Unearthing Stories to Make a Difference

{"id":3543525851241,"title":"Letter from Masanjia","handle":"letters-from-masanjia","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Leon Lee\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 76\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eHuman Rights, Asian Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bKRavgm-KPY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\u003c\/div\u003e\n\u003cp\u003eLetter from Masanjia begins when mom of two, Julie Keith, finds an SOS note in a box of \"Made in China\" Halloween decorations from an Oregon Kmart. The Desperate note was written by a political prisoner named Sun Yi, from inside China's notorious Masanjia labor camp. On the crumpled page that travelled over 5000 miles, he details being jailed for his spiritual beliefs and how he is being subjected to torture and brainwashing tactics. His message goes viral and miraculously leads to the closure of China's entire labor camp system. But their story is far from over.\u003c\/p\u003e\n\u003cp\u003ePeabody-winning Canadian filmmaker Leon Lee is not welcome in his native country because of his prior films about China's human rights abuses. So, in Letter from Masanjia, he teaches Sun Yi to use camera equipment via Skype. For over a year, he secretly captures harrowing footage of his daily life as a human rights defender, leading up to his tense run from the Chinese authorities. Meanwhile, just outside Portland, Julie Keith is struggling with her own dilemmas as a mother newly embroiled in this cause. Together, these unlikely heroes expose China's ongoing persecution against millions whose ideology differs from the Chinese government.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelect Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanadian Screen Award Nomination: Ted Rogers Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eNominated for 6 Leo Awards: Best Documentary Feature, Best Direction, Best Editing, Best Writing, Best Sound, and Best Music\u003c\/p\u003e\n\u003cp\u003eCambridge Film Festival: Silver Punt Audience Award for Best Documentary\u003c\/p\u003e\n\u003cp\u003eSt. Louis International Film Festival: Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eBudapest International Documentary Festival Winner\u003c\/p\u003e\n\u003cp\u003eHot Docs: Top 20 Audience Favorite\u003c\/p\u003e\n\u003cp\u003eAmerican Asian International Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDoqumenta: Grand Jury Prize for International Documentary\u003c\/p\u003e\n\u003cp\u003eAtlanta Docufest: Audience Award\u003c\/p\u003e\n\u003cp\u003ePortland Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDocsMX: Jury Award for Breaking Doc\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A potent documentary... It's an important story, made more intense by its tight focus... well-told\" - \u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Amazing film... A powerful tale of human suffering, compassion and perseverance\" - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"You have to see this incredible story to believe it\" - \u003cem\u003ePOV Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An astonishing sequence of events.\" - \u003cem\u003eBBC World Service, Outlook\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-12T10:44:05-07:00","created_at":"2019-05-08T09:17:12-07:00","vendor":"Leon Lee","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":49500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28172696584297,"title":"University \u0026 College DVD (with PPR*)","option1":"University \u0026 College DVD (with PPR*)","option2":null,"option3":null,"sku":"LFM-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Letter from Masanjia - University \u0026 College DVD (with PPR*)","public_title":"University \u0026 College DVD (with PPR*)","options":["University \u0026 College DVD (with PPR*)"],"price":35000,"weight":91,"compare_at_price":null,"inventory_quantity":-81,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28172696617065,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"LFM-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Letter from Masanjia - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28172696682601,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"LFM-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Letter from Masanjia - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":45000,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28172696715369,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"LFM-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Letter from Masanjia - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":49500,"weight":91,"compare_at_price":null,"inventory_quantity":-5,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/LetterFromMasanjia_VODKeyArt_06_small_ae59f82c-d6a1-4051-b704-6755dbce7d0b.jpg?v=1557333287","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Letter_from_Masanjia_4.jpg?v=1557334400","\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Letter_from_Masanjia_6.jpg?v=1557334418"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/LetterFromMasanjia_VODKeyArt_06_small_ae59f82c-d6a1-4051-b704-6755dbce7d0b.jpg?v=1557333287","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Leon Lee\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 76\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eHuman Rights, Asian Studies, Multicultural Studies, Religion and Spirituality Studies, Sociology, Immigration and Refugees\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bKRavgm-KPY\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"paragraph\"\u003e\u003c\/div\u003e\n\u003cp\u003eLetter from Masanjia begins when mom of two, Julie Keith, finds an SOS note in a box of \"Made in China\" Halloween decorations from an Oregon Kmart. The Desperate note was written by a political prisoner named Sun Yi, from inside China's notorious Masanjia labor camp. On the crumpled page that travelled over 5000 miles, he details being jailed for his spiritual beliefs and how he is being subjected to torture and brainwashing tactics. His message goes viral and miraculously leads to the closure of China's entire labor camp system. But their story is far from over.\u003c\/p\u003e\n\u003cp\u003ePeabody-winning Canadian filmmaker Leon Lee is not welcome in his native country because of his prior films about China's human rights abuses. So, in Letter from Masanjia, he teaches Sun Yi to use camera equipment via Skype. For over a year, he secretly captures harrowing footage of his daily life as a human rights defender, leading up to his tense run from the Chinese authorities. Meanwhile, just outside Portland, Julie Keith is struggling with her own dilemmas as a mother newly embroiled in this cause. Together, these unlikely heroes expose China's ongoing persecution against millions whose ideology differs from the Chinese government.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelect Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanadian Screen Award Nomination: Ted Rogers Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eNominated for 6 Leo Awards: Best Documentary Feature, Best Direction, Best Editing, Best Writing, Best Sound, and Best Music\u003c\/p\u003e\n\u003cp\u003eCambridge Film Festival: Silver Punt Audience Award for Best Documentary\u003c\/p\u003e\n\u003cp\u003eSt. Louis International Film Festival: Best Feature Documentary\u003c\/p\u003e\n\u003cp\u003eBudapest International Documentary Festival Winner\u003c\/p\u003e\n\u003cp\u003eHot Docs: Top 20 Audience Favorite\u003c\/p\u003e\n\u003cp\u003eAmerican Asian International Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDoqumenta: Grand Jury Prize for International Documentary\u003c\/p\u003e\n\u003cp\u003eAtlanta Docufest: Audience Award\u003c\/p\u003e\n\u003cp\u003ePortland Film Festival: Audience Award\u003c\/p\u003e\n\u003cp\u003eDocsMX: Jury Award for Breaking Doc\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A potent documentary... It's an important story, made more intense by its tight focus... well-told\" - \u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Amazing film... A powerful tale of human suffering, compassion and perseverance\" - \u003cem\u003eLos Angeles Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"You have to see this incredible story to believe it\" - \u003cem\u003ePOV Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"An astonishing sequence of events.\" - \u003cem\u003eBBC World Service, Outlook\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":3534280491113,"title":"Double Take: The Art of Elizabeth King","handle":"double-take","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Olympia Stone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 61\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eArt, Art History\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/232393945?color=666666\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eDouble Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eFestivals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e Jury Prize Best Documentary Feature \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eSF DocFest 2018\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2019 Festival International du Film sur l'Art\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 RiverRun International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Berkshires International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 DocUtah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Footcandle Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Filmmaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Olympia_Stone_large.jpg?v=1556646279\" style=\"float: left; margin: 10px 25px 25px 10px;\"\u003eOlympia Stone is a filmmaker whose documentaries have won numerous festival awards and have been showcased nationally on PBS. Olympia’s films probe the motivations and personal histories of extraordinary artists as a way of providing insight into their work. Olympia’s most recent film, Double Take: The Art of Elizabeth King, won the Jury prize at the 2018 San Francisco DocFest.  Her short film, The Original Richard McMahan, premiered at the Tally Shorts Film Festival in January 2017 and won the Florida Favorite Award. In 2015, her documentary, Curious Worlds: The Art \u0026amp; Imagination of David Beck, premiered at the prestigious Full Frame Documentary Film Festival and aired on PBS in the fall of 2016. Olympia’s film about artist James Grashow, The Cardboard Bernini, was broadcast nationwide on PBS and won Best Documentary at the Art of Brooklyn Film Festival 2013. Her first independent film, The Collector: Allan Stone’s Life in Art (2007), chronicles the obsessive collecting of her father, a New York art world gallerist whose habits and prescient scouting shaped his life and the lives of many in his artfully cluttered orbit. Olympia is currently working on a documentary about the photorealist painter Richard Estes.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-06T14:37:01-07:00","created_at":"2019-04-30T10:28:52-07:00","vendor":"Andy Trimlett","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28124456681577,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"DTA-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Double Take: The Art of Elizabeth King - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-81,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28124456714345,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with 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License"],"price":29500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28124456812649,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"DTA-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Double Take: The Art of Elizabeth King - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-5,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Double_Take_Poster.png?v=1556646572"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/Double_Take_Poster.png?v=1556646572","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Olympia Stone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 61\u003cstrong\u003e \u003c\/strong\u003emin. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eIncludes English \u003c\/strong\u003eClosed Captioning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eArt, Art History\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/232393945?color=666666\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eDouble Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eFestivals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e Jury Prize Best Documentary Feature \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003eSF DocFest 2018\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2019 Festival International du Film sur l'Art\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 RiverRun International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Berkshires International Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 DocUtah\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e2018 Footcandle Film Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003eAbout the Filmmaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Olympia_Stone_large.jpg?v=1556646279\" style=\"float: left; margin: 10px 25px 25px 10px;\"\u003eOlympia Stone is a filmmaker whose documentaries have won numerous festival awards and have been showcased nationally on PBS. Olympia’s films probe the motivations and personal histories of extraordinary artists as a way of providing insight into their work. Olympia’s most recent film, Double Take: The Art of Elizabeth King, won the Jury prize at the 2018 San Francisco DocFest.  Her short film, The Original Richard McMahan, premiered at the Tally Shorts Film Festival in January 2017 and won the Florida Favorite Award. In 2015, her documentary, Curious Worlds: The Art \u0026amp; Imagination of David Beck, premiered at the prestigious Full Frame Documentary Film Festival and aired on PBS in the fall of 2016. Olympia’s film about artist James Grashow, The Cardboard Bernini, was broadcast nationwide on PBS and won Best Documentary at the Art of Brooklyn Film Festival 2013. Her first independent film, The Collector: Allan Stone’s Life in Art (2007), chronicles the obsessive collecting of her father, a New York art world gallerist whose habits and prescient scouting shaped his life and the lives of many in his artfully cluttered orbit. Olympia is currently working on a documentary about the photorealist painter Richard Estes.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"s1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Take: The Art of Elizabeth King engages the viewer in the work of sculptor and stop-action filmmaker Elizabeth King, who embarks on each new project by posing a single question to herself: “Can this be physically done?” Tracing King’s creative flow, curiosity and obsessive drive to solve the inevitable series of artistic and technical problems that arise in creating her disconcerting sculptures and animations, this documentary film explores King’s passion about the mind\/body riddle, the science of emotion, the human\/machine interface, and those things a robot will never be able to do.  From studio to exhibition, and in conversations with fellow artists, curators and critics, the film asks what looking at and seeing one another means in an increasingly mediated world.\"}' data-sheets-userformat='{\"2\":47553,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":0,\"11\":4,\"14\":[null,2,2236962],\"15\":\"Arial\",\"16\":12,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":3520108003433,"title":"The Need To Grow","handle":"the-need-to-grow","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Rob Herring \u0026amp; Ryan Wirick\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExecutive Produced \u0026amp; Narrated by:\u003c\/strong\u003e Rosario Dawson\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 97 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Agriculture, Science and Technology\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/263973790?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWith only 60 years of farmable soil left on Earth, \u003cem\u003eThe Need to Grow\u003c\/em\u003e offers an intimate look into the hearts of activists and innovators in the food movement. Follow an 8-year-old girl challenges the ethics of a beloved organization - a renegade farmer struggles to keep his land as he revolutionizes resource efficient agriculture - and an accomplished visionary investor faces catastrophe in the midst of developing a game-changing technology. Narrated by Rosario Dawson (Marvel's The Defenders, The Lego Batman Movie), discover alarming evidence on the importance of healthy soil - revealing not only the potential of localized food production working with nature but our opportunity as individuals to help regenerate our planet's dying soils and participate in the restoration of the earth.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAWARDS \u0026amp; ACCOLADES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cbr\u003eWINNER - Best Documentary, Sonoma International Festival\u003cbr\u003eWINNER - Best Environmental Documentary, Sedona International Festival\u003cbr\u003eWINNER - Audience Award Best Documentary Feature, Edmonton \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eInternational Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Audience Favorite, Philadelphia Environmental Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Best Documentary, Beaufort International Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE FILMMAKERS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2019-04-18_at_3.32.43_PM_medium.png?v=1555626804\" style=\"float: left; margin: 10px 25px 10px 10px;\"\u003e\u003cstrong\u003eRob Herring\u003c\/strong\u003e is a graduate of NYU where he received the Drama Award for Film \u0026amp; TV. He Co-Directed the award-winning comedy \u003c\/span\u003e\u003cspan\u003eNothing In Los Angeles\u003c\/span\u003e\u003cspan\u003e and produced \u003c\/span\u003e\u003cspan\u003eThe Relationtrip \u003c\/span\u003e\u003cspan\u003e(SXSW, Grand Jury Prize - Dallas International). As an activist, he headlined \u003c\/span\u003e\u003cspan\u003eRock For Nature\u003c\/span\u003e\u003cspan\u003e in Berlin, and his work has been featured with groups like Mercola.com, Alliance For Natural Health, Food Revolution Network, Label GMOs.org and more.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2019-04-18_at_3.32.54_PM_medium.png?v=1555626864\" style=\"float: left; margin: 10px 25px 10px 10px;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRyan Wirick\u003c\/strong\u003e is an award-winning writer and journalist, as well as a cinematographer and editor. He graduated from Chapman University with two Masters Degrees, where he received the William James Award and the John Fowles Award. As a journalist, he was given an OC Press Club Award. He's been making short films and videos since he was 13 years old.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2019-04-19T11:35:16-07:00","created_at":"2019-04-18T11:02:37-07:00","vendor":"Rob Herring","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28028497952873,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"TNTG-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Need To Grow - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-80,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28028497985641,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"TNTG-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"The Need To Grow - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-52,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28028498018409,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"TNTG-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"The Need To Grow - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28028498051177,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"TNTG-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Need To Grow - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TNTG_Website_Poster.png?v=1555610879"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/TNTG_Website_Poster.png?v=1555610879","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Rob Herring \u0026amp; Ryan Wirick\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExecutive Produced \u0026amp; Narrated by:\u003c\/strong\u003e Rosario Dawson\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 97 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eEnvironmental Studies, Agriculture, Science and Technology\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/263973790?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWith only 60 years of farmable soil left on Earth, \u003cem\u003eThe Need to Grow\u003c\/em\u003e offers an intimate look into the hearts of activists and innovators in the food movement. Follow an 8-year-old girl challenges the ethics of a beloved organization - a renegade farmer struggles to keep his land as he revolutionizes resource efficient agriculture - and an accomplished visionary investor faces catastrophe in the midst of developing a game-changing technology. Narrated by Rosario Dawson (Marvel's The Defenders, The Lego Batman Movie), discover alarming evidence on the importance of healthy soil - revealing not only the potential of localized food production working with nature but our opportunity as individuals to help regenerate our planet's dying soils and participate in the restoration of the earth.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAWARDS \u0026amp; ACCOLADES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cbr\u003eWINNER - Best Documentary, Sonoma International Festival\u003cbr\u003eWINNER - Best Environmental Documentary, Sedona International Festival\u003cbr\u003eWINNER - Audience Award Best Documentary Feature, Edmonton \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: #000000;\"\u003eInternational Film Festival\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Audience Favorite, Philadelphia Environmental Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eWINNER - Best Documentary, Beaufort International Film Festival\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE FILMMAKERS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cspan\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2019-04-18_at_3.32.43_PM_medium.png?v=1555626804\" style=\"float: left; margin: 10px 25px 10px 10px;\"\u003e\u003cstrong\u003eRob Herring\u003c\/strong\u003e is a graduate of NYU where he received the Drama Award for Film \u0026amp; TV. He Co-Directed the award-winning comedy \u003c\/span\u003e\u003cspan\u003eNothing In Los Angeles\u003c\/span\u003e\u003cspan\u003e and produced \u003c\/span\u003e\u003cspan\u003eThe Relationtrip \u003c\/span\u003e\u003cspan\u003e(SXSW, Grand Jury Prize - Dallas International). As an activist, he headlined \u003c\/span\u003e\u003cspan\u003eRock For Nature\u003c\/span\u003e\u003cspan\u003e in Berlin, and his work has been featured with groups like Mercola.com, Alliance For Natural Health, Food Revolution Network, Label GMOs.org and more.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2019-04-18_at_3.32.54_PM_medium.png?v=1555626864\" style=\"float: left; margin: 10px 25px 10px 10px;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRyan Wirick\u003c\/strong\u003e is an award-winning writer and journalist, as well as a cinematographer and editor. He graduated from Chapman University with two Masters Degrees, where he received the William James Award and the John Fowles Award. As a journalist, he was given an OC Press Club Award. He's been making short films and videos since he was 13 years old.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}

{"id":3520006848617,"title":"Monologues in the Artist's Studio","handle":"monologues-in-the-artists-studio","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Palu Abadia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 35 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eArt\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/166874113?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eAn intimate portrait of the acclaimed Chilean born, Brooklyn based artist and a master class on the creative process. From installations to public art, furniture to functional sculpture, shoes, and motorcycles, Errazuriz's work blurs the boundaries of art and design.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe film presents the artist and his process as a constant work in progress, asking viewers to pause and rethink every day, confront preconceptions, and look again.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\" mce-data-marked=\"1\"\u003eFestivals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - American Documentary Film Festival 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Salem Film Fest 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Master of Art Film Festival 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Asia Centum FilmFest 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eTestimonials \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Brilliant documentary about an even brighter subject, Sebastian Errazuriz, and his work are leaving a mark in the world of art and design with depth and humor.\" \u003cem\u003eMaria Brito - Art advisor\/curator.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sebastian Errazuriz is a power plant who makes masterful and inventive art at a fast pace. The director Palu Abadia gets close to this in her intelligent film. It is edited in a rhythm that matches the creative process perfectly.\" ​ \u003cem\u003eMaster of Art Film Festival Jury \/ Best documentary in Architecture and Design ​ \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"The film was A-MAZING. I loved it. So much. I am a huge fan of post-religious art, for one thing. The taxidermy duck lamps were also hilarious and cool. But his cabinet making!? My God. So. totally inspired...Beautifully shot, and well paced.\" ​ \u003cem\u003eMary Markham - Graphic Designer\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","published_at":"2019-04-29T09:02:01-07:00","created_at":"2019-04-18T10:13:50-07:00","vendor":"Paul Abadia","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28027738652777,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"MAS-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Monologues in the Artist's Studio - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-79,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28027738685545,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"MAS-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Monologues in the Artist's Studio - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-11,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28027738718313,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"MAS-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Monologues in the Artist's Studio - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":28027738751081,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"MAS-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Monologues in the Artist's Studio - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MAS-KeyArt.jpg?v=1555609255"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/MAS-KeyArt.jpg?v=1555609255","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" rel=\"noopener noreferrer\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Palu Abadia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 35 min\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eArt\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 56.25% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/166874113?title=0\u0026amp;byline=0\u0026amp;portrait=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eAn intimate portrait of the acclaimed Chilean born, Brooklyn based artist and a master class on the creative process. From installations to public art, furniture to functional sculpture, shoes, and motorcycles, Errazuriz's work blurs the boundaries of art and design.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eThe film presents the artist and his process as a constant work in progress, asking viewers to pause and rethink every day, confront preconceptions, and look again.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\" mce-data-marked=\"1\"\u003eFestivals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - American Documentary Film Festival 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Salem Film Fest 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Master of Art Film Festival 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eOfficial Selection - Asia Centum FilmFest 2017\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eTestimonials \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“Brilliant documentary about an even brighter subject, Sebastian Errazuriz, and his work are leaving a mark in the world of art and design with depth and humor.\" \u003cem\u003eMaria Brito - Art advisor\/curator.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sebastian Errazuriz is a power plant who makes masterful and inventive art at a fast pace. The director Palu Abadia gets close to this in her intelligent film. It is edited in a rhythm that matches the creative process perfectly.\" ​ \u003cem\u003eMaster of Art Film Festival Jury \/ Best documentary in Architecture and Design ​ \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"The film was A-MAZING. I loved it. So much. I am a huge fan of post-religious art, for one thing. The taxidermy duck lamps were also hilarious and cool. But his cabinet making!? My God. So. totally inspired...Beautifully shot, and well paced.\" ​ \u003cem\u003eMary Markham - Graphic Designer\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e"}

{"id":3517971529833,"title":"Modified (Home-Use DVD)","handle":"modified-home-use-dvd","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Aube Giroux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 educational release\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; French with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAccessibility: \u003c\/strong\u003eIncludes English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eDVD Plays in All Regions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eClick here to download the Electronic Press Kit\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eA Food Lover's Journey into GMOs...\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThis DVD comes in beautiful plastic-free eco-paperboard packaging and includes 6 bonus recipe videos.\u003c\/em\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290370562?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eFilmmaker Aube Giroux and her mother embark on a very personal and poignant investigative journey to find out why genetically modified organisms (GMOs) are not labeled on food products in the United States and Canada, despite being labeled in 64 countries around the world. Interweaving the personal and the political, the film is anchored in the filmmaker’s relationship to her mom, a gardener and food activist who battled cancer during the film's production. Their intimate mother-daughter quest for answers, fuelled by a shared love of food, reveals the extent to which the agribusiness industry controls our food policies, making a strong case for a more transparent and sustainable food system. A visual celebration of family legacy and the love of food, cooking, and gardening.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRAVE REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Modified is a very personal, tender, touching tribute to a great mom, and a well-researched, well-written, enlightening and powerful documentary!\" \u003cem\u003e- Chef Jacques Pépin\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Like Agnès Varda in The Gleaners and I, Giroux draws us into encounters with various people directly impacted by these (food) policies, exposing the agribusiness industry's control over our democratic institutions.\" \u003cem\u003e -  Journal Metro\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux strikes a beautiful balance between the personal and political with her debut feature film.\"\u003cem\u003e - The Coast Magazine\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Aube Giroux wanted to make a film about food but instead found herself making a film about democracy.\"\u003cem\u003e - Le Devoir\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"With such a weighty subject as its focus, it is a testament to Giroux’s deft story-telling that “Modified” is so compelling and compassionate, and that it can evoke such a range of emotions. For anyone who cares about what they put in their mouth, where it comes from and how it is produced — and I would like to think that is all of us — this film is a must-see. It is also beautiful beyond words.\" \u003cem\u003e -  Joan Baxter, Medium\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Modified is a love story, exploring the loving bond between a daughter and her mother; between a woman and her garden; a filmmaker and the food she cooks and the small, sustainable farms that produce it. It’s also about the regrettable loss of biodiversity, communities, small farms, and even small towns.\" -  Signe Langford, Harrowsmith Magazine \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAWARDS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNominated - 2019 James Beard Award\u003c\/li\u003e\n\u003cli\u003e*Winner* Award of Excellence, Rhode Island International Film Festival\u003c\/li\u003e\n\u003cli\u003e*Winner* Audience Choice Award - Lunenberg Doc Fest\u003c\/li\u003e\n\u003cli\u003eAudience Choice Award - Vermont International Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eBest Environmental Film - Chagrin Documentary Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eDr. Lamoureux Award for Excellence - Green Screen International Wildlife Film Festival (Germany) 2018\u003c\/li\u003e\n\u003cli\u003eBest French Canadian Film Award - Rendez-Vous Québec Cinéma 2018, Montreal\u003c\/li\u003e\n\u003cli\u003eAudience Choice Award - Festival international du cinéma des femmes Fort-Coulonge 2018\u003c\/li\u003e\n\u003cli\u003eAudience Choice Award - Festival international cinéma francophone Acadie (FICFA) 2017\u003c\/li\u003e\n\u003cli\u003eBest East Coast Filmmaker - Lunenburg Doc Fest 2017\u003c\/li\u003e\n\u003cli\u003eLéonard-Forest Award for best East Coast feature - FICFA 2017\u003c\/li\u003e\n\u003cli\u003eHonorable Mention, Best Feature - Devour the Food Film Fest 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSELECTIONS \u0026amp; SCREENINGS\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNational Canadian Broadcast - CBC\u003c\/li\u003e\n\u003cli\u003eSanta Barbara International Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival (Ashland, OR)\u003c\/li\u003e\n\u003cli\u003eMaine International Film Festival\u003c\/li\u003e\n\u003cli\u003ePlanet in Focus Film Festival (Toronto)\u003c\/li\u003e\n\u003cli\u003eSt. Louis International Film Festival\u003c\/li\u003e\n\u003cli\u003eNational Heirloom Expo, Santa Rosa, CA \u003c\/li\u003e\n\u003cli\u003eIowa Independent Film Festival -  Mason City, IA\u003c\/li\u003e\n\u003cli\u003eDOCUTAH - St. George, UT\u003c\/li\u003e\n\u003cli\u003eSonoma International Film Festival \u003c\/li\u003e\n\u003cli\u003eBuffalo International Film Festival \u003c\/li\u003e\n\u003cli\u003eKew Gardens Festival of Cinema\u003c\/li\u003e\n\u003cli\u003eReel East Texas Film Festival \u003c\/li\u003e\n\u003cli\u003eBarcelona Human Rights Film Festival (Spain)\u003c\/li\u003e\n\u003cli\u003eCinema Planeta - International Environmental Film Festival of Mexico \u003c\/li\u003e\n\u003cli\u003eGreen Screen International Wildlife Film Festival (Germany)\u003c\/li\u003e\n\u003cli\u003eChagrin Documentary Film Festival \u003c\/li\u003e\n\u003cli\u003eMiddlebury New Filmmakers Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eAtlanta DocuFest 2018\u003c\/li\u003e\n\u003cli\u003eBozcaada International Festival of Ecological Documentary (Turkey) 2018\u003c\/li\u003e\n\u003cli\u003eRegina International Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eVictoria Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eAtlantic International Film Festival 2017\u003c\/li\u003e\n\u003cli\u003eFestival international du cinéma francophone en Acadie 2017\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAnd grass-roots screening events around the world...\u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2018-09-17_at_2.22.26_PM_large.png?v=1537219393\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAube Giroux,\u003c\/b\u003e \u003cspan class=\"s2\"\u003eDirector | Producer | Editor (left)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003eAube Giroux is an award-winning documentary filmmaker, organic gardener, and food blogger who works on food, agriculture, and sustainability issues. She previously directed two documentaries for the National Film Board of Canada and several independent productions. Her work has been shown on CBC and at international film festivals. Aube is the creator of Kitchen Vignettes, an acclaimed farm-to-table food blog and online cooking show on PBS. The show received the 2012 Saveur Magazine Best Food Blog Award and is a two-time James Beard Award nominee. Aube holds an MFA in Film Production from York University. Modified is her first feature-length documentary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCamelia Frieberg,\u003c\/b\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003eExecutive and Co-Producer (right)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003eCamelia Frieberg is an award-winning film producer, director and a biodynamic farmer. She was the producer of Atom Egoyan's Oscar-nominated “The Sweet Hereafter” and “Exotica” and Jeremy Podeswa's “The Five Senses”. Camelia manages \u003ca href=\"http:\/\/www.watershedfarm.org\/\"\u003e\u003cspan class=\"s3\"\u003eWatershed Farm\u003c\/span\u003e\u003c\/a\u003e, a mixed livestock, vegetable, flower, herb and fruit farm on Nova Scotia's South Shore. She is a board member of USC Canada and proud mother of two.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMORE FROM THE PRESS...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"A love story about cooking and gardening - and the importance of regaining control over where our food comes from.\"\u003cem\u003e - Treehugger\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"A visually beautiful, informative foray into the facts about GMOs, efforts to have them labeled, and how individuals are protecting the choice—and quality—of what they eat. ...a paean to food—from seed to plant to crop, to transforming the harvest into culinary delights, to savoring the delectable creation. It’s mouth-watering, and rekindles appreciation of what nourishes our experience as living beings on a living earth.\" \u003cem\u003e- The Organic and Non-GMO Report\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux shone at the festival's closing gala, receiving the award for best East Coast feature film as well as the Audience Choice award for her film, Modified.\" \u003cem\u003e- Radio-Canada (CBC)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"In addition to the extensive scientific and political research she undertook, the filmmaker presents a moving and universal work.\" \u003cem\u003e- Acadie Nouvelle\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"We chose this film for the award because its auteur-led approach is steeped in candour and authenticity. Because it skillfully interweaves the political and the personal. And because of the urgency of the film's message that citizens must demand transparency from their governments.\" \u003cem\u003e- Lawrence Côté-Collins, jury member, FICFA\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-04-17T10:56:12-07:00","created_at":"2019-04-17T10:56:12-07:00","vendor":"Aube Giroux","type":"DVD","tags":[],"price":2499,"price_min":2499,"price_max":2499,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":28015128969321,"title":"Home-Use DVD","option1":"Home-Use DVD","option2":null,"option3":null,"sku":"MDF-H","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Modified (Home-Use DVD) - Home-Use DVD","public_title":"Home-Use DVD","options":["Home-Use DVD"],"price":2499,"weight":91,"compare_at_price":null,"inventory_quantity":-23,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/modified_dvd_sep11_copy_ca91b797-efc6-408e-b9cb-e77f8df76167.jpg?v=1555523774"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/modified_dvd_sep11_copy_ca91b797-efc6-408e-b9cb-e77f8df76167.jpg?v=1555523774","options":["License"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cb\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDirected by:\u003c\/strong\u003e Aube Giroux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2018 educational release\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eYear of Production:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e 87\u003cstrong\u003e \u003c\/strong\u003emin \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003e\u003c\/strong\u003eEnglish \u0026amp; French with English Subtitles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAccessibility: \u003c\/strong\u003eIncludes English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eDVD Plays in All Regions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eClick here to download the Electronic Press Kit\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eA Food Lover's Journey into GMOs...\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThis DVD comes in beautiful plastic-free eco-paperboard packaging and includes 6 bonus recipe videos.\u003c\/em\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/290370562?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"550\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eFilmmaker Aube Giroux and her mother embark on a very personal and poignant investigative journey to find out why genetically modified organisms (GMOs) are not labeled on food products in the United States and Canada, despite being labeled in 64 countries around the world. Interweaving the personal and the political, the film is anchored in the filmmaker’s relationship to her mom, a gardener and food activist who battled cancer during the film's production. Their intimate mother-daughter quest for answers, fuelled by a shared love of food, reveals the extent to which the agribusiness industry controls our food policies, making a strong case for a more transparent and sustainable food system. A visual celebration of family legacy and the love of food, cooking, and gardening.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRAVE REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Modified is a very personal, tender, touching tribute to a great mom, and a well-researched, well-written, enlightening and powerful documentary!\" \u003cem\u003e- Chef Jacques Pépin\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Like Agnès Varda in The Gleaners and I, Giroux draws us into encounters with various people directly impacted by these (food) policies, exposing the agribusiness industry's control over our democratic institutions.\" \u003cem\u003e -  Journal Metro\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux strikes a beautiful balance between the personal and political with her debut feature film.\"\u003cem\u003e - The Coast Magazine\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"Aube Giroux wanted to make a film about food but instead found herself making a film about democracy.\"\u003cem\u003e - Le Devoir\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"With such a weighty subject as its focus, it is a testament to Giroux’s deft story-telling that “Modified” is so compelling and compassionate, and that it can evoke such a range of emotions. For anyone who cares about what they put in their mouth, where it comes from and how it is produced — and I would like to think that is all of us — this film is a must-see. It is also beautiful beyond words.\" \u003cem\u003e -  Joan Baxter, Medium\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Modified is a love story, exploring the loving bond between a daughter and her mother; between a woman and her garden; a filmmaker and the food she cooks and the small, sustainable farms that produce it. It’s also about the regrettable loss of biodiversity, communities, small farms, and even small towns.\" -  Signe Langford, Harrowsmith Magazine \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eAWARDS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNominated - 2019 James Beard Award\u003c\/li\u003e\n\u003cli\u003e*Winner* Award of Excellence, Rhode Island International Film Festival\u003c\/li\u003e\n\u003cli\u003e*Winner* Audience Choice Award - Lunenberg Doc Fest\u003c\/li\u003e\n\u003cli\u003eAudience Choice Award - Vermont International Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eBest Environmental Film - Chagrin Documentary Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eDr. Lamoureux Award for Excellence - Green Screen International Wildlife Film Festival (Germany) 2018\u003c\/li\u003e\n\u003cli\u003eBest French Canadian Film Award - Rendez-Vous Québec Cinéma 2018, Montreal\u003c\/li\u003e\n\u003cli\u003eAudience Choice Award - Festival international du cinéma des femmes Fort-Coulonge 2018\u003c\/li\u003e\n\u003cli\u003eAudience Choice Award - Festival international cinéma francophone Acadie (FICFA) 2017\u003c\/li\u003e\n\u003cli\u003eBest East Coast Filmmaker - Lunenburg Doc Fest 2017\u003c\/li\u003e\n\u003cli\u003eLéonard-Forest Award for best East Coast feature - FICFA 2017\u003c\/li\u003e\n\u003cli\u003eHonorable Mention, Best Feature - Devour the Food Film Fest 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSELECTIONS \u0026amp; SCREENINGS\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eNational Canadian Broadcast - CBC\u003c\/li\u003e\n\u003cli\u003eSanta Barbara International Film Festival\u003c\/li\u003e\n\u003cli\u003eAshland Independent Film Festival (Ashland, OR)\u003c\/li\u003e\n\u003cli\u003eMaine International Film Festival\u003c\/li\u003e\n\u003cli\u003ePlanet in Focus Film Festival (Toronto)\u003c\/li\u003e\n\u003cli\u003eSt. Louis International Film Festival\u003c\/li\u003e\n\u003cli\u003eNational Heirloom Expo, Santa Rosa, CA \u003c\/li\u003e\n\u003cli\u003eIowa Independent Film Festival -  Mason City, IA\u003c\/li\u003e\n\u003cli\u003eDOCUTAH - St. George, UT\u003c\/li\u003e\n\u003cli\u003eSonoma International Film Festival \u003c\/li\u003e\n\u003cli\u003eBuffalo International Film Festival \u003c\/li\u003e\n\u003cli\u003eKew Gardens Festival of Cinema\u003c\/li\u003e\n\u003cli\u003eReel East Texas Film Festival \u003c\/li\u003e\n\u003cli\u003eBarcelona Human Rights Film Festival (Spain)\u003c\/li\u003e\n\u003cli\u003eCinema Planeta - International Environmental Film Festival of Mexico \u003c\/li\u003e\n\u003cli\u003eGreen Screen International Wildlife Film Festival (Germany)\u003c\/li\u003e\n\u003cli\u003eChagrin Documentary Film Festival \u003c\/li\u003e\n\u003cli\u003eMiddlebury New Filmmakers Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eAtlanta DocuFest 2018\u003c\/li\u003e\n\u003cli\u003eBozcaada International Festival of Ecological Documentary (Turkey) 2018\u003c\/li\u003e\n\u003cli\u003eRegina International Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eVictoria Film Festival 2018\u003c\/li\u003e\n\u003cli\u003eAtlantic International Film Festival 2017\u003c\/li\u003e\n\u003cli\u003eFestival international du cinéma francophone en Acadie 2017\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAnd grass-roots screening events around the world...\u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screen_Shot_2018-09-17_at_2.22.26_PM_large.png?v=1537219393\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eBOOK THE FILMMAKER AT YOUR EVENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAube Giroux,\u003c\/b\u003e \u003cspan class=\"s2\"\u003eDirector | Producer | Editor (left)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"float: left;\"\u003e\u003cspan class=\"s1\"\u003eAube Giroux is an award-winning documentary filmmaker, organic gardener, and food blogger who works on food, agriculture, and sustainability issues. She previously directed two documentaries for the National Film Board of Canada and several independent productions. Her work has been shown on CBC and at international film festivals. Aube is the creator of Kitchen Vignettes, an acclaimed farm-to-table food blog and online cooking show on PBS. The show received the 2012 Saveur Magazine Best Food Blog Award and is a two-time James Beard Award nominee. Aube holds an MFA in Film Production from York University. Modified is her first feature-length documentary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eCamelia Frieberg,\u003c\/b\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003eExecutive and Co-Producer (right)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s2\"\u003eCamelia Frieberg is an award-winning film producer, director and a biodynamic farmer. She was the producer of Atom Egoyan's Oscar-nominated “The Sweet Hereafter” and “Exotica” and Jeremy Podeswa's “The Five Senses”. Camelia manages \u003ca href=\"http:\/\/www.watershedfarm.org\/\"\u003e\u003cspan class=\"s3\"\u003eWatershed Farm\u003c\/span\u003e\u003c\/a\u003e, a mixed livestock, vegetable, flower, herb and fruit farm on Nova Scotia's South Shore. She is a board member of USC Canada and proud mother of two.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMORE FROM THE PRESS...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\"A love story about cooking and gardening - and the importance of regaining control over where our food comes from.\"\u003cem\u003e - Treehugger\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\"A visually beautiful, informative foray into the facts about GMOs, efforts to have them labeled, and how individuals are protecting the choice—and quality—of what they eat. ...a paean to food—from seed to plant to crop, to transforming the harvest into culinary delights, to savoring the delectable creation. It’s mouth-watering, and rekindles appreciation of what nourishes our experience as living beings on a living earth.\" \u003cem\u003e- The Organic and Non-GMO Report\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Aube Giroux shone at the festival's closing gala, receiving the award for best East Coast feature film as well as the Audience Choice award for her film, Modified.\" \u003cem\u003e- Radio-Canada (CBC)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"In addition to the extensive scientific and political research she undertook, the filmmaker presents a moving and universal work.\" \u003cem\u003e- Acadie Nouvelle\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"We chose this film for the award because its auteur-led approach is steeped in candour and authenticity. Because it skillfully interweaves the political and the personal. And because of the urgency of the film's message that citizens must demand transparency from their governments.\" \u003cem\u003e- Lawrence Côté-Collins, jury member, FICFA\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp class=\"textbox\" dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":2448187490409,"title":"Healing the Healers","handle":"healing-the-healers","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Kirsten Kelly\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  102 min. each (5 segments, approx. 20 min. each.) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eReligion and Spirituality, Psychology, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"mailto:info@collectiveeye.org\"\u003e\u003cspan\u003e\u003cstrong\u003eClick here to inquire about the Educational Discussion Guide\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who Heals the Healers?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/329179815?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who heals the healers? \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHealing the Healers is a new resource intended to support clergy, laity, social workers, first responders and other spiritual care providers facing community-level trauma. The five-part film series is accompanied by written reflections and discussion guides written by scholars, clergy and other experts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the series, Reverend Matthew Crebbin, of Newtown Congregational Church, leads an important conversation with faith leaders who’ve experienced mass trauma, either suddenly, as at Newtown or during 9\/11, or through ministering to a community facing chronic violence, such as Hartford, CT, or St. Louis, MO. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE EPISODES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cstrong\u003eNewtown Faith Leaders Unite in Tragedy\u003c\/strong\u003e\u003cbr\u003eReverend Matthew Crebbin talks with fellow Newtown clergy Rabbi Shaul Praver and Reverend Mel Kawakami about their experiences as faith leaders during and after the Sandy Hook School Shooting. They talk about the steps they’ve taken toward healing, and how the trauma and its impact on their lives, faith, and work continues on.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLooking Ahead and Moving Forward\u003c\/strong\u003e\u003cbr\u003eExpanding on the conversation he began in the first episode,  Reverend Crebbin talks with another Newtown colleague, Reverend Kathie Adams-Shepherd, formerly of Newtown Episcopal Church, about her healing journey since the Sandy Hook School Shooting. Reverend Adams-Shepherd discusses maintaining faith in the face of tragedy, and talks about how her experience in Newtown prepared her to serve her new community.  Reverend Adams-Shepherd is currently Dean at Christ Church Cathedral in downtown St. Louis, where she ministers to communities (inner-city St. Louis and Ferguson) that face ongoing trauma in the form of chronic gun violence. \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePastoring in a Community That Faces Continual Trauma\u003cbr\u003e\u003c\/strong\u003eReverend Crebbin continues the conversation about chronic gun violence as he speaks with Pastor Samuel Saylor, Sr., Senior Pastor of Gardner Memorial AME Zion Church, and Pastor Henry Brown, of Hope Street Ministries and Mothers Against Violence of Hartford, CT. Pastors Saylor and Brown both have personal connections to trauma that they discuss with Reverend Crebbin. , and in this episode, they describe how they cope with the chronic stress, both mental and physical, that can result from ministering to a community re-traumatized continually by gun violence.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eHeartbreak\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eand Hope 20 Years After Tragedy\u003c\/strong\u003e\u003cbr\u003eFather Basil O’Sullivan is the parish priest in Dunblane, Scotland, which, in 1996, was the site of a shooting at a primary school that killed sixteen children and one teacher. It remains the deadliest mass shooting in Great Britain thus far.  Father O’Sullivan reached out to the Sandy Hook community after the shooting. Here, he talks with Reverend Crebbin about his experience as a faith leader, Dunblane’s journey of healing through the past twenty years, and what issues may arise for faith leaders as the acute grief of the initial trauma gives way to mourning over the long term.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFaith Leaders As First \u0026amp; Second Responders\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBefore Cantor Michael Shochet, a Senior Clergy at Temple Rodef Shalom in\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFalls Church,\u003c\/span\u003e\u003cspan\u003e VA, was ordained, he was a police officer in Baltimore who experienced the trauma of his partner being shot in front of him. Today, in addition to serving his congregation, he also leads the Police Chaplain unit for\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFairfax County, VA\u003c\/span\u003e\u003cspan\u003e. He has been on call during such traumas as the Pentagon terror attack on 9\/11, the Washington Sniper shootings, and many local traumas related to gun violence and terror attacks. Cantor Shochet and Reverend Crebbin discuss the similarities between Police and Faith Leaders as responders to tragedy, the importance of self-care for faith leaders in the aftermath of trauma, the possibility of being re-traumatized when similar events, like the Parkland shooting, occur, and the uses of sacred rituals and theology in the midst of such events.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWHAT PROFESSORS ARE SAYING\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e‘The ‘Healing the Healers’ series of documentaries on the interfaith response to the shootings in Newtown, CT, are an invaluable resource in theological education. They delve into the lived experience of clergy on the ground, in a respectful, compelling, and informative way, which enables the future clergy to learn from those who have walked this path before.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis window into the valley of the shadow of death is a sacred witness to both the pain and grace of being at the site of a disaster.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThank you, Odyssey, this is a resource I cannot recommend enough.’ \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e- \u003c\/span\u003eThe Reverend Dr. Willard Walden Christopher Ashley, Sr., MDiv., DMin., SCP,\u003cb\u003e \u003c\/b\u003eVice President for Strategic Institutional Initiatives, Associate Professor of Practical Theology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e“Healing the Healers looks at the ongoing experiences not just in the first year after collective loss - but in the subsequent years, the year two, year five, and so forth and also how the impacts of collective loss changes who you are as a person and who you are in your profession.” \u003cem\u003e- \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s2\"\u003eRev. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eDr. Kate Wiebe,\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eExecutive Director of Institute for Collective Trauma and Growth\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSTUDENT RESPONSES\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This series is phenomenal! Thank you for making it possible for us to hear these stories (and raw emotion) that we wouldn't otherwise have access to.” - \u003c\/span\u003eCalvin Theological Seminary Student \u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“It really hit me when the Pastor said, \"We have to be brave enough to show we break, too.\" - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“I really appreciated this resource in my training as a Pastor. And I appreciated the hope this series provided.” - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This project is an exceptional resource for caregivers, faith communities, and theological education, and is long overdue.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt provides deep insight into the pain incurred by pastors as they endeavor to care for the broken and wounded. This documentary gives pastors permission to hurt, cry, and seek healing for themselves.” - \u003c\/span\u003e\u003cem\u003eDr. Danjuma Gibson, \u003cspan class=\"s1\"\u003eAssociate Professor of Pastoral Care, \u003c\/span\u003e\u003cspan class=\"s1\"\u003eCalvin Theological Seminary\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE DIRECTOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKirsten Kelly \u003c\/span\u003e\u003cspan class=\"font9\"\u003eis an Emmy Award-winning documentary filmmaker and the Senior Producer for Transform Films and Odyssey Impact where she oversees development and production of long-and short-form documentaries. Currently, Kelly is directing\/producing two new documentary film projects: Salaam Shalom: Muslim and Jewish Women Unite Against Hate, and Healing the Healers media project, which supports faith leaders during moments of mass community trauma. Her Emmy-winning feature documentary, The Homestretch—about homeless high school students in Chicago Public Schools—was co-produced with Kartemquin Films and broadcast on PBS Independent Lens as part of the American Graduate Initiative. Other film projects include the award-winning Asparagus! Stalking the American Life and the upcoming The Girl With the Rivet Gun, an animated new media project about Rosie the Riveter.\u003cbr\u003e\u003cbr\u003eKelly’s work has been supported by ITVS, CPB, AmDoc, the MacArthur Foundation, the Sundance Institute, the Fledgling Fund, Chicken and Egg, Good Pitch, and Bertha Foundation\/Brit Docs. The National Runaway Safeline awarded her the 2015 Spirit of Youth Award for her advocacy work supporting homeless youth surrounding The Homestretch Impact Campaign. Kelly is also a theatre director and arts educator and was awarded the President’s 2014 Award for Youth Programs in the Arts \u0026amp; Humanities, is a Fellow at the Sundance Documentary Institute, and a graduate of the Master’s Directing program at The Juilliard School.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-04-08T12:52:50-07:00","created_at":"2019-03-27T13:21:59-07:00","vendor":"Kristen Kelly","type":"DVD","tags":[],"price":12500,"price_min":12500,"price_max":45000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":21857379614825,"title":"University \u0026 College (with PPR*)","option1":"University \u0026 College (with PPR*)","option2":null,"option3":null,"sku":"HTH-U","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Healing the Healers - University \u0026 College (with PPR*)","public_title":"University \u0026 College (with PPR*)","options":["University \u0026 College (with PPR*)"],"price":29500,"weight":91,"compare_at_price":null,"inventory_quantity":-60,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21857379647593,"title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option1":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","option2":null,"option3":null,"sku":"HTH-K","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Healing the Healers - K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","public_title":"K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)","options":["K-­12, Public Libraries, Non-­Profits \u0026 Government (with PPR*)"],"price":12500,"weight":91,"compare_at_price":null,"inventory_quantity":-7,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21857379680361,"title":"Digital Site License","option1":"Digital Site License","option2":null,"option3":null,"sku":"HTH-D","requires_shipping":false,"taxable":false,"featured_image":null,"available":true,"name":"Healing the Healers - Digital Site License","public_title":"Digital Site License","options":["Digital Site License"],"price":39500,"weight":408687,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":21857379713129,"title":"DVD + DSL (w\/ PPR)","option1":"DVD + DSL (w\/ PPR)","option2":null,"option3":null,"sku":"HTH-DD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Healing the Healers - DVD + DSL (w\/ PPR)","public_title":"DVD + DSL (w\/ PPR)","options":["DVD + DSL (w\/ PPR)"],"price":45000,"weight":91,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HTH_Full_Resolution_Portrait.jpg?v=1554752922"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/products\/HTH_Full_Resolution_Portrait.jpg?v=1554752922","options":["Size"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/host-a-screening\" target=\"_blank\" title=\"Community Screenings Form\" style=\"color: #ff0000;\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0133\/2562\/files\/Screening_large.png?13468160472198309702\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirected by:\u003c\/strong\u003e Kirsten Kelly\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReleased:\u003c\/strong\u003e 2019 (educational)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eRunning Time:\u003c\/strong\u003e  102 min. each (5 segments, approx. 20 min. each.) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubtitle Options:\u003c\/strong\u003e English Closed Captions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eSubjects: \u003c\/strong\u003eReligion and Spirituality, Psychology, Physical and Mental Health\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"mailto:info@collectiveeye.org\"\u003e\u003cspan\u003e\u003cstrong\u003eClick here to inquire about the Educational Discussion Guide\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who Heals the Healers?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/329179815?color=ffffff\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"500\" height=\"360\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eWhen mass trauma strikes, faith leaders are called upon to guide and sustain communities through the aftermath. Their role is to help us heal. But who heals the healers? \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHealing the Healers is a new resource intended to support clergy, laity, social workers, first responders and other spiritual care providers facing community-level trauma. The five-part film series is accompanied by written reflections and discussion guides written by scholars, clergy and other experts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the series, Reverend Matthew Crebbin, of Newtown Congregational Church, leads an important conversation with faith leaders who’ve experienced mass trauma, either suddenly, as at Newtown or during 9\/11, or through ministering to a community facing chronic violence, such as Hartford, CT, or St. Louis, MO. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eABOUT THE EPISODES\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"float: left;\"\u003e\n\u003cstrong\u003eNewtown Faith Leaders Unite in Tragedy\u003c\/strong\u003e\u003cbr\u003eReverend Matthew Crebbin talks with fellow Newtown clergy Rabbi Shaul Praver and Reverend Mel Kawakami about their experiences as faith leaders during and after the Sandy Hook School Shooting. They talk about the steps they’ve taken toward healing, and how the trauma and its impact on their lives, faith, and work continues on.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLooking Ahead and Moving Forward\u003c\/strong\u003e\u003cbr\u003eExpanding on the conversation he began in the first episode,  Reverend Crebbin talks with another Newtown colleague, Reverend Kathie Adams-Shepherd, formerly of Newtown Episcopal Church, about her healing journey since the Sandy Hook School Shooting. Reverend Adams-Shepherd discusses maintaining faith in the face of tragedy, and talks about how her experience in Newtown prepared her to serve her new community.  Reverend Adams-Shepherd is currently Dean at Christ Church Cathedral in downtown St. Louis, where she ministers to communities (inner-city St. Louis and Ferguson) that face ongoing trauma in the form of chronic gun violence. \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePastoring in a Community That Faces Continual Trauma\u003cbr\u003e\u003c\/strong\u003eReverend Crebbin continues the conversation about chronic gun violence as he speaks with Pastor Samuel Saylor, Sr., Senior Pastor of Gardner Memorial AME Zion Church, and Pastor Henry Brown, of Hope Street Ministries and Mothers Against Violence of Hartford, CT. Pastors Saylor and Brown both have personal connections to trauma that they discuss with Reverend Crebbin. , and in this episode, they describe how they cope with the chronic stress, both mental and physical, that can result from ministering to a community re-traumatized continually by gun violence.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eHeartbreak\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eand Hope 20 Years After Tragedy\u003c\/strong\u003e\u003cbr\u003eFather Basil O’Sullivan is the parish priest in Dunblane, Scotland, which, in 1996, was the site of a shooting at a primary school that killed sixteen children and one teacher. It remains the deadliest mass shooting in Great Britain thus far.  Father O’Sullivan reached out to the Sandy Hook community after the shooting. Here, he talks with Reverend Crebbin about his experience as a faith leader, Dunblane’s journey of healing through the past twenty years, and what issues may arise for faith leaders as the acute grief of the initial trauma gives way to mourning over the long term.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFaith Leaders As First \u0026amp; Second Responders\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBefore Cantor Michael Shochet, a Senior Clergy at Temple Rodef Shalom in\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFalls Church,\u003c\/span\u003e\u003cspan\u003e VA, was ordained, he was a police officer in Baltimore who experienced the trauma of his partner being shot in front of him. Today, in addition to serving his congregation, he also leads the Police Chaplain unit for\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eFairfax County, VA\u003c\/span\u003e\u003cspan\u003e. He has been on call during such traumas as the Pentagon terror attack on 9\/11, the Washington Sniper shootings, and many local traumas related to gun violence and terror attacks. Cantor Shochet and Reverend Crebbin discuss the similarities between Police and Faith Leaders as responders to tragedy, the importance of self-care for faith leaders in the aftermath of trauma, the possibility of being re-traumatized when similar events, like the Parkland shooting, occur, and the uses of sacred rituals and theology in the midst of such events.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWHAT PROFESSORS ARE SAYING\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e‘The ‘Healing the Healers’ series of documentaries on the interfaith response to the shootings in Newtown, CT, are an invaluable resource in theological education. They delve into the lived experience of clergy on the ground, in a respectful, compelling, and informative way, which enables the future clergy to learn from those who have walked this path before.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThis window into the valley of the shadow of death is a sacred witness to both the pain and grace of being at the site of a disaster.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eThank you, Odyssey, this is a resource I cannot recommend enough.’ \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e- \u003c\/span\u003eThe Reverend Dr. Willard Walden Christopher Ashley, Sr., MDiv., DMin., SCP,\u003cb\u003e \u003c\/b\u003eVice President for Strategic Institutional Initiatives, Associate Professor of Practical Theology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e“Healing the Healers looks at the ongoing experiences not just in the first year after collective loss - but in the subsequent years, the year two, year five, and so forth and also how the impacts of collective loss changes who you are as a person and who you are in your profession.” \u003cem\u003e- \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s2\"\u003eRev. \u003c\/span\u003e\u003cspan class=\"s1\"\u003eDr. Kate Wiebe,\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eExecutive Director of Institute for Collective Trauma and Growth\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSTUDENT RESPONSES\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This series is phenomenal! Thank you for making it possible for us to hear these stories (and raw emotion) that we wouldn't otherwise have access to.” - \u003c\/span\u003eCalvin Theological Seminary Student \u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“It really hit me when the Pastor said, \"We have to be brave enough to show we break, too.\" - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e“I really appreciated this resource in my training as a Pastor. And I appreciated the hope this series provided.” - \u003c\/i\u003e\u003c\/span\u003eCalvin Theological Seminary Student\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e“This project is an exceptional resource for caregivers, faith communities, and theological education, and is long overdue.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIt provides deep insight into the pain incurred by pastors as they endeavor to care for the broken and wounded. This documentary gives pastors permission to hurt, cry, and seek healing for themselves.” - \u003c\/span\u003e\u003cem\u003eDr. Danjuma Gibson, \u003cspan class=\"s1\"\u003eAssociate Professor of Pastoral Care, \u003c\/span\u003e\u003cspan class=\"s1\"\u003eCalvin Theological Seminary\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eABOUT THE DIRECTOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKirsten Kelly \u003c\/span\u003e\u003cspan class=\"font9\"\u003eis an Emmy Award-winning documentary filmmaker and the Senior Producer for Transform Films and Odyssey Impact where she oversees development and production of long-and short-form documentaries. Currently, Kelly is directing\/producing two new documentary film projects: Salaam Shalom: Muslim and Jewish Women Unite Against Hate, and Healing the Healers media project, which supports faith leaders during moments of mass community trauma. Her Emmy-winning feature documentary, The Homestretch—about homeless high school students in Chicago Public Schools—was co-produced with Kartemquin Films and broadcast on PBS Independent Lens as part of the American Graduate Initiative. Other film projects include the award-winning Asparagus! Stalking the American Life and the upcoming The Girl With the Rivet Gun, an animated new media project about Rosie the Riveter.\u003cbr\u003e\u003cbr\u003eKelly’s work has been supported by ITVS, CPB, AmDoc, the MacArthur Foundation, the Sundance Institute, the Fledgling Fund, Chicken and Egg, Good Pitch, and Bertha Foundation\/Brit Docs. The National Runaway Safeline awarded her the 2015 Spirit of Youth Award for her advocacy work supporting homeless youth surrounding The Homestretch Impact Campaign. Kelly is also a theatre director and arts educator and was awarded the President’s 2014 Award for Youth Programs in the Arts \u0026amp; Humanities, is a Fellow at the Sundance Documentary Institute, and a graduate of the Master’s Directing program at The Juilliard School.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.collectiveeye.org\/pages\/screenings\"\u003eHost a Screening and Book the Filmmaker at your Event\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cblockquote class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"pageContainer1\" data-page-number=\"1\" data-loaded=\"true\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-canvas-width=\"745.4456470588237\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}