italy. His films include THE BRUSSELS BUSINESS and A GOOD AMERICAN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-10-19T13:12:55-07:00","created_at":"2018-02-28T10:12:48-08:00","vendor":"Friedrich Moser","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6393941032987,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"AGO-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Good American - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-61,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6393941065755,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"AGO-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Good American - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6393941098523,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without 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PPR)","option2":null,"option3":null,"sku":"AGO-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Good American - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Final_website.jpg?v=1521066647","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_NSA_BND_listening_post_Bad_Aibling_Germany_06_300dpi.jpg?v=1521066682","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Tom_drake_int_02.jpg?v=1521066765","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Binney_cemetary_01.jpg?v=1521084281"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/AGA_Final_website.jpg?v=1521066647","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Friedrich Moser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelease Date:\u003c\/strong\u003e March 2018 (Educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 100 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Site License includes English Closed Captions\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eTechnology, American Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003eFROM EXECUTIVE PRODUCER OLIVER STONE \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"A Good American\" is a gripping docu-thriller about a groundbreaking surveillance program, the brilliant mastermind behind it and how a perfect alternative to mass surveillance was killed by NSA-management for money – three weeks prior to 9\/11.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kbVfub-L5Rs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBefore Edward Snowden, there was Bill Binney...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBill Binney was a brilliant cryptologist, long-time National Security Agency (NSA) analyst, and Technical Director. He developed a sophisticated program named ThinThread for gathering data capable of providing clues, in real-time, of potential terrorist threats.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBuilt-in safeguards would have prevented the massive surveillance methods later exposed by Edward Snowden. Why was this program killed off? And who was behind it?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFriedrich Moser’s eye-opening and deeply disturbing documentary tells the complete story of Bill Binney and those, both inside the NSA and out, who backed ThinThread. A program that gathered data, lawfully, effectively, and more inexpensively, than the now discredited programs pursued by the US and EU governments. \u003c\/span\u003eIt’s also a chilling account of those willing to go on the record and what happened to them when they tried to expose the truth. Could ThinThread have prevented 9\/11?\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWINNER - Amnesty International Award Special Mention, Millenium Docs Against Gravity (Poland)\u003c\/li\u003e\n\u003cli\u003eNominated - CPH:DOX, Politiken Audience Award\u003c\/li\u003e\n\u003cli\u003eNominated - Austrian Film Award (Best Score)\u003c\/li\u003e\n\u003cli\u003eNominated - Audience Award, Palm Springs International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOC NYC (Co-presented by Columbia Journalism Review)\u003c\/li\u003e\n\u003cli\u003eMovies that Matter @ The Hague\u003c\/li\u003e\n\u003cli\u003eRotterdam (IFFR)\u003c\/li\u003e\n\u003cli\u003ePortland International Film Festival\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eDOXA\u003c\/li\u003e\n\u003cli\u003eBiografilm\u003c\/li\u003e\n\u003cli\u003eNashville Film Festival\u003c\/li\u003e\n\u003cli\u003eSpecial Screening at the Brussels European Parliament\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Stunning and Deeply Disturbing\" \u003cem\u003e- Newsweek\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Infuriating!\" \u003cem\u003e- Daphne Howland, The Village Voice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Another example of the toxic fallout from corruption and power...\"\u003cem\u003e - Spirituality \u0026amp; Practice\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“The film is a fascinating, sometimes jaw-dropping account of gifted individuals thwarted by self-serving superiors, with tragic results“\u003cem\u003e - IndieWIRE\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"[The film's] subjects have an urgent narrative to tell.\" - The New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Convincing! … fascinating… certainly packs a punch!”\u003cem\u003e - The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"A Good American is as exciting as a well-made thriller....extremely cinematic“ - \u003cem\u003eFilmmagasinet Ekko (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An insanely compelling, well-orchestrated and explosive documentary.\" - \u003cem\u003eSoundVenue (Denmark)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Enraging, terrifying and eye-opening!\" \u003cem\u003e- Avi Offer, NYC Movie Guru\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Riveting, enraging and beautifully crafted!\" \u003cem\u003e- Cory Doctorow, BoingBoing\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/MV5BMzYyMDc5NjY4NV5BMl5BanBnXkFtZTgwMjIxNTU2OTE_._V1_UY317_CR17_0_214_317_AL_large.jpg?v=1521695959\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003eFriedrich holds a university degree (MA) in history and german studies from the University of Salzburg \/ Austria. Friedrich started his professional career as a TV journalist and editor in Bolzano-Bozen \/ Italy. In 2001 he founded blue+green communication. He has made over 20 documentaries in the past years, most of them as producer \/ director \/ DoP. Friedrich’s professional career also includes lecturing on history and documentaries at the University of Vienna \/ Department of Economic and Social History, as well as teaching video production at the Secondary School for Commercial Graphics in Bressanone-Brixen \/ Italy. Friedrich lives in Vienna\/Austria and in Bressanone-Brixen \/ Italy. His films include THE BRUSSELS BUSINESS and A GOOD AMERICAN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":127769410,"title":"A Lot Like You","handle":"a-lot-like-you-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Version includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003eA\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003enthropology, African Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSoutheast Asian Studies, Multicultural Studies, Children, Youth and Family Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions 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div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, 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1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2013-03-27T14:19:00-07:00","created_at":"2013-03-20T15:06:52-07:00","vendor":"Eliaichi Kimaro","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":25000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":289001382,"title":"University and College (With PPR)","option1":"University and College (With 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style=\"color: #000000;\"\u003eDirected by: Eliaichi Kimaro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eProduced by: Eric Frith, Thomas Kenney, Pete Droge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New 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includes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e \u003c\/b\u003e   -Disk 1: 80:10 min (Feature Length Version)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Disk 2: 52:45min (Educational version) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e    -\u003c\/b\u003eAudio commentary with Director, Editor, Composer, and Cinematographer\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Deleted scenes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e    -Music Video for the title track \"A Lot Like You\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e    -Conversation with Director Eliachi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eReleased:\u003c\/b\u003e 2013 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eRunning Time: \u003c\/b\u003e80:10min and 52:45min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003eEnglish KiSwahili, KiChagga\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEducational Subjects: \u003c\/b\u003eA\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003enthropology, African Studies, \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eSoutheast Asian Studies, Multicultural Studies, Children, Youth and Family Studies\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1107305727 0 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"Times New Roman\";}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Cambria;\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;\n\tmso-fareast-language:JA;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\u003cspan style=\"color: #000000;\"\u003eEliaichi Kimaro is a mixed-race, first-generation American with a Tanzanian father and Korean mother. When her parents retire and move back to Tanzania, Kimaro begins a project that examines the intricate fabric of multiracial identity, and grapples with the complex ties that children have to the cultures of their parents. Though Kimaro grew up spending every other summer in Tanzania, it isn't until she is older and in an interracial relationship of her own that she finally grasps the importance of understanding her family's cultural heritage. She and her partner set out to make a documentary about her father's struggle to fit back in with the family and Chagga culture he left behind forty years earlier. But in the process, Kimaro struggles with her own relationship to Tanzania, and learns more about the heritage that she took for granted as a child. As she talks to more family members, she uncovers a cycle of violence that resonates with her work and life in the U.S., inspiring Kimaro to dig deeper and reveal the hidden truths of her own story. And in so doing, she finds her own way to translate her father’s Chagga culture into her own personal legacy. \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/62294813\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAwards: \u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Wingdings;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Prize for Best Documentary: 30th Annual San Francisco International Asian American Film Festival, 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Audience Choice Award for Best Documentary: 35th Annual Asian Americana International Film Festival (New York), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Best Documentary: Female Eye Film Festival (Toronto), 2012\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Public Award for the Best Film Directed By A Woman of Color: African Diaspora International Film Festival (New York), 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER, Jury Award for Best Documentary Feature: Montreal International Black Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTOP TEN, Audience Choice Award: Seattle International Film Festival, 2011\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cb\u003eQuotes\/ Reviews:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Courier New\";\n\tpanose-1:2 7 3 9 2 2 5 2 4 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Wingdings;\n\tpanose-1:5 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:2;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 65536 0 -2147483648 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n \/* List Definitions *\/\n@list l0\n\t{mso-list-id:1266963253;\n\tmso-list-type:hybrid;\n\tmso-list-template-ids:-1093137552 825648604 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}\n@list l0:level1\n\t{mso-level-start-at:17;\n\tmso-level-number-format:bullet;\n\tmso-level-text:-;\n\tmso-level-tab-stop:none;\n\tmso-level-number-position:left;\n\ttext-indent:-.25in;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;}\nol\n\t{margin-bottom:0in;}\nul\n\t{margin-bottom:0in;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\"A LOT LIKE YOU manages to tell a universal story through its specificity without being limited to an individual experience as can often happen in stories of memoir and self-discovery.\"\u003cem\u003e -Jennifer Dean, Graduate of the CUNY Graduate Center MALS program with thesis on female filmmakers\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\"A LOT LIKE YOU takes us on a personal journey into the most vulnerable corners of a family history spanning generations and continents. This layered documentary starts with a familiar exploration of mixed-race identity as the narrator searches for her roots, but brings the discussion to surprising levels of personal and political self-awareness. Fresh and inspired, tender and uncommonly smart, A LOT LIKE YOU triumphs as an exemplary work of first-person documentary for the 21st century.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Jury Statement, Best Documentary Award 2012 San Francisco International Asian American Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You brings to life the complicated, messy, beautiful, and liberatory process of addressing harm and seeking healing within a family context…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Wendy Elisheva Somerson, Tikkun Magazine\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “A Lot Like You” has taken something personal, the story of her mixed-race heritage, and made it feel universal, and she has taken something universal, a yearning we all have to fully understand where we came from and what we’re made of, and made it feel intensely personal…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e …The movie, she says, is “an invitation to start questioning and looking at some of those hidden truths and how those truths shape the cultures that we pass down to our kids.”\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Tyrone Beasley, Seattle Times\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e By moving toward, rather than away from, the painful aspects of [gender violence in] her family history, Kimaro breaks the family silence that’s become complicit in its trauma. And by documenting this sensitive and complex process of truth-seeking within her family, Kimaro provides a model for all of us to confront past violence in order to envision healthier futures.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e     - Bitch Magazine, Spring 2012 Issue\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You raised so many important questions and provided such critical insight into how interconnected our experiences of race, class, gender, trauma and sexuality can be in forming our cultural identity. I immediately wanted to figure out a way for my graduate social work students to engage with this powerful film.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e          -Nancy Shore, Assoc. Professor Social Work University of New England\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli shared her truth with us so authentically that I know she inspired students in the audience to boldly stand behind their own truth. Her presentation, delivered thoughtfully and lovingly, shed a light on cultural identity and gender violence. Eli is a master story-teller who has found a unique way to share her important story. We were all enriched by our short time with her. Thank you for the gift of you!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         -Joann Bautti, Assistant Director, Women’s Center Old Dominion University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Eli’s film, her experience, and its relevance to our students, was the highlight of our leadership conference, judging by the students lined up to talk to her afterwards. She unpacks culture and personal narrative, with all their complexity, in a most respectful, yet approachable and humanizing way. The lessons she shared about her own life’s journey and making A Lot Like You served as inspiration for students’ who are striving to unfold their own stories in ways that matter.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e      -Pete Erschen, Assistant Director, Student Activities \u0026amp; Multicultural Interests Pacific University\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Thank you so much for generously making the time to share your film with our eighth graders. All of us appreciated the opportunity to learn from your experience–both of making the film and your own personal journey. While we would have loved to engage with you further about the many issues you raised, I’m confident the discussion will continue in your absence….You left us with the perfect message as we embark on our own memoir unit: The more personal the story, the more universal it is. Thank you for that…\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Eva McGough, Language Arts Teacher Lake Washington Girls Middle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e A Lot Like You addresses issues of ethnicity, gender, violence, the nuclear family, cultural attitudes and race in a way that is complex and engrossing. The movie is also an aesthetic delight. Its ability to weave different stories and concepts within a very personal framework suggests an artistic creativity I have rarely seen in my 19 years of teaching film. I would highly recommend screening the full 80 minute feature as its pacing, editing, dialogue, and music allow for a full understanding of the rich array of concepts presented by this wonderful director. Our campus was rewarded by our viewing of this film and Eliaichi made the experience transcendent with her commentary.         \u003cbr\u003e- Jim Price, Prof. of Art, History \u0026amp; Culture Lewis \u0026amp; Clark College \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e My first reaction is that it’s very compelling material, a really emblematic postcolonial, post-globalization, and postmodern story that is timely in each of these ways. I particularly liked the way in which A Lot Like You personalizes the emergent tension between cultural relativist or postcolonial sensibilities on the one hand and the notion of universal human rights on the other. This is one of the defining questions of our time: how do we embrace\/embody the values of the various declarations on human rights without re-engaging in modernist or colonial projects? It’s a fraught problem for a time of global cultural diffusion and awareness.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e         - Aron Hsiao, Managing Editor International Journal of Politics, Culture, and Society\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eA LOT LIKE YOU is \"...rooted in consciousness... Both the shortened educational version and the slightly longer feature film provide numerous insights applicable to numerous disciplines.\"         \u003cbr\u003e- Educational Media Reviews Online \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-alt:Calibri;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\np.Default, li.Default, div.Default\n\t{mso-style-name:Default;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:none;\n\tmso-layout-grid-align:none;\n\ttext-autospace:none;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-bidi-font-family:Calibri;\n\tcolor:black;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.25in 1.0in 1.25in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"position: absolute; display: block; left: -1000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"__shopify_paste\"\u003e\n\u003cp class=\"Default\"\u003e\u003cspan style=\"font-size: 14pt; color: #000000;\"\u003eEliaichi Kimaro \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":44945408027,"title":"A Suitable Girl","handle":"a-suitable-girl","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sarita Khurana \u0026amp; Smriti Mundhra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 94 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Asian Studies, Women's Studies, Anthropology, Sociology, Modern Indian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"Stirring, and heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\" \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e– Variety\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3Gb9fPBZxs8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Suitable Girl\u003c\/strong\u003e follows three young women in India struggling to maintain their identities and follow their dream\u003cspan style=\"color: #000000;\"\u003es amid intense pressure to get married. Ritu, Dipti \u003c\/span\u003eand\u003cspan style=\"color: #000000;\"\u003e Amrita represent the new India. Educated, financially stable and raised with a mix of traditional and contemporary values in the urban c\u003c\/span\u003eities of Mumbai and New Delhi, they have access to the world in ways their mothers did not. Yet their lives take a dramatic turn when the pressure to settle down and get married hits. Career aspirations become secondary to the pursuit of a husband, and the women struggle with the prospect of leaving their homes and families to become part of another.\u003c\/p\u003e\n\u003cp\u003eDocumenting the arranged marriage and matchmaking process in vérité over four years, the film examines the women’s complex relationships with the institution of marriage, the many nuanced ways society molds them into traditional roles, and a rarely-seen portrait of India’s urban middle class.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginal Score by Gingger Shankar\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards \u0026amp; Notable Events:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTribeca Film Festival - Winner \"Albert Maysles Best New Documentary Director Award\"\u003c\/li\u003e\n\u003cli\u003eAFI Docs - Official Selection \u003c\/li\u003e\n\u003cli\u003eMumbai Film Festival - Official Selection\u003c\/li\u003e\n\u003cli\u003eSheffield Doc\/Fest - Official Selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“A Suitable Girl is an overwhelming testament to the power of patriarchy and the continued struggle of women to gain agency over their lives.” \u003cem\u003e– Shubhodeep Pal, \u003ca href=\"http:\/\/www.thehindu.com\/entertainment\/movies\/a-suitable-connection\/article17892957.ece\"\u003eThe Hindu\u003c\/a\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Oscar-worthy. It’s impossible to not be moved by ‘A Suitable Girl.’”\u003cem\u003e — Clay Cane, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.bet.com\/celebrities\/news\/2017\/04\/24\/_a-suitable-girl-review.html\"\u003e\u003cem\u003eBET.com\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A Suitable Girl depicts the diverse forms arranged marriages take, breaking down stereotypes and creating an intricate portrait of an ever-evolving practice in one of the most populous countries in the world.\"\u003cem\u003e — Prachi Gupta, \u003ca href=\"http:\/\/jezebel.com\/becoming-an-unsuitable-girl-1794923371\"\u003eJezebel\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“Opening a window onto a cultural custom many Westerners find baffling, the Indian-American filmmakers Sarita Khurana and Smriti Mundhra stirringly chronicle this often heart-rending, occasionally humorous rite of passage without judgment.\"  - Kathryn Shattuck, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Stirring and Heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\"\u003cem\u003e - Nick Schager, Variety\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"A fantastic film...It was like getting on a plane and experiencing another world.\"\u003cem\u003e — Susan Kolker, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The film’s directors, Sarita Khurana and Smriti Mundhra, who are both Indian American women and won the festival’s award for new documentary director, are trying to overturn stereotypes about arranged marriage.”\u003cem\u003e\u003cspan\u003e — Kavita Das, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/soloish\/wp\/2017\/05\/02\/india-has-changed-a-lot-in-70-years-but-arranged-marriage-remains-the-norm\/?utm_term=.562a34e95a1b\"\u003e\u003cem\u003eWashington Post\u003cbr\u003e \u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Fascinating look into how Indian arranged marriages actually work”\u003cem\u003e — Carrie Wittmer, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.businessinsider.com\/a-suitable-girl-review-documentary-indian-marriages-2017-5\"\u003e\u003cem\u003eBusiness Insider\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Honest and thoughtful...I cried watching these stories.\"\u003cem\u003e — Maureen O'Connor, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.vulture.com\/2017\/04\/tribeca-film-festival-17-movies-to-see-this-year.html\"\u003e\u003cem\u003eNew York Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl is likely the best documentary of the festival. It would be really hard not to enjoy A Suitable Girl.”\u003cem\u003e — Eli Sentman, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/blog.moviepass.com\/tribeca-film-festival-weekend-1-recap\/\"\u003e\u003cem\u003eMovie Pass\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Intimate, unbiased, and thoughtful.\"\u003cem\u003e — Charline Jao, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.themarysue.com\/a-suitable-girl-review\/\"\u003e\u003cem\u003eThe Mary Sue\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl does everything a good documentary should do”\u003cem\u003e — Kristen O’Neal, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/birthmoviesdeath.com\/2017\/04\/25\/tribeca-film-festival-review-a-suitable-girl\"\u003e\u003cem\u003eBirth Movies Death\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There is actual magic in the making of A Suitable Girl.\"\u003cem\u003e — John Curtis, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/boldaslove.us\/2017\/04\/23\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eBold As Love Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Stirring Examination Of Family And Marriage.\"\u003cem\u003e — Beth Reynolds\u003cspan\u003e, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.monkeysfightingrobots.com\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eMonkeys Fighting Robots\u003c\/em\u003e\u003c\/a\u003e  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With A Suitable Girl, filmmakers Sarita Khurana and Smriti Mundhra have achieved what many documentarians can only attempt, taking a topic that many outsiders misunderstand and laying it out beautifully bare.” –\u003cem\u003e Loren Hammonds, Programmer, Tribeca Film Festival \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-01-22T15:46:05-08:00","created_at":"2017-08-29T14:57:40-07:00","vendor":"Sarita Khurana","type":"DVD","tags":[],"price":3000,"price_min":3000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":382433493019,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"ASG-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"A Suitable Girl - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-57,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":382433525787,"title":"K-12, Public Libraries, Non-­Profits \u0026 Gov't wPPR*","option1":"K-12, Public Libraries, Non-­Profits \u0026 Gov't 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charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sarita Khurana \u0026amp; Smriti Mundhra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 94 min.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e NTSC\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eFeminism, Asian Studies, Women's Studies, Anthropology, Sociology, Modern Indian Studies\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #444444;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\"Stirring, and heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\" \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"color: #444444;\"\u003e\u003cem\u003e– Variety\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ciframe width=\"550\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3Gb9fPBZxs8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Suitable Girl\u003c\/strong\u003e follows three young women in India struggling to maintain their identities and follow their dream\u003cspan style=\"color: #000000;\"\u003es amid intense pressure to get married. Ritu, Dipti \u003c\/span\u003eand\u003cspan style=\"color: #000000;\"\u003e Amrita represent the new India. Educated, financially stable and raised with a mix of traditional and contemporary values in the urban c\u003c\/span\u003eities of Mumbai and New Delhi, they have access to the world in ways their mothers did not. Yet their lives take a dramatic turn when the pressure to settle down and get married hits. Career aspirations become secondary to the pursuit of a husband, and the women struggle with the prospect of leaving their homes and families to become part of another.\u003c\/p\u003e\n\u003cp\u003eDocumenting the arranged marriage and matchmaking process in vérité over four years, the film examines the women’s complex relationships with the institution of marriage, the many nuanced ways society molds them into traditional roles, and a rarely-seen portrait of India’s urban middle class.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginal Score by Gingger Shankar\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards \u0026amp; Notable Events:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTribeca Film Festival - Winner \"Albert Maysles Best New Documentary Director Award\"\u003c\/li\u003e\n\u003cli\u003eAFI Docs - Official Selection \u003c\/li\u003e\n\u003cli\u003eMumbai Film Festival - Official Selection\u003c\/li\u003e\n\u003cli\u003eSheffield Doc\/Fest - Official Selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the Press is saying:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“A Suitable Girl is an overwhelming testament to the power of patriarchy and the continued struggle of women to gain agency over their lives.” \u003cem\u003e– Shubhodeep Pal, \u003ca href=\"http:\/\/www.thehindu.com\/entertainment\/movies\/a-suitable-connection\/article17892957.ece\"\u003eThe Hindu\u003c\/a\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Oscar-worthy. It’s impossible to not be moved by ‘A Suitable Girl.’”\u003cem\u003e — Clay Cane, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.bet.com\/celebrities\/news\/2017\/04\/24\/_a-suitable-girl-review.html\"\u003e\u003cem\u003eBET.com\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"A Suitable Girl depicts the diverse forms arranged marriages take, breaking down stereotypes and creating an intricate portrait of an ever-evolving practice in one of the most populous countries in the world.\"\u003cem\u003e — Prachi Gupta, \u003ca href=\"http:\/\/jezebel.com\/becoming-an-unsuitable-girl-1794923371\"\u003eJezebel\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“Opening a window onto a cultural custom many Westerners find baffling, the Indian-American filmmakers Sarita Khurana and Smriti Mundhra stirringly chronicle this often heart-rending, occasionally humorous rite of passage without judgment.\"  - Kathryn Shattuck, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Stirring and Heartbreaking in its examination of ingrained sociocultural sexism, and the toll it takes on entire families.\"\u003cem\u003e - Nick Schager, Variety\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"A fantastic film...It was like getting on a plane and experiencing another world.\"\u003cem\u003e — Susan Kolker, The New York Times\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The film’s directors, Sarita Khurana and Smriti Mundhra, who are both Indian American women and won the festival’s award for new documentary director, are trying to overturn stereotypes about arranged marriage.”\u003cem\u003e\u003cspan\u003e — Kavita Das, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.washingtonpost.com\/news\/soloish\/wp\/2017\/05\/02\/india-has-changed-a-lot-in-70-years-but-arranged-marriage-remains-the-norm\/?utm_term=.562a34e95a1b\"\u003e\u003cem\u003eWashington Post\u003cbr\u003e \u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Fascinating look into how Indian arranged marriages actually work”\u003cem\u003e — Carrie Wittmer, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.businessinsider.com\/a-suitable-girl-review-documentary-indian-marriages-2017-5\"\u003e\u003cem\u003eBusiness Insider\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Honest and thoughtful...I cried watching these stories.\"\u003cem\u003e — Maureen O'Connor, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.vulture.com\/2017\/04\/tribeca-film-festival-17-movies-to-see-this-year.html\"\u003e\u003cem\u003eNew York Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl is likely the best documentary of the festival. It would be really hard not to enjoy A Suitable Girl.”\u003cem\u003e — Eli Sentman, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/blog.moviepass.com\/tribeca-film-festival-weekend-1-recap\/\"\u003e\u003cem\u003eMovie Pass\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Intimate, unbiased, and thoughtful.\"\u003cem\u003e — Charline Jao, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.themarysue.com\/a-suitable-girl-review\/\"\u003e\u003cem\u003eThe Mary Sue\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Suitable Girl does everything a good documentary should do”\u003cem\u003e — Kristen O’Neal, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/birthmoviesdeath.com\/2017\/04\/25\/tribeca-film-festival-review-a-suitable-girl\"\u003e\u003cem\u003eBirth Movies Death\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There is actual magic in the making of A Suitable Girl.\"\u003cem\u003e — John Curtis, \u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/boldaslove.us\/2017\/04\/23\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eBold As Love Magazine\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“A Stirring Examination Of Family And Marriage.\"\u003cem\u003e — Beth Reynolds\u003cspan\u003e, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.monkeysfightingrobots.com\/tribeca-film-festival-review-a-suitable-girl\/\"\u003e\u003cem\u003eMonkeys Fighting Robots\u003c\/em\u003e\u003c\/a\u003e  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With A Suitable Girl, filmmakers Sarita Khurana and Smriti Mundhra have achieved what many documentarians can only attempt, taking a topic that many outsiders misunderstand and laying it out beautifully bare.” –\u003cem\u003e Loren Hammonds, Programmer, Tribeca Film Festival \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":693763604507,"title":"1948: Creation \u0026 Catastrophe","handle":"1948","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Andy Trimlett \u0026amp; Ahlam Muhtaseb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Arabic and Hebrew with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e Arabic, English, French, Hebrew \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eMiddle Eastern Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\"1948 makes the Nakba uncannily \u003ci\u003ereal\u003c\/i\u003e for the doubting spectator\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThrough riveting and moving personal recollections of both Palestinians and Israelis, \u003ci\u003e1948: Creation \u0026amp; Catastrophe\u003c\/i\u003e reveals the shocking events of the most pivotal year in the most controversial conflict in the world.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt tells the story of the establishment of Israel as seen through the eyes of the people who lived it. It is simply not possible to make sense of what is happening in the Israeli-Palestinian conflict today without an understanding of 1948.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis documentary was the last chance for many of its Israeli and Palestinian characters to narrate their first-hand accounts of the creation of a state and the expulsion of a nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eAn estimated 700,000 Palestinians fled or were expelled and hundreds of towns and villages were depopulated and destroyed in Israel.\u003c\/strong\u003e Because of this, on May 15, Nakba Day or \"Day of the Catastrophe\" is commemorated, the day after the Israeli Independence Day. For Palestinians, this is a day of commemoration of the displacement during the Israeli Declaration of Independence in 1948.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/262312507?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e1948 is a powerful record of this important time. The film crew conducted over 90 interviews, poured over 20,000 pages of history, collected more than 2,000 photographs from three dozen sources, combed through hours of archival film and gathered dozens of documents from Israeli military archives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e1948 Features:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-hand accounts of 1948 from Israelis and Palestinians\u003c\/li\u003e\n\u003cli\u003eRenowned historians Charles D. Smith, Rashid Khalidi, Benny Morris, Han Pappe, Avi Salami, Nur Masala and Sharif Kanada\u003c\/li\u003e\n\u003cli\u003eMilitary orders and intelligence documents\u003c\/li\u003e\n\u003cli\u003eOver 200 archival photographs and film clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Middle East Studies Association Film Festival, DC \u003c\/li\u003e\n\u003cli\u003ePalestine Solidarity Week, Memphis, TN\u003c\/li\u003e\n\u003cli\u003eThe American University in Cairo, Egypt\u003c\/li\u003e\n\u003cli\u003eReel Palestine Festival, Dubai, UAE  \u003c\/li\u003e\n\u003cli\u003eAMP Conference, Chicago, IL \u003c\/li\u003e\n\u003cli\u003eUniversity of Oxford, UK\u003c\/li\u003e\n\u003cli\u003eGeorgetown University, DC\u003c\/li\u003e\n\u003cli\u003eBoston Palestine Film Festival, Cambridge, MA\u003c\/li\u003e\n\u003cli\u003eSan Diego Arab Film Festival, San Diego, CA\u003c\/li\u003e\n\u003cli\u003eUniversity of Maryland\u003c\/li\u003e\n\u003cli\u003eUniversity of Illinois, Champaign-Urbana, IL\u003c\/li\u003e\n\u003cli\u003eUC Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eSan Francisco State University, CA\u003c\/li\u003e\n\u003cli\u003eSan Diego State University, CA\u003c\/li\u003e\n\u003cli\u003eCarnegie Library East Liberty, Pittsburgh, PA\u003c\/li\u003e\n\u003cli\u003eJewish Voice for Peace, New York at CUNY\u003c\/li\u003e\n\u003cli\u003eKuwait Engineering Association, Kuwait\u003c\/li\u003e\n\u003cli\u003eCalifornia State University - San Bernardino, CA \u003c\/li\u003e\n\u003cli\u003eEastern Michigan University, Ypsilanti, MI\u003c\/li\u003e\n\u003cli\u003eIslamic Association of Greater Hartford, CT\u003c\/li\u003e\n\u003cli\u003eNorth Carolina State University, Raleigh, NC\u003c\/li\u003e\n\u003cli\u003eCalifornia State University, Fresno, CA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eACADEMIC AND EXPERT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Despite these issues, \u003cem\u003e1948 \u003c\/em\u003emakes its undeniable intervention into the contemporary media scape as an \u003cem\u003easymmetrical balancing \u003c\/em\u003eof Zionism’s \u003cem\u003eunbalanced symmetry \u003c\/em\u003ebetween Palestinian and Jewish suffering, and on this basis the film represents a landmark in the cinematic treatment of the topic.\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"[1948] is \u003cu\u003ethe\u003c\/u\u003e best film I've ever seen on Palestine.  I think it's truly excellent, has an amazing collection of archival photos and film clips, and interviews quite a number of Palestinians who remember 1948 and Israelis who participated in the war\/ethnic cleansing.  It's a real masterpiece.\" - \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eKathleen Christison, Former Political Analyst for the CIA, Author and Political Analyst on Israeli-Palestinian Conflict \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAndy Trimlett, Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"Co-producer Andy Trimlett\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-andytrimlett.jpg?1499141165\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"230\" height=\"202\"\u003eAndy Trimlett has a Master’s degree in Middle East Studies from the University of Washington and a Bachelor’s degree in International Security and Conflict Resolution from San Diego State University. He has a decade of experience in public television, having served as senior producer, associate producer, editor and camera operator on a wide range of productions.  He has worked on PBS programs in the United States, Hungary and Austria, winning a regional Emmy for a 30-minute documentary he co-produced about property tax law in California.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"wsite-content-title\"\u003e  \u003c\/p\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAhlam Muhtaseb, Co-Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"Co-Producer Ahlam Muhtaseb\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-ahlammuhtaseb.jpg?1499141189\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"236\" height=\"204\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003eAhlam Muhtaseb is a professor of media studies at California State University, San Bernardino. Her research interests include digital communication, social media, and diasporic communities. She has published her scholarship on digital communication and other communication sub-topics, and has presented her scholarship to national and international conventions and scholarly meetings. Her most recent project is the documentary \u003cem\u003e1948: Creation \u0026amp; Catastrophe\u003c\/em\u003e, a film on the year 1948 and its catastrophic consequences which has originated from her field work in the Palestinian refugee camps in the Lebanon, Syria, and Palestine. In addition, most of her recent research focuses on digital media and social movements online (cyber activism), and Arab and Muslim images in the media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-03-28T20:40:53-07:00","created_at":"2018-03-12T14:21:42-07:00","vendor":"Andy Trimlett","type":"DVD","tags":["Arab","Israel","Israeli","Israeli-Palestinian Conflict","Middle East","Palestine","Palestinian","Refugees"],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6470377766939,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"194-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-73,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377799707,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"194-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377832475,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"194-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-20,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377865243,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"194-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6470377898011,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"194-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"1948: Creation \u0026 Catastrophe - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_Poster.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_-_Refugees.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_-_Operational_Order_40.jpg?v=1522286301","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-03-28_at_8.45.05_PM.png?v=1522793359","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Screen_Shot_2018-04-03_at_2.16.25_PM.png?v=1522793360"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/1948_Poster.jpg?v=1522286301","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Andy Trimlett \u0026amp; Ahlam Muhtaseb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Arabic and Hebrew with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e Arabic, English, French, Hebrew \u0026amp; Spanish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eMiddle Eastern Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees,\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\"1948 makes the Nakba uncannily \u003ci\u003ereal\u003c\/i\u003e for the doubting spectator\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThrough riveting and moving personal recollections of both Palestinians and Israelis, \u003ci\u003e1948: Creation \u0026amp; Catastrophe\u003c\/i\u003e reveals the shocking events of the most pivotal year in the most controversial conflict in the world.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt tells the story of the establishment of Israel as seen through the eyes of the people who lived it. It is simply not possible to make sense of what is happening in the Israeli-Palestinian conflict today without an understanding of 1948.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis documentary was the last chance for many of its Israeli and Palestinian characters to narrate their first-hand accounts of the creation of a state and the expulsion of a nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eAn estimated 700,000 Palestinians fled or were expelled and hundreds of towns and villages were depopulated and destroyed in Israel.\u003c\/strong\u003e Because of this, on May 15, Nakba Day or \"Day of the Catastrophe\" is commemorated, the day after the Israeli Independence Day. For Palestinians, this is a day of commemoration of the displacement during the Israeli Declaration of Independence in 1948.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/262312507?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e1948 is a powerful record of this important time. The film crew conducted over 90 interviews, poured over 20,000 pages of history, collected more than 2,000 photographs from three dozen sources, combed through hours of archival film and gathered dozens of documents from Israeli military archives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e1948 Features:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-hand accounts of 1948 from Israelis and Palestinians\u003c\/li\u003e\n\u003cli\u003eRenowned historians Charles D. Smith, Rashid Khalidi, Benny Morris, Han Pappe, Avi Salami, Nur Masala and Sharif Kanada\u003c\/li\u003e\n\u003cli\u003eMilitary orders and intelligence documents\u003c\/li\u003e\n\u003cli\u003eOver 200 archival photographs and film clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Middle East Studies Association Film Festival, DC \u003c\/li\u003e\n\u003cli\u003ePalestine Solidarity Week, Memphis, TN\u003c\/li\u003e\n\u003cli\u003eThe American University in Cairo, Egypt\u003c\/li\u003e\n\u003cli\u003eReel Palestine Festival, Dubai, UAE  \u003c\/li\u003e\n\u003cli\u003eAMP Conference, Chicago, IL \u003c\/li\u003e\n\u003cli\u003eUniversity of Oxford, UK\u003c\/li\u003e\n\u003cli\u003eGeorgetown University, DC\u003c\/li\u003e\n\u003cli\u003eBoston Palestine Film Festival, Cambridge, MA\u003c\/li\u003e\n\u003cli\u003eSan Diego Arab Film Festival, San Diego, CA\u003c\/li\u003e\n\u003cli\u003eUniversity of Maryland\u003c\/li\u003e\n\u003cli\u003eUniversity of Illinois, Champaign-Urbana, IL\u003c\/li\u003e\n\u003cli\u003eUC Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eSan Francisco State University, CA\u003c\/li\u003e\n\u003cli\u003eSan Diego State University, CA\u003c\/li\u003e\n\u003cli\u003eCarnegie Library East Liberty, Pittsburgh, PA\u003c\/li\u003e\n\u003cli\u003eJewish Voice for Peace, New York at CUNY\u003c\/li\u003e\n\u003cli\u003eKuwait Engineering Association, Kuwait\u003c\/li\u003e\n\u003cli\u003eCalifornia State University - San Bernardino, CA \u003c\/li\u003e\n\u003cli\u003eEastern Michigan University, Ypsilanti, MI\u003c\/li\u003e\n\u003cli\u003eIslamic Association of Greater Hartford, CT\u003c\/li\u003e\n\u003cli\u003eNorth Carolina State University, Raleigh, NC\u003c\/li\u003e\n\u003cli\u003eCalifornia State University, Fresno, CA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eACADEMIC AND EXPERT REVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\"Despite these issues, \u003cem\u003e1948 \u003c\/em\u003emakes its undeniable intervention into the contemporary media scape as an \u003cem\u003easymmetrical balancing \u003c\/em\u003eof Zionism’s \u003cem\u003eunbalanced symmetry \u003c\/em\u003ebetween Palestinian and Jewish suffering, and on this basis the film represents a landmark in the cinematic treatment of the topic.\" \u003cem\u003e- Arab Studies Quarterly\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"[1948] is \u003cu\u003ethe\u003c\/u\u003e best film I've ever seen on Palestine.  I think it's truly excellent, has an amazing collection of archival photos and film clips, and interviews quite a number of Palestinians who remember 1948 and Israelis who participated in the war\/ethnic cleansing.  It's a real masterpiece.\" - \u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eKathleen Christison, Former Political Analyst for the CIA, Author and Political Analyst on Israeli-Palestinian Conflict \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eHAVE THE FILMMAKER SPEAK AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAndy Trimlett, Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"Co-producer Andy Trimlett\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-andytrimlett.jpg?1499141165\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"230\" height=\"202\"\u003eAndy Trimlett has a Master’s degree in Middle East Studies from the University of Washington and a Bachelor’s degree in International Security and Conflict Resolution from San Diego State University. He has a decade of experience in public television, having served as senior producer, associate producer, editor and camera operator on a wide range of productions.  He has worked on PBS programs in the United States, Hungary and Austria, winning a regional Emmy for a 30-minute documentary he co-produced about property tax law in California.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\" style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"wsite-content-title\"\u003e  \u003c\/p\u003e\n\u003cp class=\"wsite-content-title\"\u003e\u003cstrong\u003eAhlam Muhtaseb, Co-Director\/Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg alt=\"Co-Producer Ahlam Muhtaseb\" src=\"https:\/\/www.1948movie.com\/uploads\/1\/0\/8\/5\/108573995\/editor\/1948-documentary-ahlammuhtaseb.jpg?1499141189\" style=\"float: left; margin: 5px 10px 5px 5px;\" width=\"236\" height=\"204\"\u003e\n\u003cdiv class=\"paragraph\"\u003e\n\u003cp\u003eAhlam Muhtaseb is a professor of media studies at California State University, San Bernardino. Her research interests include digital communication, social media, and diasporic communities. She has published her scholarship on digital communication and other communication sub-topics, and has presented her scholarship to national and international conventions and scholarly meetings. Her most recent project is the documentary \u003cem\u003e1948: Creation \u0026amp; Catastrophe\u003c\/em\u003e, a film on the year 1948 and its catastrophic consequences which has originated from her field work in the Palestinian refugee camps in the Lebanon, Syria, and Palestine. In addition, most of her recent research focuses on digital media and social movements online (cyber activism), and Arab and Muslim images in the media.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":44955828251,"title":"Kedi","handle":"kedi-pre-order","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Ceyda Torun\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 79 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eTurkish, English Subtitles.  English Closed Captions.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAnthropology, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eMiddle Eastern Studies, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSociology, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eVisual Arts, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003ePhysical \u0026amp; Mental Health, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/231745110\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSYNOPSIS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStanding in contrast to the typical political media coverage of Turkey, \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e provides an insightful, tender counterpoint through a playful cat’s-eye view of Istanbul. Since the age of the Ottoman Empire, \u003c\/span\u003e\u003cspan\u003ehundreds of thousands of cats roam free through the city's streets. \u003c\/span\u003e\u003cspan\u003eThe cats play an important role in the social fabric of Istanbul, acting as mirrors to the people and allowing them to reflect on their lives in ways nothing else could. The unique relationship between the people of Istanbul and their feline neighbors reveals the enduring humanity at the center of bustling chaos and rapid gentrification. This one of a kind film explores a local phenomenon that serves as a symbolic meditation of the cultural essence of an ancient troubled city.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eQUOTES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“...lovingly conveys [the] idea that the cats of Istanbul help humanize and make sense of an uncontrollable place...It provided a sense of continuity in a city that otherwise seemed ever-changing and impossible.” -\u003ci\u003e The Village Voice\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“It’s tempting to brush \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e off as simply a ‘cat documentary,’ but it is never cutesy enough for such a reductive description.... \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e’s cats are never just cats, they are also metaphors for the changing nature of Istanbul (and Turkey as a nation itself), keepers and reminders of the city’s Ottoman history, once a crossroads of different peoples, religions and ethnicities.” - \u003ci\u003eMelbourne International Film Festival\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e splices the usual emotional reaction such antics garner with an ethnographic-like mission.” \u003ci\u003e- Screenhub\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“A profoundly affecting meditation, at once dreamy and precise, on a force of nature...surviving and thriving in an industrialized world…[\u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eexamines a local phenomenon dating back to the heyday of the Ottoman Empire” \u003ci\u003e- Variety\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\"Cats have been roaming freely through the streets of Istanbul for centuries. The unusual documentary Kedi - an art house hit - captures the unique relationship that the city's dwellers and small businesses have with stray felines...  Kedi introduces a lot of folks who sell fish or run delis or wait on cafe tables, and captures how they relate with genuine affection to the cats who wander in and out, feeding them, rubbing their tummies, or brushing their fur. But the film isn't just about semi-pet-worship: there is plenty of philosophical musing here about cats being a bridge to God and serving to remind us of our best selves. Sure to appeal to cat lovers, this is recommended.\"\u003ci\u003e - Video Librarian\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“If Grumpy Cat is the blockbuster franchise of cat videos, \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e is the \u003c\/span\u003e\u003cspan\u003eCitizen Kane\u003c\/span\u003e\u003cspan\u003e of the genre.” \u003ci\u003e- IndieWire\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“The camera in \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e o\u003c\/span\u003e\u003cspan\u003eften takes a cat’s-eye view of Istanbul, showing how the animals can also help people see the city in new ways.” \u003ci\u003e- The Atlantic\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-09-07T10:05:36-07:00","created_at":"2017-08-29T15:39:53-07:00","vendor":"Ceyda Torun","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":382511906843,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"KDI-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Kedi - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-72,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":382511939611,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"KDI-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Kedi - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-9,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":382511972379,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"KDI-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Kedi - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-15,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Kedi.jpg?v=1519769343","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Kedi_Box_Art.png?v=1519769343","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/3_-_A_Scene_from_KEDI.jpg?v=1519769343","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/10_-_Kamil_in_KEDI.jpg?v=1519769343","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/14_-_Yellows_Kitten_in_KEDI.jpg?v=1519769343","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/7_-_A_Scene_from_KEDI.jpg?v=1519769343"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Kedi.jpg?v=1519769343","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Ceyda Torun\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 79 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eTurkish, English Subtitles.  English Closed Captions.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eAnthropology, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eMiddle Eastern Studies, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eSociology, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003eVisual Arts, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003ePhysical \u0026amp; Mental Health, \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/231745110\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSYNOPSIS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStanding in contrast to the typical political media coverage of Turkey, \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e provides an insightful, tender counterpoint through a playful cat’s-eye view of Istanbul. Since the age of the Ottoman Empire, \u003c\/span\u003e\u003cspan\u003ehundreds of thousands of cats roam free through the city's streets. \u003c\/span\u003e\u003cspan\u003eThe cats play an important role in the social fabric of Istanbul, acting as mirrors to the people and allowing them to reflect on their lives in ways nothing else could. The unique relationship between the people of Istanbul and their feline neighbors reveals the enduring humanity at the center of bustling chaos and rapid gentrification. This one of a kind film explores a local phenomenon that serves as a symbolic meditation of the cultural essence of an ancient troubled city.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eQUOTES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“...lovingly conveys [the] idea that the cats of Istanbul help humanize and make sense of an uncontrollable place...It provided a sense of continuity in a city that otherwise seemed ever-changing and impossible.” -\u003ci\u003e The Village Voice\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“It’s tempting to brush \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e off as simply a ‘cat documentary,’ but it is never cutesy enough for such a reductive description.... \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e’s cats are never just cats, they are also metaphors for the changing nature of Istanbul (and Turkey as a nation itself), keepers and reminders of the city’s Ottoman history, once a crossroads of different peoples, religions and ethnicities.” - \u003ci\u003eMelbourne International Film Festival\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e splices the usual emotional reaction such antics garner with an ethnographic-like mission.” \u003ci\u003e- Screenhub\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“A profoundly affecting meditation, at once dreamy and precise, on a force of nature...surviving and thriving in an industrialized world…[\u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eexamines a local phenomenon dating back to the heyday of the Ottoman Empire” \u003ci\u003e- Variety\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\"Cats have been roaming freely through the streets of Istanbul for centuries. The unusual documentary Kedi - an art house hit - captures the unique relationship that the city's dwellers and small businesses have with stray felines...  Kedi introduces a lot of folks who sell fish or run delis or wait on cafe tables, and captures how they relate with genuine affection to the cats who wander in and out, feeding them, rubbing their tummies, or brushing their fur. But the film isn't just about semi-pet-worship: there is plenty of philosophical musing here about cats being a bridge to God and serving to remind us of our best selves. Sure to appeal to cat lovers, this is recommended.\"\u003ci\u003e - Video Librarian\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“If Grumpy Cat is the blockbuster franchise of cat videos, \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e is the \u003c\/span\u003e\u003cspan\u003eCitizen Kane\u003c\/span\u003e\u003cspan\u003e of the genre.” \u003ci\u003e- IndieWire\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“The camera in \u003c\/span\u003e\u003cspan\u003eKedi\u003c\/span\u003e\u003cspan\u003e o\u003c\/span\u003e\u003cspan\u003eften takes a cat’s-eye view of Istanbul, showing how the animals can also help people see the city in new ways.” \u003ci\u003e- The Atlantic\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":6122407364,"title":"Between Allah and Me (and Everyone Else)","handle":"between-allah-and-me-and-everyone-else-educational","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Link to screening page BETWEEN ALLAH AND ME (AND EVERYONE ELSE)\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected and Produced by:\u003c\/strong\u003e Kyoko Yokoma\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 60 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003eEnglish with English and French Subtitles, Closed Captioned \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Sociology, Multicultural Studies, Religion and Spirituality Studies, Feminism\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eNo dress code inspires more debate than that of Muslim women. In North America, the way a Muslim woman dresses is her personal choice, but that choice, which includes whether or not to wear hijab to cover her hair, is often met with both approval and criticism. The film Between Allah \u0026amp; Me (and Everyone Else) explores the challenges of Farida, Shaila, Naima, and Sarah, four Torontonian Muslim women making decisions about their personal dress codes. When these women decide to start or stop wearing hijab, they cannot foresee the range of reactions other people will have to their choices. The film follows the women’s personal journeys and their interactions with different members of society, and in doing so reveals that the piece of fabric called hijab carries many diverse meanings and messages. As these women try to follow their faith and their hearts at the same time, the film unveils the intricate and complex effects of hijab on Muslim women, their families and communities, and the larger multicultural society in which they live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/173013808?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e“[Kyoko] truly crafted a documentary… We saw fascinating character arcs and felt quite close to your characters…  film that should travel to festivals and beyond.” \u003ci\u003e– \u003c\/i\u003eMarc Glassman, Film critic, publisher and professor, Ryerson University, MFA in Documentary Media program\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “Between Allah and Me not only deals with a timely topic, but one that has great personal relevance to me. I applaud those courageous women that agreed to be in the film and share their stories. Their honesty was touching, their words were insightful, and their struggle resonated with me and others, I’m sure. It certainly offers a great springboard for conversation about hijab and Muslim women.” \u003ci\u003e– \u003c\/i\u003eSaira Rahman, Filmmaker, “Arctic Mosque”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Toronto filmmaker Kyoko Yokoma interviews four women who wear the hijab in this nonjudgmental documentary. Farida, who is of Turkish decent, grew up in Russia at a time when the state discouraged religious expression, so she’s been trying to make up for lost time. She studies the Qur’an and prays five times a day, although her mother doesn’t see the point of the hijab. Farida also trades in her short-sleeved tops and above-the-knee skirts for more modest apparel. When she attended Islamic school as child, Shaila felt like a sinner until her mother bought her a hijab. After wearing it for 20 years, she has now entered politics, and decides that it doesn’t feel right anymore, so she only wears the hijab for special occasions. As she puts it, “I feel that Allah can read my heart, and that's what Islam is to me”. At the beginning of the film, Naima, a student, believes that wearing the Hijab is the right thing to do — although she isn’t sure the it’s mandatory, since religious scholars disagree on the point —but she comes to the same conclusion as Shaila, and stops wearing it. Since she wore the hijab for four years, those when know her express surprise, but she assures them that her beliefs haven’t changed. Her friend, Sarah, has her mother’s support for wearing the hijab, but her secular father criticizes the practice, calling it a relic from an earlier era. By allowing her subjects to speak for themselves, Yokoma offers viewers who are interested in religion and gender studies much food for thought in this documentary that is sure to provoke discussion. Recommended.\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2016-07-01T00:00:00-07:00","created_at":"2016-06-15T15:46:12-07:00","vendor":"Kyoko Yokoma","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":20465683204,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"BAM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Between Allah and Me (and Everyone Else) - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-60,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":20465683332,"title":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"BAM-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Between Allah and Me (and Everyone Else) - 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In North America, the way a Muslim woman dresses is her personal choice, but that choice, which includes whether or not to wear hijab to cover her hair, is often met with both approval and criticism. The film Between Allah \u0026amp; Me (and Everyone Else) explores the challenges of Farida, Shaila, Naima, and Sarah, four Torontonian Muslim women making decisions about their personal dress codes. When these women decide to start or stop wearing hijab, they cannot foresee the range of reactions other people will have to their choices. The film follows the women’s personal journeys and their interactions with different members of society, and in doing so reveals that the piece of fabric called hijab carries many diverse meanings and messages. As these women try to follow their faith and their hearts at the same time, the film unveils the intricate and complex effects of hijab on Muslim women, their families and communities, and the larger multicultural society in which they live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/173013808?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e“[Kyoko] truly crafted a documentary… We saw fascinating character arcs and felt quite close to your characters…  film that should travel to festivals and beyond.” \u003ci\u003e– \u003c\/i\u003eMarc Glassman, Film critic, publisher and professor, Ryerson University, MFA in Documentary Media program\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e “Between Allah and Me not only deals with a timely topic, but one that has great personal relevance to me. I applaud those courageous women that agreed to be in the film and share their stories. Their honesty was touching, their words were insightful, and their struggle resonated with me and others, I’m sure. It certainly offers a great springboard for conversation about hijab and Muslim women.” \u003ci\u003e– \u003c\/i\u003eSaira Rahman, Filmmaker, “Arctic Mosque”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Toronto filmmaker Kyoko Yokoma interviews four women who wear the hijab in this nonjudgmental documentary. Farida, who is of Turkish decent, grew up in Russia at a time when the state discouraged religious expression, so she’s been trying to make up for lost time. She studies the Qur’an and prays five times a day, although her mother doesn’t see the point of the hijab. Farida also trades in her short-sleeved tops and above-the-knee skirts for more modest apparel. When she attended Islamic school as child, Shaila felt like a sinner until her mother bought her a hijab. After wearing it for 20 years, she has now entered politics, and decides that it doesn’t feel right anymore, so she only wears the hijab for special occasions. As she puts it, “I feel that Allah can read my heart, and that's what Islam is to me”. At the beginning of the film, Naima, a student, believes that wearing the Hijab is the right thing to do — although she isn’t sure the it’s mandatory, since religious scholars disagree on the point —but she comes to the same conclusion as Shaila, and stops wearing it. Since she wore the hijab for four years, those when know her express surprise, but she assures them that her beliefs haven’t changed. Her friend, Sarah, has her mother’s support for wearing the hijab, but her secular father criticizes the practice, calling it a relic from an earlier era. By allowing her subjects to speak for themselves, Yokoma offers viewers who are interested in religion and gender studies much food for thought in this documentary that is sure to provoke discussion. Recommended.\" - Video Librarian \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}

{"id":4559819588,"title":"Frame By Frame","handle":"frame-by-frame-educational","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Link to screening page FRAME BY FRAME\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VL_Best_Docs_Seal_2017_medium.jpg?v=1513877870\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb style=\"color: #000000;\"\u003e \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb style=\"color: #000000;\"\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cb style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb style=\"color: #000000;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Alexandria Bombach \u0026amp; Mo Scarpelli\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by\u003c\/strong\u003e: Alexandria Bombach \u0026amp; Mo Scarpelli\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 Educational release \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003eEnglish with English Subtitles \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt Music \u0026amp; Design\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWhen the Taliban ruled Afghanistan, taking a photo was a crime. After the regime fell from power in 2001, a fledgling free press emerged and a photography revolution was born. Now, as foreign troops and media withdraw, Afghanistan is left to stand on its own, and so are its journalists. Set in a modern Afghanistan bursting with color and character, FRAME BY FRAME follows four Afghan photojournalists as they navigate an emerging and dangerous media landscape – reframing Afghanistan for the world, and for themselves. Through cinema vérité, intimate interviews, powerful photojournalism, and never-before-seen archival footage shot in secret during the Taliban regime, the film connects audiences with four humans in the pursuit of the truth.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/141104728?title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAwards \u0026amp; Selections\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSXSW - World Premiere\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHotDocs - Top Ten Audience Favorite\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAFI Docs - Official Selection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAshland Independent Film Festival - Audience Award\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBFI London - Grierson Award Nominee\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCamden Int'l Film Festival - Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eHighly Recommended by Video Librarian\u003c\/span\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e\"Although 15 years have passed since U.S.-led military forces invaded and occupied Afghanistan, it often seems that very little progress has been made in the nation’s movement away from Taliban-era oppression towards a 21st-century concept of a modern republic. Filmmakers Alexandria Bombach and Mo Scarpelli’s documentary details how the concept of a free Afghani press is struggling to take root here, profiling four local photojournalists—including Farzana Wahidy and her Pulitzer Prize-winning husband Massoud Hossaini—as they face skepticism, hostility, and threatened violence while trying to document events in a country that is caught in an endless struggle between forces that want to maintain a rigid Islamic theocracy and those trying to inch Afghanistan towards becoming a progressive state where a spirited independent press can operate without fear of reprisal. Considering that very little current news from Afghanistan is relayed via the U.S. media, Frame by Frame offers an invaluable, albeit also harrowing, glimpse into a nation that doesn’t seem to have benefited much from the occupation by U.S. and European forces. Indeed, the Afghanistan captured here by the photojournalists appears to be very much locked in a Taliban mind-frame. Highly recommended. Aud: C, P. (P. Hall)\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\u003cstrong\u003e \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Astonishing\" - Slate \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Sensitive\" - Filmmakers Magazine \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cem\u003eFRAME BY FRAME\u003c\/em\u003e is a bracing tribute to the power of photojournalism… The filmmakers are attuned to the work-day camaraderie and competitive spirit that drive their thoughtful subjects. And like the four photojournalists, they have an eye for beauty as well as a nose for news, capturing scenes of unexpected lightness: an open-air pop concert, a paddleboat ride on a glass-smooth lake. FRAME BY FRAME is a work of profound immediacy, in sync with the photographers’ commitment and hope.”  - The Hollywood Reporter \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"An indispensable visual history… As the camera follows the quartet in their daily lives, and as they share stories from their past — the very stories that inform their gaze and shape their voice — a larger layered narrative emerges; that of a disrupted nation.” - TIME Lightbox\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"“[The film] pays tribute to the power of the still photographic image and its ability to change perceptions.” - BBC Culture \u003c\/span\u003e\u003c\/div\u003e","published_at":"2016-03-28T13:41:00-07:00","created_at":"2016-03-10T11:56:24-08:00","vendor":"Mo Scarpelli","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":16598422532,"title":"University \u0026 College, Corporation (with PPR*)","option1":"University \u0026 College, Corporation (with PPR*)","option2":null,"option3":null,"sku":"FBF-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Frame By Frame - University \u0026 College, Corporation (with PPR*)","public_title":"University \u0026 College, Corporation (with PPR*)","options":["University \u0026 College, Corporation (with 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License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FRAMEBYFRAME_FINISH_27x40__halfsize.jpg?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FrameByFrame_Kabul_01_byMoScarpelli_de60b131-fd2a-417b-a335-bead9e8d0f40.jpg?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/The-Austin-Chronicle.png?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FramebyFrame_FarzanaWahidy_01_byAlexandriaBombach_4864c933-34a0-49a0-baf9-21b5adb3a695.jpg?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FramebyFrame_NajibullahMusafar_01_byAlexandriaBombach_bd3c627e-1062-49a7-a03c-405c9c9bec8d.jpg?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/BBC-Culture.png?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FramebyFrame_WakilKohsar_01_byMoScarpelli_88711b07-38d5-4c18-9c2e-d4677b59530a.jpg?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FramebyFrame_NajibullahMusafer_02_byAlexandriaBombach_16e05118-5218-4450-9b44-18a10ce7e56c.jpg?v=1516337957","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FrameByFrame_WakilKohsar_02_byMoScarpelli_3d026892-80cb-4174-a036-e30aa0b37880.jpg?v=1516337957"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FRAMEBYFRAME_FINISH_27x40__halfsize.jpg?v=1516337957","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Link to screening page FRAME BY FRAME\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/VL_Best_Docs_Seal_2017_medium.jpg?v=1513877870\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb style=\"color: #000000;\"\u003e \u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb style=\"color: #000000;\"\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cb style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb style=\"color: #000000;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Alexandria Bombach \u0026amp; Mo Scarpelli\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eProduced by\u003c\/strong\u003e: Alexandria Bombach \u0026amp; Mo Scarpelli\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2016 Educational release \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 85 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:  \u003c\/strong\u003e\u003c\/strong\u003eEnglish with English Subtitles \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/art\" style=\"color: #000000;\"\u003eArt Music \u0026amp; Design\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWhen the Taliban ruled Afghanistan, taking a photo was a crime. After the regime fell from power in 2001, a fledgling free press emerged and a photography revolution was born. Now, as foreign troops and media withdraw, Afghanistan is left to stand on its own, and so are its journalists. Set in a modern Afghanistan bursting with color and character, FRAME BY FRAME follows four Afghan photojournalists as they navigate an emerging and dangerous media landscape – reframing Afghanistan for the world, and for themselves. Through cinema vérité, intimate interviews, powerful photojournalism, and never-before-seen archival footage shot in secret during the Taliban regime, the film connects audiences with four humans in the pursuit of the truth.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/141104728?title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAwards \u0026amp; Selections\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSXSW - World Premiere\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHotDocs - Top Ten Audience Favorite\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAFI Docs - Official Selection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAshland Independent Film Festival - Audience Award\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBFI London - Grierson Award Nominee\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCamden Int'l Film Festival - Best Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eHighly Recommended by Video Librarian\u003c\/span\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003e\"Although 15 years have passed since U.S.-led military forces invaded and occupied Afghanistan, it often seems that very little progress has been made in the nation’s movement away from Taliban-era oppression towards a 21st-century concept of a modern republic. Filmmakers Alexandria Bombach and Mo Scarpelli’s documentary details how the concept of a free Afghani press is struggling to take root here, profiling four local photojournalists—including Farzana Wahidy and her Pulitzer Prize-winning husband Massoud Hossaini—as they face skepticism, hostility, and threatened violence while trying to document events in a country that is caught in an endless struggle between forces that want to maintain a rigid Islamic theocracy and those trying to inch Afghanistan towards becoming a progressive state where a spirited independent press can operate without fear of reprisal. Considering that very little current news from Afghanistan is relayed via the U.S. media, Frame by Frame offers an invaluable, albeit also harrowing, glimpse into a nation that doesn’t seem to have benefited much from the occupation by U.S. and European forces. Indeed, the Afghanistan captured here by the photojournalists appears to be very much locked in a Taliban mind-frame. Highly recommended. Aud: C, P. (P. Hall)\" \u003cem\u003e- Video Librarian\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eReviews\u003cstrong\u003e \/ Quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Astonishing\" - Slate \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"Sensitive\" - Filmmakers Magazine \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"\u003cem\u003eFRAME BY FRAME\u003c\/em\u003e is a bracing tribute to the power of photojournalism… The filmmakers are attuned to the work-day camaraderie and competitive spirit that drive their thoughtful subjects. And like the four photojournalists, they have an eye for beauty as well as a nose for news, capturing scenes of unexpected lightness: an open-air pop concert, a paddleboat ride on a glass-smooth lake. FRAME BY FRAME is a work of profound immediacy, in sync with the photographers’ commitment and hope.”  - The Hollywood Reporter \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"An indispensable visual history… As the camera follows the quartet in their daily lives, and as they share stories from their past — the very stories that inform their gaze and shape their voice — a larger layered narrative emerges; that of a disrupted nation.” - TIME Lightbox\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\"“[The film] pays tribute to the power of the still photographic image and its ability to change perceptions.” - BBC Culture \u003c\/span\u003e\u003c\/div\u003e"}

{"id":3712612292,"title":"Warriors from the North","handle":"warriors-from-the-north-educational","description":"\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Søren Steen Jespersen \u0026amp; Nasib Farah\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Helle Faber\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2014\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  52 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\n\u003cstrong\u003eLanguage: \u003c\/strong\u003eDanish \/ Somali,\u003cstrong\u003e \u003c\/strong\u003e English\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/multicultural\"\u003eMulticultural Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\"\u003eSociology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/immigration-workers-rights\"\u003eImmigration \u0026amp; Refugee Studies\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003cp\u003eWarriors from the North is a relevant, agenda setting film about the radicalization of young people. The film tells the story of a group of young Somali men who want to join the Islamic fundamentalist terror organization, Al-Shabab, to become suicide bombers in Somalia.\u003c\/p\u003e\n\u003cp\u003eThe film examines why young men in their early twenties decide to head towards this horrifying destiny. Through one of the insiders, ”The Shadow”, who chose to stay behind in Copenhagen, we get access to the mindset of a potential terrorist in the making.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/146021157\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"line-height: 1.4;\"\u003e“While there’s nothing groundbreaking here for anyone who reads the news, the film nonetheless offers up a rare and intimate account of what exactly drives such youngsters to action…”\u003cstrong\u003e - Hollywood Reporter\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e“A great look at how we quickly forget that the people who carry out these horrible attacks were not always horrible people. It certainly doesn’t change how awful their actions were, but it does remind us that many of these attackers also began as victims.” \u003cstrong\u003e- Hot Docs\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“The film brings the despair, alienation and isolation of Al Shabab’s young Danish-Somali recruits to the screen in a rare expose that provides some difficult answers, but raises inconvenient questions about the West’s role, and what might be done to staunch the flow.”\u003cstrong\u003e - Toronto Star \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"field-item even\"\u003e\n\u003cul\u003e\n\u003cli\u003eOfficial Selection, IDFA (2014)\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, HOTDOCS (2015)\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Tunis Human Rights Film Festival (2014)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Geneve Human Rights Forme (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Zabreb Dox (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, One World International Film Festival (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Tessaloniki Film Festival (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Karama Film Festival (2014)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eQuotes:\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e\u003c\/div\u003e\n\u003cp\u003e \"...(T)he film nonetheless offers up a rare and intimate account of what exactly drives such youngsters to action, making this Hot Docs premiere a strong contender for fests and the small screen – especially with a TV-friendly 58-minute running time.\" -Hollywood Reporter\u003cbr\u003e \u003cbr\u003e\"Cutting between footage of bloodshed in Somalia and reenacted scenes of men wandering the dark streets of Copenhagen, \u003cem\u003eWarriors From the North \u003c\/em\u003epaints a convincing portrait of disenchanted youths who’d prefer to die for a cause back home rather than lead meaningless lives in their adopted nations.\"-Hollywood Reporter\u003c\/p\u003e\n\u003ca href=\"\/\/www.pinterest.com\/pin\/create\/extension\/\" style=\"height: 20px; width: 40px; position: absolute; opacity: 0.85; z-index: 8675309; display: none; cursor: pointer; background-color: transparent; background-image: 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by:\u003c\/strong\u003e Søren Steen Jespersen \u0026amp; Nasib Farah\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"line-height: 1.5;\"\u003eProduced by\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e: Helle Faber\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e \u003c\/span\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 2014\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\u003cspan\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  52 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"line-height: 1.5;\"\u003e\n\u003cstrong\u003eLanguage: \u003c\/strong\u003eDanish \/ Somali,\u003cstrong\u003e \u003c\/strong\u003e English\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eSubjects:\u003c\/strong\u003e \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/multicultural\"\u003eMulticultural Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/sociology\"\u003eSociology\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/immigration-workers-rights\"\u003eImmigration \u0026amp; Refugee Studies\u003c\/a\u003e\u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/workers-rights\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\n\u003cp\u003eWarriors from the North is a relevant, agenda setting film about the radicalization of young people. The film tells the story of a group of young Somali men who want to join the Islamic fundamentalist terror organization, Al-Shabab, to become suicide bombers in Somalia.\u003c\/p\u003e\n\u003cp\u003eThe film examines why young men in their early twenties decide to head towards this horrifying destiny. Through one of the insiders, ”The Shadow”, who chose to stay behind in Copenhagen, we get access to the mindset of a potential terrorist in the making.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/146021157\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eReviews \/ Quotes:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"line-height: 1.4;\"\u003e“While there’s nothing groundbreaking here for anyone who reads the news, the film nonetheless offers up a rare and intimate account of what exactly drives such youngsters to action…”\u003cstrong\u003e - Hollywood Reporter\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e“A great look at how we quickly forget that the people who carry out these horrible attacks were not always horrible people. It certainly doesn’t change how awful their actions were, but it does remind us that many of these attackers also began as victims.” \u003cstrong\u003e- Hot Docs\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“The film brings the despair, alienation and isolation of Al Shabab’s young Danish-Somali recruits to the screen in a rare expose that provides some difficult answers, but raises inconvenient questions about the West’s role, and what might be done to staunch the flow.”\u003cstrong\u003e - Toronto Star \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"field-item even\"\u003e\n\u003cul\u003e\n\u003cli\u003eOfficial Selection, IDFA (2014)\u003c\/li\u003e\n\u003cli\u003eOfficial Selection, HOTDOCS (2015)\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Tunis Human Rights Film Festival (2014)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Geneve Human Rights Forme (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Zabreb Dox (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, One World International Film Festival (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Tessaloniki Film Festival (2015)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOfficial Selection, Karama Film Festival (2014)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eQuotes:\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e\u003c\/div\u003e\n\u003cp\u003e \"...(T)he film nonetheless offers up a rare and intimate account of what exactly drives such youngsters to action, making this Hot Docs premiere a strong contender for fests and the small screen – especially with a TV-friendly 58-minute running time.\" -Hollywood Reporter\u003cbr\u003e \u003cbr\u003e\"Cutting between footage of bloodshed in Somalia and reenacted scenes of men wandering the dark streets of Copenhagen, \u003cem\u003eWarriors From the North \u003c\/em\u003epaints a convincing portrait of disenchanted youths who’d prefer to die for a cause back home rather than lead meaningless lives in their adopted nations.\"-Hollywood Reporter\u003c\/p\u003e\n\u003ca href=\"\/\/www.pinterest.com\/pin\/create\/extension\/\" style=\"height: 20px; 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{"id":117480212,"title":"Corner Store","handle":"corner-store-educational","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Katherine Bruens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: Katherine Bruens \u0026amp; Hadley Dynak\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2011\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 53mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English, Arabic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/immigration-workers-rights\" style=\"color: #000000;\"\u003eImmigration and Refugee Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/multicultural\" style=\"color: #000000;\"\u003eMulticultural Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eCORNER STORE\u003c\/b\u003e is the true story of Yousef Elhaj; beloved shop owner, Palestinian immigrant and long-distance father. Ten years ago, Yousef left his wife and three small children in Palestine to start a new life for them all in San Francisco. For the past decade he has worked day and night to build a small business, save money, and become part of his adopted community while still trying to stay connected from afar. The film profiles Yousef’s life in San Francisco and the challenges of the immigration process for his family. It then follows his journey back to his fractured homeland to finally reunite with his wife and kids. But a lot has changed, and Yousef must confront the current realities in both his family and his country and decide if a new life in America is really still the right path for them to take. \u003cb\u003eCORNER STORE\u003c\/b\u003e faithfully documents Yosuef’s resoundingly universal tale of hard won choices for a better life, now set on the back drop of San Francisco and modern-day Palestine. Compelling and emotionally-engaging, the film is a story about community relationships, cultural understanding, immigration, and the politics of living in an occupied territory. Even more, the film is about family, the sacrifices people make for each other, and the deep connections that bind us all together.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e  \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/59944664\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Starz Denver Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Big Sky Documentary Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER of Audience Award Best Documentary Feature- San Fransisco Indiefest\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- St. Louis International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\/ Reviews\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Corner Store is a sincere film that students respond to.  Its intimate view of a family's struggle to immigrate to the United States provides students with an honest look in to the immigration process.  Students are engaged through this film and discussions about the film are complex and stimulate the desire to look further into the subject.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Scott Pettit, Social Sciences Teacher, Summit Academy High School\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"A moving insight into one man’s struggle to reconcile the kinship he feels for his adopted Bay Area home with his Middle Eastern roots.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - New York Times\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Yet it is home, and what home actually means to us is the insistent heart of Bruens' quietly powerful film.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - The San Francisco Chronicle\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Corner Store is a remarkable achievement of documentary filmmaking; immortalizing the everyday to express a facet of human life.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - Bay Area Guardian\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Bruens’ Corner Store... refrains from making Elhaj’s struggle into melting pot boilerplate, presenting a remarkable portrait of hope kept alive under the duress of the quotidian.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - SF 360 \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Community, history, and love are the thematic strands running through the various frames of the locally made documentary “Corner Store.” \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - Beyond Chron\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Bruens, without a trace of sentimentality, shows that Youssef and his family and their friends in Bethlehem are just like us.” \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e – Culture Vulture\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/www.docuseek2.com\/ce-cns-es\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eStream\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e","published_at":"2013-01-28T13:21:00-08:00","created_at":"2013-01-15T14:36:06-08:00","vendor":"Katherine Bruens","type":"DVD ","tags":[],"price":3999,"price_min":3999,"price_max":29500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":268211986,"title":"University and College (With PPR)","option1":"University and College (With PPR)","option2":null,"option3":null,"sku":"CNS-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Corner Store - University and College (With PPR)","public_title":"University and College (With PPR)","options":["University and College (With PPR)"],"price":29500,"weight":100,"compare_at_price":null,"inventory_quantity":30,"inventory_management":null,"inventory_policy":"continue","barcode":null},{"id":268211988,"title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option1":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"CNS-C","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Corner Store - K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","public_title":"K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)","options":["K-­‐12, Public Libraries, Non-­‐profits \u0026 Government (with PPR*)"],"price":12500,"weight":100,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":268211990,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"CNS-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Corner Store - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3999,"weight":100,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null},{"id":268211992,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"CNS-D","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Corner Store - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/386X657_Corner_Store_3dcase.png?v=1452645116","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/CORNER_STORE_FILM_STILL_7_3888x2592_grande_753461b5-3e31-4f01-a3bf-ca79d87facfb.jpg?v=1452645116","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Corner_Store_Quote_1.png?v=1452645116","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/CORNER_STORE_FILM_STILL_9_2048x1536_grande_b96df454-cb4c-4f63-9f3d-f9b74183898f.jpg?v=1452645116","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Corner_Store_Quote_2.png?v=1452645116","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/CORNER_STORE_FILM_STILL_1_1280x720_grande_ed9b7912-22b4-4979-a17b-04b97da7e564.jpg?v=1452645116"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/386X657_Corner_Store_3dcase.png?v=1452645116","options":["License"],"content":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDirected by: Katherine Bruens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by: Katherine Bruens \u0026amp; Hadley Dynak\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eReleased: 2011\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eRunning Time: 53mins\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubtitles: English, Arabic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eSubjects: \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/immigration-workers-rights\" style=\"color: #000000;\"\u003eImmigration and Refugee Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/multicultural\" style=\"color: #000000;\"\u003eMulticultural Studies\u003c\/a\u003e, \u003ca href=\"http:\/\/www.collectiveeye.org\/collections\/human-rights\" style=\"color: #000000;\"\u003eHuman Rights\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eCORNER STORE\u003c\/b\u003e is the true story of Yousef Elhaj; beloved shop owner, Palestinian immigrant and long-distance father. Ten years ago, Yousef left his wife and three small children in Palestine to start a new life for them all in San Francisco. For the past decade he has worked day and night to build a small business, save money, and become part of his adopted community while still trying to stay connected from afar. The film profiles Yousef’s life in San Francisco and the challenges of the immigration process for his family. It then follows his journey back to his fractured homeland to finally reunite with his wife and kids. But a lot has changed, and Yousef must confront the current realities in both his family and his country and decide if a new life in America is really still the right path for them to take. \u003cb\u003eCORNER STORE\u003c\/b\u003e faithfully documents Yosuef’s resoundingly universal tale of hard won choices for a better life, now set on the back drop of San Francisco and modern-day Palestine. Compelling and emotionally-engaging, the film is a story about community relationships, cultural understanding, immigration, and the politics of living in an occupied territory. Even more, the film is about family, the sacrifices people make for each other, and the deep connections that bind us all together.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e  \u003ciframe src=\"http:\/\/player.vimeo.com\/video\/59944664\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"281\" width=\"500\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eAwards:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Starz Denver Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- Big Sky Documentary Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER of Audience Award Best Documentary Feature- San Fransisco Indiefest\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection- St. Louis International Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eQuotes\/ Reviews\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\"Corner Store is a sincere film that students respond to.  Its intimate view of a family's struggle to immigrate to the United States provides students with an honest look in to the immigration process.  Students are engaged through this film and discussions about the film are complex and stimulate the desire to look further into the subject.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e-Scott Pettit, Social Sciences Teacher, Summit Academy High School\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \"A moving insight into one man’s struggle to reconcile the kinship he feels for his adopted Bay Area home with his Middle Eastern roots.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - New York Times\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Yet it is home, and what home actually means to us is the insistent heart of Bruens' quietly powerful film.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - The San Francisco Chronicle\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Corner Store is a remarkable achievement of documentary filmmaking; immortalizing the everyday to express a facet of human life.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - Bay Area Guardian\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Bruens’ Corner Store... refrains from making Elhaj’s struggle into melting pot boilerplate, presenting a remarkable portrait of hope kept alive under the duress of the quotidian.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - SF 360 \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e \"Community, history, and love are the thematic strands running through the various frames of the locally made documentary “Corner Store.” \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e - Beyond Chron\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e “Bruens, without a trace of sentimentality, shows that Youssef and his family and their friends in Bethlehem are just like us.” \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e – Culture Vulture\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca title=\"stream-link\" target=\"_blank\" href=\"http:\/\/www.docuseek2.com\/ce-cns-es\" style=\"color: #000000;\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eStream\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e"}

{"id":693761179675,"title":"Evolution of Organic (Host a Screening)","handle":"evolution-of-organic","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Mark Kitchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIncludes Closed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Science \u0026amp; Nature, Agriculture\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSCREENINGS CURRENTLY AVAILABLE IN US \u0026amp; CANADA ONLY\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWe're \u003c\/span\u003e\u003cspan class=\"s2\"\u003eproud to be working with Academy Award-nominated environmental filmmaker Mark Kitchell (\u003ci\u003eBerkeley in the Sixties, A Fierce Green Fire\u003c\/i\u003e) to distribute his newest film to communities across the US and Canada. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s2\"\u003eEvolution of Organic's nationwide screening campaign has already scheduled 40+ events and is growing every day.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/181428111\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eEvolution of Organic\u003c\/i\u003e brings us the story of organic agriculture, told by those who built the movement. A motley crew of back-to-the-landers, spiritual seekers and farmers’ sons and daughters reject chemical farming and set out to explore organic alternatives. It’s a heartfelt journey of change from a small band of rebels to a cultural transformation in the way we grow and eat food. By now organic has gone mainstream – split into an\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003eindustry oriented\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003etoward bringing organic to all people, and a movement that has realized a vision of sustainable agriculture. \u003c\/span\u003e\u003cem\u003eEvolution of Organic\u003c\/em\u003e is narrated by Frances McDormand and features music from The Grateful Dead, Bruce Springsteen, Dave Mallett, Country Joe \u0026amp; The Fish, and David Gans.\u003c\/p\u003e\n\u003cp\u003eAre you interested in Home-use DVDs or online streaming rentals? \u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003eInquire here.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eSan Francisco Green Film Festival\u003c\/li\u003e\n\u003cli\u003eVancouver International Film Festival, Vancouver, BC, Canada\u003c\/li\u003e\n\u003cli\u003eEnvironmental Film Festival in the Nation’s Capital, Washington DC\u003c\/li\u003e\n\u003cli\u003eWild \u0026amp; Scenic Film Festival, Nevada City, CA   \u003c\/li\u003e\n\u003cli\u003eBioneers Conference, Marin Co., CA\u003c\/li\u003e\n\u003cli\u003eHoes Down Festival at Full Belly Farm in Capay Valley, Yolo Co., CA\u003c\/li\u003e\n\u003cli\u003eCarmel Film Festival, Carmel, CA\u003c\/li\u003e\n\u003cli\u003eG2 Green Film Festival, Los Angeles, CA\u003c\/li\u003e\n\u003cli\u003eBellingham WA premiere hosted by Community Co-op, Pickford Theatre\u003c\/li\u003e\n\u003cli\u003eWillits Grange, hosted by Now and Then series, Willits, Mendocino Co., CA\u003c\/li\u003e\n\u003cli\u003eFresno premiere hosted by Cine Culture, CSU Fresno\u003c\/li\u003e\n\u003cli\u003eFarmers Guild conference, North San Diego Co., CA\u003c\/li\u003e\n\u003cli\u003eAlameda Backyard Growers, Alameda, CA                 \u003c\/li\u003e\n\u003cli\u003eSierra Club dinner, East Bay chapter, Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eWorld Community Film Festival, Courtenay, BC, Canada\u003c\/li\u003e\n\u003cli\u003eCinema Verde Environmental Film Festival, Gainesville, FL\u003c\/li\u003e\n\u003cli\u003eTransitions Film Festival, Melbourne, Australia\u003c\/li\u003e\n\u003cli\u003eDance Palace, Point Reyes Station, West Marin, CA\u003c\/li\u003e\n\u003cli\u003eOne Earth Film Festival, Chicago, IL\u003c\/li\u003e\n\u003cli\u003eRancho LaPuerta, Tecate, Baja California, Mexico\u003c\/li\u003e\n\u003cli\u003eSalt Spring Island Film Festival, Salt Spring Island, BC, Canada\u003c\/li\u003e\n\u003cli\u003eNorth Olympic Peninsula Farming Film Festival, Port Townsend\u003c\/li\u003e\n\u003cli\u003eFarmers Guild-Raising, Davis CA                  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e...and many more!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Organic\" has become such a garden variety term that few us give much thought to how this movement might’ve originated. Consequently, Mark Kitchell’s insightful documentary makes for engrossing—and for some viewers, wonderfully nostalgic—viewing as it retraces the first steps of the motley, rebellious pioneers who thumbed their noses at chemical farming and set in motion a wave of change. Much more than just backstory, however, \u003cem\u003eEvolution\u003c\/em\u003e is essential viewing thanks to the glimpses it offers of the sustainable alternatives waiting on the horizon. Frances McDormand brings a light touch as narrator, taking us chapter by chapter from sun-drenched 1960s counter-culture to a future—if we guide or support it—that is sustainable and delicious...\" \u003cem\u003e- Vancouver International Film Festival\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Earthbeat_cb_large.jpg?v=1521059765\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eDirector, writer and producer – Mark Kitchell is best known for \u003cem\u003eBerkeley in the Sixties, \u003c\/em\u003ea classic that has become one of the defining films about the protest movements that shook America during the 1960s. More recently he made \u003cem\u003eA Fierce Green Fire\u003c\/em\u003e, the first film to bring together all the major parts of the environmental movement. It was a big success, peaking with national broadcast on \u003cem\u003eAmerican Masters\u003c\/em\u003e on Earth Day 2014.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eClick to host a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-03-14T13:58:00-07:00","created_at":"2018-03-12T14:20:40-07:00","vendor":"Mark Kitchell","type":"DVD","tags":[],"price":35000,"price_min":35000,"price_max":35000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6470365806619,"title":"Community Screening License","option1":"Community Screening License","option2":null,"option3":null,"sku":"EOO-CS","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Evolution of Organic (Host a Screening) - Community Screening License","public_title":"Community Screening License","options":["Community Screening License"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-58,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/EOO_Square.jpg?v=1521059016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FOT_2259_7X5_de8bad89-1600-4e91-a5e2-312f553f10c0.jpg?v=1521059016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FOT_2012_5X7_8dcefe2a-5757-41fd-851b-4d77ba01abbd.jpg?v=1521059016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FOT_1911_5X7_BW.jpg?v=1521059016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FOT_1496_5X7_3a428b89-2059-4c1d-afc4-70d417e8b52c.jpg?v=1521059016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FOT_1074M_7X5_61411b10-f055-4866-8752-123a99b54f2d.jpg?v=1521059016","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/FOT_1046_7X5_9e07dea1-ad99-4c08-af03-5535a331d4f2.jpg?v=1521059016"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/EOO_Square.jpg?v=1521059016","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Mark Kitchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIncludes Closed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Science \u0026amp; Nature, Agriculture\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eSCREENINGS CURRENTLY AVAILABLE IN US \u0026amp; CANADA ONLY\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWe're \u003c\/span\u003e\u003cspan class=\"s2\"\u003eproud to be working with Academy Award-nominated environmental filmmaker Mark Kitchell (\u003ci\u003eBerkeley in the Sixties, A Fierce Green Fire\u003c\/i\u003e) to distribute his newest film to communities across the US and Canada. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s2\"\u003eEvolution of Organic's nationwide screening campaign has already scheduled 40+ events and is growing every day.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/181428111\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eEvolution of Organic\u003c\/i\u003e brings us the story of organic agriculture, told by those who built the movement. A motley crew of back-to-the-landers, spiritual seekers and farmers’ sons and daughters reject chemical farming and set out to explore organic alternatives. It’s a heartfelt journey of change from a small band of rebels to a cultural transformation in the way we grow and eat food. By now organic has gone mainstream – split into an\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003eindustry oriented\u003c\/span\u003e\u003cspan class=\"s4\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003etoward bringing organic to all people, and a movement that has realized a vision of sustainable agriculture. \u003c\/span\u003e\u003cem\u003eEvolution of Organic\u003c\/em\u003e is narrated by Frances McDormand and features music from The Grateful Dead, Bruce Springsteen, Dave Mallett, Country Joe \u0026amp; The Fish, and David Gans.\u003c\/p\u003e\n\u003cp\u003eAre you interested in Home-use DVDs or online streaming rentals? \u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\"\u003eInquire here.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eSan Francisco Green Film Festival\u003c\/li\u003e\n\u003cli\u003eVancouver International Film Festival, Vancouver, BC, Canada\u003c\/li\u003e\n\u003cli\u003eEnvironmental Film Festival in the Nation’s Capital, Washington DC\u003c\/li\u003e\n\u003cli\u003eWild \u0026amp; Scenic Film Festival, Nevada City, CA   \u003c\/li\u003e\n\u003cli\u003eBioneers Conference, Marin Co., CA\u003c\/li\u003e\n\u003cli\u003eHoes Down Festival at Full Belly Farm in Capay Valley, Yolo Co., CA\u003c\/li\u003e\n\u003cli\u003eCarmel Film Festival, Carmel, CA\u003c\/li\u003e\n\u003cli\u003eG2 Green Film Festival, Los Angeles, CA\u003c\/li\u003e\n\u003cli\u003eBellingham WA premiere hosted by Community Co-op, Pickford Theatre\u003c\/li\u003e\n\u003cli\u003eWillits Grange, hosted by Now and Then series, Willits, Mendocino Co., CA\u003c\/li\u003e\n\u003cli\u003eFresno premiere hosted by Cine Culture, CSU Fresno\u003c\/li\u003e\n\u003cli\u003eFarmers Guild conference, North San Diego Co., CA\u003c\/li\u003e\n\u003cli\u003eAlameda Backyard Growers, Alameda, CA                 \u003c\/li\u003e\n\u003cli\u003eSierra Club dinner, East Bay chapter, Berkeley, CA\u003c\/li\u003e\n\u003cli\u003eWorld Community Film Festival, Courtenay, BC, Canada\u003c\/li\u003e\n\u003cli\u003eCinema Verde Environmental Film Festival, Gainesville, FL\u003c\/li\u003e\n\u003cli\u003eTransitions Film Festival, Melbourne, Australia\u003c\/li\u003e\n\u003cli\u003eDance Palace, Point Reyes Station, West Marin, CA\u003c\/li\u003e\n\u003cli\u003eOne Earth Film Festival, Chicago, IL\u003c\/li\u003e\n\u003cli\u003eRancho LaPuerta, Tecate, Baja California, Mexico\u003c\/li\u003e\n\u003cli\u003eSalt Spring Island Film Festival, Salt Spring Island, BC, Canada\u003c\/li\u003e\n\u003cli\u003eNorth Olympic Peninsula Farming Film Festival, Port Townsend\u003c\/li\u003e\n\u003cli\u003eFarmers Guild-Raising, Davis CA                  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e...and many more!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Organic\" has become such a garden variety term that few us give much thought to how this movement might’ve originated. Consequently, Mark Kitchell’s insightful documentary makes for engrossing—and for some viewers, wonderfully nostalgic—viewing as it retraces the first steps of the motley, rebellious pioneers who thumbed their noses at chemical farming and set in motion a wave of change. Much more than just backstory, however, \u003cem\u003eEvolution\u003c\/em\u003e is essential viewing thanks to the glimpses it offers of the sustainable alternatives waiting on the horizon. Frances McDormand brings a light touch as narrator, taking us chapter by chapter from sun-drenched 1960s counter-culture to a future—if we guide or support it—that is sustainable and delicious...\" \u003cem\u003e- Vancouver International Film Festival\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Earthbeat_cb_large.jpg?v=1521059765\" style=\"float: left; margin: 5px 10px 5px 5px;\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eDirector, writer and producer – Mark Kitchell is best known for \u003cem\u003eBerkeley in the Sixties, \u003c\/em\u003ea classic that has become one of the defining films about the protest movements that shook America during the 1960s. More recently he made \u003cem\u003eA Fierce Green Fire\u003c\/em\u003e, the first film to bring together all the major parts of the environmental movement. It was a big success, peaking with national broadcast on \u003cem\u003eAmerican Masters\u003c\/em\u003e on Earth Day 2014.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eClick to host a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":645340037147,"title":"The Reluctant Radical","handle":"the-reluctant-radical","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Lindsey Grayzel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 77\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Science \u0026amp; Nature, Human Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003ci\u003eTHE RELUCTANT RADICAL\u003c\/i\u003e\u003c\/b\u003e is an intimate portrait of climate activist Ken Ward. Ken breaks the law as a last resort and with great trepidation, to fulfill what he sees as his personal obligation to future generations. The film follows Ken through a series of civil disobedience direct actions, culminating with his participation in the coordinated action that shut down all the U.S. tar sands oil pipelines on October 11, 2016. Facing 20 years in prison for his actions, the film\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003ereveals both the personal costs and also the fulfillment that comes from following one’s moral calling.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eRead the \u003ca data-cke-saved-href=\"http:\/\/ https:\/\/www.nytimes.com\/2018\/02\/13\/magazine\/afraid-climate-change-prison-valve-turners-global-warming.html\" href=\"https:\/\/www.nytimes.com\/2018\/02\/13\/magazine\/afraid-climate-change-prison-valve-turners-global-warming.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNY Times coverage\u003c\/a\u003e of the \"Valve Turners\"\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003ethe group of activists Ken Ward collaborated with to take direct action on the U.S. tar sands oil pipelines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/248062039\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWorld Premiere - Big Sky Documentary Film Festival (Feature Competition)\u003c\/li\u003e\n\u003cli\u003ePortland EcoFilm Festival\u003c\/li\u003e\n\u003cli\u003eSalem Film Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003ePrinceton Environmental Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003eThin Line Fest\u003c\/li\u003e\n\u003cli\u003eDarkside Cinema, Corvallis OR - SOLD OUT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\"\u003c\/span\u003eGrayzel wants us to ponder whether this one-\u003cspan\u003eman mission to save the world makes Ward a \u003c\/span\u003e\u003cspan\u003eradical. “Yes” is too easy an answer, and the \u003c\/span\u003e\u003cspan\u003ewrong one if you ask Ward. He has to stop \u003c\/span\u003e\u003cspan\u003eclimate change at any cost. His every action \u003c\/span\u003e\u003cspan\u003eis one of common sense. Maybe we’re the \u003c\/span\u003e\u003cspan\u003ecrazy ones.\" \u003cem\u003e- The Missoulian Independent\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“The Reluctant Radical\u003c\/i\u003e chronicles Ward’s efforts over the past few years, centering on #ShutItDown—an October 2016 action in which Ward and other activists stopped tar sand pipelines from pumping oil into the US using, as Grayzel puts it, “bolt cutters and bravery.” In the hours the pipelines remained shut, 15 percent of daily US crude oil imports were blocked. Later, the activists—and \u003ci\u003eThe Reluctant Radical\u003c\/i\u003e’s filmmakers—were arrested and charged with felonies, a reaction that was seen as an attack on the freedom of the press.” \u003cem\u003e- The Portland Mercury\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"The film will disturb you, and that isn’t all bad. Sometimes we need to be shaken from our complacency to ponder anew what should be our response to the greatest crisis that human civilization has ever faced.” \u003cem\u003e—Terrance Gallagher, United Church of Christ\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFROM THE EXPERTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eThere are many fronts in the vast climate fight; this \u003c\/span\u003efilm highlights the personal \u003cspan\u003estruggles and victories of one daring path.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cem\u003e- Bill McKibben, Founder 350.org\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eHe was told he was crazy, but crazy is sitting idly by as dis\u003c\/span\u003e\u003cspan\u003easter for young people is \u003c\/span\u003e\u003cspan\u003eknowingly locked in.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cem\u003e- Dr. James Hansen, Director of \u003c\/em\u003e\u003cem\u003e\u003cspan\u003ethe Program on Climate Science, Awareness and Solutions of the Earth Institute at Columbia University.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“The Reluctant Radical is about one man’s courage and conviction confronting climate change; beautifully told with insight and honesty. This is what true patriotism looks like.”  \u003cem\u003e- Peter Cornelison, Co-convener Columbia Gorge Climate Action Network\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"If you're deep into the climate movement, you know these are desperate times. A window of opportunity is rapidly closing, and regressive forces have assumed the mantels of power.  That's why, right now, Lindsey Grayzel's \"The Reluctant Radical\" is so powerful... Ken and his cohort are doing what visionaries of our past have done, using civil disobedience and doggedly articulating a vision of an America capable of doing what's necessary.\" \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eJeff Smith, co-chair - \u003c\/span\u003e\u003cspan class=\"s1\"\u003e350 Montana\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Lindsey_working_copy_preview_large.jpeg?v=1519243168\" style=\"float: left; margin-right: 10px;\" width=\"300\" height=\"200\"\u003eLindsey Grayzel is currently working to distribute THE RELUCTANT RADICAL, her feature length documentary which follows climate activist Ken Ward as he puts himself in the direct path of the fossil fuel industry. She is also in pre-production on an audio documentary about use of the necessity defense by climate activists in court. Lindsey began her career as an editor in 1994, then made the transition to producing and directing in 1999. Her passion for documentary stories has led her to a successful freelance career producing documentary and educational videos for non-profit organizations, local and state governments, and museums. Recent projects include films for the American Foundation for Suicide Prevention, The Dougy Center, Kenai Fjords National Park and the Canadian Museum for Human Rights. Whether she is working for a client or pursuing an independent project, Lindsey is thrilled to be dedicating her storytelling talents on projects she feels make a positive impact in the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-02-21T12:00:07-08:00","created_at":"2018-02-20T16:26:22-08:00","vendor":"Lindsey Grayzel","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":6327916462107,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"TRR-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Reluctant Radical - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-60,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6327916494875,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"TRR-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Reluctant Radical - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-9,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6327916527643,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"TRR-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Reluctant Radical - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-19,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6327916560411,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"TRR-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"The Reluctant Radical - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6327916593179,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"TRR-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Reluctant Radical - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/RR_poster_digital_small_RGB.jpg?v=1519173639","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Radical_Still107.jpg?v=1519173883","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/170912_dory0.jpg?v=1519173886","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/170912_exxon0.jpg?v=1519173888","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/170912_flag0.jpg?v=1519173889","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/hung_jury0_1.jpg?v=1519173892","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/screen_grabs_refinery02.jpg?v=1519173894"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/RR_poster_digital_small_RGB.jpg?v=1519173639","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Lindsey Grayzel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 77\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish, Closed Captioned\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Science \u0026amp; Nature, Human Rights\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003ci\u003eTHE RELUCTANT RADICAL\u003c\/i\u003e\u003c\/b\u003e is an intimate portrait of climate activist Ken Ward. Ken breaks the law as a last resort and with great trepidation, to fulfill what he sees as his personal obligation to future generations. The film follows Ken through a series of civil disobedience direct actions, culminating with his participation in the coordinated action that shut down all the U.S. tar sands oil pipelines on October 11, 2016. Facing 20 years in prison for his actions, the film\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003ereveals both the personal costs and also the fulfillment that comes from following one’s moral calling.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eRead the \u003ca data-cke-saved-href=\"http:\/\/ https:\/\/www.nytimes.com\/2018\/02\/13\/magazine\/afraid-climate-change-prison-valve-turners-global-warming.html\" href=\"https:\/\/www.nytimes.com\/2018\/02\/13\/magazine\/afraid-climate-change-prison-valve-turners-global-warming.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNY Times coverage\u003c\/a\u003e of the \"Valve Turners\"\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003ethe group of activists Ken Ward collaborated with to take direct action on the U.S. tar sands oil pipelines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/248062039\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cstrong\u003eSCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWorld Premiere - Big Sky Documentary Film Festival (Feature Competition)\u003c\/li\u003e\n\u003cli\u003ePortland EcoFilm Festival\u003c\/li\u003e\n\u003cli\u003eSalem Film Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003ePrinceton Environmental Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival - SOLD OUT\u003c\/li\u003e\n\u003cli\u003eThin Line Fest\u003c\/li\u003e\n\u003cli\u003eDarkside Cinema, Corvallis OR - SOLD OUT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eWHAT THE PRESS IS SAYING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\"\u003c\/span\u003eGrayzel wants us to ponder whether this one-\u003cspan\u003eman mission to save the world makes Ward a \u003c\/span\u003e\u003cspan\u003eradical. “Yes” is too easy an answer, and the \u003c\/span\u003e\u003cspan\u003ewrong one if you ask Ward. He has to stop \u003c\/span\u003e\u003cspan\u003eclimate change at any cost. His every action \u003c\/span\u003e\u003cspan\u003eis one of common sense. Maybe we’re the \u003c\/span\u003e\u003cspan\u003ecrazy ones.\" \u003cem\u003e- The Missoulian Independent\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“The Reluctant Radical\u003c\/i\u003e chronicles Ward’s efforts over the past few years, centering on #ShutItDown—an October 2016 action in which Ward and other activists stopped tar sand pipelines from pumping oil into the US using, as Grayzel puts it, “bolt cutters and bravery.” In the hours the pipelines remained shut, 15 percent of daily US crude oil imports were blocked. Later, the activists—and \u003ci\u003eThe Reluctant Radical\u003c\/i\u003e’s filmmakers—were arrested and charged with felonies, a reaction that was seen as an attack on the freedom of the press.” \u003cem\u003e- The Portland Mercury\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"The film will disturb you, and that isn’t all bad. Sometimes we need to be shaken from our complacency to ponder anew what should be our response to the greatest crisis that human civilization has ever faced.” \u003cem\u003e—Terrance Gallagher, United Church of Christ\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFROM THE EXPERTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eThere are many fronts in the vast climate fight; this \u003c\/span\u003efilm highlights the personal \u003cspan\u003estruggles and victories of one daring path.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cem\u003e- Bill McKibben, Founder 350.org\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eHe was told he was crazy, but crazy is sitting idly by as dis\u003c\/span\u003e\u003cspan\u003easter for young people is \u003c\/span\u003e\u003cspan\u003eknowingly locked in.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cem\u003e- Dr. James Hansen, Director of \u003c\/em\u003e\u003cem\u003e\u003cspan\u003ethe Program on Climate Science, Awareness and Solutions of the Earth Institute at Columbia University.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e“The Reluctant Radical is about one man’s courage and conviction confronting climate change; beautifully told with insight and honesty. This is what true patriotism looks like.”  \u003cem\u003e- Peter Cornelison, Co-convener Columbia Gorge Climate Action Network\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"If you're deep into the climate movement, you know these are desperate times. A window of opportunity is rapidly closing, and regressive forces have assumed the mantels of power.  That's why, right now, Lindsey Grayzel's \"The Reluctant Radical\" is so powerful... Ken and his cohort are doing what visionaries of our past have done, using civil disobedience and doggedly articulating a vision of an America capable of doing what's necessary.\" \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eJeff Smith, co-chair - \u003c\/span\u003e\u003cspan class=\"s1\"\u003e350 Montana\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Lindsey_working_copy_preview_large.jpeg?v=1519243168\" style=\"float: left; margin-right: 10px;\" width=\"300\" height=\"200\"\u003eLindsey Grayzel is currently working to distribute THE RELUCTANT RADICAL, her feature length documentary which follows climate activist Ken Ward as he puts himself in the direct path of the fossil fuel industry. She is also in pre-production on an audio documentary about use of the necessity defense by climate activists in court. Lindsey began her career as an editor in 1994, then made the transition to producing and directing in 1999. Her passion for documentary stories has led her to a successful freelance career producing documentary and educational videos for non-profit organizations, local and state governments, and museums. Recent projects include films for the American Foundation for Suicide Prevention, The Dougy Center, Kenai Fjords National Park and the Canadian Museum for Human Rights. Whether she is working for a client or pursuing an independent project, Lindsey is thrilled to be dedicating her storytelling talents on projects she feels make a positive impact in the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":174964310043,"title":"Generation Zapped","handle":"generation-zapped","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sabine El Gemayel\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 74 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e52 Minute classroom version available on DSL only\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong style=\"color: #000000;\"\u003eSubjects: \u003c\/strong\u003ePhysical \u0026amp; Mental Health, Environmental Studies, Technology, Urban Development \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003cstrong\u003eLike cigarettes and the toxic chemicals before it, emerging science is revealing the concerning reality that some people may suffer health impacts from radiation emitted by wireless devices. \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/h7R4gKs8ViI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eToday we encounter\u003c\/strong\u003e a hundred thousand times the level of radiation from wireless technologies than we did decades ago. \u003c\/span\u003eYet the safety standards set by federal regulatory agencies are outdated. New wireless devices such as smart phones, tablets and baby monitors to the latest “Internet of Things” continue to enter the market without any proper pre-market testing or post-market monitoring. Some feel that too little is done to ensure public safety and awareness.\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eWe meet four peop\u003c\/span\u003e\u003cspan\u003ele \u003c\/span\u003e\u003cspan\u003ewho are struggling with a variety of \u003c\/span\u003e\u003cspan\u003eillness\u003c\/span\u003e\u003cspan\u003ees \u003c\/span\u003e\u003cspan\u003efrom wireless \u003c\/span\u003e\u003cspan\u003eradiation–\u003c\/span\u003e\u003cspan\u003ea breast cancer \u003c\/span\u003e\u003cspan\u003esurvivor who had carried her cell phone in her bra, a long-term cell phone user with brain cancer, and a fit, \u003c\/span\u003e\u003cspan\u003eseemingly \u003c\/span\u003e\u003cspan\u003ehealthy couple with neurological impacts now \u003c\/span\u003e\u003cspan\u003eidentified as being linked to wireless \u003c\/span\u003e\u003cspan\u003edata \u003c\/span\u003e\u003cspan\u003etransmission radiation. \u003c\/span\u003e\u003cspan\u003eScientists, health researchers, physicians, \u003c\/span\u003e\u003cspan\u003eand other experts document the links and concerns about this \u003c\/span\u003e\u003cspan\u003etechnology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThe multi\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003ebillion\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003edollar \u003c\/span\u003e\u003cspan\u003etelecommunications industry goes to great \u003c\/span\u003e\u003cspan\u003elengths to lobby Congress, influence \u003c\/span\u003e\u003cspan\u003epolicy-\u003c\/span\u003e\u003cspan\u003emakers, and dispute any scientific data correlating wireless technology to potential health risks, \u003c\/span\u003e\u003cspan\u003ewhich is reminiscent of the lead, asbestos\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eand tobacco industries before them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eGENERATION ZAPPED is a powerful\u003c\/span\u003e\u003cspan\u003ely moving and thought\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003eprovoking documentary, daring to \u003c\/span\u003e\u003cspan\u003eshine light on \u003c\/span\u003e\u003cspan\u003ethis invisible inconvenience. \u003c\/span\u003eThe film investigates the potential dangers of prolonged exposure to Radio Frequencies (RF) from wireless technology; it’s effects on our health and well-being, as well as the health and development of our children. From its links to breast and brain cancer, to its associations with increased infertility and genetic mutations related to autism and ADHD, to newly developed illnesses, such as Electrical Hyper-Sensitivity (EHS). \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAWARDS \u0026amp; SPECIAL EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e• Winner, DC Independent Film Festival 2018 - Best Documentary\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e• Winner, IndieFest Awards 2018 - Award of Excellence: Documentary Feature, Award of Excellence: Viewer Impact: Content \/ Message Delivery, Award of Excellence: Women Filmmakers, Award of Excellence: Contemporary Issues \/ Awareness Raising\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eOver 75 Screenings Across the Country, including:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• California Brain Tumor Association \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• Sedona International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• San Francisco State University\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• Silicon Valley International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eFEATURING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDOMINIQUE BELPOMME, MD, PhD - Oncologist, President of ARTAC  (Research on Treatments Against Cancer), France\u003c\/li\u003e\n\u003cli\u003eMARTIN BLANK\u003cspan\u003e, PhD - \u003c\/span\u003eAssociate Professor, Physiology and Cellular Biophysics at Columbia University\u003c\/li\u003e\n\u003cli\u003eERNESTO BURGIO\u003cspan\u003e, MD, PhD - \u003c\/span\u003ePediatric Cancer Scientist, President of the Scientific Committee of the International Society of Doctors for Environment (SCISDE)\u003c\/li\u003e\n\u003cli\u003eIGOR BELYAEV, \u003cspan\u003eDr. Sc. - \u003c\/span\u003eCancer Research Scientist Head, Laboratory of Radiobiology, Cancer Research Institute, BMC SA\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv class=\"page\" title=\"Page 13\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eLENNART HARDELL\u003c\/span\u003e\u003cspan\u003e, MD, PhD - \u003c\/span\u003eOncology Epidemiologist, Former Professor of Cancer Epidemiology, University Hospital Orebro, Sweden\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eACADEMIC REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Generation Zapped features interviews with experts from around the world to explore the societal and health issues with radio frequency radiation… the film raises important questions about radio frequency radiation that are worth discussing and warrant additional research.” \u003cem\u003e- Education Media Reviews Online, Brandon West, Social Sciences Librarian, \u003c\/em\u003eState\u003cem\u003e University of New York at Geneseo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eFROM THE EXPERTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“A wifi classroom is like the inside of a microwave oven set at very low power. Children are exposed to that wifi radiation six hours every school day, five days a week, and for several months during the year.”\u003cstrong\u003e - \u003c\/strong\u003e\u003cem\u003eMagda Havas, Associate Professor of Environmental and Resource Studies, Trent University, Canada\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-11-14T12:00:04-08:00","created_at":"2017-10-09T11:28:30-07:00","vendor":"Sabine El Gemayel","type":"DVD","tags":[],"price":3000,"price_min":3000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":2333221584923,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"GEN-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Generation Zapped - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-58,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":2333221715995,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"GEN-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Generation Zapped - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-13,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":2333221814299,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"GEN-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Generation Zapped - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":3000,"weight":91,"compare_at_price":null,"inventory_quantity":-30,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":6062815477787,"title":"DVD + DSL (W\/ PPR)","option1":"DVD + DSL (W\/ PPR)","option2":null,"option3":null,"sku":"GEN-DD","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Generation Zapped - DVD + DSL (W\/ PPR)","public_title":"DVD + DSL (W\/ PPR)","options":["DVD + DSL (W\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GZ_FINAL_POSTER.jpg?v=1517347749","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Baby_tablet.png?v=1517347749","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Boys_on_phones.png?v=1517347749","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Goggles_Virtual_reality.png?v=1517347749","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Nursing_Woman_on_phone.png?v=1517347749","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Antenna_Hwy.png?v=1517347749","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Antenna_School_02.png?v=1517347749"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/GZ_FINAL_POSTER.jpg?v=1517347749","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Sabine El Gemayel\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 74 min \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e52 Minute classroom version available on DSL only\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong style=\"color: #000000;\"\u003eSubjects: \u003c\/strong\u003ePhysical \u0026amp; Mental Health, Environmental Studies, Technology, Urban Development \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003cstrong\u003eLike cigarettes and the toxic chemicals before it, emerging science is revealing the concerning reality that some people may suffer health impacts from radiation emitted by wireless devices. \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"500\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/h7R4gKs8ViI\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eToday we encounter\u003c\/strong\u003e a hundred thousand times the level of radiation from wireless technologies than we did decades ago. \u003c\/span\u003eYet the safety standards set by federal regulatory agencies are outdated. New wireless devices such as smart phones, tablets and baby monitors to the latest “Internet of Things” continue to enter the market without any proper pre-market testing or post-market monitoring. Some feel that too little is done to ensure public safety and awareness.\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eWe meet four peop\u003c\/span\u003e\u003cspan\u003ele \u003c\/span\u003e\u003cspan\u003ewho are struggling with a variety of \u003c\/span\u003e\u003cspan\u003eillness\u003c\/span\u003e\u003cspan\u003ees \u003c\/span\u003e\u003cspan\u003efrom wireless \u003c\/span\u003e\u003cspan\u003eradiation–\u003c\/span\u003e\u003cspan\u003ea breast cancer \u003c\/span\u003e\u003cspan\u003esurvivor who had carried her cell phone in her bra, a long-term cell phone user with brain cancer, and a fit, \u003c\/span\u003e\u003cspan\u003eseemingly \u003c\/span\u003e\u003cspan\u003ehealthy couple with neurological impacts now \u003c\/span\u003e\u003cspan\u003eidentified as being linked to wireless \u003c\/span\u003e\u003cspan\u003edata \u003c\/span\u003e\u003cspan\u003etransmission radiation. \u003c\/span\u003e\u003cspan\u003eScientists, health researchers, physicians, \u003c\/span\u003e\u003cspan\u003eand other experts document the links and concerns about this \u003c\/span\u003e\u003cspan\u003etechnology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eThe multi\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003ebillion\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003edollar \u003c\/span\u003e\u003cspan\u003etelecommunications industry goes to great \u003c\/span\u003e\u003cspan\u003elengths to lobby Congress, influence \u003c\/span\u003e\u003cspan\u003epolicy-\u003c\/span\u003e\u003cspan\u003emakers, and dispute any scientific data correlating wireless technology to potential health risks, \u003c\/span\u003e\u003cspan\u003ewhich is reminiscent of the lead, asbestos\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eand tobacco industries before them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003eGENERATION ZAPPED is a powerful\u003c\/span\u003e\u003cspan\u003ely moving and thought\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003eprovoking documentary, daring to \u003c\/span\u003e\u003cspan\u003eshine light on \u003c\/span\u003e\u003cspan\u003ethis invisible inconvenience. \u003c\/span\u003eThe film investigates the potential dangers of prolonged exposure to Radio Frequencies (RF) from wireless technology; it’s effects on our health and well-being, as well as the health and development of our children. From its links to breast and brain cancer, to its associations with increased infertility and genetic mutations related to autism and ADHD, to newly developed illnesses, such as Electrical Hyper-Sensitivity (EHS). \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eAWARDS \u0026amp; SPECIAL EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e• Winner, DC Independent Film Festival 2018 - Best Documentary\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e• Winner, IndieFest Awards 2018 - Award of Excellence: Documentary Feature, Award of Excellence: Viewer Impact: Content \/ Message Delivery, Award of Excellence: Women Filmmakers, Award of Excellence: Contemporary Issues \/ Awareness Raising\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eOver 75 Screenings Across the Country, including:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• California Brain Tumor Association \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• Sedona International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• San Francisco State University\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e• Silicon Valley International Film Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eFEATURING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDOMINIQUE BELPOMME, MD, PhD - Oncologist, President of ARTAC  (Research on Treatments Against Cancer), France\u003c\/li\u003e\n\u003cli\u003eMARTIN BLANK\u003cspan\u003e, PhD - \u003c\/span\u003eAssociate Professor, Physiology and Cellular Biophysics at Columbia University\u003c\/li\u003e\n\u003cli\u003eERNESTO BURGIO\u003cspan\u003e, MD, PhD - \u003c\/span\u003ePediatric Cancer Scientist, President of the Scientific Committee of the International Society of Doctors for Environment (SCISDE)\u003c\/li\u003e\n\u003cli\u003eIGOR BELYAEV, \u003cspan\u003eDr. Sc. - \u003c\/span\u003eCancer Research Scientist Head, Laboratory of Radiobiology, Cancer Research Institute, BMC SA\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv class=\"page\" title=\"Page 13\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eLENNART HARDELL\u003c\/span\u003e\u003cspan\u003e, MD, PhD - \u003c\/span\u003eOncology Epidemiologist, Former Professor of Cancer Epidemiology, University Hospital Orebro, Sweden\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eACADEMIC REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Generation Zapped features interviews with experts from around the world to explore the societal and health issues with radio frequency radiation… the film raises important questions about radio frequency radiation that are worth discussing and warrant additional research.” \u003cem\u003e- Education Media Reviews Online, Brandon West, Social Sciences Librarian, \u003c\/em\u003eState\u003cem\u003e University of New York at Geneseo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cstrong\u003eFROM THE EXPERTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e\u003cspan\u003e“A wifi classroom is like the inside of a microwave oven set at very low power. Children are exposed to that wifi radiation six hours every school day, five days a week, and for several months during the year.”\u003cstrong\u003e - \u003c\/strong\u003e\u003cem\u003eMagda Havas, Associate Professor of Environmental and Resource Studies, Trent University, Canada\u003c\/em\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":112649699355,"title":"RIVERBLUE","handle":"river-blue-1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Roger Williams \u0026amp; David McIlvride\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNOT CURRENTLY AVAILABLE IN CANADA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 95 min, 52 min educational version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e\u003c\/strong\u003e English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes Closed Captioning\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies\u003c\/span\u003e  \u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/127290714\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSYNOPSIS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFollowing international river conservationist, Mark Angelo, RIVERBLUE spans the globe to infiltrate one of the world’s most pollutive industries, fashion. Narrated by clean water supporter Jason Priestley, this groundbreaking documentary examines the destruction of our rivers, its effect on humanity, and the solutions that inspire hope for a sustainable future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThrough harsh chemical manufacturing processes and the irresponsible disposal of toxic chemical waste, one of our favorite iconic products has destroyed rivers and impacted the lives of people who count on these waterways for their survival. RIVERBLUE brings awareness to the destruction of a some of the world’s most vital rivers through the manufacturing of our clothing, but will also act as a demand for significant change in the textile industry from the top fashion brands that can make a difference.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eVancouver International Film Festival – Nominated for the Impact\u003cstrong\u003e \u003c\/strong\u003eAward\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eSarasota Film Festival\u003c\/li\u003e\n\u003cli\u003eDC Environmental Film Festival in the Nation’s Capital\u003c\/li\u003e\n\u003cli\u003eWild \u0026amp; Scenic Film Festival, Nevada City\u003c\/li\u003e\n\u003cli\u003eVoices from the Waters, Bangalore, India   \u003c\/li\u003e\n\u003cli\u003eSan Francisco Green Film Festival\u003c\/li\u003e\n\u003cli\u003eSan Diego Film Festival\u003c\/li\u003e\n\u003cli\u003eReel Earth Film Festival, New Zealand\u003c\/li\u003e\n\u003cli\u003eThe London School of Economics and Political Science \u003c\/li\u003e\n\u003cli\u003eNigeria Fashion Revolution\u003c\/li\u003e\n\u003cli\u003eThe Climate Festival, Oslo\u003c\/li\u003e\n\u003cli\u003eVatavaran – International Environmental \u0026amp; Wildlife Film Festival, New Delhi\u003c\/li\u003e\n\u003cli\u003eTurkish Sustainable Living Film Festival\u003c\/li\u003e\n\u003cli\u003eCine’Eco, Portugal\u003c\/li\u003e\n\u003cli\u003eCaribbean Fashion \u0026amp; Arts Feature Festival, Trinidad\u003c\/li\u003e\n\u003cli\u003eFashion Film Festival, Tallinn, Estonia\u003c\/li\u003e\n\u003cli\u003eBerlin International Film Festival\u003c\/li\u003e\n\u003cli\u003eBorneo Eco Film Festival, Malaysia\u003c\/li\u003e\n\u003cli\u003eRaindance Film Festival, London, UK\u003c\/li\u003e\n\u003cli\u003ePatagonia Eco Film Festival, Argentina\u003c\/li\u003e\n\u003cli\u003ePlanet On Film Festival, Bogota, Columbia\u003c\/li\u003e\n\u003cli\u003eIran International Green Film Festival\u003c\/li\u003e\n\u003cli\u003eGreen Film Fest, Buenos Aires, Argentina\u003c\/li\u003e\n\u003cli\u003eFIDM, Los Angeles\u003c\/li\u003e\n\u003cli\u003eMadrid International Film Festival\u003c\/li\u003e\n\u003cli\u003eCalgary International Fashion Film Festival\u003c\/li\u003e\n\u003cli\u003eEarthxFilm Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e      ... +70 More Screenings Worldwide \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e\"Recommended\" by Video Librarian - Full Review\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003eJason Priestley narrates this documentary by Roger Williams and David McIlvride centered on the ghigh environmental cost of produing fashionable but inexpensive clothes like pre-distressed jeans. The film follows activist Mark Angelo as he visits various countries–India, China, Indonesia, Bangladesh, and locales in Africa–where tanneries and textile factories use toxic chemicals in garment production and pour the waste into rivers, resulting in severe pollution. Angelo talks with owners and workers who usually deny that processes they employ are doing ecological damnage, although the visual evidence indicates otherwise, as do witnesses who testify to the harmful impact that the pollutants have had on nearby residents, including children. Riverblue also includes interviews with some designers who were instrumental in concocting the chemical cocktails used in producing the clothing (and now regret the result), researchers who are devising safer (if more expensive) means of achieving the same effects and supporters of a Greenpeace campaign to detoxify polluted rivers. The question the film inevitably raises is whether consumers will be willing to spend more for clothes in order to protect the environment–laying down a challenge to viewers to join a crusade to save the planet. Presenting both the full-length version and a 52-minute abridgement, this is recommended.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2017-10-19T13:40:45-07:00","created_at":"2017-09-22T10:40:19-07:00","vendor":"Roger Williams","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1225144008731,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"RVB-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"RIVERBLUE - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-70,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1225144041499,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"RVB-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"RIVERBLUE - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-12,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1225144074267,"title":"Public Libraries (without PPR*)","option1":"Public Libraries (without PPR*)","option2":null,"option3":null,"sku":"RVB-P","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"RIVERBLUE - Public Libraries (without PPR*)","public_title":"Public Libraries (without PPR*)","options":["Public Libraries (without PPR*)"],"price":5000,"weight":91,"compare_at_price":null,"inventory_quantity":-22,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":5982316331035,"title":"Digital Site License (with PPR*)","option1":"Digital Site License (with PPR*)","option2":null,"option3":null,"sku":"RVB-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"RIVERBLUE - Digital Site License (with PPR*)","public_title":"Digital Site License (with PPR*)","options":["Digital Site License (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1315096690715,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"RVB-DD","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"RIVERBLUE - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/RiverBlue-DVD_cover.jpg?v=1506102165"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/RiverBlue-DVD_cover.jpg?v=1506102165","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Roger Williams \u0026amp; David McIlvride\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNOT CURRENTLY AVAILABLE IN CANADA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 95 min, 52 min educational version\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e\u003c\/strong\u003e English\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes Closed Captioning\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies\u003c\/span\u003e  \u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/127290714\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSYNOPSIS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFollowing international river conservationist, Mark Angelo, RIVERBLUE spans the globe to infiltrate one of the world’s most pollutive industries, fashion. Narrated by clean water supporter Jason Priestley, this groundbreaking documentary examines the destruction of our rivers, its effect on humanity, and the solutions that inspire hope for a sustainable future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThrough harsh chemical manufacturing processes and the irresponsible disposal of toxic chemical waste, one of our favorite iconic products has destroyed rivers and impacted the lives of people who count on these waterways for their survival. RIVERBLUE brings awareness to the destruction of a some of the world’s most vital rivers through the manufacturing of our clothing, but will also act as a demand for significant change in the textile industry from the top fashion brands that can make a difference.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSELECTED SCREENINGS \u0026amp; EVENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eVancouver International Film Festival – Nominated for the Impact\u003cstrong\u003e \u003c\/strong\u003eAward\u003c\/li\u003e\n\u003cli\u003eCleveland International Film Festival\u003c\/li\u003e\n\u003cli\u003eSarasota Film Festival\u003c\/li\u003e\n\u003cli\u003eDC Environmental Film Festival in the Nation’s Capital\u003c\/li\u003e\n\u003cli\u003eWild \u0026amp; Scenic Film Festival, Nevada City\u003c\/li\u003e\n\u003cli\u003eVoices from the Waters, Bangalore, India   \u003c\/li\u003e\n\u003cli\u003eSan Francisco Green Film Festival\u003c\/li\u003e\n\u003cli\u003eSan Diego Film Festival\u003c\/li\u003e\n\u003cli\u003eReel Earth Film Festival, New Zealand\u003c\/li\u003e\n\u003cli\u003eThe London School of Economics and Political Science \u003c\/li\u003e\n\u003cli\u003eNigeria Fashion Revolution\u003c\/li\u003e\n\u003cli\u003eThe Climate Festival, Oslo\u003c\/li\u003e\n\u003cli\u003eVatavaran – International Environmental \u0026amp; Wildlife Film Festival, New Delhi\u003c\/li\u003e\n\u003cli\u003eTurkish Sustainable Living Film Festival\u003c\/li\u003e\n\u003cli\u003eCine’Eco, Portugal\u003c\/li\u003e\n\u003cli\u003eCaribbean Fashion \u0026amp; Arts Feature Festival, Trinidad\u003c\/li\u003e\n\u003cli\u003eFashion Film Festival, Tallinn, Estonia\u003c\/li\u003e\n\u003cli\u003eBerlin International Film Festival\u003c\/li\u003e\n\u003cli\u003eBorneo Eco Film Festival, Malaysia\u003c\/li\u003e\n\u003cli\u003eRaindance Film Festival, London, UK\u003c\/li\u003e\n\u003cli\u003ePatagonia Eco Film Festival, Argentina\u003c\/li\u003e\n\u003cli\u003ePlanet On Film Festival, Bogota, Columbia\u003c\/li\u003e\n\u003cli\u003eIran International Green Film Festival\u003c\/li\u003e\n\u003cli\u003eGreen Film Fest, Buenos Aires, Argentina\u003c\/li\u003e\n\u003cli\u003eFIDM, Los Angeles\u003c\/li\u003e\n\u003cli\u003eMadrid International Film Festival\u003c\/li\u003e\n\u003cli\u003eCalgary International Fashion Film Festival\u003c\/li\u003e\n\u003cli\u003eEarthxFilm Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e      ... +70 More Screenings Worldwide \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e\"Recommended\" by Video Librarian - Full Review\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003eJason Priestley narrates this documentary by Roger Williams and David McIlvride centered on the ghigh environmental cost of produing fashionable but inexpensive clothes like pre-distressed jeans. The film follows activist Mark Angelo as he visits various countries–India, China, Indonesia, Bangladesh, and locales in Africa–where tanneries and textile factories use toxic chemicals in garment production and pour the waste into rivers, resulting in severe pollution. Angelo talks with owners and workers who usually deny that processes they employ are doing ecological damnage, although the visual evidence indicates otherwise, as do witnesses who testify to the harmful impact that the pollutants have had on nearby residents, including children. Riverblue also includes interviews with some designers who were instrumental in concocting the chemical cocktails used in producing the clothing (and now regret the result), researchers who are devising safer (if more expensive) means of achieving the same effects and supporters of a Greenpeace campaign to detoxify polluted rivers. The question the film inevitably raises is whether consumers will be willing to spend more for clothes in order to protect the environment–laying down a challenge to viewers to join a crusade to save the planet. Presenting both the full-length version and a 52-minute abridgement, this is recommended.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}

{"id":180179173403,"title":"The Borneo Case","handle":"the-borneo-case","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Erik Pauser \u0026amp; Dylan Williams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2017 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 90 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish Subtitles.  English Closed Captions.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Asian Studies, Anthropology\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/191973900\" width=\"640\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSYNOPSIS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Borneo Case\u003c\/i\u003e, documentary filmmakers Erik Pauser and Dylan Williams spend five years intimately following the trail of an unlikely group of activists whose aim is to investigate how profits from the illegal logging that has annihilated more than 90% of the Malaysian Borneo Rainforest, have been money laundered into property portfolios all around the world.\u003c\/p\u003e\n\u003cp\u003eThe group, made up of an exiled tribesman, a historian, an investigative journalist and a flamboyant DJ overcome death threats and intimidation in their efforts to unravel what has been dubbed “the Greatest Environmental Crime in History” (ex British Prime Minister Gordon Brown).\u003c\/p\u003e\n\u003cp\u003eOne of the weapons of the group is to start an illegal pirate radio station called Radio Free Sarawak. In a country where the government has complete control of the media, the radio station allows them for the first time to inform the people about what is really going on.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-10-18T14:06:05-07:00","created_at":"2017-10-10T10:28:15-07:00","vendor":"Erik Pauser","type":"DVD","tags":[],"price":5000,"price_min":5000,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":2490945011739,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"TBC-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Borneo Case - 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In a country where the government has complete control of the media, the radio station allows them for the first time to inform the people about what is really going on.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}